Capturing the moment when her unique talent blossomed in a new direction, this new edition of her life-affirming, universal stories will allow her to be read by a another generation of readers. Wallace’s poetry and short stories have been anthologized, and have appeared in periodicals across the country. She won a National Magazine Award, the Pat Lowther Award, the Du Maurier Award for Poetry, and in 1989 she was named Regional Winner of the Commonwealth Poetry Prize in the U.K.

    These 11 profoundly moving and finely crafted stories encapsulate wildly divergent themes of love and loss, containment and exclusion. In the title story, a parks & rec worker faces an assailant who does not leave the altercation intact. A medical researcher and his claustrophobic fiancée are locked in the trunk of their car after a failed carjacking (the thief can't drive standard). A young woman enters a pharmaceutical trial in the outer reaches of suburbia and slips between sleeping and waking with increasingly alarming ease. Pairing the cultural acuity of Lost in Translation with the compassion and reach of The World According to Garp, Heighton breathes new life into the short story, a genre that is finally coming into its own.

    Meet Karl (the Joker), Boris (the Gladiator), Miss Winnifred Hardbottle, Buddy (the Little Whittler) and many more.

    Seventeen-year-old Sylvia (Harper) Kostak is caught between her mother’s regrets and the strictures of small-town life in the interior of British Columbia. When Harper meets Gabe, an intense and enigmatic young man living on the ’60s-style arts commune outside of town, she is transfixed. Gradually we learn Gabe’s story and what led him to join his estranged mother on the commune, where, in a bid for freedom, Harper eventually finds herself, setting in motion a series of events leading to tragedy. Resonant with longing and a sense of isolation, the novel brings alive the agonies and ecstasies of growing up, sexual discovery, and how the need to belong can shape both decisions and destinies.Author Biography: Laisha Rosnau was born in Pointe Claire, Quebec, and grew up in Vernon, British Columbia. She has worked as a child-care worker, a landscaper, a waitress, a fruit picker, an interpretive guide, a journalist, and an editor. She received a Master of Fine Arts in Creative Writing from the University of British Columbia, where she was the Executive Editor of PRISM international. Her poetry and short fiction have been published in literary journals and anthologies in Canada, the United States, and Australia. The Sudden Weight of Snow is her first novel. Laisha Rosnau lives in Vancouver, where she is at work on a collection of poetry and on her second novel.

    The magnificent and long-awaited biography of the beloved writer who gave us the Manawaka novels, including The Diviners and The Stone Angel.

    Lawrence, to the weird saga of Brother XII and his mystic cult on Vancouver Island.

    From illusions of permanence and ownership to the pain of estrangement, Liar masterfully explores feelings familiar to anyone who has ever loved — and lost. Crosbie also goes beyond this territory, examining the lover’s own complicity in her joy and suffering. Liar is a grotesque, beautiful meditation on the nature of love.

    Five families. One block.Ask yourself: How well do you know your neighbours? How well do you know your own family? Ultimately, how well do you know yourself? How deeply do the threads of your own life entwine with those around you? Do you ever really know how tightly those threads are knotted? Do you want to know?

    So it was for Dave Bidini in 1974, the last year Dave Keon played in Toronto. In a new grade in a new school, Bidini found himself the victim of a bully—a depredation he could understand only by thinking about what the Leafs dauntless captain went through game after game.Throughout his twenty-two-year career, Keon was only in one hockey fight, in his last game as a Leaf on April 22, 1974. It was on this day that the eleven-year-old Bidini decided to fight back, an occasion that the writer looks back on with breathtaking courage and honesty. But while Bidini would remain a blue-blooded Leafs fan into adulthood, Keon became estranged from the franchise with which he’d won four Stanley Cups, two Lady Byngs, and the first ever Conn Smythe Trophy in 1967.Told in two narratives—one from the point of view of the young Bidini growing up in Toronto in the early 70s and one from the perspective of the man looking for his absent hero—Keon and Me tells not only the story of a hockey icon who has haunted Toronto for decades, but of a life lived in parallel to Keon’s. It’s the story of cultural change, an account of the tribulations of the NHL’s most beloved (and most despised) franchise in the decades since Keon left under a cloud, and most of all, it is a story of growing up, with all the wisdom and sadness that imparts.Part ode to a legendary hockey player, part memoir, Keon and Me captures what we all cherish in the game we love and the importance of the innocence we cling to long after the cheers have faded.

