They meet during the Depression -- she working as a chambermaid, he as a milkman -- and we follow them as they encounter, and cope with, World War II, the advent of radio and t.v., telephones and cars, the atomic bomb, the moon landing. Briggs's portrayal of his parents as they succeed, or fail, in coming to terms with their rapidly shifting world is irresistably engaging -- full of sympathy and affection, yet clear-eyed and unsentimental.The book's strip-cartoon format is deceptively simple; it possesses a wealth of detail and an emotional depth that are remarkable in such a short volume. Briggs's marvelous illustrations and succinct, true-to-life dialogue create a real sense of time and place, of what it was like to experience such enormous changes. Almost as much a social history as it is a personal account, Ethel & Ernest is a moving tribute to ordinary people living in an extraordinary time.

    This volume deals with the period leading up to World War II, a time of high unemployment and other economic hardships caused by the Great Depression. Mizuki's photo-realist style effortlessly brings to life the Japan of the 1920s and 1930s, depicting bustling city streets and abandoned graveyards with equal ease. When the Showa era began, Mizuki himself was just a few years old, so his earliest memories coincide with the earliest events of the time. With his trusty narrator Nezumi Otoko (Rat Man), Mizuki brings history into the realm of the personal, making it palatable, and indeed compelling, for young audiences as well as more mature readers. As he describes the militarization that leads up to World War II, Mizuki's stance toward war is thoughtful and often downright critical--his portrayal of the Nanjing Massacre clearly paints the incident (a disputed topic within Japan) as an atrocity. Mizuki's "Showa 1926-1939" is a beautifully told history that tracks how technological developments and the country's shifting economic stability had a role in shaping Japan's foreign policy in the early twentieth century.

    Topics covered include Bi-polar disorder, self harming, suicide, depression and theauthor also shows how for some famous people mental disorders were part of what may have made them great. Frank, hard hitting and moving.

    1 and 2 (Atomic Books, 2007 and 2009) and Drinking at the Movies (Random House, 2010). In contrast to her last book, which was a full-length graphic memoir, The Infinite Wait is not a sustained narrative, but rather a collection of three short stories or graphic novellas. The stories in this collection contain Wertz’s signature acerbic wit, ribald humour and keen eye for the everyday, but they also find the cartoonist delving into the personal. “Industry” catalogues 25 years of alternately terrible and terrific jobs, from selling golf balls, feeding and failing to feed animals, waitressing, and finally to cartooning and the publication of her first book. “A Strange and Curious Place” is a love letter to Wertz’s hometown library; its mysteries and revelations, and its ability foster growth, rebellion and even artistic affirmation. The most sustained narrative in the collection, the eponymous “The Infinite Wait,” chronicles Wertz’s move from her small hometown to San Francisco, her diagnosis with an incurable, auto-immune disease and her subsequent discovery of comics and comic making.The collection’s title, The Infinite Wait and Other Stories, intentionally and ironically recalls the vacuous and pretentious book titles of the literary elite, but these stories are the polar opposite of pretension. They are comics born out of illness, but not defined by it, and they are filled with the sometimes messy, heartbreaking and hilarious moments that make up a life.

    For forty days she relies on “drawing the feeling” as a way to realign her relationship to food, addiction, fertility, perfectionism, and the endless messaging of “never enough” echoing throughout current culture. She makes the ashram her home and embarks on the healing process through intricately hand-drawn narration of both her inner and outer worlds, cancelling forthcoming high-profile teaching obligations and international travel. Radical simplification, meditation, community, and creativity bring her through the darkest chapter of her life. What emerges from Krans’ deeply personal undertaking is a raw and beautiful never-before-seen artists’ document that explores what it means to prioritize truth and self-discovery in a world of relentless expectations and distractions. A memoir at its heart, Blossoms and Bones is a lifeline of light and beauty, a call to embrace our creative power, and a courageous example of realigning with one’s destiny.

    Where everyone is kind. Where you can be your truest self. It was the summer of 1980, and Marianne Boucher was ready to chase her figure skating dream. Fuelled by the desire to rise above her mundane high-school life, she sought a new adventure as a glamorous performer in L.A.And then a chance encounter on a California beach introduced her to a new group of people. People who shared her distrust of the status quo. People who seemed to value authenticity and compassion above all else. And they liked her. Not Marianne the performer, but Marianne the person.Soon, she'd abandoned school, her skating and, most dramatically, her family to live with her new friends and help them fulfill their mission of "saving the world." She believed that no sacrifice was too great to be there—and to live with real purpose. They were helping people, and they cared about her . . . didn't they?Talking to Strangers is the true story of Marianne Boucher's experiences in a cult, where she was subjected to sophisticated brainwashing techniques that took away her freedom, and took over her mind. Told in mesmerizing graphic memoir form, with vivid text and art alike, Marianne shares how she fell in with devotees of a frightening spiritual abuser, and how she eventually, painfully, pulled herself out.

