A one-night-stand was supposed to be just that...one night. I'm the one that made sure this Chase guy would agree to my rule.One hot night with no strings attached.So why am I wanting to break all the rules and find this guy that turned my world upside down with just that one crazy night?Why couldn't I let it go? Why couldn't I let images of the best time I'd ever had with a guy go?Because he was every girls fantasy in bed. He took me to levels I never knew existed and now I'm pissed I didn't demand a friends with benefits relationship.I thought I'd gotten over him, until a year later when I saw him again. He had that greedy smile I remembered, that daring look, and it was all I could do to keep it together.When he tells me that I'm all he's thought about since our night together and wants to hook up again? I know I'd be an idiot to turn him down.One small problem though. Being strongly blinded by lust has me ignoring the fact that I come from a wealthy family and he doesn't. If I fall for this guy that is everything my family warned me about, this can turn into a disaster.But I'm not falling for his charms, body, soft side, or his damn eyes that speak to my soul.At least that's what I tell myself, even though I internally should know this poor little rich girl is getting charmed by a very dangerous snake.Or am I?A one-night-stand never ends in love.So what in the hell am I getting myself into now?I'm playing with fire and I know I'm about to get burned. The perfect man doesn't exist, or did I seriously just land the best man any girl could ask for?

    While the sheriff conducts his investigation, Kelton begins to discover the small sleepy southern town by the interstate isn’t as quaint and innocent as it appears. The large bale of cash sealed in plastic found at the scene speaks to nefarious activities, and the idealistic young Kelton with his K-9 dutifully assists underfunded local law enforcement in getting to the bottom of things. Even when he realizes they aren’t telling him everything. But his discoveries make clear that his ingrained respect for authority and showing chivalry toward all is being taken advantage of by numerous shady characters trying to preserve their own legacies. Lawless lawmen and damsels not so distressed drive him to reexamine his values to decide which are still worth living by and how those apply in a world twisted by drugs, money, sex and power. Come take a gritty journey of suspense driven by deep desperate characters and soul ripping action. Join Kelton and Azrael settling on a moral course in a world where nobody is perfect and even evil is far from absolute, and making heroic strides in trying to do what is right. Let no one underestimate the unbreakable bond between a man and his dog. SPECIAL NOTICE I’m proud to be providing half of net royalties through September 30th 2016 to the Warrior Dog Foundation ( http://warriordogfoundation.org/ ). This great Non-Profit organization transitions K-9 heroes retiring from service with Special Operations Forces to their state-of-the-art kennel facility where they receive any needed physical or mental rehabilitation so they can live out their lives with dignity and grace. I’m not affiliated with their foundation, but couldn’t be happier to contribute.

    Now in its second edition, the text has been completely revised and expanded to meet the needs of today's students and film enthusiasts. Some 150 key genres, movements, theories and production terms are explained and analyzed with depth and clarity. Entries include: * auteur theory* Blaxploitation* British New Wave* feminist film theory* intertextuality* method acting* pornography* Third World Cinema* Vampire movies.

    As told by Corman himself and graduates of “The Corman Film School,” including Peter Bogdanovich, James Cameron, Francis Ford Coppola, Robert De Niro, and Martin Scorsese, this comprehensive oral history takes readers behind the scenes of more than six decades of American cinema, as now-legendary directors and actors candidly unspool recollections of working with Corman, continually one-upping one another with tales of the years before their big breaks.Crab Monsters is supplemented with dozens of full-color reproductions of classic Corman movie posters; behind-the-scenes photographs and ephemera (many taken from Corman’s personal archive); and critical essays on Corman’s most daring films—including The Intruder, Little Shop of Horrors, and The Big Doll House— that make the case for Corman as an artist like no other. Praise for Crab Monsters, Teenage Cavemen, and Candy Stripe Nurses: “This new coffee table book, brimming with outrageous stills from many of Corman’s hundreds of films, looks at the wild career of the starmaker who was largely responsible for so much of the Hollywood we know today.” —New York Post “Vividly illustrated.” —People “An enthusiastic ode to colorful, seat-of-your-pants filmmaking, this one’s hard to beat.” —Booklist (starred review) “It includes in-depth aesthetic appreciations of ten of Corman’s movies, which, taken together, make a compelling case for Corman as an artist.” —Hollywood.com “Author Nashawaty deftly describes how Corman’s legacy is far more nuanced than most realize.” —American Way magazine “Outrageously entertaining . . .”  —Parade magazine “Endlessly fascinating.” —PopMatters.com “You’d think it’d be impossible for any writer to put together a Roger Corman biography that's anywhere near as fun as his movies, but Entertainment Weekly writer/critic Chris Nashawaty has done just that.”  —Complex magazine

