Meet Gustav Gloom.Fernie What finds herself lost in the Gloom mansion after her cat appears to have been chased there by its own shadow. Fernie discovers a library full of every book that was never written, a gallery of statues that are just plain awkward, and finds herself at dinner watching her own shadow take part in the feast!Along the way Fernie is chased by the People Taker who is determined to take her to the Shadow Country. It's up to Fernie and Gustav to stop the People Taker before he takes Fernie's family.Featuring a unique cover and beautifully dark full-page illustrations by Kristen Margiotta, Gustav Gloom is sure to be a hit with fans who love a little darkness in their lives.

    M. Homes. “It is a place where things are not what they seem; even on a morning that is sunny and clear there is always the threat of darkness looming, of things taking a turn for the worse.” Jackson’s characters–mostly unloved daughters in search of a home, a career, a family of their own–chase what appears to be a harmless dream until, without warning, it turns on its heel to seize them by the throat. We are moved by these characters’ dreams, for they are the dreams of love and acceptance shared by us all. We are shocked when their dreams become nightmares, and terrified by Jackson’s suggestion that there are unseen powers–“demons” both subconscious and supernatural–malevolently conspiring against human happiness.In this volume Joyce Carol Oates, our leading practitioner of the contemporary Gothic, presents the essential works of Shirley Jackson, the novels and stories that, from the early 1940s through the mid-1960s, wittily remade the genre of psychological horror for an alienated, postwar America. She opens with The Lottery (1949), Jackson’s only collection of short fiction, whose disquieting title story–one of the most widely anthologized tales of the twentieth century–has entered American folklore. Also among these early works are “The Daemon Lover,” a story Oates praises as “deeper, more mysterious, and more disturbing than ‘The Lottery,’” and “Charles,” the hilarious sketch that launched Jackson’s secondary career as a domestic humorist.Here too are Jackson’s masterly short novels The Haunting of Hill House (1959), the tale of an achingly empathetic young woman chosen by a haunted house to be its new tenant, and We Have Always Lived in the Castle (1962), the unrepentant confessions of Miss Merricat Blackwood, a cunning adolescent who has gone to quite unusual lengths to preserve her ideal of family happiness. Rounding out the volume are 21 other stories and sketches that showcase Jackson in all her many modes, and the essay “Biography of a Story,” Jackson’s acidly funny account of the public reception of “The Lottery,” which provoked more mail from readers of The New Yorker than any contribution before or since.

    Welcome to the world of Nocturnia, where darkness reigns supreme, glitter is terrifying, and unicorns are the stuff of nightmares!Amelia Fang would much rather hang out with her pet pumpkin Squashy and her friends Florence the yeti (DON'T CALL HER BEAST!) and Grimaldi the reaper than dance at her parents' annual Barbaric Ball.Then the King's spoiled son Tangine captures Squashy, Amelia and her friends must escape the party to plan a daring rescue!In their race against time, they begin to realize things in Nocturnia may not be quite what they seem...

    But then he sees them for himself: weird and uncanny images of the dead appearing in his photographs. The apparitions seem to have some connection to Childgrave, a remote village in upstate New York with a deadly secret dating back three centuries. Jonathan and Joanne feel themselves oddly drawn to Childgrave, but will they survive the horrors that await them there?The third novel by Ken Greenhall (1928-2014), whose works are receiving renewed attention as neglected classics of modern horror, Childgrave (1982) is a slow-burn chiller that ranks among Greenhall’s best.“Writing in Shirley Jackson’s precise, sharp, chilly prose, Greenhall delivers a slippery book that can’t be pinned down, all about spectral photography, little dead girls, snowbound small towns, and the disquieting proposition that maybe God is not civilized.” - Grady Hendrix, author of Paperbacks from Hell“A very well-orchestrated, eerie tale.” - Publishers Weekly

    A sparkling short story from the bestselling author of The Oyster Catcher, available exclusively in ebook.

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    You step into it.Some houses are more than just haunted... they're hungry. Dash, Dylan, Poppy, Marcus, and Azumi don't know this at first. They each think they've been summoned to Shadow House for innocent reasons. But there's nothing innocent about Shadow House.Something within its walls is wickedly wrong. Nothing -- and nobody -- can be trusted. Hallways move. Doors vanish. Ghosts appear. Children disappear.And the way out?That's disappeared, too...Enter Shadow House... if you dare.Don't just read about Shadow House -- explore its haunted depths with the free app!

