Just after Great War, there are few jobs available and the couple are desperately short of money. Restless for excitement, they decide to embark on a daring business scheme: Young Adventurers Ltd.—"willing to do anything, go anywhere." Hiring themselves out proves to be a smart move for the couple. In their first assignment for the mysterious Mr. Whittingtont, all Tuppence has to do in their first job is take an all-expense paid trip to Paris and pose as an American named Jane Finn. But with the assignment comes a bribe to keep quiet, a threat to her life, and the disappearance of her new employer. Now their newest job are playing detective.Where is the real Jane Finn? The mere mention of her name produces a very strange reaction all over London. So strange, in fact, that they decided to find this mysterious missing lady. She has been missing for five years. And neither her body nor the secret documents she was carrying have ever been found. Now post-war England's economic recovery depends on finding her and getting the papers back. But he two young working undercover for the British ministry know only that her name and the only photo of her is in the hands of her rich American cousin. It isn’t long before they find themselves plunged into more danger than they ever could have imagined—a danger that could put an abrupt end to their business… and their lives.

    But Eva must also confront the ghosts from her own past, as well as those from a time long before her own. For the house where she so often stayed as a child is home not only to her old friends the Halletts, but also to the people who had lived there in the eighteenth century. When Eva finally accepts that she is able to slip between centuries and see and talk to the inhabitants from hundreds of years ago, she soon finds herself falling for Daniel Butler, a man who lived - and died - long before she herself was born. Eva begins to question her place in the present, and in laying her sister to rest, comes to realise that she too must decide where she really belongs, choosing between the life she knows and the past she feels so drawn towards.

    Claire Donovan always dreamed of visiting Venice, though not as a chaperone for a surly teenager. But she can't pass up this chance to complete her Ph.D. thesis on Alessandra Rossetti, a mysterious courtesan who wrote a secret letter to the Venetian Council warning of a Spanish plot to overthrow the Venetian Republic in 1618. Claire views Alessandra as a heroine and harbors a secret hope that her findings will elevate Alessandra to a more prominent place in history. But an arrogant Cambridge professor is set to present a paper at a prestigious Venetian university denouncing Alessandra as a co-conspirator -- a move that could destroy Claire's paper and career.As Claire races to locate the documents that will reveal the courtesan's true motives, Alessandra's story comes to life with all the sensuality, political treachery, and violence of seventeenth-century Venice. Claire also falls under the city's spell. She is courted by a handsome Italian, matches wits with her academic adversary, bonds with her troubled young charge, and, amid the boundless beauty of Venice, recaptures the joy of living every moment....Layering wit and warmth into her portraits of two very different yet equally dynamic heroines, Christi Phillips shifts effortlessly between past and present in a remarkable novel that is at once a love story, a mystery, and an intriguing historical drama. Filled with beautifully rendered details of one of the world's oldestand most magical cities, "The Rossetti Letter" marks Phillips's debut as a writer of extraordinary skill and grace.

    Rescued after a hurricane in South America, doomed to a life of poverty with a swallow medal as her only legacy, the orphaned toddler was adopted by an American family and taken to a new life. As a beautiful, intelligent woman of nineteen, she is in love, engaged, and excited about the future — until another traumatic event shatters her dreams. Menina flees to Spain to bury her misery in research for her college thesis about a sixteenth-century artist who signed his works with the image of a swallow — the same image as the one on Menina’s medal. But a mugging strands Menina in a musty, isolated Spanish convent. Exploring her surroundings, she discovers the epic sagas of five orphan girls who were hidden from the Spanish Inquisition and received help escaping to the New World. Is Menina’s medal a link to them, or to her own past? Did coincidence lead her to the convent, or fate? Both love story and historical thriller, The Sisterhood is an emotionally charged ride across continents and centuries.

    Hedged in by her parents' genteel country life, she plans her escape to London. There, she takes up with Innes Kent, a magazine editor who wears duck-egg blue ties and introduces her to the thrilling, underground world of bohemian, post-war Soho. She learns to be a reporter, to know art and artists, to embrace her life fully and with a deep love at the center of it. She creates many lives--all of them unconventional. And when she finds herself pregnant, she doesn't hesitate to have the baby on her own. Later, in present-day London, a young painter named Elina dizzily navigates the first weeks of motherhood. She doesn't recognize herself: she finds herself walking outside with no shoes; she goes to the restaurant for lunch at nine in the morning; she can't recall the small matter of giving birth. But for her boyfriend, Ted, fatherhood is calling up lost memories, with images he cannot place. As Ted's memories become more disconcerting and more frequent, it seems that something might connect these two stories-- these two women-- something that becomes all the more heartbreaking and beautiful as they all hurtle toward its revelation. Here Maggie O'Farrell brings us a spellbinding novel of two women connected across fifty years by art, love, betrayals, secrets, and motherhood. Like her acclaimed The Vanishing Act of Esme Lennox, it is a "breathtaking, heart-breaking creation." (The Washington Post Book World) and it is a gorgeous inquiry into the ways we make and unmake our lives, who we know ourselves to be, and how even our most accidental legacies connect us.

    He was born with a gift for knowing what people are thinking and an uncanny ability to throw his voice, and he has been using those skills while working for a rather foolish magician. That work will soon end, however, and on the night of the magician's final performance, Yann's life will truly begin. That's the night he meets shy Sido, an heiress with a cold-hearted father, a young girl who has only known loneliness until now. Though they have the shortest of conversations, an attachment is born that will influence both their paths. And what paths those will be! While Revolution is afoot in France, Sido is being used as the pawn of a fearful villain who goes by the name Count Kalliovski. Some have instead called him the devil, and only Yann, for Sido's sake, will dare to oppose him.

    Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of the local mill workers and develops a passionate sense of social justice. This is intensified by her tempestuous relationship with the mill-owner and self-made man, John Thornton, as their fierce opposition over his treatment of his employees masks a deeper attraction.In North and South, Elizabeth Gaskell skillfully fuses individual feeling with social concern, and in Margaret Hale creates one of the most original heroines of Victorian literature.

    She is also part woman, part swan. Jack Walser, an American journalist, is on a quest to discover the truth behind her identity. Dazzled by his love for her, and desperate for the scoop of a lifetime, Walser has no choice but to join the circus on its magical tour through turn-of-the-nineteenth-century London, St Petersburg and Siberia.

    But instead, he discovers that his father has died, his home is overrun by livestock and drunken servants, and Elizabeth, having believed Ross dead, is now engaged to his cousin. Ross must start over, building a completely new path for his life, one that takes him in exciting and unexpected directions....Thus begins an intricately plotted story spanning loves, lives, and generations. The Poldark series is the masterwork of Winston Graham, who evoked the period and people like only he could, and created a world of rich and poor, loss and love, that listeners will not soon forget.

    Rain-lashed city streets. A flash of lightning. A scruffy lad sees a girl leap desperately from a horse-drawn carriage in a vain attempt to escape her captors. Can the lad stand by and let her be caught again? Of course not, because he's...Dodger.Seventeen-year-old Dodger may be a street urchin, but he gleans a living from London's sewers, and he knows a jewel when he sees one. He's not about to let anything happen to the unknown girl--not even if her fate impacts some of the most powerful people in England.From Dodger's encounter with the mad barber Sweeney Todd to his meetings with the great writer Charles Dickens and the calculating politician Benjamin Disraeli, history and fantasy intertwine in a breathtaking account of adventure and mystery.Beloved and bestselling author Sir Terry Pratchett combines high comedy with deep wisdom in this tale of an unexpected coming-of-age and one remarkable boy's rise in a complex and fascinating world.

    His life is shattered but Morgan refuses to surrender, overcoming all obstacles to find unexpected contentment and happiness in the harsh early days of Australia's settlement.From England's shores to Botany Bay and the rugged frontier of a hostile new world, Morgan's Run is the epic tale of love lost and found, and the man whose strength and character helped settle a country and define its future.Cover Artist: Tom Hallman

    Ludo reads Homer in the original Greek at 4 before moving on to Hebrew, Japanese, Old Norse, and Inuit; studying advanced mathematical techniques (Fourier analysis and Laplace transformations); and, as the title hints, endlessly watching and analyzing Akira Kurosawa's masterpiece, The Seven Samurai. But the one question that eludes an answer is that of the name of his father: Sibylla believes the film obliquely provides the male role models that Ludo's genetic father cannot, and refuses to be drawn on the question of paternal identity. The child thinks differently, however, and eventually sets out on a search, one that leads him beyond the certainties of acquired knowledge into the complex and messy world of adults.The novel draws on themes topical and perennial--the hothousing of children, the familiar literary trope of the quest for the (absent) father--and as such, divides itself into two halves: the first describes Ludo's education, the second follows him in his search for his father and father figures. The first stresses a sacred, Apollonian pursuit of logic, precise (if wayward) erudition, and the erratic and endlessly fascinating architecture of languages, while the second moves this knowledge into the world of emotion, human ambitions, and their attendant frustrations and failures.The Last Samurai is about the pleasure of ideas, the rich varieties of human thought, the possibilities that life offers us, and, ultimately, the balance between the structures we make of the world and the chaos that it proffers in return. Stylistically, the novel mirrors this ambivalence: DeWitt's remarkable prose follows the shifts and breaks of human consciousness and memory, capturing the intrusions of unspoken thought that punctuate conversation while providing tantalizing disquisitions on, for example, Japanese grammar or the physics of aerodynamics. It is remarkable, profound, and often very funny. Arigato DeWitt-sensei. --Burhan Tufail

    It is a unique and triumphant work of fiction - at once romantic, erotic, suspenseful - and completely unforgettable.

    Soon she finds herself drawn unwillingly into the tumultuous London art world, populated by exiled Russian oligarchs, avaricious Sheikas, desperate auctioneers and unscrupulous dealers, all scheming to get their hands on her painting - a lost eighteenth-century masterpiece called ‘The Improbability of Love’. Delving into the painting’s past, Annie will uncover not just an illustrious list of former owners, but some of the darkest secrets of European history – and in doing so she might just learn to open up to the possibility of falling in love again.

    He is nineteen years old, and his return will have dramatic consequences not just for his family, but for the whole community. A decade earlier, his father's homecoming has a very different effect. The war is over and Gilbert has been demobilized. He reverts easily to suburban life—cocktails at six-thirty, church on Sundays—but his wife and young son resist the stuffy routine. Lewis and his mother escape to the woods for picnics, just as they did in wartime days. Nobody is surprised that Gilbert's wife counters convention, but they are all shocked when, after one of their jaunts, Lewis comes back without her. Not far away, Kit Carmichael keeps watch. She has always understood more than most, not least from what she is dealt by her own father's hand. Lewis's grief and burgeoning rage are all too plain, and Kit makes a private vow to help. But in her attempts to set them both free, she fails to foresee the painful and horrifying secrets that must first be forced into the open. In this brilliant debut, Sadie Jones tells the story of a boy who refuses to accept the polite lies of a tightly knit community that rejects love in favor of appearances. Written with nail-biting suspense and cinematic pacing, The Outcast is an emotionally powerful evocation of postwar provincial English society and a remarkably uplifting testament to the redemptive powers of love and understanding.