Thammavongsa is a master at homing in on moments like this -- moments of exposure, dislocation, and messy feeling that push us right up against the limits of language.The stories that make up How to Pronounce Knife focus on characters struggling to find their bearings in unfamiliar territory, or shuttling between idioms, cultures, and values. A failed boxer discovers what it truly means to be a champion when he starts painting nails at his sister's salon. A young woman tries to discern the invisible but immutable social hierarchies at a chicken processing plant. A mother coaches her daughter in the challenging art of worm harvesting.In a taut, visceral prose style that establishes her as one of the most striking and assured voices of her generation, Thammavongsa interrogates what it means to make a living, to work, and to create meaning.How to pronounce knife --Paris --Slingshot --Randy Travis --Mani pedi --Chick-a-chee! --The universe would be so cruel --Edge of the world --The school bus driver --You are so embarassing --Ewwrrkk --The gas station --A far distant thing --Picking worms

    With Clarke's characteristic historical detail and diction, these dark, enchanting tales unfold in a slightly distorted version of our own world, where people are bedeviled by mischievous interventions from the fairies. With appearances from beloved characters from her novel, including Jonathan Strange and Childermass, and an entirely new spin on certain historical figures, including Mary, Queen of Scots, this is a must-have for fans of Susanna Clarke's and an enticing introduction to her work for new readers. Some of these stories have never before been published; others have appeared in the "New York Times" or in highly regarded anthologies."" In this collection, they come together to expand the reach of Clarke's land of enchantment--and anticipate her next novel (Fall 2008).

    Lawrence, Chekhov and Hemingway, Bukowski's writing is passionate, extreme and has attracted a cult following, while his life was as weird and wild as the tales he wrote. This collection of short stories gives an insight into the dark, dangerous lowlife of Los Angeles that Bukowski inhabited.From prostitutes to classical music, Bukowski ingeniously mixes high and low culture in his 'tales of ordinary madness'. These are angry yet tender, humorous and haunting portrayals of life in the underbelly of Los Angeles.A .45 to pay the rent --Doing time with public enemy no. 1 --Scenes from the big time --Nut ward just east of Hollywood --Would you suggest writing as a career? --The great Zen wedding --Reunion --Cunt and Kant and a happy home --Goodbye Watson --Great poets die in steaming pots of shit --My stay in the poet's cottage --The stupid Christs --Too sensitive --Rape! Rape! --An evil town --Love it or leave it. A dollar and twenty cents --No stockings --A quiet conversation piece --Beer and poets and talk --I shot a man in Reno --A rain of women --Night streets of madness --Purple as an iris --Eyes like the sky --One for Walter Lowenfels --Notes of a potential suicide --Notes on the pest --A bad trip --Animal crackers in my soup --A popular man --Flower horse --The big pot game --The blanket

    Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources, and the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

    Blending the miraculous with the macabre, and leavened by a mischievous gallows humor, these bewitching tales are like nothing being written in Russia-or anywhere else in the world-today.

    In “Who Will Greet You at Home,” a National Magazine Award finalist for The New Yorker, A woman desperate for a child weaves one out of hair, with unsettling results. In “Wild,” a disastrous night out shifts a teenager and her Nigerian cousin onto uneasy common ground. In "The Future Looks Good," three generations of women are haunted by the ghosts of war, while in "Light," a father struggles to protect and empower the daughter he loves. And in the title story, in a world ravaged by flood and riven by class, experts have discovered how to "fix the equation of a person" - with rippling, unforeseen repercussions. Evocative, playful, subversive, and incredibly human, What It Means When a Man Falls from the Sky heralds the arrival of a prodigious talent with a remarkable career ahead of her.

    At the heart of Chang's achievement is her short fiction—tales of love, longing, and the shifting and endlessly treacherous shoals of family life. Written when Chang was still in her twenties, these extraordinary stories combine an unsettled, probing, utterly contemporary sensibility, keenly alert to sexual politics and psychological ambiguity, with an intense lyricism that echoes the classics of Chinese literature. Love in a Fallen City, the first collection in English of this dazzling body of work, introduces American readers to the stark and glamorous vision of a modern master.

