Every summer, Esther and Joseph Adler rent their house out to vacationers escaping to “America’s Playground” and move into the small apartment above their bakery. This is the apartment where they raised their two daughters, Fannie and Florence. Now Florence has returned from college, determined to spend the summer training to swim the English Channel, and Fannie, pregnant again after recently losing a baby, is on bedrest for the duration of her pregnancy. After Joseph insists they take in a mysterious young woman whom he recently helped emigrate from Nazi Germany, the apartment is bursting at the seams.When tragedy strikes, Esther makes the shocking decision to hide the truth—at least until Fannie’s baby is born—and pulls the family into an elaborate web of secret-keeping and lies, bringing long-buried tensions to the surface that reveal how quickly the act of protecting those we love can turn into betrayal after tragedy.

    Growing up in the North End, then a teeming multicultural neighborhood, Addie's intelligence and curiosity take her to a world her parents can't imagine - a world of short skirts, movies, celebrity culture and new opportunities for women. Addie wants to finish high school and dreams of going to college. She wants a career and to find true love.Eighty-five-year-old Addie tells the story of her life to her twenty-two-year-old granddaughter, who has asked her "How did you get to be the woman you are today?" She begins in 1915, the year she found her voice and made friends who would help shape the course of her life. From the one-room tenement apartment she shared with her parents and two sisters, to the library group for girls she joins at a neighborhood settlement house, to her first, disastrous love affair, Addie recalls her adventures with compassion for the naïve girl she was and a wicked sense of humor.Written with the same attention to historical detail and emotional resonance that made Anita Diamant's previous novels bestsellers, The Boston Girl is a moving portrait of one woman’s complicated life in twentieth-century America, and a fascinating look at a generation of women finding their places in a changing world.

    Courtney Sullivan and Elin Hilderbrand, about a single mother who inherits a beautiful beach house with a caveat—she must take care of the ornery elderly woman who lives in it. For years, Maggie Sheets has been an invisible hand in the glittering homes of wealthy New York City clients, scrubbing, dusting, mopping, and doing all she can to keep her head above water as a single mother. Everything changes when a former employer dies leaving Maggie a staggering inheritance. A house in Sag Harbor. The catch? It comes with an inhabitant: The deceased’s eighty-two-year old mother Edith.Edith has Alzheimer’s—or so the doctors tell her—but she remembers exactly how her daughter Liza could light up a room, or bring dark clouds in her wake. And now Liza’s gone, by her own hand, and Edith has been left—like a chaise or strand of pearls—to a poorly dressed young woman with a toddler in tow.Maggie and Edith are both certain this arrangement will be an utter disaster. But as summer days wane, a tenuous bond forms, and Edith, who feels the urgency of her diagnosis, shares a secret that she’s held close for five decades, launching Maggie on a mission that might just lead them each to what they are looking for.

    The secret number of grapes it takes to make a bottle of wine: eight hundred. The secret ingredient in her mother’s lasagna: chocolate. The secret behind ending a fight: hold hands.But just a week before her wedding, thirty-year-old Georgia discovers her beloved fiancé has been keeping a secret so explosive, it will change their lives forever.Georgia does what she’s always done: she returns to the family vineyard, expecting the comfort of her long-married parents, and her brothers, and everything familiar. But it turns out her fiancé is not the only one who’s been keeping secrets…

    Wineglass in hand, Kate strikes a bargain with them. To celebrate her new lease on life, she'll do the one thing that's always terrified her: white-water rafting down the Grand Canyon. But if she goes, each of them must promise to do one thing in the next year that is new, or difficult, or scary—and Kate gets to choose their challenges.Shimmering with warmth, wit, and insight, Joy for Beginners is a celebration of life: unexpected, lyrical, and deeply satisfying.

    She lost her mother some years before, and her beloved grandmother has just passed away. And now her father has left town to work on a top-secret military project at Oak Ridge during the final months of World War II. Helen is wise beyond her years, but a ten-year-old cannot be left on her own to fend for herself. Her father arranges a summer guardian, Flora, her late mother's twenty-two-year-old first cousin who cries at the drop of a hat. A fiercely imaginative child, Helen is desperate to keep her house intact, with all its ghosts and stories. Flora is the good-hearted, modest cousin who wants to do her best for Helen. Their relationship and its fallout, played out against a backdrop of a lost America, will haunt Helen for the rest of her life.

    The neighborhood children call him the Pee-can Man; their mothers call them inside whenever he appears. When the police chief's son is found stabbed to death near his camp, the man Ora knows as Eddie is arrested and charged with murder. Twenty-five years later, Ora sets out to tell the truth about the Pecan Man. In narrating her story, Ora discovers more truth about herself than she could ever have imagined. This novel has been described as To Kill a Mockingbird meets The Help.

    Though now a freelance travel writer, the one place she rarely goes is home--until she learns of her dad's failing health.Returning to Watersend means seeing the sister she has avoided for a decade and the brother who runs the family's Irish pub and has borne the burden of his sisters' rift. While Alzheimer's slowly steals their father's memories, the siblings rush to preserve his life in stories and in photographs. As his secret past brings Lena's own childhood into focus, it sends her on a journey to discover the true meaning of home.

