Donna Stone has one…and it happens to be government-sanctioned. She earned it the hard way: her husband was killed the day she delivered her third child. To avenge his death, she leads a secret life – as an assassin. But espionage makes for strange bedfellows – and brings new meaning to that old adage, "Honey, I’m home…"

    Together they must solve one of the most notorious crimes in Irish history......or else they’ll be history.A Man With One of Those Faces is the first book in Caimh McDonnell's Dublin Trilogy, which melds fast-paced action with a distinctly Irish acerbic wit.

     For Wes and his best friend, Corey, jazz camp turns out to be lame. It’s pretty much all dudes talking in Jazz Voice. But then they jam with Ash, a charismatic girl with an unusual sound, and the three just click. It’s three and a half hours of pure musical magic, and Ash makes a decision: They need to hit the road. Because the road, not summer camp, is where bands get good. Before Wes and Corey know it, they’re in Ash’s SUV heading south, and The Haters Summer of Hate Tour has begun. In his second novel, Andrews again brings his brilliant and distinctive voice to YA, in the perfect book for music lovers, fans of The Commitments and High Fidelity, or anyone who has ever loved—and hated—a song or a band. This witty, funny coming-of-age novel is contemporary fiction at its best.

    . .Barbara Parker is Miss Blackpool of 1964, but she doesn't want to be a beauty queen. She wants to make people laugh.So she leaves her hometown behind, takes herself to London, and overnight she becomes the lead in a new BBC comedy, Sophie Straw: charming, gorgeous, destined to win the nation's hearts.

    The Abernathys don't mean any harm by their flirtation with the underworld, but when they unknowingly call forth Satan himself, they create a gap in the universe. A gap in which a pair of enormous gates is visible. The gates to Hell. And there are some pretty terrifying beings just itching to get out...Can one small boy defeat evil? Can he harness the power of science, faith, and love to save the world as we know it?Bursting with imagination, The Gates is about the pull between good and evil, physics and fantasy. It is about a quirky and eccentric boy who is impossible not to love, and the unlikely cast of characters who give him the strength to stand up to a demonic power.John Connolly manages to re-create the magical and scary world of childhood that we've all left behind but so love to visit. And for those of you who thought you knew everything you could about particle physics and the universe, think again. This novel makes anything seem possible.

    Averaging about two million viewers an episode, it is the most successfully rated freshman series in Showtime history. A Golden Globe nominee for Best Television Series (Comedy or Musical), Californication features an electric, likeable cast, led by actor David Duchovny, who won a Golden Globe for his performance playing Hank Moody. God Hates Us All is the novel written by Duchovny’s character, Hank Moody, which in the show is turned into a Hollywood film entitled A Crazy Little Thing Called Love. Timed to coincide with the premiere of the Season 3 of the hit series, this will allow fans an extra, backstage look at the concept of the show not available through episodes.

    Now one of those schemes has come true, and Ian is the only person alive who knows how it was done...and who is behind the plot. That makes him too dangerous to live.Ian goes on the run, sweeping up an innocent bystander in his plight--Margo French, a dog walker and aspiring singer. They are pursued by assassins and an all-seeing global-intelligence network that won't stop until Ian and Margo are dead. Ian has written thrillers like this before, but this time he doesn't know how it's going to end--or if he will be alive to find out.

    Jackson Healy is the tough guy who put him in a cast. Not the two most likely men to team up to hunt for a missing girl, or look into the suspicious death of a beautiful porn star, or go up against a conspiracy of the rich and powerful that stretches from Detroit to D.C. Hell, they’re not the most likely pair to team up to do anything. But there you go. And if they somehow survive this case, they might just find they like each other.But let’s be honest. They probably won’t survive it. Copyright © 2016 Warner Bros. Entertainment Inc.THE NICE GUYS and all related characters and elements © Silver Pictures Entertainment.WB SHIELD: ™ & © WBEI. (s16)

    He is a compulsive liar, a sickly weakling in a town famous for begetting brutish giants. Then Lucy accepts employment assisting the majordomo of the remote, foreboding Castle Von Aux. While tending to his new post as undermajordomo, he soon discovers the place harbours many dark secrets, not least of which is the whereabouts of the castle's master, Baron Von Aux. Thus begins a tale of polite theft, bitter heartbreak, domestic mystery, and cold-blooded murder.Undermajordomo Minor is an ink-black comedy of manners, an adventure, and a mystery, and a searing portrayal of rural Alpine bad behaviour, but above all it is a love story. And Lucy must be careful, for love is a violent thing.