    

    Kali Fajardo-Anstine’s magnetic story collection breathes life into her Latina characters of indigenous ancestry and the land they inhabit. Set against the remarkable backdrop of Denver, Colorado–a place that is as fierce as it is exquisite–these women navigate the land the way they navigate their lives: with caution, grace, and quiet force. In “Sugar Babies,” ancestry and heritage are hidden inside the earth but tend to rise during land disputes. “Any Further West” follows a sex worker and her daughter as they leave their ancestral home in southern Colorado only to find a foreign and hostile land in California. In “Tomi,” a woman leaves prison and finds herself in a gentrified city that is a shadow of the one she remembers from her childhood. And in the title story, “Sabrina & Corina,” a Denver family falls into a cycle of violence against women, coming together only through ritual.Sabrina & Corina is a moving narrative of unrelenting feminine power and an exploration of the universal experiences of abandonment, heritage, and an eternal sense of home.

    In their obsessions, Gass’s Midwestern dreamers are like the "grotesques" of Sherwood Anderson, but in their hyper-linguistic streams of consciousness, they are the match for Joyce’s Dubliners. First published in 1968, this book begins with a beguiling thirty-three page essay and has five fictions: the celebrated novella "The Pedersen Kid," "Mrs. Mean," "Icicles," "Order of Insects," and the title story.

    It was edited by Harlan Ellison, illustrated by Ed Emshwiller. Like its predecessor, Again, Dangerous Visions and the 46 stories within it received many awards. The Word for World Is Forest, by Ursula K. Le Guin, won a Hugo for Best Novella. When It Changed by Joanna Russ won a Nebula Award for Best Short Story. For a 2nd time, Ellison received a special Hugo for editing the anthology. Again, Dangerous Visions was to be followed by a 3rd anthology, The Last Dangerous Visions. At this point, Ellison has said that it will probably never see the light of day.Introduction: An Assault of New Dreamers by Harlan Ellison The Counterpoint of View by John Heidenry Ching Witch! by Ross Rocklynne The Word for World Is Forest by Ursula K. Le Guin For Value Received by Andrew J. Offutt Mathoms from the Time Closet: 1/Robot's Story, 2/Against the Lafayette Escadrille, 3/Loco Parentis by Gene Wolfe Time Travel for Pedestrians by Ray Nelson Christ, Old Student in a New School (poem) by Ray Bradbury King of the Hill by Chad Oliver The 10:00 Report Is Brought to You by... by Edward Bryant The Funeral by Kate Wilhelm Harry the Hare by James B. Hemesath When It Changed by Joanna Russ The Big Space Fuck by Kurt Vonnegut Bounty by T.L. Sherred Still-Life by K.M. O'Donnell (Barry N. Malzberg) Stoned Counsel by H.H. Hollis Monitored Dreams & Strategic Cremations: 1/The Bisquit Position, 2/The Girl with Rapid Eye Movements by Bernard Wolfe With a Finger in My I by David Gerrold In the Barn by Piers Anthony Soundless Evening by Lee Hoffman [█] by Gahan Wilson The Test-Tube Creature, Afterward by Joan Bernott And the Sea Like Mirrors by Gregory Benford Bed Sheets Are White by Evelyn Lief Tissue: At the Fitting Shop & 53rd American Dream by James Sallis Elouise and the Doctors of the Planet Pergamon by Josephine Saxton Chuck Berry, Won't You Please Come Home by Ken McCullough Epiphany for Aliens by David Kerr Eye of the Beholder by Burt K. Filer Moth Race by Richard Hill In re Glover by Leonard Tushnet Zero Gee by Ben Bova A Mouse in the Walls of the Global Village by Dean R. Koontz Getting Along by James Blish & Judith Ann Lawrence Totenbüch by Parra y FiguéredoThings Lost by Thomas M. Disch With the Bentfin Boomer Boys on Little Old New Alabama by Richard A. Lupoff Lamia Mutable by M. John Harrison Last Train to Kankakee by Robin Scott Empire of the Sun by Andrew Weiner Ozymandias by Terry Carr The Milk of Paradise by James Tiptree, Jr.

