Neither Umblud or Perfidia or the parents appreciate Dillweed’s cherished pet, a creature named Skorped. When they threaten Skorped’s life and well-being, Dillweed opens his black box and casts the runes, which releases smoky monsters, who do the dirty deeds. And then it’s Dillweed turn to go on adventures. Filled with nasty characters, beautiful details, and subtle humor, this stylish book follows in the tradition of the deliciously dark work of Edward Gorey, so Dillweed's happy ending undoubtedly means the end for someone else.

    Now, with The Ghost Orchid, a narrative that seamlessly weaves together the past and the present, Goodman creates her most lyrical and haunting work to date. For more than one hundred years, creative souls have traveled to Upstate New York to work under the captivating spell of the Bosco estate. Cradled in silence, inspired by the rough beauty of overgrown gardens and crumbling statuary, these chosen few fashion masterworks–and have cemented Bosco’s reputation as a premier artists’ colony. This season, five talented artists-in-residence find themselves drawn to the history of Bosco, from the extensive network of fountains that were once its centerpiece but have long since run dry to the story of its enigmatic founder, Aurora Latham, and the series of tragic events that occurred more than a century ago.Ellis Brooks, a first-time novelist, has come to Bosco to write a book based on Aurora and the infamous summer of 1893, when wealthy, powerful Milo Latham brought the notorious medium Corinth Blackwell to the estate to help his wife contact three of the couple’s children, lost the winter before in a diphtheria epidemic. But when a séance turned deadly, Corinth and her alleged accomplice, Tom Quinn, disappeared, taking with them the Lathams’ only surviving child. The more time she spends at Bosco, the more Ellis becomes convinced that there is an even darker, more sinister end to the story. And she’s not alone: biographer Bethesda Graham uncovers stunning revelations about Milo and Corinth; landscape architect David Fox discovers a series of hidden tunnels underneath the gardens; poet Zalman Bronsky hears the long-dry fountain’s waters beckoning him; and novelist Nat Loomis feels something lingering just out of reach.After a bizarre series of accidents befalls them, the group cannot deny the connections between the long ago and now, the living and the dead . . . as Ellis realizes that the tangled truth may ensnare them all in its cool embrace.From the Hardcover edition.

    This graphic novel adaptation of Edgar Allan Poe's classic tale of terror visually explores the dizzying highs and horrifying lows of a prisoner sentenced to death by the Inquisition.

    As a young man he took away all the honours and prizes and some of his work was ground-breaking. But after he became seriously ill, his genius faded, and he needed the help of an assistant. When Silas Webb was appointed to the job he seemed the perfect choice, but he always preferred to work alone, even in secret. Then, quite suddenly, Webb disappeared. Why ? Later, Craig opens a prestigious scientific journal and finds a paper, containing his own work, in detail, together with the significant results he had worked out. The research is his and his alone. But the author of the paper is Dr Silas Webb. Craig determines that he will hunt Webb down and exact revenge. Were it not for a terrifying twist of circumstance, he might have succeeded. Susan Hill has won the Whitbread, Somerset Maugham and John Llewelyn Rhys prizes, as well as being shortlisted for the Booker Prize. She has written over 55 books in several genres, including the ghost story, THE WOMAN IN BLACK. The stage adaption is still running in London’s West End after 25 years. I’M THE KING OF THE CASTLE has been a GCSE set text. She has also published collections of short stories, fiction for children, several non fiction books and the highly successful crime novel series about the detective Simon Serrailler. SUSAN HILL is a Fellow of the Royal Society of Literature, a Fellow of King’s College, London, and was awarded a CBE in the Queen’s Diamond Jubilee Honours of 2012

    Wodehouse, John Steinbeck, and Ian Rankin

    Yes, even the postman. She has everything a child could want, but not the one thing every child - and every grownup, too - needs. Love. Desperate for a friend, Emmeline makes a wish upon a magical star. It is a wish that will change the lives of everyone she knows forever.

