and Abraham Joshua Heschel. Their names stand for the quest for justice and equality.Martin grew up in a loving family in the American South, at a time when this country was plagued by racial discrimination. He aimed to put a stop to it. He became a minister like his daddy, and he preached and marched for his cause.Abraham grew up in a loving family many years earlier, in a Europe that did not welcome Jews. He found a new home in America, where he became a respected rabbi like his father, carrying a message of peace and acceptance.Here is the story of two icons for social justice, how they formed a remarkable friendship and turned their personal experiences of discrimination into a message of love and equality for all.

    And he determined that one day his camera would capture for others the wonder of the tiny crystal. Bentley's enthusiasm for photographing snowflakes was often misunderstood in his time, but his patience and determination revealed two important truths: no two snowflakes are alike; and each one is startlingly beautiful. His story is gracefully told and brought to life in lovely woodcuts, giving children insight into a soul who had not only a scientist's vision and perseverance but a clear passion for the wonders of nature. Snowflake Bentley won the 1999 Caldecott Medal.

    Instead he watches from his balcony. He feels something is coming?something he can?t describe. When he sees the monster wave pulling away from the beach, he knows. Tsunami! But the villagers below can?t see the danger. Will Ojiisan risk everything he has to save them? Can he? Illustrated in stunning collage by Caldecott winner Ed Young, here is the unforgettable story of how one man?s simple sacrifi ce saved hundreds of lives. An extraordinary celebration of both the power of nature and the power each of us holds within.

    And it is a moving tale of those who did not have the opportunity to “fly” away, who remained slaves with only their imaginations to set them free as they told and retold this tale.Leo and Diane Dillon have created powerful new illustrations in full color for every page of this picture book presentation of Virginia Hamilton’s most beloved tale. The author’s original historical note as well as her previously unpublished notes are included.Awards for The People Could Fly collection:A Coretta Scott King AwardA Booklist Children’s Editors’ ChoiceA School Library Journal Best Books of the YearA Horn Book FanfareAn ALA Notable BookAn NCTE Teachers’ ChoiceA New York Times Best Illustrated Children’s Books of the Year

    . .. . . went inside.Outside, it was quieter, wilder, and different. Inside, we laughed, we cried, and we grew.We remembered to protect the ones we love and love the ones who protect us.While the world changed outside, we became stronger on the inside and believed that someday soon spring would come again.

    A twist on the classic parental struggle of not letting kids sleep in their bed.

    She dreamed of playing the violin, but with little money for anything but the bare essentials, it was never an option...until a music teacher named Favio Chávez arrived. He wanted to give the children of Cateura something special, so he made them instruments out of materials found in the trash. It was a crazy idea, but one that would leave Ada—and her town—forever changed. Now, the Recycled Orchestra plays venues around the world, spreading their message of hope and innovation.

    . .When a black snake threatens to destroy the Earth And poison her people's water, one young water protectorTakes a stand to defend Earth's most sacred resource.

    Everyday experiences are interspersed with high-point moments, such as visiting the U.S.'s first world's fair. Also included are the Draft Riots of 1863, when Maritcha and her siblings fled to Brooklyn while her parents stayed behind to protect their home. The book concludes with her fight to attend a whites-only high school in Providence, Rhode Island, and her triumphant victory, making her the first black person in its graduating class.The book includes photographs of Maritcha, her family, and friends, as well as archival and contemporary maps, photographs, and illustrations.Author Bio: Tonya Bolden's books have received acclaim from organizations such as the American Library Association and the New York Public Library, and from publications like School Library Journal, Kirkus Reviews, and Publishers Weekly.

    Some stores she can go into. Some stores she can't. Some folks are right pleasant. Others are a lot less so. To Stella, it sort of evens out, and heck, the Klan hasn't bothered them for years. But one late night, later than she should ever be up, much less wandering around outside, Stella and her little brother see something they're never supposed to see, something that is the first flicker of change to come, unwelcome change by any stretch of the imagination. As Stella's community - her world - is upended, she decides to fight fire with fire. And she learns that ashes don't necessarily signify an end.

    . . live oaks trembled with the sound of drums and, say some, it was a time when people could walk beneath the water. . . .It used to be that ships as big as barns would land at the dock near Teakettle Creek---slave ships bringing African people to work on plantations. Some of the Africans who lived on the island made goatskin drums to remind themselves of home, where they wished to return. Young Mentu had never known Africa. He was an island-born boy. But Grandmother Tiwi, she had Africa in her blood---she longer for home. Thanks to Tiwi's teachings, Mentu has learned to play the drums, has learned to respect the strength of their music. When a slave ship carrying Africans docks at Teakettle Creek, sending out the beat of drums---a roar coming from the Africans inside the ship who are pounding for their homeland---the beat calls to Tiwi, urging her to seek freedom. But the only place freedom lies is in the murky waters of Teakettle Creek. Now Tiwi must chose between the drum's lure and the island young Mentu calls home.Caldecott Honor medalist Brian Pinkney pairs with master storyteller Kim Siegelson to present an extraordinary Gullah tale of mysticism, intrigue, and courage. In the Time of the Drums will leave readers spellbound.-from the inside jacket flap

    Through energy and encouragement, CJ's nana helps him see the beauty and fun in their routine.This beautifully illustrated, emotive picture book explores urban life with honesty, interest and gratitude.Last Stop on Market Street has won multiple awards and spent time at the number one spot in the New York Times Bestseller List.

    She knew it was wrong that people thought women could only be teachers or nurses--as wrong as 10-5=3. And she proved everyone wrong by zooming ahead of her classmates, starting college at fifteen, and eventually joining NASA, where her calculations helped pioneer America's first manned flight into space, its first manned orbit of Earth, and the world's first trip to the moon!Award-winning author Suzanne Slade and debut artist Veronica Miller Jamison tell the story of a NASA "computer" in this smartly written, charmingly illustrated biography.

    From the award-winning author of Ada’s Violin, Susan Hood, this is a poetic and visual picture book that celebrates persistent women throughout history. Among the powerful pairings: Caldecott Medalist Sophie Blackall takes on heroic World War II spies Eileen and Jacqueline Nearne; Selina Alko is matched with the brave Malala Yousafzai; New York Times bestselling illustrator Emily Winfield Martin is paired with the inventor of the controversial one-piece bathing suit, Annette Kellerman; and Shadra Strickland introduces America’s first known female firefighter, Molly Williams. While women make up over half of the U.S. population, they face discrimination, have less representation in government and other fields, and struggle every day for their human rights. It is more important now than ever to raise a generation of girls who, in the face of adversity, persevere. This book was written, illustrated, edited, and designed by women. Includes a foreword by a prominent female activist, an author’s note, a timeline, and additional resources. This book features: Selina Alko, Sophie Blackall, Lisa Brown, Hadley Hooper, Emily Winfield Martin, Oge Mora, Julie Morstad, Sara Palacios, LeUyen Pham, Erin Robinson, Isabel Roxas, Shadra Strickland, and Melissa Sweet.

    Could he pull it off? In a captivating collection of poems, Roxane Orgill steps into the frame of Harlem 1958, bringing to life the musicians’ mischief and quirks, their memorable style, and the vivacious atmosphere of a Harlem block full of kids on a hot summer’s day. Francis Vallejo’s vibrant, detailed, and wonderfully expressive paintings do loving justice to the larger-than-life quality of jazz musicians of the era. Includes bios of several of the fifty-seven musicians, an author’s note, sources, a bibliography, and a foldout of Art Kane’s famous photograph.