A series of fascinating Chinese stories, strong in humor and rich in Chinese wisdom, in which the author has caught admirably the spirit of Chinese life and thought.

    After a mysterious incident leaves Griffin close to death, Effie is given an unusual silver ring and told she must look after her grandfather’s library of rare and powerful books. But then the books fall into the hands of shady scholar Leonard Levar, and Effie is propelled into the most dangerous adventure of her life.Now, Effie and her friends—nerdy Maximilian, rugby-mad Wolf, helpful Lexy, and eccentric Raven—must discover their true powers if they are to get the books back. And Effie alone will have to travel to the Otherworld, where she will uncover the true meaning of the strange old book called Dragon’s Green…

    Mama is ill. Father has taken a job abroad. Nanny Jane is too busy to pay any attention to Henrietta and the things she sees -- or thinks she sees -- in the shadows of their new home, Hope House.All alone, with only stories for company, Henry discovers that Hope House is full of strange secrets: a forgotten attic, ghostly figures, mysterious firelight that flickers in the trees beyond the garden.One night she ventures into the darkness of Nightingale Wood. What she finds there will change her whole world...

    Here in one attractive paperbound volume - with enlarged print - are Sleeping Beauty, Rumpelstiltzkin, Beauty and the Beast, Hansel and Gretel, Puss in Boots, Trusty John, Jack and the Giantkiller, Goldilocks, and many other favorites that have become an indispensable part of our culture heritage.All in all, this collection contains 37 stories, all arranged in the clear, lively prose for which Lang was famous. Not only are Lang's generally conceded to be the best English versions of standard stories, his collections are the richest and widest in range. His position as one of England's foremost folklorists as well as his first-rate literary abilities makes his collection invaluable in the English language.

    Seuss stories were published in magazines in the early 1950s and are finally available in book form. They include “The Bippolo Seed” (in which a scheming feline leads a duck toward a bad decision), “The Rabbit, the Bear, and the Zinniga-Zanniga” (about a rabbit who is saved from a bear by a single eyelash), “Gustav, the Goldfish” (an early rhymed version of the Beginner Book A Fish Out of Water), “Tadd and Todd” (about a twin who is striving to be an individual), “Steak for Supper” (in which fantastic creatures follow a boy home in anticipation of a steak dinner), “The Strange Shirt Spot” (the inspiration for the bathtub-ring scene in The Cat in the Hat Comes Back), and “The Great Henry McBride” (about a boy whose far-flung career fantasies are bested only by those of Dr. Seuss himself). An introduction by Seuss scholar Charles D. Cohen traces the history of the stories, which demonstrate an intentional move toward the writing style we now associate with Dr. Seuss. Cohen also explores the themes that recur in well-known Seuss stories (like the importance of the imagination or the perils of greed). With a color palette enhanced beyond the limitations of the original magazines, this is a collection that no Seuss fan (whether scholar or second grader) will want to miss.From the Hardcover edition.

    Wick, D.D. Roy, Jean Cross, Tess Oliver, Laura Keysor, KJ Hannah Greenberg, & Chris Eboch

    Hoffmann in 1816, has fascinated and inspired artists, composers, and audiences for almost two hundred years. It has retained its freshness because it appeals to the sense of wonder we all share.Maurice Sendak designed brilliant sets and costumes for the Pacific Northwest Ballet's Christmas production of Nutcracker and has created even more magnificent pictures especially for this book. He has joined with the eminent translator Ralph Manheim to produce this illustrated edition of Hoffmann's wonderful tale, destined to become a classic for all ages.The world of Nutcracker is a world of pleasures. Maurice Sendak's art illuminates the delights of Hoffmann's story in this rich and tantalizing treasure.

    A real friend. Not like her house with chicken legs. Sure, the house can play games like tag and hide-and-seek, but Marinka longs for a human companion. Someone she can talk to and share secrets with. But that's tough when your grandmother is a Yaga, a guardian who guides the dead into the afterlife. It's even harder when you live in a house that wanders all over the world . . . carrying you with it. Even worse, Marinka is being trained to be a Yaga. That means no school, no parties--and no playmates that stick around for more than a day. So when Marinka stumbles across the chance to make a real friend, she breaks all the rules . . . with devastating consequences. Her beloved grandmother mysteriously disappears, and it's up to Marinka to find her--even if it means making a dangerous journey to the afterlife. With a mix of whimsy, humor, and adventure, this debut novel will wrap itself around your heart and never let go.

    After her mother convinces her to make an appearance, she makes a huge impression on everyone present, from the villagers to the king and queen, but she ends up finding true love in a most surprising place.

    No danger required. But then Barclay accidentally breaks his town’s most sacred rule: never ever EVER stray into the Woods, for within the Woods lurk vicious magical Beasts. To Barclay’s horror, he faces a fate far worse than being eaten: he unwittingly bonds with a Beast and is run out of town by an angry mob. Determined to break this bond and return home, Barclay journeys to find the mysterious town of Lore Keepers, people who have also bonded with Beasts and share their powers.But after making new friends, entering a dangerous apprenticeship exam, and even facing the legendary Beast of the Woods, Barclay must make a difficult choice: return to the home and rules he’s always known, or embrace the adventure awaiting him.