    An aging feudal landlord's household staff, the villagers who depend on his favor, and a network of relations near and far who have sought their fortune in the cities confront the advantages and constraints of station, the dissolution of old ways, and the shock of change. Mueenuddin bares—at times humorously, at times tragically—the complexities of Pakistani class and culture and presents a vivid picture of a time and a place, of the old powers and the new, as the Pakistani feudal order is undermined and transformed.

    Jones to national attention. Winner of the Pulitzer Prize, the National Book Critics Circle Award, and numerous other honors for his novel The Known World, Jones made his literary debut with these powerful tales of ordinary people who live in the shadows in this metropolis of great monuments and rich history. Lost in the City received the Pen/Hemingway Award for Best First Fiction and was a National Book Award Finalist. This beautiful 20th Anniversary Edition features a new introduction by the author, and is a wonderful companion piece to Jones’s masterful novel and his second acclaimed collection of stories, All Aunt Hagar’s Children.

    The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

    The authors represented range from Hawthorne, Maupassant, and Poe, through Henry James, Conrad, Aldous Huxley, and James Joyce, to Hemingway, Katherine Anne Porter, Faulkner, E.B. White, Saroyan, and O'Connor. The variety in style and subject is enormous, but all these stories have one point in common—the enduring quality of the writing, which places them among the masterpieces of the world's fiction.Garden party / Katherine Mansfield --Three-day blow / Ernest Hemingway --Standard of living / Dorothy Parker --Saint / V.S. Pritchett --Other side of the hedge / E.M. Forster --Brooksmith / Henry James --Jockey / Carson McCullers --Courting of Dinah Shadd / Rudyard Kipling --Shot / Alexander Poushkin, translated by T. Keane --Graven Image / John O'Hara --Putois / Anatole France, translated by Frederic Chapman --Only the dead know Brooklyn / Thomas Wolfe --A.V. Laider / Max Beerbohm --Lottery / Shirley Jackson --Masque of the Red Death / Edgar Allan Poe --Looking back / Guy de Maupassant, translated by H.N.P. Sloman --Man higher up / O. Henry --Summer of the beautiful white horse / William Saroyan --Other two / Edith Wharton --Theft / Katherine Anne Porter --Good man is hard to find / Flannery O'Connor --Man of the house / Frank O'Connor --Man who shot snapping turtles / Edmund Wilson --Gioconda smile / Aldous Huxley --Curfew tolls / Stephen Vincent Benet --Father wakes up the village / Clarence Day --Ivy Day in the committee room / James Joyce --Chrysanthemums / John Steinbeck --Door / E.B. White --Upheaval / Anton Chekhov --How beautiful with shoes / Wilbur Daniel Steele --Haunted house / Virginia Woolf --Catbird seat / James Thurber --Schartz-Metterklume method / H.H. Munro --Death of a Bachelor / Arthur Schnitzler --Apostate / George Milburn --Phoenix / Sylvia Townsend Warner --That evening sun / William Faulkner --Law / Robert M. Coates --Tale / Joseph Conrad --Girl from Red Lion, PA / H.L. Mencken --Main currents of American thought / Irwin Shaw --Ghosts / Lord Dunsany --Minister's black veil / Nathaniel Hawthorne --String of beads / W. Somerset Maugham --Golden honeymoon / Ring Lardner --Man who could work miracles / H.G. Wells --Foreigner / Francis Steegmuller --Thrawn Janet / Robert Louis Stevenson --Chaser / John Collier