"Ikiru "(1952) tells the painful and intimate story of a Japanese civil servant coming to terms with old age and death. In "Seven Samurai "(1954) the inhabitants of a small Janpanese village employ a roaming band of samurai to defend them. In "Throne of Blood" (1957), based on "Macbeth," a samurai is encouraged by his wife to kill his lord.This edition also includes a critical introduction to each screenplay.

    After a shooting in London goes hideously wrong, two hitmen, Ray and Ken, are sent to hide out in the strange, Gothic, medieval town of Bruges, Belgium, by their volatile and dangerous boss, Harry Waters.While awaiting instructions from him as to what to do next, the pair attempt to deal both with their feelings over the botched killing and their differing attitudes towards this curious, otherworldly place they've been dumped in ('Bruges is a shithole.' 'Bruges is not a shithole'), until the call from Harry finally comes through, and all three men are enmeshed in a spiral of bloody violence that few will get out of alive.This jet-black comedy marks the feature-film debut of writer/director Martin McDonagh, award-winning author of such plays as The Beauty Queen of Leenane, The Lieutenant of Inishmore and The Pillowman, and the film Six Shooter, which won the Academy Award for the Best Live-Action Short Film.The film stars Colin Farrell as Ray, Brendan Gleeson as Ken, and Ralph Fiennes as Harry.In Bruges was the opening night film at the Sundance Film Festival.

    One of a hand-picked selection of some of the most popular and cult-worthy titles on Faber and Faber's extensive list of film scripts.

    Shot on a shoe-string budget of $175,000 in black-and-white 16mm, the film was made with Spike Lee's persistence and talent plus the help of family and friends. It grossed $8 million at the box office and proved to be a major hit with both critics and audiences. Now Spike Lee reveals how he did it, mapping out the entire creative and production processes-from early notebook jottings to film festival awards. Spike Lee's Gotta Have It is a unique document in film literature - it's funny, absorbing, and fresh as the hit film itself.

    When his tentative efforts at a relationship with elegant political campaign worker Betsy come to naught, Travis conceives of an assassination attempt upon her boss, Senator Charles Palantine. But as he cruises the streets at night, Travis encounters a hapless child prostitute, Iris, and her sinister pimp, sport. Travis's mounting psychosis acquires a new focus, and violence erupts . . .One of the key films of the 1970s and winner of the Palme d'Or at the 1976 Cannes Film Festival, Taxi Driver was the first of several potent collaborations between Paul Schrader and director Martin Scorsese. Inspired by Ford's The Searchers, Bresson's Diary of a Country Priest, the diaries of real-life gunman Arthur Bremer, and an especially tormented period in Schrader's own life, Taxi Driver remains a devastating portrait of a man in urban purgatory.

    In this study, Yvonne Tasker explores the way the film weaves together gothic, horror and thriller conventions to generate both a distinctive variation on the cinematic portrayal of insanity and crime, and a fascinating intervention in the sexual politics of genre.

    Deprived of love and respect from his family, Eddie is renamed 'Dirk Diggler' and conquers the world of porn, but manages to retain his essential innocence. As the turbulent seventies shade into the hedonistic eighties, Dirk's career goes into a tailspin; but he is rescued by the safety net of the extended family fostered by hard-core movie director Jack Horner.Paul Thomas Anderson's screenplay is exemplary in its ability to interweave the stories of its large cast of characters. In accord with the wisdom of the Roman dramatist Terence (who claimed, 'Nothing human is alien to me'), Anderson has engaged with a side of life widely considered to be irredeemably sleazy, and has mined humour, sadness and compassion out of his unlikely subject matter.

    16-page photo insert.

    His slow descent into semi-madness is chronicled here, in The Office, The Scripts volume 2. Following on from the phenomenal success of series 1 voted Comedy of the Year at the British Comedy Awards the second series averaged over 4 million viewers, with a 25% audience share. This book features the scripts from all six episodes and contains over 500 picture screengrabs taken from the broadcast masters and available exclusively in this BBC publication. Original and accurate and painfully funny: it will have every office in the country twitching with spasms of recognition This is a gem. The Times

    Van Sant says we can see how badly Damon drives by watching the film's last scene, in which he is actually driving the car with the camera mounted on it. But Damon and company write better than he drives; this script contains some of the boldest, best monologues since Pulp Fiction.Van Sant and cast member Robin Williams helped the young actors tame the tigers in their cranial tanks, trimming the script into a precision instrument. Though the stills from the film are not perfectly matched to their places in the script, this story remains as much a joy to read as it is towatch on the big screen.

    Starring WillFerrell, Maggie Gyllenhaal, Dustin Hoffman, Queen Latifah,and Emma Thompson, Stranger Than Fiction is a heartfelt film,perhaps a comedy, perhaps a tragedy, about love and literatureand death and taxes.

    Brazenly satirical yet deeply human, Little Miss Sunshine introduces audiences to one of the most endearingly fractured families in recent cinema history. Meet the Hoovers, a motley six-member family who treks from Albuquerque to Redondo Beach, California, to fulfill the deepest wish of seven-year-old Olive, an ordinary little girl with big dreams.Starring Greg Kinnear, Toni Collette, Steve Carell, Abigail Breslin, Paul Dano, and Alan Arkin, the film strikes a nerve with everyone who's ever been awestruck by how their muddled families seem to make it after all. On the way the family must deal with crushed dreams, heartbreak, and a broken-down VW bus, leading up to the surreal Little Miss Sunshine competition itself. On their travels through this bizarrely funny landscape, the Hoovers learn to trust and support each other along the path of life, no matter what the challenge.

    And yet, the history of its making is so colorful, so chaotic, that one cannot help but marvel at the seemingly insurmountable odds it overcame to become a true cinematic masterpiece, a film that continues to captivate us decades after its release. Now, thirty-five years after The Godfather's highly anticipated debut, comes this fully authorized, annotated, and illustrated edition of the complete screenplay. Virtually every scene is examined including:Fascinating commentary on technical details about the filming and shooting locationsTales from the set, including the arguments, the accidents, and the practical jokesProfiles of the actors and stories of how they were castDeleted scenes that never made the final cutGoofs and gaffes that didAnd much more Interviews with former Paramount executives, cast and crew members—from the producer to the makeup artist—and director Francis Ford Coppola round out the commentary and shed new light on everything you thought you knew about this most influential film. The more than 200 photographs from the film, from behind-the-scenes, and from the cutting room floor make this a visual feast for every Godfather fan.

    Set in the underbelly of Edinburgh, Trainspotting is a story inhabited by a galaxy of immensely colorful characters -- liars, thieves, junkies -- people whose habits, emotions, and stories will leave an indelible imprint on the reader's mind.

    In a series of sketches and animations, the Pythons recount scenes from the Grail legend in which the knights forsake their chorus line can-can dancing in Camelot for a higher aim. Typically, the Pythons set-up a 'historical' tale which is really a take on the modern world. Memorable scenes, like Graham Chapman's King Arthur battling with John Cleese's Black Knight until the latter is reduced limb by limb down to a speaking stump of a torso, capture both the hilarity and grotesque nature of brutality. In scene after scene King Arthur's men are led a merry chase through the countryside, encountering life on many different social levels. This screenplay edition contains just the script and is supplemented by stills from the film.