In full pursuit of the good life - boating, swimming , and regular barbecues with his good-natured buddies -- he holds the vague conviction that a serious relationship with a woman would only cramp his style. That is, until Gabby Holland moves in next door. Spanning the eventful years of young love, marriage and family, THE CHOICE ultimately confronts us with the most heartwrenching question of all: how far would you go to keep the hope of love alive?

    For the first time ever Grace is as thin as she wants to be – nearly – and there’s no way she’s giving that up.Except, what if she has to give up other things to be able to keep wearing her new “skinny” breeches?What if it comes down to a choice between all the horses she loves – Sprite, the ferocious jumper, and Iowa, the sweet greenie, and Whinny, the abused but tough mare – and the numbers on the scale, the numbers on food labels, the numbers always running through her head?Grace knows what her stepmother, Annabelle, wants her to decide. She knows what Matt – gorgeous, amazing Matt – wants her to do. She knows what the doctors think.But she also knows nobody else can make this decision for her. And sometimes she’s not even sure if she’s got the strength to do it.There is danger in living with anorexia, and there is also hope. Objects in Mirror is a truthful exploration of these extremes and of the struggles that lie between them.

    I was the one he loved, the only one who believed him, even when his own mother had locked him up and thrown away the key.And now, I was going to pass down the white tiled hallway, knock on his doctor’s office door, slam his secret notebook on her desk and make her read it, make her understand what he was hiding, make her see what only I had seen.April won’t let Jonah go without a fight.He’s her boyfriend—her best friend. She’ll do anything to keep him safe. But as Jonah slips into a dark depression, trying to escape the traumatic past that haunts him, April is torn. To protect Jonah, she risks losing everything: family, friends, an opportunity to attend a prestigious music school. How much must she sacrifice? And will her voice be loud enough to drown out the dissenters—and the ones in his head?

    The sort of novel that comes along rarely to touch something personal in us. It's the story of a man and woman falling in love, and of the children and the memories of a perfect first wife that could keep them apart. "Excellent!" —Philadelphia Inquirer

    Although Sharla is not the angelic child Addy Shadd had pictured when she agreed to look after her, the two soon forge a deep bond. To Addy's surprise, Sharla's presence brings back memories of her own childhood in Rusholme, a town settled by fugitive slaves in the mid-1800s. She reminisces about her family, her first love, and the painful experience that drove her away from home. Brilliantly structured -- and achingly lyrical, this is a story about the redeeming power of love and memory, and about two unlikely people who transform each other's lives forever.

    Parents and children alike have been best friends, so it's no surprise that in high school Chris and Emily's friendship blossoms into something more. They've been soul mates since they were born.So when midnight calls from the hospital come in, no one is ready for the appalling truth: Emily is dead at seventeen from a gunshot wound to the head. There's a single unspent bullet in the gun that Chris took from his father's cabinet—a bullet that Chris tells police he intended for himself. But a local detective has doubts about the suicide pact that Chris has described.

    And it seems that he may be about to do so, until he’s blindsided by the unexpected attentions of Janine Igwash. Suddenly Stan is no longer thinking about jump shots. Instead he is obsessed with Janine’s spiky hair, her milky white shoulders and the mysterious little tattoo at the base of her neck, not to mention the heat of her breath, her dark eyes, wide hips and . . . Then Stan’s father arrives on the scene with Stan’s four-year-old half brother, and things become truly insane. Tilt is a wonderfully droll and insightful story about a sensitive, intelligent and gently funny young man living through an impossibly absurd time of life. This book is a rare achievement -- a witty, sexy compulsively readable work of high literary quality.

    When he was twelve, his father took off, and then his mother's creepy boyfriend, Henry, moved in. But adults make all the decisions, especially in 1959, and when Henry decides to send Teddy to a boarding school in the middle of nowhere, there's absolutely nothing Teddy can do about it.St. Iggy's, it turns out, is run by the Catholic church, and is something between a private school and a reform school. Teddy becomes best friends with Cooper, a scrawny, wisecracking, poetry-loving kid with a home life even worse than Teddy's. The boys get by for a while on their wits and dreams of escape, in spite of the priests' determination to crack down on any hint of "troublesome" behavior. But as the months pass, the beatings, humiliation and hours spent in the school's dreaded "time-out" rooms take their toll.Then one of the new priests, Father Prince, starts to call Cooper to his room at night, and Teddy watches helplessly as his friend sinks into his own private nightmare, even as Prince targets Teddy himself as his next victim.

