A Bulgarian immigrant, Dimitrov writes as both observer of and fervent participant in this "American Youth," as his speakers navigate both the physical and emotional landscapes of desire, intimacy, and longing--whether for a friend, a lover, or a self, "Saint or stranger, I still recklessly seek you."

    His roommate and best friend, Daniel, is one of the most popular guys on the wrestling team. When a power outage during a winter storm forces them to get closer than ever before just to survive the night, their relationship changes forever. Neither are gay but the physical chemistry they have is undeniable. Unfortunately, Daniel's issues at home might be too severe for them to overcome.

    But there is another side to him, which comes to the fore when he falls for laborer Sylvain and gets sexually involved with two friends. The results are explosive in this passionate story of illicit romance and teenage angst-a combination that is eternally popular with gay readers.

    When I find a girl who's eager to mess around with me, I figure I've got it made.Then I meet the intense, hot-as-hell, tattooed Eric Westright, who wrecks my world...in the best possible way.He awakens something within me-something that's always been here, but that's never pulled so powerfully...not until I looked into those solemn blue eyes and felt the red-hot spark of his touch.There's something about this chemistry that's so intoxicating, and the more I get to know him, the harder it becomes for me to resist these impulses that overtake me-that leave me wanting him to show me what it feels like to have a man inside me.I know he's fighting too. It's so wrong, but every kiss, every caress, every stroke feels so right. We shouldn't act on these urges, but we can't help ourselves.First he claims my body, then he claims my heart.And before I know it, I'm in too deep with my best friend's father...*BFF is a steamy romance, but one of the main characters has a painful past that may act as a trigger for some people. Readers are invited to check out the complete trigger warning on the copyright page, which can be viewed by clicking on the "Look Inside" preview or by downloading the sample. These triggers contain spoilers for the novel.

    He can't help but notice when the man in front of him is given a plum-colored cup holder, as it goes perfectly with his own tie. There are other things he can't help but notice, like how hot "Mr. Plum" is.When Mr. Plum hands over a cup of coffee, exactly how Dave likes it, the morning he's late getting to the station, it's the start of a beautiful friendship. Or is it?

    Clips, quips, vignettes and hallucinations, tragic news reports and hilarious short plays, conversations with both the quick and the dead, all shine their combined lights to reveal the way we experience life today in this ambitious novel.

    L. King exposes a closeted culture of sex between black men who lead "straight" lives. King explores his own past as a DL man, and the path that led him to let go of the lies and bring forth a message that can promote emotional healing and open discussions about relationships, sex, sexuality, and health in the black community. Providing a long-overdue wake-up call, J. L. King bravely puts the spotlight on a topic that has until now remained dangerously taboo. Drawn from hundreds of interviews, statistics, and the author's firsthand knowledge of DL behavior, "On the Down Low "reveals the warning signs African American women need to know. King also discusses the potential health consequences of having unprotected sex, as African American women represent an alarming 64 percent of new HIV infections. Volatile yet vital," On the Down Low "is sure to be one of the most talked-about books of the year.

    Both are in every obvious respect what is generally termed masculine. There is no suggestion of the effeminate – nothing that could evoke the characterization of gay. Their backgrounds and personalities are thoroughly American, and they live and work in a completely normal man's social and professional world. Other men respect and admire their courage and ability and even their physical prowess. Women are very much attracted to both of them.Tim, the older the two, has already recognized and resolved the problem of his sexual deviation. Phillip has not. A product of rural American mores and attitudes, he has a fierce contempt for "queers" and at the same time a deep and secret dread that the germ of homosexuality maybe buried somewhere within himself. One or two incidences in his life have shaken him profoundly and have made him determined ruthlessly to crush any tendencies in himself as well as to avoid any close relations with other men. He is engaged to be married as soon as he is discharged from the Navy, and he intends to rear a big family, to take over the operations of his family's bank and other interests, and to become a responsible and civic-minded leader in his community.As the story opens, he has almost reached the refuge and security he has carefully planned. But then he meets Danelaw. From that moment the struggle begins – a tense and shattering emotional upheaval composed of aversion, self-contempt, admiration and – finally – love. There are other well-drawn characters in this drama – Phillip's exceptional family; his fiancée and her mother; Tim's fascinating wife; Lt. Bruner, the blackmailer; Stuff, the hard-boiled sailor who worshipped Philip. QUATREFOIL is a deeply moral novel. Two men of integrity and intellect are confronted with the knowledge that they are deviants from the normal pattern of our society – that most people in that society would abhor and persecute them if they openly avowed their difference. Both men avidly desire to live within the social conventions and to attain the ends that motivate all men – a home, a family, respecting in their community, an opportunity to do honest and satisfying work, to realize their ambitions.This is their problem and QUATREFOIL is their story. It will evoke some disturbing thoughts.

    Wildeblood was sentenced to eighteen months for homosexual offences, along with Lord Montagu and Major Michael Pitt-Rivers. The other two men were set free after turning Queen's Evidence.In this book, first published in 1955, Peter Wildeblood tells the story of his childhood and schooldays, his war service and university days, his life as a journalist, his arrest, trial and imprisonment, and finally his return to freedom. In its honesty and restraint it is eloquent testimony to the inhumanity of the treatment of homosexuals in Britain only a generation ago.Probably the first book on homosexuality to reach a mass audience in Britain, Against the Law had a direct influence on the Wolfenden Committee, whose Report in 1957 recommended that homosexual acts between consenting adults in private be legalised, proposals which were finally passed into law in 1967.

