Mike Bond, an award-winning poet, critically acclaimed novelist, ecologist, and war and human rights journalist, is in the same tradition. Initially published by Lawrence Ferlinghetti in City Lights Books, Bond has won multiple prizes for his poetry and prose, and now brings the multitude of his diverse life to his remarkable new book of poetry. His poetry dances between reflections on the majesty of wilderness, the joys and sorrows of love, and passionate expressions of life's greatest existential questions. Prefacing the book is Bond's insightful essay on why poetry is an essential part of cognitive awareness, "how we find meaning in the incomprehensible, beautiful, tragic and sacred mystery of life." Poetry, Bond notes, has existed since our Paleolithic days, found not just in humans but also in the songs of wolves and whales, and an imperative for everyone to enjoy. "Reading poems enlarges our personal awareness of life's exuberance, its terrible destiny," he says. "To learn in our own lives from the visions of others."

    Born deformed yet mentally keen with a frighteningly sharp wit, strong intellect, and a voracious appetite for books, Ivan is forced to interact with the world through the vivid prism of his mind. For the most part, every day is exactly the same for Ivan, which is why he turns everything into a game, manipulating people and events around him for his own amusement. That is, until a new resident named Polina arrives at the hospital. At first Ivan resents Polina. She steals his books. She challenges his routine. The nurses like her. She is exquisite. But soon he cannot help being drawn to her and the two forge a romance that is tenuous and beautiful and everything they never dared dream of. Before, he survived by being utterly detached from things and people. Now Ivan wants something more: Ivan wants Polina to live.

    The road to revenge is ahead. But the pit stop she makes along the way could reroute her life. Amanda Martin refuses to burn for the crimes of her manipulative ex-boyfriend. After all, he was the one who strong-armed her into committing fraud and left her to shoulder the blame. When an enraged investor sets fire to their office building, she scrambles onto the first bus out of the city. With the authorities hunting for her, she hides out to plot her revenge in the last place anyone would look—the tiny Texas town of Phoenix.But when Amanda uncovers a hidden talent for reporting at the local paper and starts a sweet romance with a charming cop, she starts to question whether she’d be better off building a new life than tearing her ex a new one. Just as she starts settling in, her work at the paper unearths a decades old cold case that threatens to turn the town against her and expose her criminal past. With time running out before the townsfolk discover her true identity, Amanda is faced with an impossible choice—turn her back on a fellow victim of crime or stand her ground and lose her precious freedom. Phoenix is the first book in an enthralling women’s fiction series. If you like compelling characters, nail-biting suspense, and a dash of romance, then you’ll love Kimberly Packard’s small-town mystery.

    But fate has other plans. In an ironic twist, five years after his callous abandonment of her, Nikhil Tandon reappears in Megha’s life. He has an offer she is compelled to accept – a marriage of convenience, for a period of six months, at the end of which they will go their separate ways. The stakes are high, and it is imperative for Megha to see the charade through to the end. She is determined to do just that and still walk away from the marriage, unscathed. Yet, close proximity to Nikhil means she will never escape the constant reminders of why she fell in love with him in the first place. Megha’s journey of self-discovery takes her from a virtually sterile existence in Delhi to Toronto, where she’d once loved and lost. And where her life changes, once again, irrevocably and forever...

    Forced to move out of her family home, Nina returns to the rundown Southampton council estate—and the sister—she thought she had left far behind.But Nina can’t let herself be overwhelmed—her boys need her. To save them, and herself, she will have to do what her husband discouraged for so long: pursue a career of her own. Torn between the life she thought she knew and the reality she now faces, Nina finally must learn what it means to take control of her life.Bestselling author Amanda Prowse once again plumbs the depths of human experience in this stirring and empowering tale of one woman’s loss and love.

