An instant classic, Micro pits nature against technology in vintage Crichton fashion. Completed by visionary science writer Richard Preston, this boundary-pushing thriller melds scientific fact with pulse-pounding fiction to create yet another masterpiece of sophisticated, cutting-edge entertainment.

    After escaping the Texas brothel where she'd been a virtual prisoner, Lucinda Carter heads for Middle Bayou to meet her lover, who has a plan to make them both rich, chasing rumors of a pirate's buried treasure. Meanwhile Nate Cannon, a young Texas policeman with a pure heart and a strong sense of justice, is on the hunt for a ruthless killer named McGill who has claimed the lives of men, women, and even children across the frontier. Who--if anyone--will survive when their paths finally cross? As Lucinda and Nate's stories converge, guns are drawn, debts are paid, and Kathleen Kent delivers an unforgettable portrait of a woman who will stop at nothing to make a new life for herself.

    She struggles for survival and for self-esteem, embarking on a love affair with the 18-year-old son of her most powerful opponent, brutal and charismatic rancher, Buck Calder.

    Peter's Square, Rome. White smoke signals that a new Pope has been chosen. Is it possible that the new Pope...is a woman? The world is watching as historic crowds gather in Rome, waiting for news of a new Pope, one who promises to be unlike any other in the Church's history. Some followers are ecstatic, but the leading candidate has made a legion of powerful enemies. From a difficult childhood with drug addled parents, to a career as a doctor on the front lines in Sudan, to a series of trials that test her faith at every turn, Brigid Fitzgerald's convictions and callings have made her the target of all those who fear that the Church has lost its way--dangerous adversaries who abhor challenges to tradition. Locked in a deadly, high-stakes battle with forces determined to undermine everything she believes in, Brigid must convert her enemies to her cause before she loses her faith...and her life.

    Here you will find stories of Hell and damnation, ghosts, madness, murder, vampires, bizarre hair restoration disasters, and ... pigeons, among other things. Hall of Mirrors is a collection of modern gothic tales with a nail of dark humour hammered through its heart; horrible, grotesque and hilarious. So roll up, ladies and gentlemen, and enter the Hall of Mirrors - if you dare."A modern master of horror, dark comedy, and creepy psychological thrillers. I won't compare him to anyone else because quite frankly, in my humble opinion, he's head and shoulders above them all."Daniel Shaurette. Out of the Coffin Podcast.Hall of Mirrors - The Collected Stories, is a combination of the two previously available Podiobooks podcasts, Hall of Mirrors Volumes One and Two.

    In the years after, their father, John, taught them about the paranormal evil that lives in the dark corners and on the back roads of America...and he taught them how to kill it. Sam and Dean have hit New York City to check out a local rocker's haunted house. But before they can figure out why a lovesick banshee in an '80s heavy-metal T-shirt is wailing in the bedroom, a far more macabre crime catches their attention. Not far from the house, two university students were beaten to death by a strange assailant. A murder that's bizarre even by New York City standards, it's the latest in a line of killings that the brothers soon suspect are based on the creepy stories of legendary writer Edgar Allan Poe. Their investigation leads them to the center of one of Poe's horror classics, face-to-face with their most terrifying foe yet. And if Sam and Dean don't rewrite the ending of this chilling tale, a grisly serial killer will end their lives forevermore.

    She finds the passion her spirit craves in the love of a daring French pirate who is being hunted by all of Cornwall.Together, they embark upon a quest rife with danger and glory, one which bestows upon Dona the ultimate choice: sacrifice her lover to certain death or risk her own life to save him.

    Unlike many friendships, their bond survived the years.But 20 years later, their glamorous leader, Olivia, whose wealthy Italian husband has died, suggests they reunite on her return to the United States with a luxury sailboat crossing in the Caribbean. With Tracy's college-aged daughter and an attentive two-man crew, they sail into paradise. But then, the smallest mistake triggers a series of devastating events. Suddenly in a desperate fight for survival, they battle the elements, dwindling food and water, the threat of modern-day piracy, and their own frailties.