      Crippled in his right arm and leg, Aaron spent his childhood fending off a sister who wants to manage him. So when he meets Dorothy, a plain, outspoken, self-dependent young woman, she is like a breath of fresh air. Unhesitatingly he marries her, and they have a relatively happy, unremarkable marriage. But when a tree crashes into their house and Dorothy is killed, Aaron feels as though he has been erased forever. Only Dorothy’s unexpected appearances from the dead help him to live in the moment and to find some peace.   Gradually he discovers, as he works in the family’s vanity-publishing business, turning out titles that presume to guide beginners through the trials of life, that maybe for this beginner there is a way of saying goodbye.   A beautiful, subtle exploration of loss and recovery, pierced throughout with Anne Tyler’s humor, wisdom, and always penetrating look at human foibles.

    Hilary, a wealthy housewife, is haunted by her struggle to have a child, something she believes could save her foundering marriage. Meanwhile, Margaret, once a happily married mother of three, questions her maternal identity in the wake of a shattering loss. As each woman struggles with her own demons, their lives collide in ways that have irreversible consequences for them all.

    As Frances tries to sell her work, she finds that editors are only interested in writing similar to that of the new renegade literary sensation Edgar Allan Poe, whose poem, “The Raven” has struck a public nerve.She meets the handsome and mysterious Poe at a literary party, and the two have an immediate connection. Poe wants Frances to meet with his wife since she claims to be an admirer of her poems, and Frances is curious to see the woman whom Edgar married.As Frances spends more and more time with the intriguing couple, her intense attraction for Edgar brings her into dangerous territory. And Mrs. Poe, who acts like an innocent child, is actually more manipulative and threatening than she appears. As Frances and Edgar’s passionate affair escalates, Frances must decide whether she can walk away before it’s too late...Set amidst the fascinating world of New York’s literati, this smart and sexy novel offers a unique view into the life of one of history’s most unforgettable literary figures.

    M. “Mimi” Banning has been holed up in her Bel Air mansion for years, but now she’s writing her first book in decades and to ensure timely completion her publisher sends an assistant to monitor her progress. Mimi reluctantly complies—with a few stipulations: No Ivy Leaguers or English majors. Must drive, cook, tidy. Computer whiz. Good with kids. Quiet, discreet, sane.When Alice Whitley arrives at the Banning mansion, she’s put to work right away—as a full-time companion to Frank, the writer’s eccentric nine-year-old, a boy with the wit of Noël Coward, the wardrobe of a 1930s movie star, and very little in common with his fellow fourth graders.As she gets to know Frank, Alice becomes consumed with finding out who his father is, how his gorgeous “piano teacher and itinerant male role model” Xander fits into the Banning family equation—and whether Mimi will ever finish that book.Full of heart and countless only-in-Hollywood moments, Be Frank With Me is a captivating and heartwarming story of an unusual mother and son, and the intrepid young woman who finds herself irresistibly pulled into their unforgettable world.

    John, a single mother, is reeling from grief: Three months ago, her twenty-one-year-old son, Cully, died in an avalanche near their home in the ski resort town of Breckenridge, Colorado. As Sarah tries her best to go through the stages—the anger, the sadness, the letting go—she has trouble keeping her grief at bay and moving on with life. Her father, a retiree who has become addicted to QVC, urges Sarah to go back to work at Breckenridge’s local morning show. Her best friend, a recent divorcee who always manages to say the wrong things, convinces Sarah to sort through Cully’s belongings. Slowly, she comes to terms with a world without the swish of her son’s ski pants or the rolling of his skateboard outside her window. Then a girl named Kit appears on Sarah’s doorstep—and she’s carrying Cully’s child. The Possibilities is a tender and darkly funny story about the fracturing and healing that takes place within a family after tragedy. Told in Kaui Hart Hemmings’s unsentimental and refreshingly wry style—praised as “audaciously comic” by The New Yorker—this uplifting novel asks difficult questions about what we risk to keep our loved ones close.

    The girls live in a terrible situation: they depend on an unstable mother that has never recovered from her husband's murder, their stepfather beats them regularly, and they must forage on their own for food. Stop here and you have a story told many times before, as fiction and nonfiction in tales like Ellen Foster, or I Know Why the Caged Bird Sings --stories in which a young girl reveals the horrors of her childhood. Me & Emma differentiates itself with a spectacular finish, shocking the reader and turning the entire story on its head. Through several twists and turns the reader learns that things are not quite the way our narrator led us to believe and everything crescendos in a way that (like all good thrillers) immediately makes you want to go back and read the whole book again from the start.

    Over the years, she's turned inward, finding pleasure in language, her work as a gardener, and keeping her neighbors at arm's length while keenly observing them. But when she is unexpectedly granted some leave from her job, May is inspired to reconnect with four once close friends. She knows they will never have a proper reunion, so she goes, one-by-one, to each of them. A student of the classics, May considers her journey a female Odyssey. What might the world have had if, instead of waiting, Penelope had set out on an adventure of her own?RULES FOR VISITING is a woman's exploration of friendship in the digital age. Deeply alert to the nobility and the ridiculousness of ordinary people, May savors the pleasures along the way--afternoon ice cream with a long-lost friend, surprise postcards from an unexpected crush, and a moving encounter with ancient beauty. Though she gets a taste of viral online fame, May chooses to bypass her friends' perfectly cultivated online lives to instead meet them in their messy analog ones.Ultimately, May learns that a best friend is someone who knows your story--and she inspires us all to master the art of visiting.