Groucho, Harpo, Chico and Sometimes Zeppo: A History of the Marx Brothers and a Satire on the Rest of the World

    Moving Pictures is his fascinating remembrance of growing up amidst the glamour, swank, courage, triumphs, defeats, cabals, and double-crosses of an industry in the making. His utterly candid account includes unsparing portraits of outsized characters in all their power, venality, charm, pettiness, and vindictiveness. As a book on the early days of the movies in Hollywood, this one is hard to beat. Abundantly illustrated with black-and-white photographs.

    Scott Berg tells the life story of Samuel Goldwyn, as rich with drama as any feature-length epic, and as compelling as the history of Hollywood itself.

    He’s climbed all the way to head of production at newly merged Metro-Goldwyn-Mayer and is determined to transform Leo the Lion into an icon of the most successful studio in town.The harder he works, the higher he soars. But at what cost? The more he achieves, the closer he risks flying into oblivion. A frail and faulty heart shudders inside this chest that blazes with ambition. Thalberg knows that his charmed life at the top of the Hollywood heap is a dangerous tightrope walk: each day—each breath, even—could be his last. Shooting for success means risking his health, friendships, everything. Yet, against all odds, the man no one thought would survive into adulthood almost single-handedly ushers in a new era of filmmaking.This is Hollywood at its most daring and opulent—the Sunset Strip, premieres at Grauman’s Chinese Theatre, stars like Clark Gable, Greta Garbo, Jean Harlow, Joan Crawford—and Irving is at the center of it all.From the author of the Hollywood’s Garden of Allah novels comes a mesmerizing true-life story of the man behind Golden Age mythmaking: Irving Thalberg, the prince of Tinseltown.Martin Turnbull's Hollywood’s Garden of Allah novels have been optioned for the screen by film & television producer, Tabrez Noorani.

    Some of the country s finest theatre and film talents all at key stages in their careers participated in its creation, but the journey was anything but smooth. Among other things, it involved bumping off disco killers and talking gorillas, finding air-conditioned rooms for dead rats, persuading a respected actor to stop sulking and eat his meals, and resisting the temptation to introduce logic into a madcap script. In the end, it was worth it.Kundan Shah s Jaane Bhi Do Yaaro is now a byword for the sort of absurdist, satirical humour that Hindi cinema just hasn t seen enough of. This is the story of how it came to be despite incredible odds and what it might have been. Jai Arjun Singh s engaging take on the making of the film and its cult following is as entertaining as the film itself.

    From his early days as a taxi dancer in New York City to his near apotheosis as the ultimate Hollywood heartthrob, Rudolph Valentino (often to his distress) occupied a space squarely at the center of controversy. In this thoughtful retelling of Valentino' s short and tragic life–the first fully documented biography of the star–Emily W. Leider looks at the Great Lover' s life and legacy, and explores the events and issues that made him emblematic of the Jazz Age. Valentino's androgynous sexuality was a lightning rod for fiery and contradictory impulses that ran the gamut from swooning adoration to lashing resentment. He was reviled in the press for being too feminine for a man; yet he also brought to the screen the alluring, savage lover who embodied women's darker, forbidden sexual fantasies.In tandem, Leider explores notions of the outsider in American culture as represented by Valentino's experience as an immigrant who became a celebrity. As the silver screen's first dark-skinned romantic hero, Valentino helped to redefine and broaden American masculine ideals, ultimately coming to represent a graceful masculinity that trumped the deeply ingrained status quo of how a man could look and act.

    Now, drawing on new interviews, current research, and previously inaccessible archives, Ed Sikov offers endlessly entertaining portrait of one of this centurys most influential directors and screenwriters.

