An introductory note on each poet tells something of her life and of the historical and literary context in which she wrote. The poems themselves--approximately four hundred in number and translated from languages as diverse as Byzantine Greek, Sanskrit, Old French, Hindi, Gaelic, Vietnamese, and Maori--cut across the barriers of time and culture to take their rightful place among the wealth of the world's literature. (Penguin Books)'In America, as everywhere else, women have been and are among our major poets, and here they all are, the familiar elbowing the exotic in endless variety of form, subject, temperament. From Sappho to Judith Wright--by way of Li Ching-chao, Sor Juana Ines de la Cruz, Emily Dickinson, and Anna Akhmatova--this anthology can be read straight through as a dizzying world tour, and returned to as a solid work of reference'--Ellen Moers, author of Literary Women

    He has a sensitive heart and wants nothing more than to write poetry. Instead, he is apprenticing for Neville Wighton the Great, an aging magician who has become somewhat crazed over the years in his pursuit of fame. With Thomas’ help, Wighton is about to premiere the greatest illusion seen by man, for Thomas possesses something no other illusionist has: real magic. Many in the theatrical world are desperate to learn Wighton’s big secret. One such magician is Paolo il Magnifico. His apprentice, Saverio Moretti, is also seeking the answer. He has a scheme to get close to Wighton by seducing Thomas but seduction turns to real feelings. Now the young men must struggle to keep the secret of their romance, as well as the secret of Thomas’ magic, as both of these things could cost Thomas his life. Through journal entries, posters, letters, and other documents, ILLUSIONS is a story of love, betrayal, and of course, magic.

    It reveals the warmth and humor as well as the oppression in the Syrian society. The stories make the reader laugh while addressing serious issues such as domestic violence.Um Hussam can't find a suitable bride for her son, testing each candidate's sight, hearing and reading skills, occasionally cobbing a feel. Jamila's husband Hassan can't forget his deceased wife, until she makes sure he never mentions her again. Rami can't help but wonder whether his new bride is a natural beauty or a talented surgeon's masterpiece. Khadija's maid stabs her in the back while Rana's husband Muafak can't find the right excuse to avoid a fight.

    Democrat vs Republican, Muslim vs Christian, Hashmi vs Swain — the Midwestern town of Arbor Hills is one spark away from an explosion of violence. So when two men find themselves irresistibly drawn together at a party, only to discover they were born on opposite sides of a bloody battle line, Matthew Swain and Rabi Hashmi know they should leave well enough alone.The pull between them is magnetic, though, and it's too strong to ignore. Unable to resist, they meet again in secret. Generations of hatred can't temper the passionate love growing between them, but two men falling for each other in the middle of a war zone can't hold back the inevitable clash.And when decades of political, religious, and personal strife finally come to a head, there will be blood.

    They are 16 humans in a distant world about to be enveloped by an eruption of violence--horror and murder oddly complemented by a bizarre unforgiving love. But justice is not all that's about to be found. Judgment is coming and the 16 unsuspecting ones are on the threshold of the murdered star.

    Floaters offers exuberant odes and defiant elegies, songs of protest and songs of love from one of the essential voices in American poetry.Floaters takes its title from a term used by certain Border Patrol agents to describe migrants who drown trying to cross over. The title poem responds to the viral photograph of Óscar and Valeria, a Salvadoran father and daughter who drowned in the Río Grande, and allegations posted in the “I’m 10-15” Border Patrol Facebook group that the photo was faked. Espada bears eloquent witness to confrontations with anti-immigrant bigotry as a tenant lawyer years ago, and now sings the praises of Central American adolescents kicking soccer balls over a barbed wire fence in an internment camp founded on that same bigotry. He also knows that times of hate call for poems of love—even in the voice of a cantankerous Galápagos tortoise.The collection ranges from historical epic to achingly personal lyrics about growing up, the baseball that drops from the sky and smacks Espada in the eye as he contemplates a girl’s gently racist question.Whether celebrating the visionaries—the fallen dreamers, rebels and poets—or condemning the outrageous governmental neglect of his father’s Puerto Rico in the wake of Hurricane María, Espada invokes ferocious, incandescent spirits.

    Harper, the woman she'd been crushing on for the last three years.After five years of teaching accounting at the same college as her brother, Lauren Harper was finally settling in.She'd left behind a high paying, high stress job at an accountancy firm, and although teaching didn't pay nearly as well, she was starting to enjoy the simpler things in life, like sipping on a whiskey while she played cards at a local casino.When one of her students sits down at her poker table, it piques Lauren's curiosity. It wasn't unusual for students and teachers to mix in such a small town, but for some reason, she didn't expect to see Riley playing poker.Lauren had been badly burned by a student in the past, and there was no way she was going there again.No way. Under no circumstances.That's what Lauren keeps telling herself anyway, but as the two get to know one another, Lauren finds herself being drawn to the younger woman.How bad would it really be to date a student?

