One would rather gnaw off her own arm than hang out with a bunch of strangers just so their moms can drink too much wine and sing Journey two o’clock in the morning. Two are sisters. Three are currently feuding with their mothers.One almost sets her crush on fire with a flaming marshmallow. Two steal the boat for a midnight joyride that goes horribly, awkwardly wrong. All of them are hiding something.One falls in love with a boy she thought she despised. Two fall in love with each other. None of them are the same at the end of the summer.

    They had no idea that a deeply confused fourteen-year-old boy was watching. Their dyed hair, fishnets, and eyeliner were his first evidence of another world—a place he desperately wanted to go. He just had no idea how to get there.Somehow David Crabb had convinced himself that every guy preferred French-braiding his girlfriend’s hair to making out, and that the funny feelings he got watching Silver Spoons and Growing Pains had nothing to do with Ricky Schroeder or Kirk Cameron. But discovering George Michael’s Faith confirmed for David what every bully already knew: he was gay. Surviving high school, with its gym classes, locker rooms, and naked, glistening senior guys, would require impossible feats of denial. What saved him was finding a group of outlandish friends who reveled in being outsiders. David found himself enmeshed with misfits: wearing black, cutting class, staying out all night, drinking, tripping, chain-smoking, idolizing The Smiths, Pet Shop Boys, and Joy Division—and learning lessons about life and love along the way.Richly detailed with 80s pop-culture, and including black and white photos throughout, Bad Kid is as laugh-out-loud funny as it is poignant. Crabb’s journey through adolescence captures the essence of every person’s struggle to understand his or her true self.

    Perfect for fans of Lindy West, Samantha Irby, and Rebecca Solnit—and anyone who wants, and deserves, to be seen. If Jen Winston knows one thing for sure, it’s that she’s bisexual. Or wait—maybe she isn’t? Actually, she definitely is. Unless…she’s not? Jen’s provocative, laugh-out-loud debut takes us inside her journey of self-discovery, leading us through stories of a childhood “girl crush,” an onerous quest to have a threesome, and an enduring fear of being bad at sex. Greedy follows Jen’s attempts to make sense of herself as she explores the role of the male gaze, what it means to be “queer enough,” and how to overcome bi stereotypes when you’re the posterchild for all of them: greedy, slutty, and constantly confused. With her clever voice and clear-eyed insight, Jen draws on personal experiences with sexism and biphobia to understand how we all can and must do better. She sheds light on the reasons women, queer people, and other marginalized groups tend to make ourselves smaller, provoking the question: What would happen if we suddenly stopped?​​ Greedy shows us that being bisexual is about so much more than who you’re sleeping with—it’s about finding stability in a state of flux and defining yourself on your own terms. This book inspires us to rethink the world as we know it, reminding us that Greedy was a superpower all along.

    Baopu is a monthly serialized comic on Autostraddle, and this book includes beloved fan favorites plus new, never-before-seen comics.This one-of-a-kind graphic novel explores the poetics of searching for connection, belonging, and identity through the fictional life of a young, queer immigrant. Inspired by the creator's own experiences as a queer, China-born illustrator living in the United States, Everything Is Beautiful, and I'm Not Afraid has an undeniable memoir quality to its recollection and thought-provoking accounts of what it's like to navigate the complexities of seeking belonging—mentally and geographically.

    It was not until he was a grown man, and a promising writer with two books to his name, that Jonathan finally reconnected with his beloved parent—only to find, to his shock and dismay, that the woman he’d known as “Sid” had morphed into an elegant, courtly man named Sydney. In the decade following this discovery, Jonathan made regular pilgrimages from Toronto to visit Sydney, who now lived quietly in a well-appointed retreat in his native Trinidad. And on each visit, Jonathan struggled to overcome his confusion and anger at the choices Sydney had made, trying with increasing desperation to rediscover the parent he’d once adored inside this familiar stranger. As the novel opens, Jonathan has been summoned urgently to Trinidad where Sydney, now aged and dying, seems at last to offer him the gift he longs for: a winding story that moves forward sideways as it slowly peels away the layers of Sydney’s life. But soon it becomes clear that when and where the story will end is up to Jonathan, and it is he who must decide what to do with Sydney’s haunting legacy of love, loss, and acceptance.

