But when they find that the cover-up unites them and brings harmony to their otherwise fractious lives, where’s the incentive to put things right? DNA is a poignant and, sometimes, hilarious tale with a very dark heart.A new play for younger people DNA opened at the National Theatre in February 2008

    Let's take check: Finn Bar, slightly ruffled but still in fighting form. Maggie, could do with a full night's sleep but otherwise all in order... Stay here. Don't answer the door. I'll go out and get some proper food.In a new flat, three children play hide and seek. Eliot wears a crown, little Finn, King of the Wild Thing's, draws on the walls. Maggie climbs them. Hiding from the world, needing to be found, their one shared focus a mobile phone. Will it ring? Who will call? And what are they waiting for?Tusk Tusk is a tale of family loyalty as an uncertain future circles. Polly Stenham's second play premiered at the Royal Court Theatre, London, in March 2009.

    Now, on the eve of his departure, he is not happy to be leaving Ballybeg.With this play Brian Friel made his reputation and it is now an acknowledged classic of modern drama.

    Does she have what it takes?

    In her hands. A shattering play about one woman’s unspeakable decision. hang premiered at the Royal Court Theatre, London, in 2015, in a production directed by the author, and featuring Marianne Jean-Baptiste, Claire Rushbrook and Shane Zaza.

    Though initially employed as a maid, Mary soon becomes the daughter the couple were never able to have. With Britain at war, unable to remain idle, Mary finds employment in the local steel works but when her fiancé Tom Downing is killed in action Mary is convinced it is retribution for their night of sin during Tom's Christmas leave. However, Mary grows to love Jack Holmes, a local miner. They marry and move into a humble terrace house with little but their love to keep them going. As the years pass Mary is determined to achieve success for herself and her family. She sets up her own dressmaking business and it seems as if she has finally found peace of mind. But the business starts to dominate her life until tragedy once more threatens to destroy all she most cherishes...

    Fabio Terranova is a brilliant dancer. Young, handsome, and enormously talented he is desperate to leave his little hometown in the mountains of central Italy. With dreams of one day making his mark on Broadway and Hollywood, he has made plans to travel to Milan to enter a dance competition he hopes will be his springboard to fame and fortune in America. All is set until the eve of his departure when a night of wild celebration with his friends ends in tragedy. Left broken in body and spirit, his dreams of dancing shattered by the events of that night, Fabio descends into bitter darkness. Fearing for her son, his mother, Liliana, makes a fateful decision. She sends Fabio across the ocean to live with her uncle, Rick Vitale, who runs a small glassmaking operation in a quaint New England village. Rick lives in solitude, his own reasons for abandoning Italy years earlier long shrouded in mystery. He takes Fabio in and sets about teaching him the art of glassblowing. Relentlessly driven, ever laboring by the searing heat of the furnace, Fabio learns to create dazzling works of glass. The endless hours of toil, however, provide him no solace and he remains tormented by the past, a past he can't bear to face. Now, with the days growing short and the darkness of winter closing in, it is up to Rick to show his nephew the way back to the light. But it is a long journey through the deepest chambers of the heart, one that Fabio must ultimately make on his own if he is to learn that the best days of his life may yet lie ahead...

    But he’s called away to deal with a crisis in Hong Kong and she’s left to settle into a new country on her own. One by one, her three grown-up children need help with major life problems and there’s only her to help them, because as usual, Paul puts his job first. Then she finds out that her husband's been unfaithful for years, and it’s the final blow to their marriage, especially as she’s met another man she finds attractive and kind. Her confidence grows as she wins acclaim as an embroidery artist and then she comes into an inheritance. Will her loyalty keep her with her husband, as it has before, or will Paul get more than he’d bargained for with the new, independent Rosalind?

    But at a time when women are second-class citizens, can her charm and spirit protect her from the dangers of the court? And at what cost?

    

    She's just 17, hates her parents, skives college and prefers life in the chatrooms. What she's looking for is someone honest and direct. Instead she finds Tim, a man twice her age, who thinks she is 11 and a boy.What seems at first to be a case of crossed wires, ends up as an unlikely, and unsettling friendship between the two, which culminates in a shocking, and morally challenging revelation.

    She doesn’t go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two become devoted friends. What Oskar doesn’t know is that Eli has been a teenager for a very long time…Jack Thorne's adaptation of Let The Right One In premiered in June 2013 at the Dundee Rep Theatre in a production by the National Theatre of Scotland, before transferring to London's Royal Court Theatre in November 2013.

     Rebecca is traveling with Beryl Watson, Cat and Hayden Harvey are taking a well-deserved holiday vacation, Henry took the kids to Grandma's house, and she's finally alone. A sofa, a book, a blanket, and her animals. Peace. Quiet. The front doorbell? Two strangers barge in, making plans to decorate and change the landscape and the foyer. She finally convinces them to leave, though they refuse to accept she's the homeowner and not some sloppy housekeeper. Who are they and why were they even there? Her friends don't know anything either, so Polly does what she always does. She lives her best life, helping her kids grow into themselves, helping her friends make big changes in their lives, and preparing a New Year's Eve party that brings them all together. The answers are out there and when she finally discovers what happened, not only has Polly made a new friend, but she has another opportunity to help an old friend. It's a New Year in Bellingwood. Everything is possible.

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    Eddie Carbone is a Brooklyn longshoreman, a hard-working man whose life has been soothingly predictable. He hasn't counted on the arrival of two of his wife's relatives, illegal immigrants from Italy; nor has he recognized his true feelings for his beautiful niece, Catherine. And in due course, what Eddie doesn't know?about her, about life, about his own heart?will have devastating consequences.