This thought-provoking trilogy of stories explores the very essence of loneliness and stands as a stirring introduction to modern Japanese literature.

    It is based on his experiences before, during, and after the firebombing of Kobe in 1945."

    These are some of the inhabitants of People From My Neighborhood. In their lives, details of the local and everyday—the lunch menu at a tiny drinking place called the Love, the color and shape of the roof of the tax office—slip into accounts of duels, prophetic dreams, revolutions, and visitations from ghosts and gods. In twenty-six “palm of the hand” stories—fictions small enough to fit in the palm of one’s hand—Hiromi Kawakami creates a universe ruled by mystery and transformation.

    Curated by Jay Rubin (who has himself freshly translated several of the stories) and introduced by Haruki Murakami this is a book which will be a revelation to many of its readers. Short story writers already well-known to English-language readers are all included - Tanizaki, Akutagawa, Murakami, Mishima, Kawabata, Yoshimoto - but also many surprising new finds. From Tsushima Yuko's 'Flames' to Sawanishi Yuten's 'Filling Up with Sugar', from Hoshi Shin'ichi's 'Shoulder-Top Secretary' to Yoshimoto Banana's 'Bee Honey', The Penguin Book of Japanese Short Stories is filled with fear, charm, beauty and comedy.

    Ibuse began serializing Black Rain in the magazine Shincho in January 1965. The novel is based on historical records of the devastation caused by the atomic bombing of Hiroshima.

    Essentially the start of Dazai's career, the 1933 work gained notoriety for its ironic and inventive use of language, and how it illuminated the prevalent social structures of a lost time.

    Concerns about society, gender and imperialism dovetail irresistibly with flights of speculative wonder. And with a kitchen sink in the corner of even her wildest stories, Suzuki reminds us that while society may be limitless, relationships remain impossible

    Simple in its fundamentals, infinitely complex in its execution, Go is an essential expression of the Japanese spirit. And in his fictional chronicle of a match played between a revered and heretofore invincible Master and a younger and more modern challenger, Yasunari Kawabata captured the moment in which the immutable traditions of imperial Japan met the onslaught of the twentieth century.

    In these seven stories, the author of The Makioka Sisters explores the territory where love becomes self-annihilation, where the contemplation of beauty gives way to fetishism, and where tradition becomes an instrument of refined cruelty.

    imagination applied with delicate rather than broad strokes'. So wrote the award winning Japanese author Kyoko Nakajima of her story, Things Remembered and Things Forgotten, a piece that illuminates, as if by throwing a switch, the layers of wartime devastation that lie just below the surface of Tokyo's insistently modern culture.The ten acclaimed stories in this collection are pervaded by an air of Japanese ghostliness. In beautifully crafted and deceptively light prose, Nakajima portrays men and women beset by cultural amnesia and unaware of how haunted they are - by fragmented memories of war and occupation, by fading traditions, by buildings lost to firestorms and bulldozers, by the spirits of their recent past.

    Winner of most of Japan’s top literary prizes for fiction, Kono Taeko writes with a disquieting and strange beauty, always foregrounding what Choice called "the great power of serious, indeed shocking events." In the title story, the protagonist loathes young girls, but she compulsively buys expensive clothes for little boys so that she can watch them dress and undress. The impersonal gaze Kono Taeko turns on this behavior transfixes the reader with a fatal question: What are we hunting for? And why? Now available in paperback for the first time, Toddler-Hunting Other Stories should fascinate any reader interested in Japanese literature––or in the growing world of transgressive fiction.

    Although Pakhom enjoys health and family happiness, he feels dissatisfied when he learns of the grand fortunes of his relatives. He decides to go on a quest for more land, only to find that with each new acquisition new problems develop... How Much Land Does A Man Need? gives a delightful insight into old Russian values

    The novel's characters, particularly its resilient heroine Koda Yukiko, find themselves trapped in their own drifting, unable to break out of the morass of indecisiveness. Set in the years during and after World War II, their lives and damaged psyches reflect the confusion of the times in which they live.Floating Clouds follows Yukiko as she moves from the physically lush and beautiful surroundings of Japanese-occupied French Indochina to the desolation and chaos of postwar Japan. Hayashi's spare, affecting novel presents a rare portrait of Japanese colonialism and the harshness of Japan's postwar experience from the perspective of a woman. Its rich cast of characters, drawn from the back alleys of urban Japan and the low rungs of society, offers an unforgettable portrait of Japanese society after the war.The tortured relationship between Yukiko and Tomioka, a minor official with the Department of Agriculture and Forestry, provides the dramatic center of the novel. Yukiko meets Tomioka while working as a typist for the Japanese ministry in Indochina, where they begin their affair. After the war, Tomioka returns to his wife but remains emotionally inscrutable to Yukiko, refusing to break off their relationship. Meanwhile, Yukiko must find her way in a radically changed postwar Japan. When Yukiko and Tomioka's lives once again cross, the two set down a path shaped by their passion and sense of desperation.First published in 1951, Floating Clouds is a classic of modern Japanese literature and was later made into a film by legendary Japanese director Mikio Naruse.

    Where the Wild Ladies Are is populated by these and many other spirited women—who also happen to be ghosts. This is a realm in which jealousy, stubbornness, and other excessive "feminine" passions are not to be feared or suppressed, but rather cultivated; and, chances are, a man named Mr. Tei will notice your talents and recruit you, dead or alive (preferably dead), to join his mysterious company.In this witty and exuberant collection of linked stories, Aoko Matsuda takes the rich, millennia-old tradition of Japanese folktales—shapeshifting wives and foxes, magical trees and wells—and wholly reinvents them, presenting a world in which humans are consoled, guided, challenged, and transformed by the only sometimes visible forces that surround them.

    Are his fables, in which acorns quarrel and flowers fret about losing their looks, written for children or adults? They are for both: for adventurous young minds, but also for older readers in whom the spark of curiosity, combined with a taste for fantasy and a love of language, is still alight.This collection, appearing for the first time in paperback, brings together the best of his stories. They range from cautionary tales to small prose poems, from social satire to unmistakable tragedy. All share an intense delight in the natural world -- a sense of oneness with other living creatures and with the vast universe around us.Miyazawa is entirely original. No other Japanese writer, before or since, has told stories as fresh in detail but universal in scope as this man who lived and died, still young, in Japan's far north.