A young woman with no delusions about her place in this world of privilege, she quickly adapts to her role as an obedient servant expected to remain silent and unobtrusive while catering to her employers' wishes. Surrounded by a wealth she never imagined, she strives to remain invisible, until she is assigned the task of caring for the family's tragically scarred, emotionally shattered young scion, Woody March.A veteran who lost a leg in the Pacific conflict, Woody is haunted by his injuries and battlefield experiences -- and by the loss of the older brother he emulated -- and now desires only relief from his twin agonies of pain and memory. He recognizes a kindred spirit in this gentle and mysterious child-woman who is so unlike anyone he has ever known yet who understands the depths of human suffering. In Rachel's eyes, Woody is a noble, tortured prince, and her fervent wish to help ease his torment soon metamorphoses into more intense and irrevocable feelings of love and need.But if Rachel is a young woman with no future, Woody's has already been mapped out in intricate detail: as the last surviving March son, he is to run a successful banking business, marry the well-bred Elizabeth, and raise a family who will carry on the March name with distinction. Yet the obligations he never questioned prior to the war are becoming increasingly odious to him -- especially now, as he feels himself becoming irresistibly drawn to Rachel in ways no one else in his world would understand or tolerate. As the relationship between two lost and damaged souls intensifies, they move toward the one pivotal event that will alter their lives in ways both heartbreaking and profound.An unsparing portrayal of the conflicts of race, culture, and class that lays bare the complex passions and deepest yearnings of the human heart, Terry Gamble's The Water Dancers possesses a lyrical, strong, and assured artistry and heralds the arrival of a major new American novelist.

    And then there was the question of Simon Lampton.' Roza Hallwright leads a quiet, orderly life, working at her publishing job each day, returning home to the large, comfortable house she shares with her politician husband David and her two stepchildren. But this peaceful existence is about to be changed forever. In the next few months there will be an election, and, if the polls are correct, Roza will become the Prime Minister's wife. She has faced the prospect with relative calm, but a chance encounter with party donor Simon Lampton sparks a chain of consequences that will bring turmoil to both their lives. Award-winning writer Charlotte Grimshaw has turned her unflinching eye on contemporary New Zealand society in this intricate and elegant novel. Sharp, moving, brimming with insight and observation, The Night Book is at once a meditation on power and politics, and an intensely humane look at the choices people make as they struggle, against the odds, to maintain love and integrity in their lives.

    But she can’t forget it. After discovering a potentially revolutionary HIV treatment, a researcher has decided to keep it a secret from the company he works for, indefinitely postponing its trial and release. It is a treatment that could save Dominique’s close friend, but only if it’s available soon. The very next day, unaware of his identity, Dominique meets Nicholas Manzini, the Italian researcher who made the discovery. After a lifetime of digesting, transforming, and then releasing the words of strangers, Dominique slowly begins to develop her own voice while speaking to Nicholas. But he, too, is grappling with his own moral dilemma, one wrapped tightly around HIV treatments and ethics, personal needs and exterior pressures. As they fall completely in love, neither knows what the other is hiding—nor can they foresee what startling surprises await them when all is said and done.

    With an unforgettable comic touch, Bank skillfully teases out issues of the heart, puts a new spin on the mating dance, and captures in perfect pitch what it's like to be a young woman coming of age in America today.

    Her eccentric mother tries to help by fixing her up with dates, but a more pressing problem is money. To meet her mortgage payments, Sam decides to take in boarders. The first is an older woman who offers sage advice and sorely needed comfort; the second, a maladjusted student, is not quite so helpful. A new friend, King, an untraditional man, suggests that Samantha get out, get going, get work. But her real work is this: In order to emerge from grief and the past, she has to learn how to make her own happiness. In order to really see people, she has to look within her heart. And in order to know who she is, she has to remember--and reclaim--the person she used to be, long before she became someone else in an effort to save her marriage. Open House is a love story about what can blossom between a man and a woman, and within a woman herself.From the Hardcover edition.

    Domestic life is beginning to take its toll until Meg is offered her dream assignment: to write a guidebook about French history. Unfortunately, there is a catch. Jean-Jacques, a scruffy and imperious photographer, has been assigned to the project. As the dueling pair visits each region in search of the past, what they find is the colorful, food-filled present—the festive bullfights in the Camargue, the sacred gypsy pilgrimage at Stes-Maries-de-la-Mer, the pictographs and lightning storms of Mount Bégo. And over the course of mouthwatering meals—of lamb daube, paella and rosé, bull steak and anchioade, Brebis and strawberries—their antagonistic collaboration turns into a fiery love affair. Meg's notions about history—about what we preserve and how we accept the new—evolve, and in the end, she must reconcile her two lives and decide what to hold on to, and what to let go.

    Sandy Pressman is a nice suburban wife whose boredom is getting the best of her. She could be making friends at the club, like her husband keeps encouraging her to do.Or working on her golf game.Or getting her hair done.But for some reason, these things don't interest her as much as the naked man on the motorcycle...

