His career in film started in John Boorman's atmospheric Excalibur and to date has included such highlights as Miller's Crossing (The Coen Brothers), Gothic (Ken Russell), In the Name of the Father (Jim Sheridan) which he also produced, The Usual Suspects (Brian Singer) and most recently Smila's Feeling for Snow and the Man in the Iron Mask. The range of roles is varied but always played with a brooding intensity.

     Hours after the fateful attack on Pearl Harbor, the Imperial Japanese Army invades Luzon. The allies retreat to the Bataan Peninsula and the ensuing bloody battle sets the tone for the entirety of the war in the Pacific. Far from home and abandoned, the brave GIs and Filipinos fight the Japanese to a standstill. Long months of bloody fighting take their toll on both sides, however, the Japanese have reserves, the allies don’t. Sergeant Tarkington and the soldiers of the 1st platoon are put to the ultimate test. With dwindling supplies and constant harassment from the battle-hardened Japanese, the GIs must adapt and become a cohesive fighting unit if they hope to survive. Tark’s Ticks is the first book in a gritty WWII series. Pick up your copy today.

    . .we do not forget." It is the year 2000, and with the new millennium has come the fresh promise of peace in the Middle East.But when a pair of IDF reservists are brutally lynched in the West Bank town of Ramallah--the graphic imagery of their final moments broadcast around the Western world. . .all hopes of peace are shattered.As Israel mourns her dead and America attempts to salvage the peace process, the Mossad is tasked with finding and bringing to justice those responsible for the butchery, activating a Kidon team led by a young assassin known only as Ariel. . .The "Lion of God."But as the hunt narrows, it quickly becomes apparent that nothing is as it seems. And vengeance far from the only agenda in play. . .The Lion of God Trilogy represents an expansion of Stephen England's best-selling Shadow Warriors universe, and this volume includes all three previously-published individual episodes now compiled into a single volume.

    . . Eight-year-old, Vern Harpole, wakes up on the front porch of a bakery he's never seen before. The frightened boy is discovered by the kind baker who returns him to the hotel where he'd been staying with his mother and young sister, only to learn they've left and have no intention of returning. With no trace of where they’ve gone or by what means they’re traveling, a search is impossible. Even the authorities have little help to offer. Being childless, the baker and his wife decide to give Vern a home. Initially, they see him as a means of cheap labor. But over time, a bond of love grows between them, and they find joy as a family. Yet Vern can't dismiss the hurtful feelings of abandonment, as well as many unanswered questions about his mother. Margaret Jordan has recently immigrated from Ireland to America. Like Vern, she's troubled by painful reminders of traumatic experiences that have irrevocably altered her life. She settles in Kansas City, where she finds employment at a local restaurant. When she and Vern cross paths, he immediately recognizes her pain and wants to help her, but it will take more than kindness to break through the protective walls she's built around herself. Determination pushes him to be persistent, needing to believe that love can be something more than forsaken.

    tells the story of theclassic Marx Brothers wartime satire Duck Soup. As always, Blount isinformed yet informal, tongue-in-cheek yet tempered, providing the perfectvoice to recount the irreverent antics of Harpo, Chico, Groucho, and Zeppo. Readers of HarpoSpeaks, The Essential Groucho,and Monkey Business and fans of Animal Crackers, A Night at the Opera and the Marx Brothers’ other timelesscomedies—as well as all fans of Blount’s witty and insightful books like Alphabet Juice and Feet on the Street and listeners to NPR’s weekly news quiz, Wait, Wait, Don’t Tell Me—will becaptivated by the lyrical humorist’s compelling, behind-the-scenes storytellingof the 1933 classic film.

    It contains the original screenplay, production stills, and full credits for the country house murder mystery.

    At a screening at Cannes in May 1979, Francis Ford Coppola said simply, "There wasn't a truthful thing written about [the film] in four years." That year at Cannes, Apocalypse Now won the Palme d'Or, going on from there to worldwide acclaim and etching itself in the memories of audiences with unforgettable sequences like the dawn helicopter attack scored to Wagner's "Ride of the Valkyries" or Lt. Colonel Kilgore's chilling "I love the smell of napalm in the morning." Here, generously illustrated with evocative stills from the film and revealing photographs from the set, is the story behind the movie where Vietnam met Joseph Conrad's Heart of Darkness. It is the extraordinary saga of Coppola and his crew and actors-who included Marlon Brando, Robert Duvall, Harvey Keitel, Martin Sheen, Dennis Hopper, and Harrison Ford -- battling hurricanes in the jungles of the Philippines, the calamity of a lead actor's heart attack, and crises both psychological and financial . . . in the end giving rise to a modern film classic.