    Yvette, Louisiana, with its moss-draped trees, above-ground cemeteries, and her grandfather’s creepy historic home, she realizes that life as she knew it is officially over. Almost immediately, there seems to be something cloying at her. Something lonely and sad and . . . very pressing. Even at school and in the group project she’s been thrown into, she can’t escape it. Whispers when she’s alone, shadows when no one is there to make them, and a distant pleading voice that wakes her from sleep. The other members in Miranda’s group project, especially handsome Etienne, can see that Miranda is in distress. She is beginning to understand that, like her grandfather before her, she has a special gift of communicating with spirits who still walk the town of St. Yvette. And no matter where she turns, Miranda feels bound by their whispered pleas for help . . . unless she can somehow find a way to bring them peace.Shadow Mirror:Unsettling. There's no better word to describe Miranda Barnes's ability to hear the cries of the dead, feel the wind move her hair when they run by, and - dare she look into a mirror - see the reflection of a ghostly woman behind her. There's only one person to turn to for support: Etienne. As sexy as he is mysterious, Miranda can't help but be drawn to him. He believes her; he wants to help her. But there's a secret in Etienne's past, something Miranda's on the verge of discovering. As paranormal activity escalates, passion grows, and soon Miranda is caught up in both love . . . and tragedy.

    350 copies.(Out of print).Contents: "Introduction by Glen Cavaliero, "The School Friend", "Ringing the Changes", "Choice of Weapons", "The Waiting Room", "The View" and "Bind Your Hair".As Dr Glen Cavaliero states in his introduction to this new edition of Dark Entries, "It is Robert Aickman's peculiar achievement that he should invest the daylight world with all the terrors of the night".Dark Entries was the first solo collection of "strange stories" by British short story writer, critic, lecturer and novelist, Robert Aickman. First published in 1964 it contains the classic "Ringing the Changes" and perhaps Aickman's best femme fatale in "Choice of Weapons." The version of "The View" is slightly re-written from its first appearance in We are for the Dark.

    A giggling crowd of masked watchers. A reassembling corpse. What could be behind you, just waiting for you to turn around? Behind You is an illustration series, a comic with no panels, where each piece is essentially a separate story. Each tale is one image and one piece of text; an unsuspecting victim with someone, or something, behind them. Entries range from the amusingly weird to the genuinely unsettling. Inspired by spooky films, books, myths, and internet tall tales, Behind You is full of scary set-ups but leaves lots of blanks for the reader to fill in with their own narrative. Includes an Introduction by New York Times Best-Seller Joe Hill.

    Bullied at her new school because of the injury she suffered in the crash, Jessica finds solace in her favourite fairies and the pictures she loves to draw. One day she suffers bad concussion after falling downstairs at school, and while recovering at home she hears the strange sound of children's voices calling for help. At first Jessica cannot work out where the voices are coming from, but eventually she discovers from a mysterious but kindly old neighbour that they are in fact coming from inside her bedroom wallpaper. Attempting to overcome her own disbelief, Jessica and some friends venture into the world inside her wall where they find an extraordinary land where everyday household objects like spoons and hats take on a life of their own. But there is great danger to be found inside this hidden world, and it is up to Jessica to rescue the strange children whose voices she had heard, before it's too late.

    a hideous, flesh-eating creature - part snake, part earthbound demon - that feasted on the blood of innocent children in the cold black heart of the Tennessee backwoods. But ten-year-old Jeb Sweeny knows the horrible stories are true. His best friend Mandy just up and disappeared. He also knows that no one has ever had the courage to go after the monster and put an end to its raging, bestial hunger. Until now. But Evil is well guarded. And for young Jeb Sweeny, who is about to cross over into the forbidden land of Fear County and the lair of the unknown, passage through the gates of Hell comes with a terrible price. Everlasting...FEAR!

    

    Barnabe vespers were over; the clergy left the altar; the little choir-boys flocked across the chancel and settled in the stalls. A Suisse in rich uniform marched down the south aisle, sounding his staff at every fourth step on the stone pavement; behind him came that eloquent preacher and good man, Monseigneur C--.

    I have always declined, because it is a story too private to be truthfully recounted, and a memory too precious to be falsified. But none knows better than I that stories must be told.So here is it, Henry, a full and accurate account of how I met Simon Feximal, which I shall leave with my solicitor to pass to you after my death.I dare say it may not be quite what you expect.Robert CaldwellSeptember 1914The complete story of Robert and Simon, including The Caldwell Ghost (which is no longer available separately) and Butterflies, plus a whole lot of brand new stories, taking the tale of the Victorian ghost-hunter and his narrator/sidekick/lover up to the events of Remnant: A Caldwell & Feximal/Whyborne & Griffin Mystery and beyond...This book will cover a number of ghostly mysteries, along with evil cults, mysterious skin runes, and illicit Victorian shenanigans between the decidedly forceful Simon and the entirely shameless Robert.