With the feared Napoleon Bonaparte presumably defeated and exiled to the small island of Elba, heads of some 216 states gathered in Vienna to begin piecing together the ruins of his toppled empire. Major questions loomed: What would be done with France? How were the newly liberated territories to be divided? What type of restitution would be offered to families of the deceased? But this unprecedented gathering of kings, dignitaries, and diplomatic leaders unfurled a seemingly endless stream of personal vendettas, long-simmering feuds, and romantic entanglements that threatened to undermine the crucial work at hand, even as their hard-fought policy decisions shaped the destiny of Europe and led to the longest sustained peace the continent would ever see.Beyond the diplomatic wrangling, however, the Congress of Vienna served as a backdrop for the most spectacular Vanity Fair of its time. Highlighted by such celebrated figures as the elegant but incredibly vain Prince Metternich of Austria, the unflappable and devious Prince Talleyrand of France, and the volatile Tsar Alexander of Russia, as well as appearances by Ludwig van Beethoven and Emilia Bigottini, the sheer star power of the Vienna congress outshone nearly everything else in the public eye.An early incarnation of the cult of celebrity, the congress devolved into a series of debauched parties that continually delayed the progress of peace, until word arrived that Napoleon had escaped, abruptly halting the revelry and shrouding the continent in panic once again.Vienna, 1814 beautifully illuminates the intricate social and political intrigue of this history-defining congress–a glorified party that seemingly valued frivolity over substance but nonetheless managed to drastically reconfigure Europe’s balance of power and usher in the modern age.

    For more than five hours, sixty ships fought at close quarters as their occupants struggled under the constant barrage of cannon and musket fire, amid choking fumes and ear-splitting explosions. Nelson's navy was severely outgunned; twenty-seven British battleships carrying 2,150 guns faced thirty-three French and Spanish ships carrying 2,640 guns. Yet the British gunners, quicker and more disciplined, carried the day. While the men maneuvered the ships and kept the cannons firing, the women tended the sick and helped the boys carry gunpowder cartridges to the gun decks. When Nelson died in the midst of the battle, French Vice-Admiral Villeneuve remarked that "to any other nation the loss of a Nelson would have been irreparable, but in the British Fleet off Cadiz, every captain was a Nelson."" Adkins has drawn on a broad range of primary source material to write this powerful, unforgettably vivid history that captures as never before the harsh conditions in which sailors lived and died, the mechanics of nautical combat and the human costs of the conflict.

    Based on interviews with Nobel Prize winner Czeslaw Milosz, My Century describes the artistic, sexual, and political experimentation --in which Wat was a major participant-- that followed the end of World War I: an explosion of talent and ideas which, he argues, in some ways helped to open the door to the destruction that the Nazis and Bolsheviks soon visited upon the world. But Wat's book is at heart a story of spiritual struggle and conversion. He tells of his separation during World War II from his wife and young son, of his confinement in the Soviet prison system, of the night when the sound of far-off laughter brought on a vision of "the devil in history." "It was then," Wat writes, "that I began to be a believer."

    The only thing he fears is missing the action. Soon, however, the vaunted “war to end all wars” seems like a war that will never end: whether mired in the trenches or going over the top, Jean finds himself caught in the midst of an unimaginable, unceasing slaughter. After he is wounded, he returns from the front to discover a world where no one knows or wants to know any of this. Both the public and the authorities go on talking about heroes — and sending more men to their graves. But Jean refuses to keep silent. He will speak the forbidden word. He will tell them about fear.

    A Writer at War – based on the notebooks in which Grossman gathered raw material for his articles – depicts the crushing conditions on the Eastern Front, and the lives and deaths of soldiers and civilians alike. It also includes some of the earliest reportage on the Holocaust. In the three years he spent on assignment, Grossman witnessed some of the most savage fighting of the war: the appalling defeats of the Red Army, the brutal street fighting in Stalingrad, the Battle of Kursk (the largest tank engagement in history), the defense of Moscow, the battles in Ukraine, and much more.Historian Antony Beevor has taken Grossman’s raw notebooks, and fashioned them into a narrative providing one of the most even-handed descriptions – at once unflinching and sensitive – we have ever had of what he called “the ruthless truth of war.”From the Hardcover edition.

    Telling of the siege of Leningrad, of glittering dinner parties with Nazi leaders, and of trains disgorging bodies in war-devastated Romania, Malaparte paints a picture of humanity at its most depraved.Kaputt is an insider’s dispatch from the world of the enemy that is as hypnotically fascinating as it is disturbing.

