Snarky. Rebellious. And gender fluid. Some days Riley identifies as a boy, and others as a girl. The thing is…Riley isn’t exactly out yet. And between starting a new school and having a congressman father running for reelection in uber-conservative Orange County, the pressure—media and otherwise—is building up in Riley’s so-called “normal” life.On the advice of a therapist, Riley starts an anonymous blog to vent those pent-up feelings and tell the truth of what it’s REALLY like to be a gender fluid teenager. But just as Riley’s starting to settle in at school—even developing feelings for a mysterious outcast—the blog goes viral, and an unnamed commenter discovers Riley’s real identity, threatening exposure. Riley must make a choice: walk away from what the blog has created—a lifeline, new friends, a cause to believe in—or stand up, come out, and risk everything.

    A normal life in which she sleeps in the same bed for longer than three months and doesn't have to scrounge for spare change to make sure the electric bill is paid. Emotionally trapped by her unreliable mother, Maggie, and the tiny cape on which she lives, she focuses on her best friend, her upcoming audition for a top music school in New York, and surviving Maggie’s latest boyfriend—who happens to be Grace’s own ex-boyfriend’s father.Her attempts to lay low until she graduates are disrupted when she meets Eva, a girl with her own share of ghosts she’s trying to outrun. Grief-stricken and lonely, Eva pulls Grace into midnight adventures and feelings Grace never planned on. When Eva tells Grace she likes girls, both of their worlds open up. But, united by loss, Eva also shares a connection with Maggie. As Grace's mother spirals downward, both girls must figure out how to love and how to move on.

    Sydney's dad is the only psychiatrist for miles around their small Ohio town.He is also unexpectedly dead.Is Sydney crazy, or is it kind of weird that her dad-a guy whose entire job revolved around other peoples' secrets-crashed alone, with no explanation?And why is June Copeland, homecoming queen and the town's golden child, at his funeral?As the two girls grow closer in the wake of the accident, it's clear that not everyone is happy about their new friendship.But what is picture perfect June still hiding? And does Sydney even want to know? THE TRUTH ABOUT KEEPING SECRETS is a page-turning, voice led, high school thriller.

    Richie Hofmann disciplines his natural elegance into the sterner recognitions that matter: 'I am a little white omnivore,' the speaker of Second Empire discovers. Mastering directness and indirection, Hofmann's poems break through their own beauty."—Rosanna WarrenThis debut's spare, delicate poems explore ways we experience the afterlife of beauty while ornately examining lust, loss, and identity. Drawing upon traditions of amorous sonnets, these love-elegies desire an artistic and sexual connection to others—other times, other places—in order to understand aesthetic pleasures the speaker craves. Distant and formal, the poems feel both ancient and contemporary.Antique BookThe sky was crazed with swallows.We walked in the frozen grassof your new city, I was gauzed with sleep.Trees shook down their gaudy nests.The ceramic pots were caparisoned with snow.I was jealous of the river,how the light broke it, of the skeinof windows where we saw ourselves.Where we walked, the ice crackedlike an antique book, openingand closing. The leavesbeneath it were the marbled pages.Richie Hofmann is the winner of a Ruth Lilly Fellowship from the Poetry Foundation, and his poems have appeared or are forthcoming in the New Yorker, Poetry, the Kenyon Review, and Ploughshares. A graduate of the Johns Hopkins University MFA program, he is currently a Creative Writing Fellow in Poetry at Emory University.

    Drag artists have now sashayed their way to snatch the crowns as the Queens of mainstream entertainment.Through informative and witty essays chronicling over 100 years of drag, readers will embark on a Priscilla-like journey through pop culture, from television shows like The Milton Berle Show, Bosom Buddies, and RuPaul's Drag Race, films like Some Like It Hot, To Wong Foo..., and Tootsie, and Broadway shows like Hedwig and the Angry Inch, La Cage aux Folles, and Kinky Boots.With stops in cities around the globe, and packed with interviews and commentaries on the dramas, joys, and love that make-up a life in wigs and heels, Drag features contributions from today's most groundbreaking and popular artists, including Bianca del Rio, Miss Coco Peru, Hedda Lettuce, Lypsinka, and Varla Jean Merman, as well as notable performers as Harvey Fierstein and Charles Busch. It includes more than 100 photos--many from performers' personal collections, and a comprehensive timeline of drag herstory.

    Forging a trail that leads into the heart of Morocco, Seven Moves tracks Christine's gradual recognition that no one can ever really know another's soul. Bearing Anshaw's trademark style -funny, hip, and laser-sharp -this is "a tightly told tale that resists the bookmark as well as any thriller" (Chicago Sun-Times). A Reader's Guide is now available.

    Fierce, funny, and fabulous—a would-be love child sired by John Waters and birthed by Joan Rivers—Bianca sandblasted her name in the annals of pop culture on RuPaul’s Drag Race. Thanks to her snarky frankness, impeccable comedic timing, and politically incorrect humor, she became the show’s breakout star, winning its sixth season.In Blame It On Bianca Del Rio, Bianca shares her opinions loudly and proudly, offering raucous, hilarious, no-holds-barred commentary on the everyday annoyances, big and small, that color her world, and make it a living, albeit amusing, hell for anyone who inhabits it. A collection of biting advice filled with vibrant photos from Bianca’s twisted universe, Blame It On Bianca Del Rio will shock you and keep you laughing. But be warned: it is not for the faint of heart!

    In places the palimpsest is so heavily worked that the letters feel like braille. I like to keep my body rolled away from prying eyes, never unfold too much, tell the whole story. I didn't know that Louise would have reading hands. She has translated me into her own book.

