Now, following the death of their grandmother, they have returned to the grand, imposing house in Wiltshire, England. Unable to stem the tide of childhood memories that arise as she sorts through her grandmother’s belongings, Erica thinks back to the summer her cousin Henry vanished mysteriously from the estate, an event that tore their family to pieces. It is time, she believes, to lay the past to rest, bring her sister some peace, and finally solve the mystery of her cousin’s disappearance.But sifting through remnants of a bygone time is bringing a secret family history to light—one that stretches back over a century, to a beautiful society heiress in Oklahoma, a haunting, savage land across the ocean. And as past and present converge, Erica and Beth must come to terms with two shocking acts of betrayal . . . and the heartbreaking legacy they left behind.

    And behind its doors, amid the flickering shadows and secret passageways, danger lies in wait… TO HIS EVERY DARK DESIREEvangeline Pemberton has been invited to a party at the sprawling estate of reclusive Gavin Lioncroft, who is rumored to have killed in cold blood. Initially, his towering presence and brusque manner instill fear… until his seductive attentions and unexpected vulnerability conquer her resistance.But when a guest is murdered, Evangeline is torn. Could the man to whom she is so powerfully drawn, also be a ruthless killer?

    Almost immediately he sets about beguiling the three women and five teenage girls stranded in this outpost of Southern gentility, eliciting their love and fear, pity and infatuation, and pitting them against one another in a bid for his freedom. But as the women are revealed for what they really are, a sense of ominous foreboding closes in on the soldier, and the question becomes: Just who is the beguiled?

    Clara is an idealistic journalist determined to defend underprivileged workers.Can they withstand the cost of their convictions while their hearts--and lives--hang in the balance?

    Instead, despised by her aristocratic father’s family because of her mother’s foreign birth, she’s taken a “safe” position as a governess. Now, unprotected and alone in London, accused of the shocking murder of her employer, she has no one to turn to except the mysterious—and possibly dangerous—Lord Ruthveyn.A dark-eyed Lucifer, Ruthveyn guards his secrets carefully. His shadowed past is a source of pain and rumors—only whispered. Grace’s plight—which echoes his own—moves him, as does her quiet beauty. Ruthveyn is determined to save Grace by unmasking a killer. But his growing passion places his own heart at risk and threatens to expose his dark gifts to the world.

    Then her uncle dies, leaving her the family’s Revolutionary-era home and, she believes, an escape from her chaotic marriage. But one afternoon, while searching for a rake, she discovers a man in her garden shed — and a free fall through the centuries. As her life spins wildly out of control, Kathleen finds her heart and in the process, her own place in time.

    She's still reeling from the news when she's offered an unexpected solution: Mr Argenton, a wealthy stranger, asks for her hand in marriage.Marrying Mr Argenton will restore her family's fortunes and save them from scandal, but condemns Sophie to a life in Northwood, a vast and unnaturally dark mansion situated hours from civilisation.Sophie struggles to adjust to her new position as mistress over the desolate house. Mr Argenton's relatives are cold, and Mr Argenton himself is keeping secrets. Even worse, the house is more than it seems.Mr Argenton's young cousin, Elise, draws terrifying images. Doors slam. Inhuman figures slink through the forest surrounding the house. A piano plays in the middle of the night. Blood drips from the ceilings.Sophie is inevitably pulled towards the terrifying truth: Northwood's ancient halls are haunted by the family's long-dead ancestors. The malevolent spirits--produced by grisly deaths--resent her intrusion into their home.Trapped in Northwood and desperate for an escape, Sophie's fate is further complicated as she finds herself irrevocably drawn to the tall, dark-eyed man she married. She suspects her feelings are returned, but Mr Argenton is hiding the truth about the house--and his secrets are so dangerous that they might just be unforgivable.

    Aggie didn't plan for how eccentric Mumsie has become, obsessing over an old, unsolved crime scene—even going so far as to re-create it in a dollhouse.Mystery seems to follow Aggie when she finds work as a secretary helping to restore the flooded historical part of the town's cemetery. Forced to work with a puzzling yet attractive archaeologist, she exhumes the past's secrets and unwittingly uncovers a crime that some will go to any length to keep hidden—even if that means silencing Aggie.In 1946, Imogene Grayson works in a beauty salon but has her sights set on Hollywood. But coming home to discover her younger sister's body in the attic changes everything. Unfamiliar with the burgeoning world of forensic science and, as a woman, not particularly welcomed into the investigation, Imogene is nonetheless determined to stay involved. As her sister's case grows cold, Imogene vows to find justice . . . no matter the cost.