    They locate ghosts who are haunting places – or people. It’s a well-known fact that the Mill Street Theatre is haunted. And everyone knows the building closes for cleaning work during the first week in September every year. But this is a cover-up. The theatre closes because the hauntings escalate during that week, bringing a threat to human life. The owner decides these hauntings have to be investigated, and any ghosts dealt with. The Laurel sisters offer their help. Their investigations lead them to a heartbreaking story.

    Death is a mystery. What really happens at the time of death? No one could ever answer this question so far. Science has so far succeeded in putting forth a theory for the destruction of the human body. But human is not only the body, it is the mind within, the soul within, it has feelings, lust… Do they extinct with death? Or do they linger in the universe? No one has been successful in answering these questions. The common people are always attracted towards the dark secret of life. Yet, how far true it is from the scientific point of view? It is again beyond arguments. In general, the stories based on facts are considered to be artistic while those based on mystery are supposed to be without any artistic value.

    Take Frankenstein, for instance: He just wants to marry his undead bride in peace, but his best man, Dracula, is freaking out about the garlic bread. Then there’s the Headless Horseman, who wishes everyone would stop drooling over his delicious pumpkin head. And can someone please tell Edgar Allan Poe to get the door already before the raven completely loses it? Sheesh.          In a wickedly funny follow-up to the bestselling Frankenstein Makes a Sandwich, Adam Rex once again proves that monsters are just like you and me. (Well, sort of.)

    Craig Russell and illustrated by an extraordinary team of renowned artists.Inventive, chilling, and filled with wonder, Neil Gaiman's The Graveyard Book reaches new heights in this stunning adaptation. Artists Kevin Nowlan, P. Craig Russell, Tony Harris, Scott Hampton, Galen Showman, Jill Thompson, and Stephen B. Scott lend their own signature styles to create an imaginatively diverse and yet cohesive interpretation of Neil Gaiman's luminous novel.Volume One contains Chapter One through the Interlude, while Volume Two will include Chapter Six to the end.

    They were great tall things, the ironwork all twisted leaves and queer-looking flowers. And they were very definitely shut.'Tilly's heart sinks. Will's at the door of their cottage, daring her to come ice-skating up at Frost Hollow Hall. No one goes near the place these days. Rumour has it that the house is haunted . . . Ten years ago the young heir, Kit Barrington, drowned there in the lake. But Tilly never turns down a dare.Then it goes horribly wrong. The ice breaks, Tilly falls through and almost drowns. At the point of death, a beautiful angel appears in the water and saves her. Kit Barrington's ghost.Kit needs Tilly to solve the mystery of his death, so that his spirit can rest in peace. In order to discover all she can, Tilly gets work as a maid at Frost Hollow Hall. But the place makes her flesh crawl. It's all about the dead here, she's told, and in the heart of the house she soon discovers all manner of dark secrets . . .'Frost Hollow Hall' is a thrilling historical fiction debut. Told in Tilly's unique voice, it is a tale of love and loss, and how forgiveness is the key to recovery.

    Edward Gorey’s off-kilter Edwardian maidens are the perfect accompaniment to Rhoda Levine’s lilting rhymes.The place is remote:Three houses beside the sea.The Characters are Few:Laughing Edith of Ecstasy,Edith so happy and gay.Smiling Catherine of Compromise,She smiles her life away.And then there is Alice of Hazard,A dangerous life leads she.The question in the plot is quite simple:Why is Alice up in a tree?The answer can be discovered:Edith and Catherine do.

    Not only are the stories spine-tingling, but it once belonged to Primrose Penberthy, who vanished mysteriously, never to be seen again. Intrigued, Aveline decides to investigate Primrose's disappearance.Now someone... or something, is stirring. And it is looking for Aveline.Turn on your torches, and join Aveline Jones in her first charmingly spooky mystery, from debut author Phil Hickes.

    Darker adaptations of familiar nursery rhymes.