    Her signature voice made songs such as, "I Only Want to Be With You," "Son of A Preacher Man," and "You Don't Have to Say You Love Me," international hits. In Dancing With Demons, two of her closest friends, Valentine and Wickham, capture, with vivid memories and personal anecdotes, a Dusty most people never glimpsed in this no-holds-barred yet touching portrait of one of the world's true grand dames of popular music.

    Exploring the interplay of adolescence and media, Dear Azula is a masterclass on how Generation Z see themselves reflected on screen, how they find themselves in characters when the world does not grant them the possibility. These poems pay homage to the cartoon characters who made us the wicked lovestruck people that we are. These ubiquitous stories of teen ghost boys and water bending women gave wonder to a generation raised by recession. In illustrious villains we learned our own glamour. In chiseled chins and 2D teeth we learned desire. In Dear Azula, I Have a Crush on Danny Phantom we bring the early 2000s renaissance of animation into our modern lives to unpack, celebrate, revel, and remember.

    Non-stop all-you-can-eat buffets while marathoning her favorite TV shows (best friends totally included) with the smallest dash of adulting--working at the library to pay her share of the rent. The only thing missing from her perfect plan? Her girlfriend (who ended things when Alice confessed she's asexual). Alice is done with dating--no thank you, do not pass go, stick a fork in her, done.But then Alice meets Takumi and she can’t stop thinking about him or the rom com-grade romance feels she did not ask for (uncertainty, butterflies, and swoons, oh my!).When her blissful summer takes an unexpected turn, and Takumi becomes her knight with a shiny library employee badge (close enough), Alice has to decide if she’s willing to risk their friendship for a love that might not be reciprocated—or understood.

    Danny Black doesn’t exist. Danny Black is, in reality, anthropology professor Luke Littlefield. After moving to West Hollywood to teach, Luke realizes that no one takes pretty boys seriously. As Luke says, no one has ever asked him how many college degrees he has when he’s standing shirtless at a photo shoot. Luke puts on thick glasses and baggy clothing to appear more professional. Life seems routine and safe, that is until he meets British film star Ian Stoddard. Luke admits that he has no idea who Ian is, and Ian finds that fact appealing.When a decades old murder is uncovered at the college, Luke and his anthropology students take the opportunity to construct a case study. Can Luke maintain his two separate identities and solve a decades old murder, or will it all blow up in his face?

    As their relationship blossoms, Vivi not only helps Jess deal with her pain, she also encourages her to embrace her talent as an artist. And for the first time, it feels like the future is filled with possibilities. After In the midst of senior year, Jess’s perfect world is erased when Vivi suddenly passes away. Reeling from the devastating loss, Jess pushes everyone away, and throws out her plans to go to art school. Because art is Vivi and Vivi is gone forever.Desperate for an escape, Jess gets consumed in her work-study program, letting all of her dreams die. Until she makes an unexpected new friend who shows her a new way to channel her anger, passion, and creativity. Although Jess may never draw again, if she can find a way to heal and room in her heart, she just might be able to forge a new path for herself without Vivi.

    . .to come nearer to a realm of experience little explored in American poetry, the lives of those who are engaged in the complex project of transforming their own gender... Oliver Bendorf writes from a paradoxical, new-world position: the adult voice of a man who has just appeared in the world. A man emergent, a man in love, alive in the fluid instability of any category. --Mark Doty, from the ForewordBest Poetry Book of 2014— Entropy Magazine30 Must-Read Poetry Debuts from 2015 — LithubSpectacular Books of 2015 — Split This Rock“Bendorf’s poems give us all we have ever wanted, to wake up and feel that the body we are in is ours, that the hands on the ends of our wrists—our body’s gates of tenderness—are large enough to hold in them all the things we have desired.” —Natalie Diaz, author of When My Brother Was An Aztec“Astonishing.” —The Literary Review“Oliver Bendorf’s poems draw unflinching attention to the process of making… Bendorf strips a poem to its scaffold with an honesty that is at once funny and unbearably sad.” —Blackbird“Bendorf’s collection indeed opens the door to a spectral wilderness, an otherworldly pastoral, a queer ecology endlessly transformed by possibility, grief, and the unruly wanting of our names and bodies. Stunningly lyrical and beautifully theoretical, The Spectral Wilderness is an invitation one cannot turn down; the book calls us to travel with Bendorf, to study the topography of becoming because ‘what we used to be matters’ in the way that language matters— however fleeting, however mistaken, however contradictory it might be.” —Stacey Waite, author of Butch Geography“What gorgeous and ravenous rackets Oliver Bendorf’s poems are made of; what a yearning and beautiful heart. ‘Lift a geode from the ground and crack me open,’ he writes, which is more or less what these poems do for me: break me open to what might sparkle and blaze, what might glisten and burn inside. The Spectral Wilderness is a wonderful book.” —Ross Gay, author of Against Which and Bringing the Shovel Down“The Spectral Wilderness is full of beautiful little bodies, written into being (into becoming) by a maker from whom we’ll continue to be amazed and enchanted.” —Lambda Literary

    It is the story of two nurses who witnessed the early years of the HIV/AIDS epidemic from the frontline. It focuses on their lives and their experiences. Some of the story is raw, sometimes graphic, but familiar for people with HIV infection, family members, friends, and other nurses and medical professionals such as Ellen and Valery. There were hundreds of nurses who went through what Ellen and Valery experienced. They want to tell this story to give a voice to a generation lost, encouraging the world to remember one simple thing: this history cannot be repeated.