    Extraordinary." —Variety One night in Beirut in September 1982, while Israeli soldiers secured the area, Christian militia members entered the refugee camps of Sabra and Shatila and began to massacre hundreds, if not thousands, of Palestinians. Ari Folman was one of those Israeli soldiers, but for more than twenty years he remembered nothing of that night or of the weeks leading up to it. Then came a friend's disturbing dream, and with it Folman's need to excavate the truth of the war in Lebanon and answer the crucial question: what was he doing during the hours of slaughter? Challenging the collective amnesia of friends and fellow soldiers, Folman painfully, candidly pieces together the war and his place in it. Gradually, the blankness of his mind is filled in by scenes of combat and patrol, misery and carnage, as well as dreams and hallucinations. Soldiers are haunted by inexplicable nightmares and flashbacks - snapping, growling dogs with teeth bared and eyes glowing orange; a recurring image of three young men rising naked out of the sea to drift into the Beirut battlefield. Tanks crush cars and buildings with lethal indifference; snipers pick off men on donkeys, men in cars, men drinking coffee; a soldier waltzes through a storm of bullets; rock songs fill the air, and then yellow flares. The recollections accumulate until Ari Folman arrives at Sabra and Shatila and his investigation reaches its terrible end. The result is a gripping reconstruction, a probing inquiry into the unreliable quality of memory, and, above all, a powerful denunciation of the senselessness of all wars. Profoundly original in form and approach, Waltz with Bashir will take its place as one of the great works of wartime testimony.

    For young housemaid, Anwen Rhys, life is hard in the Welsh mining village of Dorcalon, deep in the Rhymney Valley. She cares for her ill mother and beloved younger sister Sara, all while shielding them from her father’s drunken, violent temper. Anwen comforts herself with her love for childhood sweetheart, Idris Hughes, away fighting in the Great War.Yet when Idris returns, he is a changed man; no longer the innocent boy she loved, he is harder, more distant, quickly breaking off their engagement. And when tragedy once again strikes her family, Anwen’s heart is completely broken.But when an explosion at the pit brings unimaginable heartache to Dorcalon, Anwen and Idris put their feelings aside to unite their mining community.In the midst of despair, can Anwen find hope again? And will she ever find the happiness she deserves?

    I vow to you and to the leaders that you set for me, absolute allegiance until death. So help me God!”The SS Oath of Loyalty – words that became the very death sentence for millions of Jews and Germans alike. Six decades later, we still ask ourselves why and how did it happen? "The Angel of Auschwitz", a tragic epic of historical fiction, explores these inquiries through the eyes of an unlikely antagonist-turned-protagonist – the Nazi soldier."The Angel of Auschwitz" chronicles the life of Wolfgang Bremmer, an adolescent boy from the hills of Hamburg during the Nazi occupation of Germany. As a Hitler Youth, Wolfgang is captivated by the prowess of the Nazis and thrust into the ideologies of Adolf Hitler. With an adoration for the new Fűhrer and the Third Reich, Wolfgang enlists as a young man in the SS-Death’s Head Division, the gatekeepers of the regime’s most lethal concentration camp, Dachau. It is here he is introduced to Theodor Eicke’s “School of Violence” and becomes one of the most ruthless guards the SS has ever seen. After joining Hitler’s Mobile Killing Units, he participates in the invasion of Poland and the evacuation and extermination of its Jewish inhabitants. Wolfgang is the ideal Nazi warrior: vicious, ruthless, and entirely intolerant.But evil erodes even the hardest of hearts and Wolfgang grows weary in the midst of all the death and destruction. His conscience begins to return and with that a gnawing guilt for what he and his fellow Germans have done and are about to do. But with the fear of punishment for treason, Wolfgang is trapped in the cyclone of violence. That is, until he is promoted as a guard at the Reich’s most sophisticated concentration camp, Auschwitz. In the belly of such a beast as Auschwitz, Wolfgang discovers a secret that will not only save his own life and salvation, but the lives of so many prisoners as well.

