These torchlight adventures have since inspired a generation of scientists, and his research is still considered useful today. In The Secret Life of Wombats, James Woodford pursues Nicholson's story and embarks on his own journey to uncover the true nature of our most intriguing marsupial."Woodford has done the research, he has read widely, spoken with the major wombat pundits and with the lay observers. He has travelled to gain direct experience of all species...I know more about wombats than I did, and retain some stark images which I hope never to lose." - Sunday Age.

    Its revelations rocked the nation. Even defenders of the banks were blindsided.Few people were more instrumental in bringing about the commission than journalist Adele Ferguson. Through her exposes in print and on television, she pursued the truth about funds mismanagement, fraud, lack of probity, and the hard-sell culture that took over the finance industry after deregulation in the 1980s. But it wasn't just light-touch regulators and crooked bankers growing fat on bonuses she put under the spotlight. It was also their victims - men and women who had lost everything, and had no recourse when they discovered empty accounts, egregious fees, forged documents and broken promises.Now in Banking Bad, Ferguson tells the full story of the power imbalance, toxic culture and cover-ups. She describes the long fight for justice by whistleblowers, victims and political mavericks, and she looks at the outcomes of the royal commission - the falls from grace, the damaging hubris, the scathing assessment of the regulators, and the colossal compensation bill - an estimated $10 billion.Finally, she asks where to from here? In May 2019, the Coalition government, which resisted calls for a royal commission, was re-elected. Bank stocks surged and lending regulations were loosened. Will it all be business as usual from now on, or have our financial executives learned that their wealth cannot come at the expense of ordinary Australians?

    Australia was alive to the historic possibilities. Here was a new approach for a new time.It was to last three extraordinary years.This is Julia Gillard’s chronicle of that turbulent time – a strikingly candid self-portrait of a political leader seeking to realise her ideals. It is her story of what it was like – in the face of government in-fighting and often hostile media – to manage a hung parliament, build a diverse and robust economy, create an equitable and world-class education system, ensure a dignified future for Australians with disabilities, all while attending to our international obligations and building strategic alliances for our future. This is a politician driven by a sense of purpose – from campus days with the Australian Union of Students, to a career in the law, to her often gritty, occasionally glittering rise up the ranks of the Australian Labor Party.Refreshingly honest, peppered with a wry humour and personal insights, Julia Gillard does not shy away from her mistakes, as well as detailing her political successes. Here is an account of what was hidden behind the resilience and dignified courage Gillard showed as prime minister, her view of the vicious hate campaigns directed against her, and a reflection on what it means – and what it takes – to be a woman leader in contemporary politics.Here, in her own words, Julia Gillard reveals what life was really like as Australia’s first female prime minister.

    What happens next will become one of the most remarkable survival stories in history.The 19th century has just begun. The world is at war. England, ruled by a mad king, is exiling thousands of criminals to an old land that has become its newest dumping ground.One of those prisoners is William Buckley, barely 21, a former soldier sentenced to life for stealing two small pieces of cloth. He’s a giant for his times. But it’s not just his towering frame that sets him apart. It’s his desire for freedom that will make his story so unique - even in an era famous for outrageous acts of bravery and heroism.On a moonlit night Buckley escapes and disappears into the Australian bush. Discovered and adopted by an aboriginal tribe who regard him as a ghost, he is initiated into their rich and complex culture. Given up for dead by his white captors, he will not be seen again for more than 30 years until he emerges one day...carrying a spear, dressed in animal skins and having forgotten the English language.Buckley’s Chance is a profound journey into a turning point in history where cultures clash, bitter rivals go to war and the body count mounts.It’s also the story of a man who refuses to be held down.A man prepared to defy all odds and take a chance.Buckley’s chance.