    It is a work of unmasking the cynical double moral standards of the Victorian era: The love of Camille and Teleny is shattered by social reprisals. The book was published in 1893 in 200 copies by Leonard Smithers who praised it as being "the most powerful and cleverly written erotic romance which has appeared in the English language" during that era, "a book that will certainly rank as the chief of its class."

    Craig Fontaine was his fantasy as far back as high school, but Craig did his best to humiliate him then over coming out. Now ten years later they both have successful careers and Craig claims to be gay. At first Alex is certain this is Craig's version of a joke, but it soon becomes clear things have changed in ten years. Craig really is gay and hotter than ever. But Craig has a dark past that threatens their future and Alex may lose his perfect man before they have their chance at happily ever after.

    He lives in the exact center of center-less Los Angeles with his depressed father, Greg, and imaginative younger sister, Sandra. When Greg suddenly dies, more than everything changes and the relatively smooth orbits of family and friends are altered when Adam needs them most. In the middle of the drama, a man in uniform appears—and he is more than interested in Adam. This man, a policeman, is warm, witty and wise. He is 6 foot-something, dirty blond, and . . . well, he’s a California Boy trapped inside the body of a 38 year-old man. But how can Adam consider the possibility of a relationship when he is dealing with his father’s death, his friends’ (and his own) pre-pre-pre mid-life crises, his mother’s ambivalence, and his little sister’s need for him? Then again, how can he not?Half-Life is about being—or at least feeling—young and old at the same time. About loving, or wanting to love, but knowing that life and love are both as exuberant and seductive yet two-dimensional and illusory as a billboard along any of Los Angeles’s endless freeways.Aaron Krach has written for Time Out New York, Out magazine, InStyle, thePosition.com, CBSHealthwatch.com, The Independent Film and Video Monthly, TVTS, Oui, DOX: International Documentary Film, indieWIRE, A&U magazine Instinct, HX, The Villager, Downtown Express, and TWN (Florida). The former editor of Empire Magazine and arts editor of Gay City News, he is now the senior editor of Cargo magazine. He lives in New York City. Half-Life is his first novel.

    In each chapter, titled after a letter of the alphabet, an anonymous narrator details his experiences, travelling to cruising grounds and sex clubs, exploring the boundaries of sex, desire, pleasure, and the body, while reflecting on the limits of language and the act of writing.In the tradition of Georges Bataille, Kathy Acker and Jean Genet, these pieces take us to places language doesn't often go. Kemp powerfully stages a series of anonymous encounters, describing the relentless pursuit of sexual pleasure with luminous intensity, while at the same time facing the impossibility of capturing the moments he describes. This is a bold and challenging work, unashamedly sensual and searching. Kemp beautifully counterpoises explicit description with a searing interrogation of the extreme measures taken in the quest for sexual fulfillment.

    Maupin deftly illustrates how far America and the pioneering Anna have come, and nearly forty years into the series, his writing remains wildly addictive but is deeper and richer.”—People The last three novels of Armistead Maupin’s bestselling, critically-acclaimed Tales of the City are now available for the first time as an omnibus edition. The epic series, published between 1978 and 2014, spans the decade before the AIDS crisis through the era of marriage equality following an unforgettable set of characters, whose diverse sexual identities helped set the social stage for the ongoing sexual revolution.Goodbye Barbary Lane—comprised of Michael Tolliver Lives (2007), Mary Ann in Autumn (2010), and The Days of Anna Madrigal (2014)—brings closure to the lives and legacies of the characters through which generations have found connection to America’s larger cultural struggles over the past four decades.Joining two companion omnibus volumes, 28 Barbary Lane and Back to Barbary Lane, Goodbye Barbary Lane presents all of “Mr. Maupin’s adeptness at fluid dialogue, his flair for shaping characters who thread the needle between pop archetypes and singular human beings, and his great gift for intricate if occasionally preposterous plotting”(New York Times).

    Their story begins with The Assignment, followed by I'll Be Hot for Christmas, Fireworks and then Heart and Soul. I'll Be Hot for Christmas and Fireworks are only available at Loose Id.Detective Nicholas Valenti, tall, dark and stoic, has been best friends with his partner, Sean O’Brian for six years. The two men have seen each other through divorce, disaster and danger and saved each other’s asses more times than Valenti can count. Exactly when he started seeing his blond, intense partner in another light, Valenti isn’t really sure. He only knows that he wants O’Brian in a way that had nothing to do with friendship and everything to do with possession. It is a desire he will have to hide forever because O’Brian is undeniably straight.Just as Valenti is coming to grips with his new, unacceptable feelings for his partner their police Captain puts them on a new case that could blow Valenti’s cover once and for all. He and O’Brian are going undercover at the country’s largest and most infamous gay resort to bust a notorious drug lord and stop the shipments of poison cocaine that are flooding the gay bars all over the city.Now Valenti will have to make a choice between friendship and desire. He and O’Brian will play the roles of gay men that will push the limits of their relationship to the breaking point. Will their time at the RamJack forge a new bond between them or destroy their partnership forever?