    Dan Callahan doesn’t know why he landed this coveted assignment or what to expect from 112-year-old Owen Trimbel, currently living with his daughter on a rural Minnesota farm even now beyond the reach of pervasive tech. But he sensed that it might be one of those rare opportunities to capture something singular: living memories from the last of a resilient, resourceful, and determined generation, a veteran from a war and a time encased in sepia tones in the minds of a distracted public. He finds his subject waning but still humored by life and surprisingly keen of mind. Dan spends the next three days riveted to Owen’s adventures as a young gunner with a night-flying crew, transported with him from New Guinea to the Mariana Islands on harrowing rescue missions to remote river outposts, and long flights over endless black seas broken only by sightings of enemy ships far below. And finally, the sweet homecoming, complicated by the challenges Owen faces while navigating a new life of unfamiliar circumstances and some very old secrets. Although fictionalized, The Last Word is an amalgam of stories and characters shaped and informed by filmed interviews with ten, real-life squadron members who served in the Pacific during World War II and who graced the author with their time, narratives, and importantly, their wisdom and good friendship.

    Bette Davis's eyes, Joan Crawford's bitchy elegance, Stepin Fetchit's stereotype, Sidney Poitier's superhuman black man...  These are the movie stars and the qualities that influenced James Baldwin...  and now become part of his incisive look at racism in American movies.Baldwin challenges the underlying assumptions in such films as In the Heat of the Night, Guess Who's Coming to Dinner, and The Exorcist, offering us a vision of America's self-delusions and deceptions.  Here are our loves and hates, biases and cruelties, fears and ignorance reflected by the films that have entertained us and shaped our consciousness.  And here, too, is the stunning prose of a writer whose passion never diminished his struggle for equality, justice, and social change.From The Birth of a Nation to The Exorcist--one of America's most important writers turns his critical eye to American film.

    Full of acute observation, uncontrollable humour and a rousing climax.’ - Country Life ‘To his credit Stancomb resists the stereotype of the closed-minded British expatriate.’ - Independent on Sunday - Pick of the paperbacks ‘A thoroughly good read ---An endearing tale of a roller coaster ride.’ - Croatia Online ‘This is not a tale of your usual English couple. This is such a fantastic read ... both humorous and thought provoking.’ - Travellingbookjunkie ‘The author presents this quirky little tale in an honest way, even when he is on the receiving end of a joke. You don’t need to make a break with your past to enjoy this book. It is a fascinating, humorous and totally believable read.’ - Robin’s Reviews ‘A good read. I enjoyed best the humorous bits.’ Tony Rossiter (author of It’s Only a Bloody Game) ‘A good read.’ - Tariq Ali Notes From a Very Small Island is the follow-up to the bestselling ‘Under a Croatian Sun’, which tells the story of a couple upping sticks and leaving their humdrum life in London for blue skies and café life on an island in Croatia. In this second book, the couple continue their attempts to fit in with the village community, but it’s not always easy, and more often than not their endeavours involve them in in hilarious disasters. They also now try to start some projects up, but they have to battle with maddening ex-communist authorities and highly suspicious locals. However, through this, they get to see the crippling legacies that communism and the recent war have left in the lives of their new neighbours. Although largely a light hearted tale, the book is also a heartfelt insight into a community trying to adjust to being members of the EU and the ways of the Western World.

    Altsheler, which describe the American civil war (1861-1865) from the beginning to the end. The novels can be also read as independent works:THE GUNS OF BULL RUN (A STORY OF THE CIVIL WAR'S EVE)THE GUNS OF SHILOH (A STORY OF THE GREAT WESTERN CAMPAIGN)THE SCOUTS OF STONEWALL (THE STORY OF THE GREAT VALLEY CAMPAIGN)THE SWORD OF ANTIETAM (A STORY OF THE NATION'S CRISIS)THE STAR OF GETTYSBURG (A STORY OF SOUTHERN HIGH TIDE)THE ROCK OF CHICKAMAUGA (A STORY OF THE WESTERN CRISIS)THE SHADES OF THE WILDERNESS (A STORY OF LEE'S GREAT STAND)THE TREE OF APPOMATTOX (A STORY OF THE CIVIL WAR'S CLOSE)

    A look at over 400 of the best historical movies (and some of the worst) purporting to be ‘factual’ or ‘based on actual events’; and how Hollywood has distorted, altered, manipulated, exaggerated, even falsified history under the all-encompassing premise…based on a true story…