    The creation of white Australia depended upon the legal fiction of “terra nullius”—no man’s land—the claim that Aboriginal lands were inhabited by people who would soon die out and who could be helped on the way to extinction if they lingered.Sven Lindqvist, the widely acclaimed and internationally renowned author of “Exterminate All the Brutes” and A History of Bombing, brings his original sensibility to bear as he travels 7,000 miles through Australia in search of places where belief in the rights of the white man and the annihilation of the “lower races” were put into practice. While Australia continues to reckon with its violent past—echoed in the United States’ treatment of Native Americans and Europe’s colonization of other continents—Lindqvist evokes a shocking history in which young boys were kidnapped to dive for pearls, then whipped and abandoned when the bends ruined them for work; “half-caste” children were taken from their mothers; and natives were misdiagnosed with STDs, put in neck irons, and sent to internment camps on remote islands. Lindqvist also recalls the work of ethnologists who brought their own prejudices to bear in studying Aborigines as primitives close to the origins of civilization, later inspiring Freud and Durkheim. At the same time he describes a beautiful and strange land, sacred to the native people who had inhabited it for centuries and celebrated in a long tradition of richly symbolic art.A movingly idiosyncratic travelogue and a powerful act of historical excavation, Terra Nullius is the illuminating and disturbing story of how “no man’s land” became the province of the white man.

    Bashings and a hate-filled childhood followed for the boy with the crooked mouth, launching a personality unique among serial killers. He stalked the city of Perth for months, shooting strangers in the dead of night and using a sickening variety of weapons to steal the lives of strangers. Unknown to the terror-stricken citizens of this trusting, emerging metropolis, the young father of seven children who pulled the trigger had for years been doing other sinister night work. In a remarkable twist of fate, the killer’s life tangled with that of 19-year-old John Button, whose 17-year-old girlfriend was killed. Both men confessed to that crime. This riveting investigation into the life and untold crimes of the last man to hang in Western Australia reveals new evidence to indicate that at least one innocent man, John Button, went to jail for one of Cooke’s murders. Estelle’s efforts to clear John Buttons name, have led to the West Australian Court of Criminal Appeal re-opening the case against John Button after nearly 35 years. The new edition will include a chapter covering the case and the final decision.

    It argued that classical Aboriginal society was more sophisticated than Australians had been led to believe because it resembled more closely the farming communities of Europe.In Farmers or Hunter-gatherers? Peter Sutton and Keryn Walshe ask why Australians have been so receptive to the notion that farming represents an advance from hunting and gathering. Drawing on the knowledge of Aboriginal elders, previously not included within this discussion, and decades of anthropological scholarship, Sutton and Walshe provide extensive evidence to support their argument that classical Aboriginal society was a hunter-gatherer society and as sophisticated as the traditional European farming methods.Farmers or Hunter-gatherers? asks Australians to develop a deeper understanding and appreciation of Aboriginal society and culture.

    A publisher wanted it, Cullen said. He was sick and ready to talk. Everything would be on the record. What followed were four years of intense honesty and a relationship that became increasingly dangerous. At one point Cullen shot Jensen, to see how committed he was to the book. At another, he threw Jensen from a speeding motorbike.Eventually, Jensen realised the contract did not exist. Cullen had invented it to get to know the writer. The book became an investigation of Cullen’s psychology and the decline of his final years. In Acute Misfortune, we have a riveting account of the life and death of one of Australia’s most celebrated artists. The figure famous for his Archibald Prize-winning portrait of David Wenham is followed through drug deals and periods of deep self-reflection, onward into his trial for weapon possession and finally his death in 2012 at the age of 46.The story is by turns tender and horrifying: a spare tale of art, sex, drugs and childhood, told at close quarters and without judgment.

    One day John offered Paul the chance of a lifetime: he’d spill his guts on tape. What unfolded in Loose Units was a goldmine of true-crime stories, showcasing John’s dramatic experience of policing in Sydney in the 1980s and brilliantly twisted sense of humour. But what happened next in John’s career was twice as weird.Electric Blue spans the final years of John’s stint in the New South Wales police force, when he took up an offer to move into the grimy, analytical world of forensics. Paul unpicks his father’s most terrible cases. There was the case of a rapist hiding in the walls of shower block, a body that was quite literally cooked, and the bizarre copycat suicides.But what’s it actually like to have a heroic ex-cop as a Dad? Paul and John delve into their unique father–son relationship and how they ended up so different to each other. They figure out how to deal with the choices they’ve made ... or wish they’d made. And Paul’s mum, Christine, reveals what it was like to be a pioneering female cop in the eighties when misogyny was rife in the force.Thrilling, fascinating and unexpectedly laugh-out-loud funny, Electric Blue is another high-octane adventure in policing, integrity and learning what family is really all about.