    Volume 1 of the gripping epic masterpiece, Solzhenitsyn's chilling report of his arrest and interrogation, which exposed to the world the vast bureaucracy of secret police that haunted Soviet society

    From 1808 to 1814, Spanish regulars and guerrillas, along with British forces led by Sir John Moore and the duke of Wellington, battled Napoleon's troops across the length and breadth of the Iberian Peninsula. Napoleon considered the war so insignificant that he rarely bothered to bring to it his military genius, relying instead on his marshals and simultaneously launching his disastrous Russian campaign of 1812. Yet the Peninsular War was to end with total defeat for the French, and in 1813 Wellington's army crossed the Pyrenees into mainland France. What Napoleon had called "the Spanish ulcer" ultimately helped bring down the French empire. Michael Howard of Oxford University hailed this book as "a major achievement . . . the first brief and balanced account of the war to have appeared within our generation." Illustrated with over a hundred maps and fifty contemporary drawings and paintings, this is a richly detailed history of a crucial period in history that resonates powerfully to this day -- and figures prominently in Bernard Cornwell's internationally acclaimed novels of the Napoleonic era.

    All previous lives of Napoleon have relied more on the memoirs of others than on his own uncensored words.Michael Broers' biography draws on the thoughts of Napoleon himself as his incomparable life unfolded. It reveals a man of intense emotion, but also of iron self-discipline; of acute intelligence and immeasurable energy. Tracing his life from its dangerous Corsican roots, through his rejection of his early identity, and the dangerous military encounters of his early career, it tells the story of the sheer determination, ruthlessness, and careful calculation that won him the precarious mastery of Europe by 1807. After the epic battles of Austerlitz, Jena and Friedland, France was the dominant land power on the continent.Here is the first biography of Napoleon in which this brilliant, violent leader is evoked to give the reader a full, dramatic, and all-encompassing portrait.

    But the brothers’ talents found their most memorable outlet in their journal, which is at once a chronicle of an era, an intimate glimpse into their lives, and the purest expression of a nascent modern sensibility preoccupied with sex and art, celebrity and self-exposure. The Goncourts visit slums, brothels, balls, department stores, and imperial receptions; they argue over art and politics and trade merciless gossip with and about Hugo, Baudelaire, Degas, Flaubert, Zola, Rodin, and many others. And in 1871, Edmond maintains a vigil as his brother dies a slow and agonizing death from syphilis, recording every detail in the journal that he would continue to maintain alone for another two decades.

    His insider observations are set down with passion, with outrage, and almost unbearable sadness.

    Here, writing at white heat and with such ferocious honesty and indignation that his book was to remain unpublishable for more than a century after its composition, Stendhal revisits his unhappy childhood in a stuffy provincial town and bares his rebellious heart. His adored mother, who died when he was only seven; a father devoted only to his own social ambitions; the aunt whose daily cruelties passed for care: these are among the indelible portraits in a work that captures the sights, sounds, places, and characters of Stendhal's youth, its pleasures and sorrows, with preternatural clarity and immediacy. Full of dazzling images and burning emotions, The Life of Henry Brulard is a vivid memoir that is also an extraordinary work of the imagination.

    Translated by Lewis Galantière.

    Berr brought a keen literary sensibility to her writing, a talent that renders the story it relates all the more rich, all the more heartbreaking. The first day Berr has to wear the yellow star on her coat, she writes, “I held my head high and looked people so straight in the eye they turned away. But it’s hard.” More, many more, humiliations were to follow, which she records, now with a view to posterity. She wants the journal to go to her fiancé, who has enrolled with the Free French Forces, as she knows she may not live much longer. She was right. The final entry is dated February 15, 1944, and ends with the chilling words: “Horror! Horror! Horror!” Berr and her family were arrested three weeks later. She went — as was discovered later — on the death march from Auschwitz to Bergen-Belsen, where she died of typhus in April 1945, within a month of Anne Frank and just days before the liberation of the camp.The journal did eventually reach her fiancé, and for over fifty years it was kept private. In 2002, it was donated to the Memorial of the Shoah in Paris. Before it was first published in France in January 2008, translation rights had already been sold for twelve languages.

    She embodied all the characteristics of a true Creole-sensuality, vivacity, and willfulness. Using diaries and letters, Andrea Stuart expertly re-creates Josephine's whirlwind of a life, which began with an isolated Caribbean childhood and led to a marriage that would usher her onto the world stage and crown her empress of France.Josephine managed to be in the forefront of every important episode of her era's turbulent history: from the rise of the West Indian slave plantations that bankrolled Europe's rapid economic development, to the decaying of the ancien régime, to the French Revolution itself, from which she barely escaped the guillotine.Rescued from near starvation, she grew to epitomize the wild decadence of post-revolutionary Paris. It was there that Josephine first caught the eye of Napoleon Bonaparte. A true partner to Napoleon, she was equal parts political adviser, hostess par excellence, confidante, and passionate lover. In this captivating biography, Stuart brings her so utterly to life that we finally understand why Napoleon's last word before dying was the name he had given her: Josephine.