    At its center: Toby O’Dare—a contract killer of underground fame on assignment to kill once again. A soulless soul, a dead man walking, he lives under a series of aliases—just now: Lucky the Fox—and takes his orders from “The Right Man.”Into O’Dare’s nightmarish world of lone and lethal missions comes a mysterious stranger, a seraph, who offers him a chance to save rather than destroy lives. O’Dare, who long ago dreamt of being a priest but instead came to embody danger and violence, seizes his chance. Now he is carried back through the ages to thirteenth-century England, to dark realms where accusations of ritual murder have been made against Jews, where children suddenly die or disappear . . . In this primitive setting, O’Dare begins his perilous quest for salvation, a journey of danger and flight, loyalty and betrayal, selflessness and love.

    Rebecca Ravenshaw, daughter of missionaries, spent most of her life in India. Following the death of her family in the Indian Mutiny, Rebecca returns to claim her family estate in Hampshire, England. Upon her return, people are surprised to see her… and highly suspicious. Less than a year earlier, an imposter had arrived with an Indian servant and assumed not only Rebecca’s name, but her home and incomes.That pretender died within months of her arrival; the servant fled to London as the young woman was hastily buried at midnight. The locals believe that perhaps she, Rebecca, is the real imposter. Her home and her father’s investments reverted to a distant relative, the darkly charming Captain Luke Whitfield, who quickly took over. Against her best intentions, Rebecca begins to fall in love with Luke, but she is forced to question his motives–does he love her or does he just want Headbourne House? If Luke is simply after the property, as everyone suspects, would she suffer a similar fate as the first “Rebecca”?A captivating Gothic love story set against a backdrop of intrigue and danger, Mist of Midnight will leave you breathless.

    But over time she is becoming more unsure if Jack has ever loved her ? and if he is over the death of Eve, his first wife. When fate intervenes in their relationship, Libby decides to find out all she can about the man she hastily married and the seemingly perfect Eve. Eventually Libby stumbles across some startling truths about Eve, and is soon unearthing more and more devastating family secrets. Frightened by what she finds and the damage it could cause, Libby starts to worry that she too will end up like the first woman Jack loved...Tense and moving, The Woman He Loved Before explores if the love you want is always the love you need ? or deserve.

    and murder. In the right dose, everything is a poison. Jessamine has spent her whole life in a cottage close to her father's apothecary garden, surrounded by medicinal plants and herbs that could kill her -- although her father has never allowed her into the most dangerous part of the grounds... the poison garden. And so she's never had reason to be afraid -- until now. Because now a newcomer has come to live with the family, a quiet but strangely attractive orphan boy named Weed. Though Weed doesn't say much in words, he has an instant talent for the apothecary's trade, seeming to possess a close bond with the plants of the garden. Soon, he and Jessamine also share a close bond. But little does Jessamine know that passion can be just as poisonous as the deadliest plants in the garden -- for behind Weed's instinctive way in the garden is a terrible secret.

    Experience has taught him that love is found only in fairy tales and that very few women can be trusted—especially young and attractive ones.As for Taffy, she finds the rakehell cynical and arrogant—definitely not the hero, the man of principles and romance, her heart longs for. Besides, as one of the Rogues Three, she is more concerned with social injustice than a man who could use his influence to right wrongs but shows no interest in doing so.So why does Tarrant find himself enchanted by the beautiful and high-spirited Taffy? Why does Taffy’s sporadic gift of sight insist on showing her visions of Tarrant as a bold and passionate lover—her lover?When the prince of flirts catches the princess of thieves in a ‘Robin Hood’ encounter gone wrong, a secret is discovered, a promise is given, and two lives will be changed in ways neither could have dreamed.

    Banned from reading, Florence devours books in secret and talks to herself—and narrates her story—in a unique language of her own invention. By night, she sleepwalks the corridors and is troubled by a recurrent dream in which a mysterious woman appears to threaten her younger brother Giles.After the sudden violent death of the children's first governess, a second teacher, Miss Taylor, arrives, and immediately strange phenomena begin to occur. Florence becomes convinced that the new governess is a malevolent spirit who means to do Giles harm. Against this powerful enemy, Florence must use all her intelligence and ingenuity to protect her little brother and preserve her private world. This Gothic page-turner in the tradition of The Woman in Black and The Fall of the House of Usher is told in a startlingly different and wonderfully captivating narrative voice.

    Graham, who wants to enlist, struggles to overcome his mother's selfish love and his own weak nature. While Clayton starts to fall in love with Audrey, a "real" woman who shares his views on war and enlistment, German workers in his factories seek to sabotage Clayton's munitions plant.