Ollie, also sixteen, has a life that’s all about parents, school pressure, friends and dreams of summer. The two fall into each other’s orbit, and one kiss changes everything. Ollie is captivated… but then Carmen vanishes. When they cross paths months later, everything is different.This young adult lesbian romance novel looks at what we’re prepared to sacrifice for those we care about.

    Framed with a candid autobiographical narrative, this book gives us the opportunity to enter into the author's daily life and explore her thoughts on themes of gender and sexuality, memory and urbanism, love and loss.

    If it weren’t for us, the world would suffer from a dismal lack of stories," writes Bruce Benderson in this brutally candid memoir.What astonishes and intrigues is Benderson’s way of recounting, in the sweetest possible voice, things that are considered shocking,” wrote Le Monde. What’s so shocking? It’s not just Benderson’s job translating Céline Dion’s saccharine autobiography, which he admits is driving him mad; but his passion for an impoverished Romanian in "cheap club-kid platforms with dollar signs in his squinting eyes,” whom he meets while on a journalism assignment in Eastern Europe.Rather than retreat, Benderson absorbs everything he can about Romanian culture and discovers an uncanny similarity between his own obsession for the Romanian (named Romulus) and the disastrous love affair of King Carol II, the last king of Romania (1893-1953). Throughout, Benderson— "absolutely free of bitterness, nastiness, or any desire to protect himself,” wrote Le Monde—is sustained by little white codeine pills, a poetic self-awareness, a sense of humor, and an unwavering belief in the perfect romance, even as wild dogs chase him down Romanian streets.

    Proceeding sentence by sentence, city by city, and backwards in time, poet and essayist Kazim Ali details the struggle of coming of age between cultures, overcoming personal and family strictures to talk about private affairs and secrets long held. The text is comprised of sentences that alternate in time, ranging from discursive essay to memoir to prose poetry. Art, history, politics, geography, love, sexuality, writing, and religion, and the role silence plays in each, are its interwoven themes. Bright Felon is literally "autobiography" because the text itself becomes a form of writing the life, revealing secrets, and then, amid the shards and fragments of experience, dealing with the aftermath of such revelations. Bright Felon offers a new and active form of autobiography alongside such texts as Theresa Hak Kyung Cha's Dictee, Lyn Hejinian's My Life, and Etel Adnan's In the Heart of the Heart of Another Country. A reader's companion is available at http: //brightfelonreader.site.wesleyan.edu/

    Based on the long-running and popular advice column for The Hairpin, but featuring entirely new content, Ask a Queer Chick cuts through all of the bizarre conditioning imparted by parents, romantic comedies, and The L Word to help queer readers and their straight/cis friends navigate this changing world. Offering advice on everything from coming out to getting your first gay haircut to walking down the aisle, Ask a Queer Chick is a positive, down-to-earth guide that will resonate with readers of Dan Savage and Cheryl Strayed’s Tiny Beautiful Things.

    No one compared to the large man and never would. A decade later, Brent, Troy’s father, falls ill and he needs to take over the business for a while. Interacting Day in and day out with sexy Win is a cruel punishment. Winston Sanchez hadn’t done a thing right in his life, except interviewing for a handyman job for Brent Canter. He loved his job, but an attraction to Troy Canter complicates things. As Troy ran the business while Brent fights cancer, it has thrown the man right in his lap. When an unexpected development in the package of a four-year-old daughter throws Win into a panic, Troy comes to the rescue. Can a man who doesn’t think he’s worth much let go enough to open himself to the love of a man who thinks he’s worth everything?

    Those who turn to poetry to become confidants for another's stories and secrets will not be disappointed.”—Publishers Weekly“In her fifth book of poetry, Bass addresses everything from Saturn’s rings and Newton’s law of gravitation to wasps and Pablo Neruda. Her words are nostalgic, vivid, and visceral. Bass arrives at the truth of human carnality rooted in the extraordinary need and promise of the individual. Bass shows us that we are as radiant as we are ephemeral, that in transience glistens resilient history and the remarkable fluidity of connection. By the collection’s end—following her musings on suicide and generosity, desire and repetition—it becomes lucidly clear that Bass is not only a poet but also a philosopher and a storyteller.”—BooklistEllen Bass brings a deft touch as she continues her ongoing interrogations of crucial moral issues of our times, while simultaneously delighting in endearing human absurdities. From the start of Like a Beggar, Bass asks her readers to relax, even though "bad things are going to happen," because the "bad" gets mined for all manner of goodness.From "Another Story":After dinner, we're drinking scotch at the kitchen table.Janet and I just watched a NOVA specialand we're explaining to her motherthe age and size of the universe—the hundred billion stars in the hundred billion galaxies.Dotty lives at Dominican Oaks, making her way down the long hall.How about the sun? she asks, a little farmshit in the endlessness.I gather up a cantaloupe, a lime, a cherry,and start revolving this salad around the chicken carcass.This is the best scotch I ever tasted, Dotty says,even though we gave her the Maker's Markwhile we're drinking Glendronach...Ellen Bass's poetry includes  Like A Beggar (Copper Canyon Press, 2014), The Human Line  (Copper Canyon Press, 2007), which was named a Notable Book by the San Francisco Chronicle, and Mules of Love (BOA, 2002), which won the Lambda Literary Award.  She co-edited (with Florence Howe) the groundbreaking No More Masks! An Anthology of Poems by Women (Doubleday, 1973). Her work has frequently been published in The New Yorker, American Poetry Review, The New Republic, The Sun  and many other journals. She is co-author of several non-fiction books, including The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse (HarperCollins, 1988, 2008) which has sold over a million copies and been translated into twelve languages. She is part of the core faculty of the MFA writing program at Pacific University.