    All she wants is to live out her angst-riddled life in her blue-collar Baltimore neighborhood, punctuated by weekly trips to her local parish, where Lark is organist, and telephone conversations with desperate souls who dial her hotline at 1-777-IPRAY4U. Then one night, Lark’s home is destroyed by a fire, forcing her out of her comfortable nest and back to the childhood home she has avoided for years. At Stoneleigh House, Lark is surrounded by three very different women: her grown daughter, Flannery; her barely tolerable socialite mother, Leslie; and Prisma Percy, housekeeper and family confidante, all of whom believe Lark was widowed years before. In this circle of women, Lark’s carefully constructed existence begins to unravel, even as the promise of a new one unfolds. But when her contrite ex-husband shows up, longing to assume his role as Flannery’s father, twenty years after his desertion, Lark finds that she must face her own lies–and her past–before a new life can unfold.

    This is the Songbook companion to the soundtrack of the Disney movie adaptation of that novel.Ten selections from the Disney/Walden Media soundtrack featuring songs by today's top pop stars and the score by Aaron Zigman. Includes: Another Layer * I Learned from You * Keep Your Mind Wide Open * Look Through My Eyes * A Place for Us * Right Here * Seeing Terabithia * Shine * Try * When You Love Someone.

     For Zelda, a twenty-one-year-old Viking enthusiast who lives with her older brother, Gert, life is best lived with some basic rules: 1. A smile means “thank you for doing something small that I liked.” 2. Fist bumps and dabs = respect. 3. Strange people are not appreciated in her home. 4. Tomatoes must go in the middle of the sandwich and not get the bread wet. 5. Sometimes the most important things don’t fit on lists. But when Zelda finds out that Gert has resorted to some questionable—and dangerous—methods to make enough money to keep them afloat, Zelda decides to launch her own quest. Her mission: to be legendary. It isn’t long before Zelda finds herself in a battle that tests the reach of her heroism, her love for her brother, and the depth of her Viking strength. When We Were Vikings is an uplifting debut about an unlikely heroine whose journey will leave you wanting to embark on a quest of your own, because after all... We are all legends of our own making.

    but before the police come to take them, Sarah locks her younger brother, Michel, in their favorite hiding place, a cupboard in the family's apartment. She keeps the key, thinking that she will be back within a few hours.Paris, May 2002: On Vel' d'Hiv's sixtieth anniversary, Julia Jarmond, an American journalist, is asked by her Paris-based American magazine to write an article about this black day in France's past. Julia has lived in Paris for nearly twenty-five years, married a Frenchman, and she is shocked both by her ignorance about the event and the silence that still surrounds it. In the course of her investigation, she stumbles onto a trail of long-hidden family secrets that connects her to Sarah. Julia finds herself compelled to retrace the girl's ordeal, from the terrible days spent shut in at the Vel' d'Hiv' to the camps and beyond. As she probes into Sarah's past, she begins to question her own place in France and to reevaluate her marriage and her life.Writing about the fate of her country with a pitiless clarity, Tatiana de Rosnay offers us a brilliantly subtle, compelling portrait of France under occupation and reveals the taboos and denial surrounding this painful episode in French history.(front flap)

    But Leo is soon thrown for a loop when he discovers that the lead singer of punk rock's most destructive band is his biological father.

    

    Expecting nothing more than three months in her mother’s homeland, Kim comes to terms with the country’s diverse and often shocking history. The Truth and Reconciliation Hearings in post-apartheid South Africa open her eyes to the tragedy and brutality of its segregationist policies. Kim’s first meeting with her relatives, her contact with schoolmates and cousins, bring her face-to-face with the realization that she is not as removed from this powerful story as she thought. As her mother struggles with her past, Kim becomes more and more determined to unlock the secret that has always kept her from knowing her father. Helped by the young son of a long-time family servant, whose own father was a casualty of Apartheid history, Kim eventually unlocks her mystery and brings her mother and herself to their own truth and reconciliation. Layered and complex, this is a novel that raises questions and challenges beliefs.