The characters in The Lemon Table are facing the ends of their lives–some with bitter regret, others with resignation, and others still with defiant rage. Their circumstances are just as varied as their responses. In 19th-century Sweden, three brief conversations provide the basis for a lifetime of longing. In today’s England, a retired army major heads into the city for his regimental dinner–and his annual appointment with a professional lady named Babs. Somewhere nearby, a devoted wife calms (or perhaps torments) her ailing husband by reading him recipes. In stories brimming with life and our desire to hang on to it one way or another, Barnes proves himself by turns wise, funny, clever, and profound–a writer of astonishing powers of empathy and invention.

    Migration. Betrayal. Family secrets. Doomed love. Uncertain futures. In Daniel Alarcon's hands, these are transformed into deeply human stories with high stakes. In -The Thousands, - people are on the move and forging new paths; hope and heartbreak abound. A man deals with the fallout of his blind relatives' mysterious deaths and his father's mental breakdown and incarceration in -The Bridge.- A gang member discovers a way to forgiveness and redemption through the haze of violence and trauma in -The Ballad of Rocky Rontal.- And in the tour de force novella, -The Auroras-, a man severs himself from his old life and seeks to make a new one in a new city, only to find himself seduced and controlled by a powerful woman. Richly drawn, full of unforgettable characters, The King is Always Above the People reveals experiences both unsettling and unknown, and yet eerily familiar in this new world.The thousands --The ballad of Rocky Rontal --The king is always above the people --Abraham Lincoln has been shot --The provincials --Extinct anatomies --República and Grau --The bridge --The lord rides a swift cloud --The auroras

    Fans and critics call their world cyberpunk. Here is the definitive "cyberpunk" short fiction collection.Contents:The Gernsback Continuum (1981) by William GibsonSnake-Eyes (1986) by Tom MaddoxRock On (1984) by Pat CadiganTales of Houdini (1981) by Rudy Rucker400 Boys (1983) by Marc LaidlawSolstice (1985) by James Patrick KellyPetra (1982) by Greg BearTill Human Voices Wake Us (1984) by Lewis ShinerFreezone (1985) by John ShirleyStone Lives (1985) by Paul Di FilippoRed Star, Winter Orbit (1983) by William Gibson and Bruce SterlingMozart in Mirrorshades (1984) by Bruce Sterling and Lewis Shiner

    A rich and emotionally resonant collection of twelve stories of hope, momentary joy, and powerful endurance.

    Filled with the sharp humor, emotional acuity, and joyful language Moore has become famous for, these nine glittering tales marked the introduction of an extravagantly gifted writer.

    A manic cross between Mark Leyner, Fran Lebowitz, and the National Enquirer, Sedaris’s collection of essays is a rollicking tour through the national Zeitgeist: a do-it-yourself suburban dad saves money by performing home surgery; a man who is loved too much flees the heavyweight champion of the world; a teenage suicide tries to incite a lynch mob at her funeral; a bitter Santa abuses the elves.David Sedaris made his debut on NPR’s Morning Edition with “SantaLand Diaries”, recounting his strange-but-true experiences as an elf at Macy’s, and soon became one of the show’s most popular commentators. With a perfect eye and a voice infused with as much empathy as wit, Sedaris writes stories and essays that target the soulful ridiculousness of our behavior. Barrel Fever is like a blind date with modern life, and anything can happen.Parade --Music for lovers --The last you'll hear from me --My manuscript --Firestone --We get along --Glen's homophobia newsletter vol. 3, no. 2 --Don's story --Season's greeting to our friends and family!!! --Jamboree --After Malison --Barrel fever --Diary of a smoker --Giantess --The curly kind --SantaLand diaries

    Now for the first time in English, all of Borges' dazzling fictions are gathered into a single volume, brilliantly translated by Andrew Hurley. From his 1935 debut with The Universal History of Iniquity, through his immensely influential collections Ficciones and The Aleph, these enigmatic, elaborate, imaginative inventions display Borges' talent for turning fiction on its head by playing with form and genre and toying with language. Together these incomparable works comprise the perfect one-volume compendium for all those who have long loved Borges, and a superb introduction to the master's work for those who have yet to discover this singular genius.

    Twenty-five or so outstanding writers have been asked by Zadie Smith to make up a fictional character. By any measure, creating character is at the heart of the fictional enterprise, and this book concentrates on writers who share a talent for making something recognizably human out of words (and, in the case of the graphic novelists, pictures). But the purpose of the book is variety: straight "realism"-if such a thing exists-is not the point. There are as many ways to create character as there are writers, and this anthology features a rich assortment of exceptional examples. The writers featured in The Book of Other People include: Aleksandar Hemon Nick Hornby Hari Kunzru Toby Litt David Mitchell George Saunders Colm Tóibín Chris Ware, and more

    A young woman visits her father following his nervous breakdown, and a devoted sister is profoundly unsettled by the sermon her brother insists on reciting. Whether in childhood or Vietnam, in memory or the eternal present, these people are revealed in the extenuating, sometimes extreme circumstances of everyday life, and in the complex consequences of their decisions—that, for instance, can bring together an innocent inner-city youth and a little girl attacked, months earlier, by a dog in a wintry park. Yet each story, however crucial, is marked by Mr. Wolff’s compassionate understanding and humor.In short, fiction of dazzling emotional range and absolute authority.