    It travels 17,500 miles an hour, making one full orbit every ninety minutes. It’s also the only home that fifteen-year-old Leo and two other teens have ever known.Born and raised on Moon 2, Leo and the twins, Orion and Libra, are finally old enough and strong enough to endure the dangerous trip to Earth. They’ve been “parented” by teams of astronauts since birth and have run countless drills to ready themselves for every conceivable difficulty they might face on the flight.But has anything really prepared them for life on terra firma? Because while the planet may be home to billions of people, living there is more treacherous than Leo and his friends could ever have imagined, and their very survival will mean defying impossible odds.

    It offered its speakers a degree of public camouflage and a means of identification. Its colorful roots are varied—from Cant to Lingua Franca to dancers’ slang—and in the mid-1960s it was thrust into the limelight by the characters Julian and Sandy, voiced by Hugh Paddick and Kenneth Williams, on the BBC radio show Round the Horne (“Oh hello Mr Horne, how bona to vada your dolly old eek!”). Paul Baker recounts the story of Polari with skill, humor, and tenderness. He traces its historical origins and describes its linguistic nuts and bolts, explores the ways and the environments in which it was spoken, explains the reasons for its decline, and tells of its unlikely reemergence in the twenty-first century.

    He’s a star wrestler, a video game aficionado, and a loving boyfriend to his seemingly perfect match, Vanessa. But on the inside, Brendan struggles to understand why his body feels so wrong—why he sometimes fantasizes having long hair, soft skin, and gentle curves. Is there even a name for guys like him? Guys who sometimes want to be girls? Or is Brendan just a freak?In Freakboy's razor-sharp verse, Kristin Clark folds three narratives into one powerful story: Brendan trying to understand his sexual identity, Vanessa fighting to keep her and Brendan’s relationship alive, and Angel struggling to confront her demons.

    Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a "sexual suspect," a phrase first used by John Irving in 1978 in his landmark novel of "terminal cases," The World According to Garp.In One Person is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself "worthwhile.

    From first loves to weird roommates, heartbreak, self-discovery, coming out and mental health, the two of them document every wild and awkward moment to each other. But as each changes and grows into her new life, will their friendship be able to survive the distance?

    A smile across a counter at a coffee shop or video store. A secret revealed in a song from another place and time. Or in a love ballad crooned at a high school dance. In this anthology of never-before-published sweet LGBTQ+ stories, six authors explore the beginnings of love between young and new adult couples. All proceeds will support The Trevor Project's work with crisis intervention and suicide prevention for LGBTQ+ youth.

    At the best of times, his social life consists of work, role-playing games at a local toyshop, and making YouTube videos with his Teddy Bear hamsters. The arrival of the holidays—with the annoying music, Christmas shopping, and all the reminders of how he disappointed his father—just reinforces his reclusive nature.When James Olsen, a gorgeous daddy bear who frequents the bathhouse, notices him, Brian is at a loss. He’s not proud of his own bear status or his struggle with weight. The idea that James has interest in him beyond an easy hookup is more than Brian can fathom. But with a little bit of holiday magic, James might help Brian learn to accept Christmas again—and himself.

    Warshawski meets Kinky Friedman's Village IrregularsRescued from torpor and poverty by the need to help a good friend deal with the murder of her beloved granddaughter, our downsized-social-worker protagonist and her cat, Bunnywit, are jolted into a harsh, street-wise world of sex, lies, and betrayal, to which they respond with irony, wit, intelligence (except for the cat), and tenacity. With judicious use of the Oxford comma, pop culture trivia, common mystery tropes, and a keen eye for deceit, our protagonist swaggers through the mean streets of -- yes, a Canadian city! -- and discovers that what seems at first to be just a grotty little street killing is actually the surface of a grandiose and glittering set of criminal schemes.