    These coming-of-age poems draw inspiration equally from science textbooks and fairy tales. As the final poem prays, “I will see the moon and morning and know”. Branches explores what it means to live to the next day, and the next, before we fully understand what we are surviving.

    Scott Faraday is 16, gregarious, talented, never been in a relationship, and is out to only a select few. Ryan St. Charles is 17, hot-tempered, has already has been in a long relationship, yet is barely out to himself. Behind Ryan's carefully fashioned façade is emotional scarring from a past he's never been able to reconcile. When he comes to live with his uncle in Yucca Valley, CA, he meets Scott. An unlikely pair, the boys form a tentative friendship. When Scott starts to suspect that Ryan might be gay, he plans his coming out to him. The result is that he transforms their friendship into his first real relationship. Then, Ryan's hidden past comes into view. Scott is not at all prepared for what he discovers: suicide attempts, past abuse, and loads of denial. Tightly focused on their new relationship, Desert Sons follows these two teenagers as they plunge headlong through a summer that will forever change them both.

    Even though Theo had moved to California for college and started seeing Jackson, Griffin never doubted Theo would come back to him when the time was right. But now, the future he's been imagining for himself has gone far off course. To make things worse, the only person who truly understands his heartache is Jackson. But no matter how much they open up to each other, Griffin's downward spiral continues. He's losing himself in his obsessive compulsions and destructive choices, and the secrets he's been keeping are tearing him apart. If Griffin is ever to rebuild his future, he must first confront his history, every last heartbreaking piece in the puzzle of his life.

    If the universe had his back, he wouldn’t be on his way to the post office carrying a box of his ex-boyfriend’s things.But when Arthur and Ben meet-cute at the post office, what exactly does the universe have in store for them?Maybe nothing. After all, they get separated.Maybe everything. After all, they get reunited.But what if they can’t quite nail a first date . . . or a second first date . . . or a third?What if Arthur tries too hard to make it work . . . and Ben doesn’t try hard enough?What if life really isn’t like a Broadway play?But what if it is?

    Her mother warns her about envidia and men who seduce you with pastries, while one tía bemoans that her niece is turning out to be “una india” instead of an American. Another auntie instructs that when two people are close, they are bound to become like uña y mugre, fingernails and dirt, and that no, Daisy’s father is not godless. He’s simply praying to a candy dish that can be traced back to Africa.  These lessons—rooted in women’s experiences of migration, colonization, y cariño—define in evocative detail what it means to grow up female in an immigrant home. In one story, Daisy sets out to defy the dictates of race and class that preoccupy her mother and tías, but dating women and transmen, and coming to identify as bisexual, leads her to unexpected questions. In another piece, NAFTA shuts local factories in her hometown on the outskirts of New York City, and she begins translating unemployment forms for her parents, moving between English and Spanish, as well as private and collective fears. In prose that is both memoir and commentary, Daisy reflects on reporting for the New York Times as the paper is rocked by the biggest plagiarism scandal in its history and plunged into debates about the role of race in the newsroom. A heartfelt exploration of family, identity, and language, A Cup of Water Under My Bed is ultimately a daughter’s story of finding herself and her community, and of creating a new, queer life.

    These poems attempt to capture the undying presence of love in all of its forms. Let your soul be deeply touched by the Rumi-like words of a lover drunk with passion for the truth.Here is a sample poem:truth is too simple for wordsbefore thought gets tangled up in nouns and verbsthere is a wordless sounda deep breathless sighof overwhelming reliefo find the end of fictionin this ordinaryyet extraordinary momentwhen words are recognizedas wordsand truth is recognizedas everything else

    Getting shoved off an Isle of Wight pier by an exasperated ex ought to come as a wake-up call—but then he meets Rufus and he’s right back to letting the little head take charge. Rufus is cute, keen, and gets under Michael’s skin in a disturbing way.Would-be chef Rufus can’t believe his luck when a dripping wet dream of a man walks out of the sea on his birthday, especially when Michael ends up staying at the family B&B. Life is perfect—at least until Michael has to go home to the mainland.Rufus can’t leave the island for reasons he’s entirely neglected to mention. And though Michael identifies as bi, breaking his mum’s heart by coming out and having an actual relationship with a guy has never been his plan. With both men determined to keep their secrets, a leap of faith could land them in deep water.