    It soon becomes clear, however, that each one seeks a recipe for something beyond the kitchen. Students include Claire, a young mother struggling with the demands of her family; Antonia, an Italian kitchen designer learning to adapt to life in America; and Tom, a widower mourning the loss of his wife to breast cancer. Chef Lillian, a woman whose connection with food is both soulful and exacting, helps them to create dishes whose flavor and techniques expand beyond the restaurant and into the secret corners of her students’ lives. One by one the students are transformed by the aromas, flavors, and textures of Lillian’s food, including a white-on-white cake that prompts wistful reflections on the sweet fragility of love and a peppery heirloom tomato sauce that seems to spark one romance but end another. Brought together by the power of food and companionship, the lives of the characters mingle and intertwine, united by the revealing nature of what can be created in the kitchen.

    It is early in the 1930s and Dr Alexander Mackay is on his way to take up his post running a maternity hospital in the colony. During the voyage he meets two beautiful sisters and the seeds of a scandal are sown.Seventy years later Edward Mackay wakes after a major brain trauma. In the hazy shadowlands of illness, he conjures the figure of his dead father, a man he knew so little about. This near-death experience provokes a move to the wilds of Orkney, where Edward joins a project to harness the tides around the island as a renewable source of energy. But in the tight-knit island community passions also run high.

    The narrator is smitten by Chloe on a Paris-London flight, and by the time they've reached the luggage carousel, he knows he is in love. He loves her chestnut hair and pale nape and watery green eyes, the way she drives a car and eats Chinese food, the gap that makes her teeth Kantian and not Platonic, her views on Heidegger's Being and Time - although he hates her taste in shoes. On Love plots the course of their affair from the initial delirium of infatuation to the depths of suicidal despair, through the (Groucho) "Marxist" stage of coming to terms with being loved by the unattainable beloved, through a fit of anhedonia, defined in medical texts as a disease resulting from the terror brought on by the threat of utter happiness, and finally through the nausea induced and terrorist tactics employed when the beloved begins, inexplicably, to drift away. Alain de Botton is simultaneously hilarious and intellectually astute, shifting with ease among such seminal romantic texts as The Divine Comedy, Madame Bovary, and The Bleeding Heart, a self-help book for those who love too much. He is schematically flawless, funny, funky, and totally engaging. Filled with profound observations and useful diagrams, On Love displays and examines for all of us the pain and exhilaration of love, asking, "Can we not be forgiven if we believe ourselves fated to stumble one day upon the man or woman of our dreams? Can we not be excused a certain superstitious faith in a creature who will prove the solution to our relentless yearnings?"

    Estranged from his wife and child for 30 years following an affair with one of his patients, a Jewish psychoanalyst begins a journey toward redemption which leads him to Los Angeles in search of a reconciliation with his son.

    Her mother was a New Zealander, her father a Polish Jew who had jumped off a train to the Treblinka death camp and hidden from the Nazis until the end of the war. When Diana was 13 she moved to New Zealand with her mother, sister and brother. Her father was to follow.Diana never saw him again.Many years later she sets out to discover what happened to him. The search becomes an obsession as she painstakingly uncovers information about his large Warsaw family and their fate at the hands of the Nazis, scours archives across the world for clues to her father’s disappearance, and visits the places he lived.This unforgettable narrative is also a deep reflection on the meaning of family, the trauma of loss, and the insistence of memory. It asks the question: Is it better to know, or more bearable not to?

    What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam’s "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by?In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle.

    But this particular tour with its cast of unintentionally hilarous characters leaves seasoned tour guide Conor speechless for the first time in his life. Among this eclectic group are Corlene, a gold digging multiple divorcee on the prowl; Patrick, a love-starved Boston cop; Dylan, a goth uilleann piper; Dorothy, a poisonous college professor who wouldn't spend Christmas; Elliot, a wall street shark who finally shows his true colours, and then there's Ellen, back on Irish soil after so many years to discover a truth no-one could have guessed, least of all herself. And thats just a few of the colourful cast.The locals they meet on their journey, eccentric West Brits, passionate musicians, Ukranian waitresses and Garda high flyers all help to make this a tour that nobody will ever forget. And of course, there's Conor, stuck in the thick of it all, solving problems and mending hearts, but what about his own?

    He returns home one day to find that his wife, Lexy, has died under strange circumstances. The only witness was their dog, Lorelei, whose anguished barking brought help to the scene - but too late. In the days and weeks that follow, Paul begins to notice strange "clues" in their home: books rearranged on their shelves, a mysterious phone call, and other suggestions that nothing about Lexy's last afternoon was quite what it seemed. Reeling from grief, Paul is determined to decipher this evidence and unlock the mystery of her death. But he can't do it alone; he needs Lorelei's help. A linguist by training, Paul embarks on an impossible endeavor: a series of experiments designed to teach Lorelei to communicate what she knows. Perhaps behind her wise and earnest eyes lies the key to what really happened to the woman he loved. As Paul's investigation leads him in unexpected and even perilous directions, he revisits the pivotal moments of his life with Lexy, the brilliant, enigmatic woman whose sparkling passion for life and dark, troubled past he embraced equally.