    Name: Elizabeth Bennet. Mission: To marry both prudently and for love. How? It's entirely up to the reader. The journey begins in Pride and Prejudice but quickly takes off on a whimsical Austen adventure of the reader's own creation. A series of choices leads the reader into the plots and romances of Austen's other works. Choosing to walk home from Netherfield Hall means falling into Sense and Sensibility and the infatuating spell of Mr. Willoughby. Accepting an invitation to Bath leads to Northanger Abbey and the beguiling Henry Tilney. And just where will Emma's Mr. Knightley fit in to the quest for a worthy husband? It's all up to the reader. A labyrinth of love and lies, scandals and scoundrels, misfortunes and marriages, Lost in Austen will delight and challenge any Austen lover.

    And it is on its most vital mission yet: to deliver a young woman whose marriage will seal the peace between Arqual and its mortal enemy, the Mzithrin Empire. But Thasha, the young noblewoman in question, may be bringing her swords to the altar.For the ship’s true mission is not peace but war—a war that threatens to rekindle an ancient power long thought lost. As the Chathrand navigates treacherous waters, Thasha must seek unlikely allies—including a magic-cursed deckhand, a stowaway tribe of foot-high warriors, and a singularly heroic rat—and enter a treacherous web of intrigue to uncover the secret of the legendary Red Wolf.The Chathrand is the last of her kind. Now, having survived countless battles and centuries of typhoons, it has gone missing. This is her story.

    A rich and emotionally resonant collection of twelve stories of hope, momentary joy, and powerful endurance.

    But when Devereaux reports his findings and nobody acts—and he is targeted in an assassination attempt—he soon realizes he’s tangled in a plot far greater than he first understood.

    But when it comes to love stories, things are simpler. A love story can never be about full possession. Love stories depend on disappointment, on unequal births and feuding families, on matrimonial boredom and at least one cold heart. Love stories, nearly without exception, give love a bad name.... It is perhaps only in reading a love story (or in writing one) that we can simultaneously partake of the ecstasy and agony of being in love without paying a crippling emotional price. I offer this book, then, as a cure for lovesickness and an antidote to adultery. Read these love stories in the safety of your single bed. Let everybody else suffer." --Jeffrey Eugenides, from the introduction to My Mistress's Sparrow Is Dead All proceeds from My Mistress's Sparrow Is Dead will go directly to fund the free youth writing programs offered by 826 Chicago. 826 Chicago is part of the network of seven writing centers across the United States affiliated with 826 National, a non-profit organization dedicated to supporting students ages 6 to 18 with their creative and expository writing skills, and to helping teachers inspire their students to write.

    This title features electrifying poems of isolation, beauty, death and eternity from a reclusive genius and one of America's greatest writers. It is one of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

    Hook, Smee, the lost boys, pirates and the indians, and, of course, Tinker Bell, in their adventures in Never Land. However, for the first time, the play is here restored to Barrie's original intentions. In the words of John Caird: "A brief explanation of some of the decisions we took in revising the text may be useful to anyone considering their own production of this version We were fascinated to discover that there was no one single document called PETER PAN. What we found was a tantalizing number of different versions, all of them containing some very agreeable surprises We have made some significant alterations, the greatest of which is the introduction of a new character, the Storyteller, who is in fact the author himself. To a reader of the play, one of its most enjoyable ingredients is Barrie's unmistakable authorial tone. He tells the story of Peter Pan partly through dialogue and partly by means of his inimitable stage directions. In a whimsical, ambiguous and ironical manner he speaks here as clearly to adults as he does to children. Moreover, many of the play's complicated conceits are only comprehensible if Barrie's commentary can be heard in parallel with the voices of the characters. This device also allows us to prepare our audience with some essential background history of the Darling family in a brief prologue, and to extend the narrative at the end of the play to include Barrie's heartbreaking and heartwarming conclusion to Peter and Wendy's story."