    School glee club and amateur singing contests soon gave way to the albums of Ray Charles and Little Richard. That raw R&B influence would profoundly shape Medley’s musical future.As the pioneering “blue-eyed soul” group the Righteous Brothers, Bill Medley and late partner Bobby Hatfield sang such huge hits as “(You’re My) Soul and Inspiration,” “Unchained Melody,” and “You’ve Lost That Lovin’ Feelin’,” the latter recognized by BMI as the most-played song of the twentieth century. Medley’s duet with Jennifer Warnes for the Dirty Dancing soundtrack, “(I’ve Had) the Time of My Life,” became a worldwide No. 1 single on its way to winning an Oscar, a Grammy, and a Golden Globe.But Medley’s story isn’t just about the hits and the awards. It’s about an immensely talented man who reached the pinnacle of fame, success, and excess, until the shocking murder of his wife, Karen. In time, this tragedy eventually helped him renew his commitment to both faith and family.

    In that role he manifestly shaped the conception and writing, as well as the presentation, of many of the period's iconic works, reshaping the values of the stage and bringing a new realism and intensity of performance to the screen. His various achievements include the original Broadway productions of The Skin of Our Teeth, All My Sons, and Death of a Salesman and such Hollywood films as Gentleman's Agreement, Brando's Streetcar, and Splendor in the Grass.A non–traditional biography, this book combines social and political history with a sharp critical evaluation of Kazan's work. Schickel presents Kazan as a figure of his culture and time, much in the same way that David Remnick treated Muhammed Ali and the larger picture of American history in King of the World. History's view of Kazan is now colored by a single political act –– his naming names in testimony before the House Un–American Activities Committee. By putting the actions, work, and words of this towering figure in context, Schickel not only defends his hero and his hero's work; he also helps the reader move beyond Kazan's most infamous moment to appreciate the larger American story in which he played such a pivotal role. The result is an intelligent and lively biography and social history.

    His career in film started in John Boorman's atmospheric Excalibur and to date has included such highlights as Miller's Crossing (The Coen Brothers), Gothic (Ken Russell), In the Name of the Father (Jim Sheridan) which he also produced, The Usual Suspects (Brian Singer) and most recently Smila's Feeling for Snow and the Man in the Iron Mask. The range of roles is varied but always played with a brooding intensity.

    From the legendary producer and author of The Kid Stays in the Picture—one of the greatest Hollywood memoirs ever written—comes a long-awaited second work with all the elements of a star-studded blockbuster: glamour and conflict, giddy highs and near-fatal lows, struggle and perseverance, tragedy and triumph.

    Sometime partner of the eccentric Howard Hughes, drinking buddy of William Faulkner and Ernest Hemingway, an inveterate gambler and a notorious liar, Hawks was the most modern of the great masters and one of the first directors to declare his independence from the major studios. He played Svengali to Lauren Bacall, Montgomery Clift, and others, but Hawks's greatest creation may have been himself.As The Atlantic Monthly noted, "Todd McCarthy . . . has gone further than anyone else in sorting out the truths and lies of the life, the skills and the insight and the self-deceptions of the work." "A fluent biography of the great director, a frequently rotten guy but one whose artistic independence and standards of film morality never failed." -- The New York Times Book Review; "Hawks's life, until now rather an enigma, has been put into focus and made one with his art in Todd McCarthy's wise and funny Howard Hawks." -- The Wall Street Journal; "Excellent . . . a respectful, exhaustive, and appropriately smartass look at Hollywood's most versatile director." -- Newsweek.

     Filled with fascinating and intimate accounts from many who knew her well, this publication is a well-documented and eminently readable biography of the sparkling, complex personality of one of the best-loved stars in Hollywood's history. This is the digital edition of the original 1982 print publication.

    Exploring Grant’s troubled childhood, ambiguous sexuality, and lifelong insecurities, as well as the magical amalgam of characteristics that allowed him to remain Hollywood’s favorite romantic lead for more than thirty-five years, Cary Grant is the definitive examination of every aspect of Grant’s professional and private life and the first biography to reveal the real man behind the movie star.

    He was a singer by choice, an actor by compulsion, a filmmaker by conviction...a writer, music composer, lyricist and above all, a supreme impresario. He was known to be a miser, a madman and a troublemaker who could never be trusted. And then, there are those who knew him well who insist that he was as sober as a monk. So who was the real Kishore Kumar? This book attempts to provide an answer with a well-rounded picture of his personality and rare and lively pictures to supplement the text.