    After all, outside there are 8-inch-high curbs and there's always the horrible chance he might see a gas station attendant wearing a blue hat. So, except for the occasional trip to the Rite Aid to admire the California girl Zandy and to buy earplugs because they're on sale, he stays home a lot. And a good thing too, or he would have never been falsely implicated in a murder, never almost seduced Philipa, never done the impossible task of jogging around the block with Brian, never ironed his pillows, and he might never have won the Most Average American essay contest. The Pleasure of My Company is the chronicle of a modern-day neurotic yearning to break free.

    Crackerjack young FBI agent Judy Maddox is assigned to track down the elusive, sinister group called the "Hammer of Eden."Judy's boss, who has a grudge against her, thinks he has given her a waste-of-time assignment. But Judy's research leads her to maverick seismologist Michael Quercus, who gives her the shocking news that it might just be possible for an earthquake to be deliberately triggered. And when a tremor in a remote California desert shows evidence of being machine-generated, Judy knows the threat is terrifyingly real.Suddenly in charge of a life-or-death investigation, Judy must pinpoint the terrorists' next target, with the help of the erratic but attractive Michael. Their compelling romantic drama is played out as they race to beat the terrorist deadline and prevent an unthinkable disaster.Unknown to them, Michael's estranged wife, gorgeous but angry, has fallen under the spell of a clever, sexy cult leader called Priest -- and they have stolen from Michael's computer the key data that enables the Hammer of Eden to carry out their cataclysmic threat. Worse still, Michael's son is with his wife -- and under the control of Priest. All of them are in mortal jeopardy as Judy and Michael fight to save San Francisco from being brought down in ruins.Ken Follett became a best-selling author in 1978 with the publication of "Eye of the Needle, " which won the Edgar award and became a major motion picture. He has sincewritten numerous other best-selling thrillers and historical novels, including "The Third Twin, " and "A Place Called Freedom."

    The latest victim is the awesome superb Starbuck, America's deep-diving nuclear arsenal. Its loss poses an unthinkable threat to national defense. Pitt's job is to find it, salvage it, before the sea explodes. In a furious race against time, Pitt's mission swirls him into a battle with underwater assassins-and traps him in the arms of Summer Moran, the most stunningly exotic and dangerous toward disaster, Clive Cussler plummets his hero onto an ancient sunken island-the astonishing setting for the explosive climax of Pacific Vortex!

    But one night, at a symposium in Moscow concerning the release of secret Soviet archives, he is approached by Papu Rapava, a former Kremlin bodyguard with a story to tell. No one but the desperate Kelso would believe the tale, for what Rapava describes is a sort of Holy Grail among researchers: an actual diary left by Joseph Stalin himself. Such an artifact, if it's genuine -- and if Kelso can survive the fascist Vladimir Mamantov, who wants it for his own agenda -- would be the coup of a lifetime for the discredited researcher.Before Kelso can learn the location of the diary, Rapava disappears, and Kelso's search for the former bodyguard leads him to the man's daughter, a whore selling herself in the new Moscow of drugs, corruption, and the Russian mafia. With an unscrupulous American journalist hot on their heels, a major of the new KGB close behind, and the shadowy Mamantov following them all, the two follow a trail that leads from Moscow's seedy underbelly to the industrial city of Archangel, where Russia once built her fleets of submarines, to a remote camp on the edge of the Siberian nothingness, and finally to a shocking conclusion that bites like the wind blowing off the tundra. What Kelso sees as the coup of his career might turn out to be the catalyst for an actual coup in Russia. There is a legacy behind the diary, a legacy of evil and death, and Fluke Kelso is unwittingly about to unleash it on the world.

    Mr Mulliner, his vivid imagination lubricated by Miss Postlethwaite the barmaid, has fabulous stories to tell of the extraordinary behaviour of his far-flung family: in particular there's Wilfred, inventor of Raven Gypsy face-cream and Snow of the Mountain Lotion, who lights on the formula for Buck-U-Uppo, a tonic given to elephants to enable them to face tigers with the necessary nonchalance. Its explosive effects on a shy young curate and then the higher clergy is gravely revealed. Then there's his cousin James, the detective-story writer, who has inherited a cottage more haunted than anything in his own imagination. And Isadore Zinzinheimer, head of the Bigger, Better & Brighter Motion Picture Company. Tall tales all - but among Wodehouse's best.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.