    There was a need for a book that, eschewing sensationalism and simplistic answers, would examine the holes in the fabric of women’s talk of the last thirty or forty years. The contributors, a cross-section of women, would be asked to explore defining moments in their lives rarely aired in common discourse: truths they had never shared, subjects they hadn’t written about before or otherwise found a place for. What Carol Shields and Marjorie Anderson wanted to hear about were the experiences that had brought unexpected pleasure or disappointment, that somehow had caught each woman unawares. The pieces, woven together, would be a tapestry of stories about what women experience but don’t talk about. The resulting book became an instant #1 bestseller.“Our feeling was that women are so busy protecting themselves and other people that they still feel they have to keep quiet about some subjects,” Carol Shields explained in an interview. Dropped Threads takes as its model the kind of informal discussions women have every day – over coffee, over lunch, over work, over the Internet – and pushes them further, sometimes even into painful territory. Subjects include work, menopause, childbirth, a husband’s terminal illness, the loss of a child, getting old, the substance of women’s friendships, the power of sexual feelings, the power of power, and that nagging question, “How do I look?” Some of the experiences are instantly recognizable; others are bound to provoke debate or inspire readers to examine their own lives more closely.The book is a collection of short, engaging pieces by more than thirty women, from Newfoundland to Vancouver Island. Many are mothers, some are grandmothers, and many are professionals, including journalists, professors, lawyers, musicians, a corporate events planner and a senator. Readers will find the personal revelations of some of their favourite authors here, such as Margaret Atwood, Bonnie Burnard, Sharon Butala, Joan Barfoot, Joan Clark and Katherine Govier. Other contributors include:• Eleanor Wachtel, CBC radio host, talks about her early fears of speaking in public.• June Callwood, journalist, social activist and a Companion of the Order of Canada, at the age of seventy-six is surprised at her failure to find answers to the imponderable dilemmas surrounding human life, and of her lack of connection to the “apparition” in the mirror.• Isabel Huggan, short story writer, muses on what she considers the impossibility of mothers passing on knowledge to their daughters, and on her own feeling that “we are girls dressed up in ladies’ clothing, pretending.”With writing that is reflective, often amusing, poignant, emotional and profound, Dropped Threads is the first book to tackle the lesser-discussed issues of middle age and is the first anthology the editors have compiled together.

    The exploration of starvation and consumption is at the core of each character; what does our hunger reveal about the state of our soft hearts? Ellen jumps rope on rooftops in the searing Korean sun. She has sworn off carbohydrates until she can find pants that fit. Damon resents his two dollar chow mein bought on a Montreal curb. There are half-eaten poutines on living room floors and greasy corn kernels stuck to chins. There are weak cocktails, cheap coffees, white plastic forks, and cigarettes. Everywhere.These interwoven stories are propulsive. They pull back the blast shield to reveal blinding interior voices; unrepentant and raw. Coles' irreverent characters scorch, and strangely comfort us, as they struggle to process the permeable nature of their thoughts. Such are the sardonically complex and humourous Eating Habits Of The Chronically Lonesome.

    A series of minority governments, and endless Quebec referendums (designed to lose narrowly, to keep the money coming) have left Canada almost ungovernable. When the Governor General resigns in disgrace and the House of Windsor implodes in London, a media baron launches the idea of a Canadian king or queen elected by lottery.It starts as a joke — except that the lucky winner, King John, a bright and charismatic guy from Toronto, knows exactly what people want. Soon Quebec is gone, while Toronto’s surprise bid to leave Canada is averted by shifting his official residence, the new seat of power, to the Toronto waterfront. Many good things happen, and the politicians go along for the ride. And the blockades of Native lands are ended for good, after John is heroically wounded keeping the peace at risk to his life.His popularity soars and Canadian morale soars with it. Soon the rest of the world is taking notice of this model leader. In the United States, the blue states look enviously northward. Then Canada’s king, ignoring assassination threats, goes on a formal visit to Washington. . .From the Hardcover edition.

    Bey had spent his entire life running through the woods and never once saw anything to convince him there were creatures worth fearing. When his littler sister, Chensei, whines about the trip home at night, Bey only mocks her. Until she disappears beyond the treeline. I, PONTIANAK Everyone hates and fears monsters, except for when you’re the monster. I never asked for it, and honestly I can’t say I’ve really enjoyed it. But I am what I am, and I can’t change it. Hell, I can’t even control it. My name used to be Anastasia, and I am a Pontianak.

    In Moral Disorder she has created a series of interconnected stories that trace the course of a life and also the lives intertwined with it--those of parents, of siblings, of children, of friends, of enemies, of teachers, and even of animals. As in a photograph album, time is measured in sharp, clearly observed moments. The '30s, the '40s, the '50s, the '60s, the '70s, the '80s, the '90s, and the present --all are here. The settings vary: large cities, suburbs, farms, northern forests. The first story, "The Bad News," is set in the present, as a couple no longer young situate themselves in a larger world no longer safe. The narrative then switches time as the central character moves through childhood and adolescence in "The Art of Cooking and Serving," "The Headless Horseman," and "My Last Duchess." We follow her into young adulthood in "The Other Place" and then through a complex relationship, traced in four of the stories: "Monopoly," "Moral Disorder," "White Horse," and "The Entities." The last two stories, "The Labrador Fiasco" and "The Boys at the Lab," deal with the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood's celebrated storytelling gifts and unmistakable style to their best advantage. As the New York Times has said: "The reader has the sense that Atwood has complete access to her people's emotional histories, complete understanding of their hearts and imaginations."

    Many know that it was hockey legend Tim Horton who opened the first restaurant, but few know the inside story of Ron Joyce, who, after the death of Horton, grew the company into a colossal North American enterprise. Always Fresh is Joyce’s own story about the much-loved business that has become a cultural tradition, from 1964 and the first almost-failed Tim Hortons to Joyce’s decision to sell the company to Dave Thomas of Wendy’s.Along the way, Joyce provides an account of the strategy behind the chain’s phenomenal expansion, the Tim Hortons philosophy of freshness and quality, and the company’s successful launch of such products as Timbits. This is a candid look at the successes and failures of a business empire and the determined passion of a man who changed our morning routines forever.