    But her village is so safe and quiet! What’s a future giant slayer to do?With her best friend Marie (an aspiring princess), and her brother Gaston (a pastry-chef-to-be), Claudette embarks on a super-secret quest to find a giant—without parental permission. Can they find and defeat the giant before their parents find them and drag them back home? Giants Beware! offers up a wondrous, self-contained world in the tradition of the very best of Pixar. Claudette and her friends will have you laughing out loud from page one.  Giants Beware! Author Q&A What was your inspiration for the book?Rafael:  I’m not entirely sure.  I recently went through some old sketchbooks of mine and realized that I’d been drawing a character that looked kind of like our main character, Claudette, years before we even began the book.  I guess I’ve had this character of this girl with a lot of spunk in my subconscious for a while.  I’m also really into French comics and that influenced the look quite bit. Which character do you identify with and why?Rafael:  I’m not impulsive like Claudette.  I’m probably most like Gaston.  He thinks before taking the leap.  He worries a lot.  That’s probably more like me.Jorge:  I wish I could say I was like Marie.  Marie doesn’t care what other people think of her.  In this book, she aspires to be a princess and other kids make fun of her, but she doesn’t pay them any attention.  She’s very confident and smart.   I wish I were more like her.  I also wish I were like Claudette.  She’s brave, reckless, and impulsive.  But I’m not like her either.  Like Rafael, I’m probably most like Gaston.  I’m a little nervous and I love sweets.How did your partnership begin?Jorge:  We’ve known each other since we were both in film school at the Ohio State University in Columbus. I was in a writing class at OSU, and of all the bad scripts in class, mine was one of the least bad scripts, and so it was chosen to be produced with Rafael as the director.  We spent a good month or so filming a very bad film together.  That is how we became friends. Rafael:  Fast forward years later to Columbus, Ohio circa 2007.  We were at John Novak’s house (our colorist and a mutual friend).  I told Jorge about these characters I had bouncing around in my head and a story about a giant.  I went off and wrote and drew up the ideas I had so far.  I gave them to Jorge, and told him to run with it.  And he ran.  How did you draw the book?  How did you write the book?Rafael:  I drew the whole thing in Photoshop, on a Wacon Cintiq (a tablet-monitor). I like drawing digitally because it gives me a lot of flexibly down the line for edits and moving things around. John Novak and Matthew Schenk colored the book.  We used a DropBox to move files around between John Novak and Matthew Schenk (color), Jorge, and me.  Jorge and I would meet every once in awhile either in person in Columbus or via video chatting to go over pages and notes. Jorge:  I used Scrivener to collect all my notes, and Final Draft to write the script.  I lettered the book in Illustrator, which gave me the chance to do one last rewrite.  I’m always rewriting, and I always tried not to send any script pages to Rafael until they were fully baked or else he’d start drawing right away.What’s up with Claudette’s dad?Do you mean like why is he missing his legs and an arm?  Well, he fought a battle against a terrible dragon and lost.  You always hear about these great warriors who slay dragons.  Well, Augustine is a great warrior who had a very bad day.  And now his favorite sword is sitting in the belly of Azra the dragon.  But that’s a story for another day.

    There, given the name “Evie,” she must endure a harsh training regimen under the steel glare of her Fairy Drillsergeant, while also navigating an entirely new world of friends and enemies. As Evie learns what it truly means to be a princess, she realizes surprising things about herself and her family, about human compassion and inhuman cruelty. And with the witch forces moving nearer, she discovers that the war between princesses and witches is much more personal than she could ever have imagined. Set in Grimm’s fairytale world, M.A. Larson’s Pennyroyal Academy masterfully combines adventure, humor, and magical mischief.

    . .Danny and Dinosaur are convinced that a damsel in distress needs their help - they just need to find her. But there are twists in store . . . Can Dinosaur make it through Fairy Tale Land without eating everything in sight? And do all princesses really need to be rescued?From bestselling authors Tom Fletcher and Dougie Poynter, with glorious artwork from Garry Parsons, this hilarious, rip-roaring fairytale romp is packed with prehistoric cheekiness, punchy girl power and lots and lots of poop!

    The sanctuary survives today as one of the last strongholds of true magic. Enchanting? Absolutely. Exciting? You bet. Safe? Well, actually, quite the opposite.Kendra and her brother, Seth, have no idea that their grandfather is the current caretaker of Fablehaven. Inside the gated woods, ancient laws keep relative order among greedy trolls, mischievous satyrs, plotting witches, spiteful imps, and jealous fairies. However, when the rules get broken -- Seth is a bit too curious and reckless for his own good -- powerful forces of evil are unleashed, and Kendra and her brother face the greatest challenge of their lives. To save their family, Fablehaven, and perhaps even the world, Kendra and Seth must find the courage to do what they fear most.

    Aesop was reputedly a tongue-tied slave who miraculously received the power of speech; from his legendary storytelling came the collections of prose and verse fables scattered throughout Greek and Roman literature. First published in English by Caxton in 1484, the fables and their morals continue to charm modern readers: who does not know the story of the tortoise and the hare, or the boy who cried wolf?