    Venturing first to the Great Socialist People's Libyan Arab State and then joining the family tribe in Homs, Syria, they hold fast to the vision of the paradise that always lies just around the corner. And hold they do, though food is scarce, children kill dogs for sport, and with locks banned, the Sattoufs come home one day to discover another family occupying their apartment. The ultimate outsider, Riad, with his flowing blond hair, is called the ultimate insult… Jewish. And in no time at all, his father has come up with yet another grand plan, moving from building a new people to building his own great palace.Brimming with life and dark humor, The Arab of the Future reveals the truth and texture of one eccentric family in an absurd Middle East, and also introduces a master cartoonist in a work destined to stand alongside Maus and Persepolis.

    Toland’s story is both deeply personal and epic in scope, as his search for identity plays out against the brutal fight over segregation, an unplanned pregnancy and small-town bigotry, aided by an unforgettable supporting cast.

    Arm-in-arm they marched, poured Coca-Cola into one another's eyes to blunt the effects of tear gas, ran from the security forces, and cursed the country's president, Bashar al-Assad. It was ecstasy. A long-bottled revolution was finally erupting, and freedom from a brutal dictator seemed, at last, imminent. Five years later, the three young friends were scattered: one now an Islamist revolutionary, another dead at the hands of government soldiers, and the last, Marwan, now a journalist in Turkish exile, trying to find a way back to a homeland reduced to rubble.Marwan was there to witness and document firsthand the Syrian war, from its inception to the present. He watched from the rooftops as regime warplanes bombed soldiers; as revolutionary activist groups, for a few dreamy days, spray-painted hope on Raqqa; as his friends died or threw in their lot with Islamist fighters. He became a journalist by courageously tweeting out news from a city under siege by ISIS, the Russians, and the Americans all at once. He saw the country that ran through his veins--the country that held his hopes, dreams, and fears--be destroyed in front of him, and eventually joined the relentless stream of refugees risking their lives to escape.Illustrated with more than eighty ink drawings by Molly Crabapple that bring to life the beauty and chaos, Brothers of the Gun offers a ground-level reflection on the Syrian revolution--and how it bled into international catastrophe and global war. This is a story of pragmatism and idealism, impossible violence and repression, and, even in the midst of war, profound acts of courage, creativity, and hope."From the anarchy, torment, and despair of the Syrian war, Marwan Hisham and Molly Crabapple have drawn a book of startling emotional power and intellectual depth."--Pankaj Mishra, author of Age of Anger and From the Ruins of Empire"A revelatory and necessary read on one of the most destructive wars of our time."--Angela Davis

    At this blues bar on the Tel Aviv beachfront, an international cast of characters mingles with the locals, and everyone is welcome to grab a beer and forget the conflict outside. At least, that's the story Jack and Joshua want to tell in their documentary.But less than a month after they begin filming, Mike's Place is the target of a deadly suicide bombing. Jack, Joshua, and the Mike's Place family survive the only way they know how-by keeping the camera rolling.Written by filmmakers Jack Baxter and Joshua Faudem and illustrated by award-winning cartoonist Koren Shadmi, Mike's Place chronicles the true story of an infamous terrorist attack in painstaking detail. Rarely has the slow build to tragedy, and the rebirth that follows, been captured with such a compassionate and unflinching eye.

    Until you read a lovesick e-mail to your husband . . . that didn’t come from you!Good Riddance is an honest and funny graphic memoir about suffering through and surviving divorce. Cynthia Copeland chronicles the deep pain, confusion, awkwardness, and breakthroughs she experiences in the “new normal” as a wife who’s been deceived, a mom who’s now single, a divorcée who’s dating, and a woman who’s on her own figuring out what she truly wants from her life. Copeland tells her story with an emotional candor and spot-on humor that makes Good Riddance poignant, painful, and hilarious all at once. Praise for Good Riddance: “Copeland’s light-hearted and comical artwork, reminiscent of Roz Chast’s, takes some of the sting out of her sorrows, allowing readers to nod in sympathy or chuckle at her missteps.”  —Publishers Weekly "Even as she tells a story that is sometimes heartbreaking, Copeland has a way of making you laugh out loud.  Full of insight about family, friendship, love, and resilience, Good Riddance is essential reading for anyone who has ever gone through a divorce." -- J. Courtney Sullivan, New York Times bestselling author of Maine and Commencement "Copeland takes us gently through a tough chronicle of divorce with wit, humor and more than a little hope." -- Phoebe Potts, author of Good Eggs "For anyone who's ever been dumped and had to start over, this charming book should be required reading. Grab a glass (ok, bottle) of wine and settle in. There's a light at the end of your tunnel and it starts with Good Riddance." -- Jill Smokler, New York Times bestselling author “Copeland has a charming art style . . . and because of her experience in the self-help/instructional publishing field, she brings a welcome specificity to the subject. Good Riddance isn’t a rant against cheating spouses; it’s more a step-by-step breakdown on how it feels to have a comfortable life upended overnight.” – The A.V. Club “I was struck by a page on which Copeland sends her youngest off for his first overnight in the home of T.J. and his new wife. The author-artist uses just a few words and images to convey an entire world of maternal despair. Copeland and other ‘graphic memoirists’ have me convinced that illustrated books—unlike Trix®—aren’t just for kids anymore.” —AARP.com“Works such as Copeland’s deserve your attention even if you aren’t married or divorced, because the human experience can be entertaining and moving.”—ComicMix