    In these ten stories, Mark Richard, winner of the 1990 PEN/Ernest Hemingway Foundation Award, emerges as the heir apparent to Mark Twain, Flannery O'Connor, and William Faulkner.

    She has a first-kiss tree and a broken-arm tree. She has a car-accident tree. There is a tree at the hospital where Jackie’s mother passed away into the long good night. When one of them gets cut down, Jackie doesn’t know what to do but she doesn’t let that stop her. She picks up the biggest rock she can carry and puts it through the window of a car. Smash. She intends to leave before the police arrive, but they’re early. Ann is Jackie’s best friend, but she’s got problems of her own. Her mother is chained up in the basement. How do you bring that up in casual conversation? “Oh, sorry I’ve been so distant, Jackie. My mother has more teeth than she’s supposed to, and she won’t eat anything that’s already dead.” Ann and her sister Margaret don’t have much of a choice here. Their mother needs to be fed. It isn’t easy but this is family. It’s not supposed to be easy. It’ll be okay as long as Margaret and Ann still have each other. Add in a cantankerous old man, his powerfully stupid dog, a headless ghost, a lesbian crush and a few unsettling visits from Jackie’s own dead mother, and you’ll find that One Bloody Thing After Another is a different sort of horror novel from the ones you’re used to. It’s as sad and funny as it is frightening, and it is as much about the way families rely on each other as it is about blood being drooled on the carpet. Though, to be honest, there is a lot of blood being drooled on the carpet.

    A strange and elusive child with powers of prophecy, she grew into an even stranger woman. From those around her she inspired love and admiration or furious hatred. Nothing in between. And somehow Jassy could transform even those who loved her into her enemies. Barney Hatton, the disposessed heir of Mortiboys, loved her but not enough. Lindy, a servant girl who worked there, loved her too much. Elizabeth Twysdale, who taught Jassy her lessons, hated her more with every passing day. And because of the people around her, the people who loved or loathed her, Jassy's life was destined to be one of passion and anguish.

     Francie Lee just got out of a ten-year-long joke of a marriage. Young and dumb when she said I Do, she’s looking to make up for lost time now that she is single. With some encouragement from her sister and a couple bottles of wine, Francie places a personal ad online. The next morning, she can’t believe the things she wrote in that ad. Through the flood of dick pics, one man stands out. But I have things I need in whoever I decide to play with. Trent’s friends may be laughing at the ad, but not him. Trent is intrigued. So is the appendage in his pants. And boy did he meet the requirements the woman behind the ad insisted on. Francie may have intended for her night with Trent to be a one-off, but he has other ideas. Long term ideas. Screw no strings, he wants all the strings a relationship comes with, and more.

    When Milo is called home from college to attend his domineering father’s funeral, he and Andrew finally act on their mutual attraction. But, doubtful of his worth, Milo decides to sever all ties with his childhood friend. Circumstances send both men home again years later, and their long held feelings will not be denied. But will they have what it takes to find lasting love?

    Sure, she may have accidentally-on-purpose skipped a day at her fancy New York City prep school, but she never thought she’d skip the day after that! And the one after that . . . and . . . uh . . . the one after that.But when everything in your real life is going wrong (fighting parents! bullied little brother! girls at school who just. don’t. get. it!) skipping school starts to look like a valid mental-health strategy. And when Callie runs into Cassius, a mysterious and prickly “unschooled” kid doing research at museums all across the city, it seems only natural for her to join him. Because museums are educational, which means they’re as good as going to class. Right?Besides, school can wait. What can’t wait is the mystery of why her grandmother seems to wish she could travel back in time to 1986, or what she wants so much to relive there. As Cassius helps Callie see the world in a whole new light, she realizes that the people she loves are far from perfect—and that some family secrets shouldn’t be secret at all.

    Joanna. And now: KatrinaWhatever her name is, it won’t last long. Katrina doesn’t know any of the details about her past, but she does know that she and her parents are part of the Witness Protection Program. Whenever her parents say they have to move on and start over, she takes on a new identity. A new name, a new hair color, a new story.Until their location leaks and her parents disappear. Forced to embark on a dangerous rescue mission, Katrina and her new friend Parker set out to save her parents—and find out the truth about her secret past and the people that want her family dead.But every new discovery reveals that Katrina's entire life has been built around secrets covered up with lies and that her parents were actually the ones keeping the biggest secret of all. Katrina must now decide if learning the whole truth is worth the price of losing everything she has ever believed about herself and her family.

    The woman who can see all possible futures is dating the man who can see the one and only foreordained future.A wildly popular slapstick filmmaker is drawn, against his better judgment, into working with a fascist militia, against a background of social collapse. Two friends must embark on an Epic Quest To Capture The Weapon That Threatens The Galaxy, or else they’ll never achieve their dream of opening a restaurant. The stories in this collection, by their very outrageousness, achieve a heightened realism unlike any other. Anders once again proves she is one of the strongest voices in modern science fiction, the writer called by Andrew Sean Greer, “this generation’s Le Guin.”