As she puts it: “The economic game is not supposed to be rigged like some shady ring toss on a carnival midway.” Yet it has been, allowing corporate crooks to bilk the public out of trillions of dollars, magically making our pensions and 401(k)s disappear and walking away with astronomical payouts and absurdly lavish perks-for-life.The media have put their fingers on pieces of the sordid puzzle, but Pigs at the Trough presents the whole ugly picture of what’s really going on for the first time—a blistering, wickedly witty portrait of exactly how and why the worst and the greediest are running American business and government into the ground.Tyco’s Dennis Kozlowski, Adelphia’s John Rigas, and the Three Horsemen of the Enron Apocalypse—Ken Lay, Jeff Skilling, and Andrew Fastow—are not just a few bad apples. They are manifestations of a megatrend in corporate leadership—the rise of a callous and avaricious mind-set that is wildly out of whack with the core values of the average American. WorldCom, Enron, Adelphia, Tyco, AOL, Xerox, Merrill Lynch, and the other scandals are only the tip of the tip of the corruption iceberg.Making the case that our public watchdogs have become little more than obedient lapdogs, unwilling to bite the corporate hand that feeds them, Arianna Huffington turns the spotlight on the tough reforms we must demand from Washington. We need, she argues, to go way beyond the lame Corporate Responsibility Act if we are to stop the voracious corporate predators from eating away at the very foundations of our democracy.Devastatingly funny and powerfully indicting, Pigs at the Trough is a rousing call to arms and a must-read for all those who are outraged by the scandalous state of corporate America.From the Hardcover edition.

    Johnson begins with a sentence seemingly calibrated to the scale of the book he set himself to review: The long-awaited monetary history of the United States by Friedman and Schwartz is in every sense of the term a monumental scholarly achievement--monumental in its sheer bulk, monumental in the definitiveness of its treatment of innumerable issues, large and small . . . monumental, above all, in the theoretical and statistical effort and ingenuity that have been brought to bear on the solution of complex and subtle economic issues.Friedman and Schwartz marshaled massive historical data and sharp analytics to support the claim that monetary policy--steady control of the money supply--matters profoundly in the management of the nation's economy, especially in navigating serious economic fluctuations. In their influential chapter 7, The Great Contraction--which Princeton published in 1965 as a separate paperback--they address the central economic event of the century, the Depression. According to Hugh Rockoff, writing in January 1965: If Great Depressions could be prevented through timely actions by the monetary authority (or by a monetary rule), as Friedman and Schwartz had contended, then the case for market economies was measurably stronger.Milton Friedman won the Nobel Prize in Economics in 1976 for work related to A Monetary History as well as to his other Princeton University Press book, A Theory of the Consumption Function (1957).

    Critser's sharp-eyed reportage and sharp-tongued analysis make for a disarmingly funny and truly alarming book. Critser investigates the many factors of American life -- from supersize to Super Mario, from high-fructose corn syrup to the high cost of physical education in schools -- that have converged and conspired to make us some of the fattest people on the planet. He also explains why pediatricians are treating conditions rarely before noticed in children, why Type 2 diabetes is on the rise, and how agribusiness has unwittingly altered the American diet.

    Robert's classic guide to smooth, orderly, and fairly conducted meetings has sold close to five million copies in nine editions. The only book containing the completely developed Robert's Rules of Order subject matter, this latest edition will continue the book's reputation as the gold standard of meeting procedure for parliamentarians and novice club presidents and members alike. Thoroughly revised and updated to reflect the past decade's technological advances and usage, this tenth edition contains new information on how to conduct meetings over the Internet, on phone and video conference calls, and with members in absentia. The best book from which to learn all about running and taking an effective part in meetings, General Robert's gift of order is as indispensable now as it was a century ago.

    She could imitate his voice to perfection, and Proust himself said to her, "You know everything about me." Her reminiscences of her employer present an intimate picture of the daily life of a great writer, who was also a deeply peculiar man, while Madame Albaret herself proves to be a shrewd and engaging companion.

    At its core are the candid assessments of former Secretary of the Treasury Paul O'Neill, the only member of Bush's cabinet to leave and speak frankly about how and why the administration has come to its core policies and decisions -- from cutting taxes for the rich to conducting preemptive war.O'Neill's account is supported by Pulitzer Prize-winning journalist Ron Suskind's interviews with numerous participants in the administration, by transcripts of meetings, and by voluminous documents. The result is a disclosure of breadth and depth unparalleled for an ongoing presidency. As readers are taken to the very epicenter of government, Suskind presents an astonishing picture of a president so carefully managed in his public posture that he is a mystery to most Americans. Now, he is revealed.

    L. Mencken is to be confronted with the sad realization that most of what we find in newspapers and journals today is mere sludge. While an Alexander Cockburn or a Christopher Hitchens can churn out a brilliant, at times almost sublime piece of invective, the sad fact is that for all their talent, they are mere polemicists. Mencken, however, was a true contrarian, and, for that reason, he had far more scope for his talents. It would be quite fair to call him a true American genius whose range and Mark Twain-like skepticism leave the reader sometimes convulsed with laughter, sometimes completely enraged, but always transfixed with admiration.In this volume of more than 600 pages, Mencken has collected more than 100 choice passages, ranging from men, women, and southerners to religion, politics, music, literature, and the arts. This selection is a pure delight, and, while not every piece entertains, one cannot help but be awed by this true polymath and regret not having him around today.Edited and annotated by H.L.M., this is a selection from his out-of-print writings. They come mostly from books—the six of the PREJUDICES series, A BOOK OF BURLESQUES, IN DEFENSE OF WOMEN, NOTES ON DEMOCRACY, MAKING A PRESIDENT, A BOOK OF CALUMNY, TREATISE ON RIGHT AND WRONG—but there are also magazine and newspaper pieces that never got between covers (from the American Mercury, the Smart Set, and the Baltimore Evening Sun) and some notes that were never previously published at all.Readers will find edification and amusement in his estimates of a variety of Americans—Woodrow Wilson, Aimee Semple McPherson, Roosevelt I and Roosevelt II, James Gibbons Huneker, Rudolph Valentino, Calvin Coolidge, Ring Lardner, Theodore Dreiser, and Walt Whitman. Those musically inclined will enjoy his pieces on Beethoven, Schubert, and Wagner, and there is material for a hundred controversies in his selections on Joseph Conrad, Thorstein Veblen, Nietzsche, and Madame Blavatsky.The author chose selections form his out of print writings: his books, magazines and newspaper pieces.(from Barnes & Noble)