    But what my husband doesn't know won't kill him. I break his rules every morning on my runs. It's always been best when I have a routine. So every day I wake up, run, clean the house, wish for a better life, repeat. And every day is exactly the same. Except for Thursdays. I live and breathe for Thursdays. It's when he comes. I watch him from a distance. I can't help myself. But I was never supposed to talk to him. I know what you're thinking. But you don't know my story. You don't know the kind of monster my husband is. And trust me, you have no idea who I am.

    Set in Mercer, Wisconsin, where tensions over Native American fishing rights are escalating, JERKWATER is told from three alternating points-of-view:Shawna Reynolds, a young Ojibwa woman who doesn’t much care for white people to begin with, and who is quickly being pulled in a direction she may no longer have a desire to resist;Kay O’Brien, Shawna’s 64-year-old, usually drunk, neighbor who is still grieving the loss of her husband;And Kay’s son, Douglas, who now finds himself in charge of running the family’s auto repair shop while dealing with his own feelings of guilt.JERKWATER is a story about the racial tensions churning just beneath the surface of what often appears to be placid, everyday American life.

     “Readers who loved the quiet introspection of Anita Shreve’s The Pilot’s Wife and Elizabeth Strout’s Olive Kitteridge will enjoy the detailed emotional journeys of Hay’s characters. Their stories will linger long after the final page is turned” (Library Journal).When Elsie Gormley falls and is forced to leave her Brisbane home of sixty-two years, Lucy Kiss and her family move in, eager to make the house their own. Still, Lucy can’t help but feel that she’s unwittingly stumbled into an entirely new life—new house, new city, new baby—and she struggles to navigate the journey from adventurous lover to young parent. In her nearby nursing facility, Elsie traces the years she spent in her beloved house, where she too transformed from a naïve newlywed into a wife and mother, and eventually, a widow. Gradually, the boundary between present and past becomes more porous for her, and for Lucy—because the house has secrets of its own, and its rooms seem to share with Lucy memories from Elsie’s life. Luminous and deeply affecting, A Hundred Small Lessons is a “lyrically written portrayal” (BookPage, Top Pick) of what it means to be human, and how a place can transform who we are. It’s about a house that becomes much more than a home, and the shifting identities of mother and daughter; father and son. Above all else, this is a story of the surprising and miraculous ways that our lives intersect with those who have come before us, and those who follow.

    Tempests great and small (mostly small) are always brewing in this tiny, upstate hamlet where half of the residents are fighting to preserve Arnold Falls as it was in its red-light-district heyday, half are up to no good, and another half are sleeping it off. And that math is correct. Jeebie Walker moved north out of the city hoping to find a house with his then-boyfriend and a quieter life. He found the house but lost the boyfriend, and is still searching for the elusive tranquility. Just now, he's helping a pal become the first female mayor of Arnold Falls; he's fighting against a plan to build a noxious tire factory by the river; and he's working to save Chaplin, a beloved turkey, from Thanksgiving.What he's not doing, in no uncertain terms, is looking for love. Not even with the handsome orchard worker-slash-volunteer fireman-slash-cartoon artist who has an eye for him. Definitely not. And yet, hapless though it may be, Arnold Falls will have its way when it comes to love. First, Jeebie and the town's unruly cast of characters, (which includes the 93-year-old daughter of a bordello madam, a theatrical agent/recidivist pickpocket, a doltish mayor, a social worker who sings like a dream, and a television chef who does not take kindly to prune clafoutis sabotage) will have to wage epically tiny battles to restore the disorder that makes perfect sense in Arnold Falls.ARNOLD FALLS is a comic novel that tips its hat to Armistead Maupin and P. G. Wodehouse, creating a world in which food, music, friendship, love, and tending your own garden are connected in surprising ways.

