With surgical precision it charts the destructive emotional war between a young woman, her husband and his disruptive brother as they move through a labyrinth of betrayal, alienation and lost connections. This revised edition has lost none of Angela Carter's haunting power to evoke the ebb of the 1960s, and includes an afterword which describes the progress of the survivors into the anguish of middle age.

    An award-winning work, Cloudstreet exemplifies the brilliant ability of fiction to captivate and inspire. Struggling to rebuild their lives after being touched by disaster, the Pickle family, who've inherited a big house called Cloudstreet in a suburb of Perth, take in the God-fearing Lambs as tenants. The Lambs have suffered their own catastrophes, and determined to survive, they open up a grocery on the ground floor. From 1944 to 1964, the shared experiences of the two overpopulated clans -- running the gamut from drunkenness, adultery, and death to resurrection, marriage, and birth -- bond them to each other and to the bustling, haunted house in ways no one could have anticipated.

    The city is a shell of the Beirut Osama remembers, but he and his friends and family take solace in the things that have always sustained them: gossip, laughter, and, above all, stories. Osama’s grandfather was a hakawati, or storyteller, and his bewitching stories—of his arrival in Lebanon, an orphan of the Turkish wars, and of how he earned the name al-Kharrat, the fibster—are interwoven with classic tales of the Middle East, stunningly reimagined. Here are Abraham and Isaac; Ishmael, father of the Arab tribes; the ancient, fabled Fatima; and Baybars, the slave prince who vanquished the Crusaders. Here, too, are contemporary Lebanese whose stories tell a larger, heartbreaking tale of seemingly endless war—and of survival. Like a true hakawati, Rabih Alameddine has given us an Arabian Nights for this century—a funny, captivating novel that enchants and dazzles from its very first lines: “Listen. Let me take you on a journey beyond imagining. Let me tell you a story.”

    Between the closing of the city's largest steel mill and the worst blizzard in more than 40 years, the table is set for remarkable change. Unemployed steel worker Bobby Wayland is trying hard to help his family and still pay for his wedding, but the only solution he can think of involves breaking the law. On the other side of town, a little girl named Hope is keeping a big secret, one she won't even share with her Great Uncle Joe―she can make things move without touching them. Watching over both of them is the city herself, and she has something to say and something to do about all of this.The Heebie-Jeebie Girl is the story of an era ending and the uncertainty that awakens. It's the story of what happens when the unconscionable meets the improbable. It's the story of dreams deferred, dreams devoured, and dreams dawning. It is likely to be the most distinctive novel you read this year, but it will startle you with its familiarity. Author Susan Petrone has created an unforgettable tale of family, redemption, and magic.

    Strongly autobiographical, it vividly conveys the intensely felt worlds of the adolescent - love, poetry and England - and the enthralling but sometimes painful experience of growing up female; and its picture of family life in early-twentieth-century Wellington, in all its physical details, emotional tensions, muddle and variety, lingers in the mind.

    Convicted killers all, each awaits his turn to walk the Green Mile, keeping a date with "Old Sparky," Cold Mountain's electric chair. Prison guard Paul Edgecombe has seen his share of oddities in his years working the Mile. But he's never seen anyone like John Coffey, a man with the body of a giant and the mind of a child, condemned for a crime terrifying in its violence and shocking in its depravity. In this place of ultimate retribution, Edgecombe is about to discover the terrible, wondrous truth about Coffey, a truth that will challenge his most cherished beliefes... and yours.

    On Taris there are many rules governing appearance, behaviour, even procreation ... but all are for the good of the community, to ensure the survival of humankind. Or are they?As Taris' protected environment begins to break down and Juno's questioning nature takes hold, she uncovers some startling inconsistencies in many of the 'factual' histories she has grown up with. She also begins to develop some quite startling, almost supernatural, abilities. As Juno faces increasing danger, she finds allies in the most surprising places.Juno of Taris is the first novel in an exciting YA fantasy series.

    As she nevertheless starts planning, she juggles everyday life only to have Pito act as though he's forgotten his proposal.

    In chapter one, the grandmother matriarch in the Soviet Union accidentally writes a bestselling autobiography. In chapter two, Tosca, her daughter (born in Canada, where her mother had emigrated) moves to the DDR and takes a job in the circus. Her son―the last of their line―is Knut, born in chapter three in a Leipzig zoo but raised by a human keeper in relatively happy circumstances in the Berlin zoo, until his keeper, Matthias, is taken away...Happy or sad, each bear writes a story, enjoying both celebrity and “the intimacy of being alone with my pen.”

    After lunch, a group of three of the girls climbed into the blaze of the afternoon sun, pressing on through the scrub into the shadows of Hanging Rock. Further, higher, till at last they disappeared.They never returned.Whether Picnic at Hanging Rock is fact or fiction the reader must decide for themselves.

    Why does Ana bear such a close resemblance to the model for Goya's famous Maja paintings? What is the significance of the Joker as he steps out of his pack of cards? As the action moves from Fiji to Spain, from the present to the past, unfolding further stories within the stories, the novel reveals an astonishing richness and complexity. As bold and imaginative in its sweep as Sophie's World, it shows again that Jostein Gaarder's unique and special gift is to make us wonder at the awe-inspiring mystery of the universe.

    Caught by the enigmatic Eldritch Moons, Sin is offered a way out of his life of crime: join the Covert Operations Group (COG) and train to become a spy. At Lenheim Palace, Sin learns spy craft while trying not to break the school’s Cast-Iron Rules. Befriended by eccentric Zonda Chubb, together they endeavour to unmask a traitor causing havoc within the palace. After an assassination attempt on the founder of COG, Sin realises that someone closest to him could be the traitor. With no other option, Sin is forced into an uneasy alliance with the school bully, Velvet Von Darque.But can he trust her? And will COG try to bury him with the secrets he discovers? Secrets, spies and steampunk gadgets abound in this fantastic adventure story!

    This combination of slave memoir, fantasy, and historical fiction is a novel of rich literary complexity. Having just celebrated her 26th birthday in 1976 California, Dana, an African-American woman, is suddenly and inexplicably wrenched through time into antebellum Maryland. After saving a drowning white boy there, she finds herself staring into the barrel of a shotgun and is transported back to the present just in time to save her life. During numerous such time-defying episodes with the same young man, she realizes the challenge she’s been given...

    As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille's genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the "ultimate perfume"—the scent of a beautiful young virgin. Told with dazzling narrative brilliance, Perfume is a hauntingly powerful tale of murder and sensual depravity.

    The debut poetry collection by Victoria University International Institute of Modern Letters graduate and Adam Foundation Prize winner Tayi Tibble.Cover by Xoë Hall