    The Little Locksmith begins in 1895 when a specialist straps five-year-old Katharine, then suffering from spinal tuberculosis, to a board with halters and pulleys in a failed attempt to prevent her being a "hunchback." Her mother says that she should be thankful that her parents are able to have her cared for by a famous surgeon; otherwise, she would grow up to be like the "little locksmith," who does jobs at their home; he has a "strange, awful peak in his back." Forced to endure "a horizontal life of night and day," Katharine remains immobile until age fifteen, only to find that she, too, has a hunched back and is "no larger than a ten-year-old child." The Little Locksmith charts Katharine's struggle to transcend physical limitations and embrace her life, her body and herself in the face of debilitating bouts of frustration and shame. Her spirit and courage prevail, and she succeeds in expanding her world far beyond the boundaries prescribed by her family and society: she attends Radcliffe College, forms deep friendships, begins to write, and in 1921, purchases a house of her own in Castine, Maine. There she creates her home, room by room, fashioning it as a space for guests, lovers, and artists. The Little Locksmith stands as a testimony to Katharine's aspirations and desires-for independence, for love, and for the pursuit of her art."We tend to forget nowadays that there is more than one variety of hero (and heroine). Katharine Butler Hathaway, who died last Christmas Eve, was the kind of heroine whose deeds are rarely chronicled. They were not spectacular and no medal would have been appropriate for her. All she did was to take a life which fate had cast in the mold of a frightful tragedy and redesign it into a quiet, modest work of art. The life was her own.

    Lawrence Lipton's fascinating book is one of the first complete, unbiased studies of the strange, important offshoot of society.

    He focuses his study on the question: Was the war inevitable, or could it have been avoided?Kagan takes issue with Thucydides' view that the war was inevitable, that the rise of the Athenian Empire in a world with an existing rival power made a clash between the two a certainty. Asserting instead that the origin of the war "cannot, without serious distortion, be treated in isolation from the internal history of the states involved," Kagan traces the connections between domestic politics, constitutional organization, and foreign affairs. He further examines the evidence to see what decisions were made that led to war, at each point asking whether a different decision would have been possible.

    Glicksberg says if you want to be a writer you have to, quote, sit on a window sill and get all pensive and stuff and jot down descriptions. Unquote Glicksberg! I don't know what kind of things he writes but I found my inspiration in Malibu with a radio, my best girlfriends, and absolutely zillions of boys for miles. I absolutely had to write everything down because I heard that when you get older you forget things, and I'd be the most miserable woman in the world if I forgot all about Moondoggie and what happened this summer. I absolutely owe the world my story. (And every word is true. I swear.) This is Franzie, part Holden Caulfield, part Lolita. The guys call her Gidget--short for "girl midget”--and she’s a girl coming of age in the summer of 1957. Based on the experiences of his own daughter, Frederick Kohner's trend-setting novel became an international sensation and turned its irrepressible heroine into an American pop culture icon whose voice still echoes every thrill, every fear, and every hope that every teenager ever had about growing up.

    The Cannes Film Festival jury voted unanimously to award the 2004 Best Picture Award to Michael Moore and Fahrenheit 9/11. Since then, it has gone on to smash all box office records for a documentary and created an international discussion about the Bush administration and the war in Iraq. The Official Fahrenheit 9/11 Reader is a powerful and informative book that includes the complete screenplay of the most provocative film of the year. The book also includes extensive sources that back up all facts in the film, as well as articles, letters, photos, and cartoons about the most influential documentary of all time.

    In the essays collected here, Vidal brings his keen intellect, experience, and razor-edged wit to bear on an astonishing range of subjects. From his celebrated profiles of Clare Boothe Luce and Charles Lindbergh and his controversial essay about the Bill of Rights–which sparked an extended correspondence with convicted Oklahoma City Bomber Timothy McVeigh–to his provocative analyses of literary icons such as John Updike and Mark Twain and his trenchant observations about terrorism, civil liberties, the CIA, Al Gore, Tony Blair, and the Clintons, Vidal weaves a rich tapestry of personal anecdote, critical insight, and historical detail. Written between the first presidential campaign of Bill Clinton and the electoral crisis of 2000, The Last Empire is a sweeping coda to the last century’s conflicted vision of the American dream.

    Numbering more than 200, these poems form a literary landmark—the first time her poems have appeared in a complete edition in either English or Spanish. Many of the verses presented here had been lost and are presented here for the first time in print. De Burgos broke new ground in her poetry by fusing a romantic temperament with keen political insights. This book will be essential reading for lovers of poetry and for feminists.

    Compiled by the staff and contributors of Mojo magazine, The Mojo Collection tells the stories behind the greatest albums of all time and the artists who made them.