    It was by far the most intense frontier conflict in Australia’s history, yet many Australians know little about it. The Black War takes a unique approach to this historic event, looking chiefly at the experiences and attitudes of those who took part in the conflict. By contrasting the perspectives of colonists and Aborigines, Nicholas Clements takes a deeply human look at the events that led to the shocking violence and tragedy of the war, detailing raw personal accounts that shed light on the tribes, families, and individuals involved as they struggled to survive in their turbulent world. The Black War presents a compelling and challenging view of Australia’s early contact history, the legacy of which reverberates strongly to the present day.

    As her contract nears its end, she is reluctant to leave so she invites her oldest friend, Anna, to come for a holiday and discover its beautiful tourist destinations.Both girls have unexplored links to this country. Sandy's father is a Vietnam vet and Anna's mother was a Vietnamese boat person.During their travels, they meet Tom, an old Australian journalist who covered the war and plans to report on the 40th anniversary of the Battle of Long Tan. It is Tom who tries to persuade Sandy's father to return to Long Tan and settle the ghosts that have haunted him for 40 years, and suggests that Anna should delve into her mother's past.But the girls are reluctant, swept up in their own concerns, relationships, and a business deal that has the potential to go horribly wrong. However, it is the near-blind Buddhist nun living alone in the pagoda atop one of the karsts in Halong Bay who might hold the key.

    Turner, armed with a microscope, a butterfly net and his lovelorn yet devout colleague, Dr Linford Row, is met with incredulity, not least by local councillors who insist it′s only typhoid. Fifty-two possible plague-carriers - including two prominent MPs - are isolated in a dilapidated quarantine station on Magnetic Island. Meanwhile, in town, the sewers overflow, the streets choke with rubbish; and still no-one wants to listen. When Dr Row delivers a letter from one of the quarantined men to his hauntingly beautiful wife, he ensnares both himself and the eccentric Dr Turner in a hotbed of small-town scandal and fear.Written with wit and wonder, Affection uncovers a unique period in Australian history. A novel based on a true story of shonky politics, courageous medicos, and humidity, it′s also a mystery of heart and mind.

    Worker. Legend. The untold story of the dog's role in building our nation. The Dogs That Made Australia pays tribute to the dogs that gave their all for our prosperity: the fearless hounds that saved fledgling colonies from famine; the courageous heelers and tireless collies that powered the rise of beef and wool; the tough little home-grown terriers that protected the homestead and garden; and the extraordinary police dogs, ahead of their time, loved by the nation. The selfless exploits of our heroic dogs are writ indelibly in our nation's heritage and identity. The Dogs That Made Australia is a vivid and meticulously researched history of Australia told from the perspectives of the dingo and of the dogs that were imported and developed here, as well as the humans who loved, feared and worked them.PRAISE'A highly readable book about Australia's dog heroes and their contribution to Australia's development. This is a book for the ages. I loved every page!' Tony Parsons, OAM, author of The Kelpie

    I can't recall ever seeing the building on my trips back to the city, first as a child or later as an adult. I imagine it in shades of blue and brown, the plastic waiting room chairs covered in the fine film of moisture that creeps over everything there. It is not a place I've thought of often, but I think of it now and wonder how it has shaped me.I am Fijian-Indian, and have lived in Australia since I was three years old. Memories of my early life in Fiji are limited to flashes, like an old film projector running backwards. I remember a blue dress, a trip on a boat where my father handed me a dried, floating starfish that I clutched in my fingers, determined not to lose it back to the ocean.'No Country Woman is the story of never knowing where you belong. It's about not feeling represented in the media you consumed, not being connected to the culture of your forebears, not having the respect of your peers. It's about living in a multicultural society with a monocultural focus but being determined to be heard.It's about challenging society's need to define us and it's a rallying cry for the future. It's a memoir full of heart, fury and intelligence - and the book we need right now.

    If we really do get the government we deserve, On Mutiny might provoke a civilian rebellion.