    By turns delightful, disturbing, and diverting, Fragile Things is a gift of literary enchantment from one of the most unique writers of our time.Contents:• A Study in Emerald • (2003) • novelette• The Fairy Reel • (2004) • poem (variant of The Faery Reel)• October in the Chair • (2002) • shortstory• The Hidden Chamber • (2005) • poem• Forbidden Brides of the Faceless Slaves in the Secret House of the Night of Dread Desire • (2004) • shortstory (variant of Forbidden Brides of the Faceless Slaves in the Nameless House of the Night of Dread Desire)• The Flints of Memory Lane • (1997) • essay• Closing Time • (2003) • shortstory• Going Wodwo • (2002) • poem• Bitter Grounds • (2003) • novelette• Other People • (2001) • shortstory• Keepsakes and Treasures: A Love Story • (1999) • shortstory• Good Boys Deserve Favours • (1995) • shortstory• The Facts in the Case of the Departure of Miss Finch • (1998) • shortstory• Strange Little Girls • (2001) • shortstory• Harlequin Valentine • (1999) • shortstory• Locks • (1999) • poem• The Problem of Susan • (2004) • shortstory• Instructions • (2000) • poem• How Do You Think It Feels? • (1998) • shortstory• My Life • (2002) • poem• Fifteen Painted Cards from a Vampire Tarot • (1998) • shortstory• Feeders and Eaters • (2002) • shortstory• Diseasemaker's Croup • (2003) • shortstory• In the End • (1996) • shortstory• Goliath • (1998) • shortstory• Pages from a Journal Found in a Shoebox Left in a Greyhound Bus Somewhere Between Tulsa, Oklahoma, and Louisville, Kentucky • (2002) • shortstory• How to Talk to Girls at Parties • (2006) • shortstory• The Day the Saucers Came • (2006) • poem• Sunbird • (2005) • novelette• Inventing Aladdin • (2003) • poem• The Monarch of the Glen • [American Gods] • (2003) • novelette

    In 1983 Little, Brown and Company's posthumous publication of this book electrified the literary world with a force that still resounds across two decades. A collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace, The Stories of Breece D'J Pancake has remained continuously in print and is a perennial favorite among aspiring writers, participants in creative writing programs, and students of contemporary American fiction. "Trilobites", the first of Pancake's stories to be published in The Atlantic, elicited an extraordinary immediate response from readers and continues to be widely anthologized.

    These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel

    A pregnant mother's plans for the future unravel at the hospital; a travelling salesman learns the consequences of an almost-missed exit on the motorway in the newspaper the next morning; while a perfect date is spoilt by a single act of thoughtlessness. In those crucial moments Gavalda demonstrates her almost magical skill in conveying love, lust, longing, and loneliness. Someone I Loved is a hauntingly intimate look at the intolerably painful, yet sometimes valuable consequences that adultery can have on a marriage and the individuals involved. A simple tale, yet long in substance, Someone I Loved ends like most great love affairs, forever leaving you wanting just one more moment.

    There are the surprising, fresh little phrases minted expressly to convey the delicate realities of the made-up world. There's the humor, fierce and sly but always kind. There's the imagination that changes gender and historical epoch at whim, and does so convincingly; and the characters themselves, a sundry bunch of men and women not necessarily successful or commendable but always, somehow, likable. Best of all, by their very diversity, these stories reveal glimpses of the smart and enigmatic woman behind the work. In "Atlantic Crossing," Winterson becomes a middle-aged businessman of the mid-20th century, accidentally assigned to share his second-class cabin with a young black woman on a transatlantic crossing. In the realm of event, little happens, but in its depth of perception and what it tells of the nuances of regret, the story is as rich as a novel in another writer's hands. A few scant pages later, Winterson becomes a kind of lost female Homer, telling Orion's story from Artemis's point of view: "When she returned she saw this huge rag of a man eating her goat, raw.... His reputation hung about him like bad breath." In "The Poetics of Sex," she creates a lesbian love story that evokes her characters' personalities as explicitly as their erotic pleasures. "The 24-Hour Dog," the story of a woman writer returning a puppy she had thought to adopt, is remorseless as a psychological thriller in the squirmy depths it plumbs: "I had made every preparation, every calculation, except for those two essentials that could not be calculated: his heart and mine." Read The World and Other Places twice, once for instruction, once for joy. --Joyce Thompson

    Always intellectually playful, but also very moving and funny, Smith explores the ways and whys of storytelling.