    He gets out of bed at precisely 7:30 a.m., just as he did when his wife, Miriam, was alive. He dresses in the same gray slacks and mustard sweater vest, waters his fern, Frederica, and heads out to his garden. But on the one-year anniversary of Miriam's death, something changes. Sorting through Miriam's possessions, Arthur finds an exquisite gold charm bracelet he's never seen before. What follows is a surprising and unforgettable odyssey that takes Arthur from London to Paris and as far as India in an epic quest to find out the truth about his wife's secret life before they met--a journey that leads him to find hope, healing and self-discovery in the most unexpected places. Featuring an unforgettable cast of characters with big hearts and irresistible flaws, The Curious Charms of Arthur Pepper is a curiously charming debut and a joyous celebration of life's infinite possibilities.

     In the aftermath of a devastating wedding day, two families, the Tetherlys and the Copakens, find their lives unraveled by unthinkable loss. Over the course of the next four summers in Red Hook, Maine, they struggle to bridge differences of class and background to honor the memory of the couple, Becca and John. As Waldman explores the unique and personal ways in which each character responds to the tragedy—from the budding romance between the two surviving children, Ruthie and Matt, to the struggling marriage between Iris, a high strung professor in New York, and her husband Daniel—she creates a powerful family portrait and a beautiful reminder of the joys of life.  Elegantly written and emotionally gripping, Red Hook Road affirms Waldman’s place among today’s most talented authors.

    With her father, Connor, she tends to their Ohio farm, a forty-acre spread that itself has enjoyed better days. As memories sweep through her, some too precious to bear, Rae gives shelter from a brutal winter to a teenager named Quinn Galecki.Quinn has been thrown out by his parents, a couple too troubled to help steer the misunderstood boy through his own losses. Now Quinn has found a temporary home with the Langdons—and an unexpected kinship, because Rae, Quinn, and Connor share a past and understand one another’s pain. But its depths—and all its revelations and secrets—have yet to come to light. To finally move forward, Rae must confront them and also fight for Quinn, whose parents have other plans in mind for their son.With forgiveness, love, and the spring thaw, there might be hope for a new season—a second chance Rae believed in her heart was gone forever.

    . . THE LEGEND BEGINS When the Ridgeway family staked their claim on more than 40,000 acres of land in northwest Texas, they knew they had their work cut out for them. Located on a sharp bend of the treacherous Red River, their new home—the Rocking R Ranch—was just a stone’s throw away from Indian territory. It was as lawless and wild as the West itself, crawling with unsavory characters, cattle rustlers, horse thieves, outlaws, robbers, and worse. But still, the Ridgeways were determined to make the Rocking R a success—and a home—for their four remarkable children: Percy, Eli, Abigail, and Rachel. This is their story. Together, the Ridgeways could endure anything. Floods, tornadoes, Commanche raids in the dead of night. But when one of their own is kidnapped . . . that’s when all hell breaks loose. This is their story. The story of the American West.

    Erica Witsell has a gift for depicting complex relationships. — Phyllis Rose, author of Parallel Lives, The Year of Reading Proust, and The Shelf Every summer, Jessie and Emma leave their suburban home in the Central Valley and fly north to Baymont. Nestled among Mendocino's golden hills, with ponies to love and endless acres to explore, Baymont should be a child's paradise. But Baymont belongs to Laurel, the girls' birth mother, whose heedless parenting and tainted judgement cast a long shadow over the sisters' summers---and their lives. Caught in a web of allegiances, the girls learn again and again that every loyalty has its price, and that even forgiveness can take unexpected turns. Luminous and poignant, Give is the story of one family's troubled quest to redeem the mistakes of the past and a stirring testament to the bonds of sisterhood. This is a gripping narrative about family, identity, and loyalty . . . Beautifully written! — Kate Rademacher, author of Following the Red BirdAt times subtle and at times cutting to the quick Give digs deep into the heart and soul of a family as connected as it is torn apart. Give pulls no punches, delivering an honest look into the lengths we will go for family. —Amy Willoughby-Burle, author of The Lemonade Year

    Beautifully rendered and profoundly moving, SHINING SEA by Anne Korkeakivi is a family story, about the ripple effects of war, the passing down of memory, and the power of the ideal of heroism to lead us astray but also to keep us afloat.