. .  but help is here. Meet Laser Moose and Rabbit Boy, improbable pals who use their powers—laser vision and an unrelenting sense of optimism—to fight the forces of evil. Join the dynamic duo as they battle aliens, a mutant fish-bear, a cyborg porcupine, and a mechanical squirrel, learning along the way that looking on the bright side might be just as powerful as shooting a laser.

    Through a series of captivating and sophisticated illustrated stories, Tan explores the precious strangeness of our existence. He gives us a portrait of modern suburban existence filtered through a wickedly Monty Pythonesque lens. Whether it’s discovering that the world really does stop at the end of the city’s map book, or a family’s lesson in tolerance through an alien cultural exchange student, Tan’s deft, sweet social satire brings us face-to-face with the humor and absurdity of modern life.

    It's run down, and Hippo hardly ever gets any visitors. So he decides to set off for the outside with his friend Red Panda. To make it in the human world, Hippo will have to become a Hippopotamister: he'll have to act like a human, get a job, and wear a hat as a disguise. He's a good employee, whether he's a construction worker, a hair stylist, or a sous chef. But what he really needs is a job where he can be himself.

    Featuring fifty classic nursery rhymes illustrated and interpreted in comics form by fifty of today’s preeminent cartoonists and illustrators, this is a groundbreaking new entry in the canon of nursery rhymes treasuries. From New Yorker cartoonist Roz Chast’s “There Was a Crooked Man” to Bad Kitty author Nick Bruel’s “Three Little Kittens” to First Second’s own Gene Yang’s “Pat-a-Cake,” this is a collection that will put a grin on your face from page one and keep it there. Each rhyme is one to three pages long, and simply paneled and lettered to ensure that the experience is completely accessible for the youngest of readers. Chock full of engaging full-color artwork and favorite characters (Jack and Jill! Old Mother Hubbard! The Owl and the Pussycat!), this collection will be treasured by children for years to come.

    Like most kids, Frankie Pickle hates cleaning his room. But what happens when his mom says he never has to clean it again? For Frankie and his unstoppable imagination, it means he and his sidekick, Argyle, can become explorers swinging on vines, forging paths through piles of clothes, and scooting past lava pits. They can perform flawless surgery on a broken action figure. They can spend time in the big house. They can even become superheroes. But when junk piles grow too high, will all this imagining be enough to conquer . . . the closet of DOOM?

    Gorey tells the tale of 26 children (each representing a letter of the alphabet) and their untimely deaths in rhyming dactylic couplets, accompanied by the author's distinctive black and white illustrations. It is one of Edward Gorey's best-known books, and is the most notorious amongst his roughly half-dozen mock alphabets.[2] It has been described as a "sarcastic rebellion against a view of childhood that is sunny, idyllic, and instructive". The morbid humor of the book comes in part from the mundane ways in which children die, such as falling down the stairs or choking on a peach. Far from illustrating the dramatic and fantastical childhood nightmares, these scenarios instead poke fun at the banal paranoias that come as a part of parenting.

    REAL PIGEONS solve mysteries! REAL PIGEONS fight bad guys! And REAL PIGEONS won't stop until your neighborhood is safe and the questions are all answered: Like, why have all the breadcrumbs disappeared? And which food truck smells the best?

    Called upon to investigate thirteen suspicious incidents, young Lemony Snicket collects clues, questions witnesses, and cracks every case. Join the investigation and tackle the mysteries alongside Snicket, then turn to the back of the book to see the solution revealed.A delicious read that welcomes readers into Lemony Snicket's world of deep mystery, mysterious depth, deductive reasoning, and reasonable deductions.

    Glockenspiel threatens all the books in the world, only one person can stop him—a book-wielding, super-secret operative called Lyric McKerrigan.

    The First Escape is the first book in the Dopple Ganger Chronicles, a six-book series following three children--Sadie and Saskia Dopple and Erik Morrissey Ganger. Sadie and Saskia are mischievous identical twins living at an orphanage, where Erik is their only friend. They are separated when Saskia is adopted by Muzz Elliott, a wealthy woman searching for her long-lost family treasure. While Saskia stumbles into the center of a crime only she can stop, Sadie and Erik embark on a quest to find her. This book is in an exciting new format called an "illustra-novella," in which the story is told alternately in graphic novel format and plain text with occasional illustrations.

    And that’s not even the worst part. A few centuries ago, Drago was cursed by a witch, and now they must complete every task the witch gives them, or they will be turned into worms.When the witch tells Drago to bring her a spellbook from Baneberry Falls, they set off with their immortal friends, Eztli and Quintus. But mysteries await in this sleepy midwestern town. Are the keepers of the spellbook, Sara, a vampire, and Ayesha, a witch, as friendly as they seem? Or do they have a hidden agenda, like everyone else Drago has ever known?One thing’s for sure: after this accursed mission, Drago’s immortal life will never be the same again!In her debut graphic novel, Madeline McGrane tells a charming and compelling story about the worst vampires who finally have the chance to do something good.

    Between the bossy vulture, the slightly dim dog, the nurturing bear, and the happy-go-lucky penguin, this mismatched group of big personalities doesn’t always get along—but they’re a family.   And they’re on the run. A pair of hungry polar bears are after the penguin, and the rest of the team are determined to protect her. They’re not interested in adopting a tiny human. But Dee loves them—especially Ted the bear—and she won't let them go. Instead, she hops on their getaway plane and joins them on an around-the-world adventure.   This hilarious and heartwarming story is the perfect addition to any graphic novel reader’s library.

    So suddenly moving to the country and getting new stepsisters shouldn't be too much of a surprise.Jen did not want to leave the city. She did not want to move to a farm with her mom and her mom's new boyfriend, Walter. She did not want to leave her friends and her dad.Most of all, Jen did not want to get new "sisters," Andy and Reese.If learning new chores on Peapod Farm wasn't hard enough, then having to deal with perfect-at-everything Andy might be the last straw for Jen. Besides cleaning the chicken coop, trying to keep up with the customers at the local farmers' market, and missing her old life, Jen has to deal with her own insecurities about this new family . . . and where she fits in.

    She may swim with a teacup balanced on her head and stay north when the rest of the ducks fly south for the winter, but there's nothing so odd about that.  Chad, on the other hand, is one strange bird. Theodora quite likes him, but she can't overlook his odd habits. It's a good thing Chad has a normal friend like Theodora to set a good example for him.  But who exactly is the odd duck here? Theodora may not like the answer. Sara Varon (Robot Dreams) teams up with Cecil Castellucci (Grandma's Gloves) for a gorgeous, funny, and heartwarming examination of the perils and pleasures of friendship.

    Because: ANYTHING can happen in a 13-storey treehouse.This is a major new series from Andy and Terry- and it's the logical evolution of all their previous books. There are echoes of the Just stories in the Andy and Terry friendship, the breakaway stories in the Bad Book (the Adventures of Super Finger), there's the easy readability of the Cat on the Mat and the Big Fat Cow, and like all these books, the illustrations are as much a part of the story as the story itself.