    Emma Goldman was at the forefront of the radical causes of the twentieth century, from leading hunger demonstrations during the Great Depression—"Ask for work! If they do not give you work, ask for bread! If they do not give you work or bread, take the bread!"—to organizing a cloakmakers' strike, from lecturing on how to use birth control to fighting conscription for World War I, while her soulmate, Alexander Berkman, spent fourteen years in jail for his failed attentat against industrialist Henry Clay Frick.Sharon Rudahl's lovely, energetic illustrations bring Goldman's many facets and passions to new life; her work belongs with the critically acclaimed graphic nonfiction of Alison Bechdel's Fun Home and Marjane Satrapi's Persepolis. Featuring a foreword by Alice Wexler, A Dangerous Woman is a marvelously compelling presentation of a woman devoted to revolutionizing her age.

    On the rare occasions that menopausal and perimenopausal women are depicted in popular culture, they are stereotypically cast as the butt of demeaning jokes that encourage us to laugh at their deteriorating bodies and emotional volatility. The result is that women facing menopause often feel isolated and ashamed. In a spirit of community and support, this collection of comics presents a different view of menopause that enables those experiencing it to be seen and to feel empowered.Balancing levity with sincerity, these comics unapologetically depict menopause and all its attendant symptoms, from hot flashes and vaginal dryness to forgetfulness, social stigma, anxiety, and shame. Created from a variety of perspectives, they represent a range of life experiences, ages, gender identities, ethnicities, and health conditions. The common thread uniting these stories is the affirmation that, while we can and should laugh at ourselves, no one should be ashamed of menopause. The comics in this book encourage us to share our experiences and to support one another, and ourselves, through self-care and community.Featuring works by a host of pioneering and up-and-coming comics artists, Menopause is a perfect foil to the simplistic, cheap-joke approach society at large has taken to this much-derided women's health issue. Readers will revel in the sly humor and universal truths found here.Contributors include the following: Lynda Barry, Maureen Burdock, Jennifer Camper, KC Councilor, MK Czerwiec, Leslie Ewing, Joyce Farmer, Ellen Forney, Ann M. Fox, Keet Geniza, Roberta Gregory, Teva Harrison, Rachael House, Leah Jones, Monica Lalanda, Cathy Leamy, Ajuan Mance, Jessica Moran, Mimi Pond, Sharon Rosenzweig, Joyce Schachter, Susan Merrill Squier, Emily Steinberg, Nicola Streeten, A. K. Summers, Kimiko Tobimatsu, Carol Tyler, Shelley L. Wall, and Dana Walrath.

    Mundane events like shaking hands or sharing a drink snowball into absolute catastrophes. Jason has Obsessive Compulsive Disorder, a mental illness that compels him to perform rituals in order to protect himself from dangers that don’t really exist. He checks, washes, over-thinks, rinse, repeat. He does his best to hide his embarrassing compulsions, and sometimes this even works. He grows up, worries about his first kiss, falls in love with making cartoons, moves to New York City — which is magical and gross, etc. All the while, half his energy goes into living his life, while the other half is devoted to the increasingly ridiculous rituals he’s decided to maintain to keep himself from fully short-circuiting, Then, he fully short-circuits. At his absolute lowest, Jason finally decides to do the things he’s always been told to do to get better: exposure therapy and medication. These are the things that have always freaked him out, and they continue to freak him out. Also, they help him recover. Everything is an Emergency is a comic about all the self-destructive stories someone tells himself, over and over, until they start to seem true. In images surreal, witty, and confessional, Jason shows us that OCD can be funny, even when it feels like it’s ruining your life.

    When customers noticed and began telling her the drawings brightened their days, Mari realized she could use that hobby to connect with people. She hit a professional rough patch in her late 20s and began to chronicle her work on Instagram. Nearly overnight, she became a sensation. Now when Mari Andrew posts something new, the Internet rejoices. This book is organized by universal themes of becoming an adult--for example, loss, adventure, ambition. Within each chapter, Mari shares her personal experiences in never-before-seen essays, accompanied by spreads of her signature illustrations, 90 percent of which are brand new. Readers are bound to see some of themselves in this book, whether seeking advice on how to handle growing up, or just looking for a friend who can commiserate.