    After much time, therapy, and wine, Elissa is at last in a healthy place, still orbiting around her mother but keeping far enough away to preserve the stable, independent world she has built as a writer and editor. Then Elissa is confronted with the unthinkable: Rita, whose days are spent as a fl�neur, traversing Manhattan from the Clinique counters at Bergdorf to Bloomingdale's and back again, suffers an incapacitating fall, leaving her completely dependent upon her daughter.Now Elissa is forced to finally confront their profound differences, Rita's yearning for beauty and glamour, her view of the world through her days in the spotlight, and the money that has mysteriously disappeared in the name of preserving youth. To sustain their fragile mother-daughter bond, Elissa must navigate the turbulent waters of their shared lives, the practical challenges of caregiving for someone who refuses to accept it, the tentacles of narcissism, and the mutual, frenetic obsession that has defined their relationship.Motherland is a story that touches every home and every life, mapping the ferocity of maternal love, moral obligation, the choices women make about motherhood, and the possibility of healing. Filled with tenderness, wry irreverence, and unforgettable characters, it is an exploration of what it means to escape from the shackles of the past only to have to face them all over again.Praise for Motherland"Rarely has a mother-daughter relationship been excavated with such honesty. Elissa Altman is a beautiful, big-hearted writer who mines her most central subject: her gorgeous, tempestuous, difficult mother, and the terrain of their shared life. The result is a testament to the power of love and family."--Dani Shapiro, author of Inheritance

    Ryce Faine is handsome and smart, but Matt has rarely met anyone more obnoxious. With tensions running high, it isn’t until they are attacked by the hostile Alraki that Matt grudgingly begins to respect Ryce’s superior skills, respect that transforms into a tentative attraction.Little did he know that their biggest challenge would be reaching their destination, an abandoned alien base located on a distant moon amid a dense asteroid field. But when Matt learns that Ryce isn’t completely who he says he is and the artifact is more than he bargained for, he is faced with a difficult choice. One that might change the balance of forces in the known galaxy.Matt doesn’t take well to moral dilemmas; he prefers the easy way out. But that might not be possible anymore, when his past comes back to haunt him at the worst possible moment. When faced with a notorious pirate carrying a personal grudge, the fragile connection Matt has formed with Ryce might be the only thing that he can count on to save them both.

    It wasn’t until the 1970s, however, that contemporary queer Native literature gained any public notice. Even now, only a handful of books address it specifically, most notably the 1988 collection Living the Spirit: A Gay American Indian Anthology. Since that book’s publication twenty-three years ago, there has not been another collection published that focuses explicitly on the writing and art of Indigenous Two-Spirit and Queer people. This landmark collection strives to reflect the complexity of identities within Native Gay, Lesbian, Bisexual, Transgender, Queer, and Two-Spirit (GLBTQ2) communities. Gathering together the work of established writers and talented new voices, this anthology spans genres (fiction, nonfiction, poetry, and essay) and themes (memory, history, sexuality, indigeneity, friendship, family, love, and loss) and represents a watershed moment in Native American and Indigenous literatures, Queer studies, and the intersections between the two.Collaboratively, the pieces in Sovereign Erotics demonstrate not only the radical diversity among the voices of today’s Indigenous GLBTQ2 writers but also the beauty, strength, and resilience of Indigenous GLBTQ2 people in the twenty-first century. Contributors:, Indira Allegra, Louise Esme Cruz, Paula Gunn Allen, Qwo-Li Driskill, Laura Furlan, Janice Gould, Carrie House, Daniel Heath Justice, Maurice Kenny, Michael Koby, M. Carmen Lane, Jaynie Lara, Chip Livingston, Luna Maia, Janet McAdams, Deborah Miranda, Daniel David Moses, D. M. O’Brien, Malea Powell, Cheryl Savageau, Kim Shuck, Sarah Tsigeyu Sharp, James Thomas Stevens, Dan Taulapapa McMullin, William Raymond Taylor, Joel Waters, and Craig Womack