Member of the school’s gay-straight alliance. Joni Mitchell superfan. Seventeen-year-old who has never been kissed. So when last summer’s crush and her former classmate—Young Lungs lead singer Sebastian Delacroix—comes back to town with his new hit single “Natalie,” she can’t bring herself to believe it could possibly be about her…could it?As Nattie sorts through the evidence (the lyrics, Sebastian’s elusive text messages, and their brief romantic encounter last year), the song’s popularity skyrockets, and everyone starts speculating about “Natalie’s” identity. If that wasn’t mortifying enough, Nattie runs into another problem: her confusing, flirtation-packed feelings for her good friend Zach. With her once-average life upended, Nattie is determined to figure out once and for all if her short-lived past with Sebastian was something love songs are made of—or just a one-hit wonder.

    With the whole school turned against her, and Angie not speaking to her, Lizzie takes her own life. But someone isn’t letting her go quietly. As graffiti and photocopies of Lizzie’s diary plaster the school, Angie begins a relentless investigation into who, exactly, made Lizzie feel she didn’t deserve to keep living. And while she claims she simply wants to punish Lizzie’s tormentors, Angie's own anguish over abandoning her best friend will drive her deep into the dark, twisted side of Verity High—and she might not be able to pull herself back out.Debut author Chelsea Pitcher daringly depicts the harsh reality of modern high schools, where one bad decision can ruin a reputation, and one cruel word can ruin a life. Angie’s quest for the truth behind Lizzie’s suicide is addictive and thrilling, and her razor-sharp wit and fierce sleuthing skills makes her impossible not to root for—even when it becomes clear that both avenging Lizzie and avoiding self-destruction might not be possible.

    Now all I want is to go back.When troubled Taylor Truwell is caught with a stolen car and lands in court for resisting arrest, her father convinces the judge of an alternative to punishment: treatment in a juvenile psychiatric correctional facility. Sunny Meadows is anything but the easy way out, and Taylor has to fight hard just to hold on to her sanity as she battles her parents, her therapist, and vicious fellow patients. But even as Taylor struggles to hold on to her stubborn former self, she finds herself relenting as she lets in two unlikely friends--Margo, a former child star and arsonist, and AJ, a mysterious boy who doesn’t speak. In this striking debut, Laura Lascarso weaves together a powerful story of anger and self-destruction, hope and love.

    The pretty girl. The popular girl.But not the rape girl.That’s who she is now. Rape Girl. Because everyone seems to think they know the truth about what happened with Adam that day, and they don’t think Valerie’s telling it.Before, she had a best friend, a crush, and a close-knit family. After, she has a court case, a support group, and a house full of strangers.The real truth is, nothing will ever be the same.

    She’s felt that grief firsthand. So when Jaden, her crush and almost-boyfriend, loses his parents in a car accident, MacKenzie steps back. It might not be the right thing to do, but with an alcoholic mother and a father who deals with their family problems by not dealing at all, self-preservation is her only option. Then the pair meet by chance one night, reunited for the first time in months. Before MacKenzie can throw up her walls again, old feelings resurface and new memories are made. MacKenzie has missed Jaden more than anything. But can she dare to fall for the one person she’s so afraid of growing close to?Praise for Did I Mention I Love You:“A solid romance with a tantalizing helping of forbidden love.” —Booklist on Did I Mention I Love You?

    She plans to keep her head down until she graduates. But after discovering her online identity has been hacked and she’s being framed for stealing from a dealer, Kendall is drawn into a tenuous partnership with the mastermind of a drug ring lurking in the shadows of her Brooklyn private school. If she wants to repair her tattered reputation and save her neck, she’ll have to decide who she really is—and own it. The longer she plays the role of “bad girl,” the more she becomes her new reputation. Friends and enemies, detectives and drug dealers—no one is who they appear to be. Least of all Kendall.

    Until a car accident leaves Trevor with no band, no teammates and no chance of graduating. It's kinda hard to ace your finals when you've been in a coma. The last thing he needs is stuck-up Everly Jenkins as his new tutor—those beautiful blue eyes catching every last flaw.For Everly normal was a perfect family around the dinner table, playing piano at Sunday service and sunning by the pool. Until she discovers her whole life is a lie. Now the perfect pastor's daughter is hiding a life-changing secret, one that is slowly tearing her family apart. And spending the summer with notorious flirt Trevor Lewis means her darkest secret could be exposed.

    This is Jaden pretending not to notice. . . .Jaden McEntyre and Parker Whalen are a wrong fit from the start. Jaden is driven and focused, Harvard Med School within reach. Parker has a past-a reputation-and the rumors about his mysterious habits abound. So there's no reason why, when they're assigned to work together on a project in English, they should discover they have anything in common, or even like each other, and they definitely shouldn't be falling in love.As they bond over Edith Wharton's tragic novella, Ethan Frome, the "bad boy" vibe Parker plays begins to dissipate. Soon, Jaden finds herself shedding her own "good girl" image: sneaking around to be with him, confiding in him, and ultimately falling hard for this leather-wearing, motorcycle-driving loner who plays into the rebel stereotype.Still, Jaden can't shake the feeling that there's more to Parker than he's letting on. He's hiding something from her, and discovering the truth means reconciling the Parker she's grown to love with the person he really is. Because it's possible that his life inside the classroom-everything Jaden knows-is one massive lie.

    One fake dating scheme. What could possibly go wrong?Frank Li has two names. There's Frank Li, his American name. Then there's Sung-Min Li, his Korean name. No one uses his Korean name, not even his parents. Frank barely speaks any Korean. He was born and raised in Southern California.Even so, his parents still expect him to end up with a nice Korean girl--which is a problem, since Frank is finally dating the girl of his dreams: Brit Means. Brit, who is funny and nerdy just like him. Brit, who makes him laugh like no one else. Brit . . . who is white.As Frank falls in love for the very first time, he's forced to confront the fact that while his parents sacrificed everything to raise him in the land of opportunity, their traditional expectations don't leave a lot of room for him to be a regular American teen. Desperate to be with Brit without his parents finding out, Frank turns to family friend Joy Song, who is in a similar bind. Together, they come up with a plan to help each other and keep their parents off their backs. Frank thinks he's found the solution to all his problems, but when life throws him a curveball, he's left wondering whether he ever really knew anything about love—or himself—at all.

    But on the very night she learns she got into a prestigious theater program, she also finds out she’s pregnant. She definitely can’t tell her parents. And her best friend, Bea, doesn’t agree with the decision Camille has made.Camille is forced to try to solve her problem alone . . . and the system is very much working against her. At her most vulnerable, Camille reaches out to Annabelle Ponsonby, a girl she only barely knows from the theater. Happily, Annabelle agrees to drive her wherever she needs to go. And in a last-minute change of heart, Bea decides to come with.Girls on the Verge is an incredibly timely novel about a woman’s right to choose. Sharon Biggs Waller brings to life a narrative that has to continue to fight for its right to be told, and honored.