    Look at me: I'm short, stocky, slightly overweight, deep of voice, passionate, dark haired, olive skinned, hardly your typical Englishman. What chance did I have, going into the world of British theatre? David Suchet has been a stalwart of British stage and screen for fifty years. From Shakespeare to Oscar Wilde, Freud to Poirot, Edward Teller to Doctor Who, Harold Pinter to Terence Rattigan, Questions of Faith to Decline and Fall, right up to 2019's The Price, David has done it all. Throughout this spectacular career, David has never been without a camera, enabling him to vividly document his life in photographs. Seamlessly combining photo and memoir, Behind the Lens is the story of David's remarkable life, showcasing his wonderfully evocative photographs and accompanied by his insightful and engaging commentary.In Behind the Lens, David discusses his London upbringing and love of the city, his Jewish roots and how they have influenced his career, the importance of his faith, how he really feels about fame, his love of photography and music, and his processes as an actor. He looks back on his fifty-year career, including reflections on how the industry has changed, his personal highs and lows, and how he wants to be remembered. And, of course, life after Poirot and why he's still grieving for the eccentric Belgian detective. An autobiography with a difference, this is David Suchet as you've never seen him before - from behind the lens. 'The book offers more insight into the mind and philosophy of this remarkable man than a more conventional biographical approach could have achieved' Country Life

    If Stanley Kubrick had made only" 2001: A Space Odyssey" or "Dr. Strangelove," his cinematic legacy would have been assured. But from his first feature film, "Fear and Desire," to the posthumously released "Eyes Wide Shut," Kubrick created an accomplished body of work unique in its scope, diversity, and artistry, and by turns both lauded and controversial.In this newly revised and definitive edition of his now classic study, film critic Michel Ciment provides an insightful examination of Kubrick's thirteen films--including such favorites as "Lolita, A Clockwork Orange," and "Full Metal Jacket-"-alongside an assemblage of more than four hundred photographs that form a complementary photo essay. Rounding out this unique work are a short biography of Kubrick; interviews with the director, as well as cast and crew members, including Malcolm McDowell, Shelley Duvall, and Jack Nicholson; and a detailed filmography and bibliography. Meshed with masterful integrity, the book's text and illustrations pay homage to one of the most visionary, original, and demanding filmmakers of our time.

    More than a decade before Charles Manson warned parents to beware their homicidal children, nineteen-year-old Charles Starkweather and fourteen-year-old Caril Ann Fugate embarked on a shocking, eight-day rampage across America’s heartland that left eleven bloody bodies in its wake—including Caril Ann’s parents. In an Ozzie and Harriet era of drive-ins, malts, and tail-finned cars, Starkweather and Fugate embraced the “live fast, die young” credo of The Wild One and James Dean, and touched off the Midwest’s greatest manhunt since John Dillinger.Now, utilizing firsthand interviews, court transcripts, death-row confessions, and never-before-revealed case details, Waste Land shines new light on the dark saga of Starkweather and Fugate—from their first kisses and kills to their capture and convictions. Complete with an update on Fugate’s life today, Waste Land compellingly probes not only the mind-set of history’s deadliest juvenile delinquents—but also the tragic end of America’s innocence.

    Thomas Nelson's perceptive and comprehensive study of Kubrick rescues him from the hostility of auteurist critics and discovers the roots of a Kubrickian aesthetic, which Nelson defines as the "aesthetics of contingency."After analyzing how this aesthetic develops and manifests itself in the early works, Nelson devotes individual chapters to Lolita, Dr. Stangelove, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, and The Shining.For this expanded edition, Nelson has added chapters on Full Metal Jacket and Eyes Wide Shut, and, in the wake of the director's death, reconsidered his body of work as a whole. By placing Kubrick in a historical and theoretical context, this study is a reliable guide into--and out of--Stanley Kubrick's cinematic maze.

    Made specifically for the small screen, within the tight constraints of broadcasting standards, what these humble movies lacked in budget and star appeal, they made up for in other ways. Often they served as an introduction to genre films, particularly horror, mirroring their theatrical counterparts with a focus on sinister cults, women in prison, haunted houses and even animals in revolt. They were also a place to address serious contemporary issues - drugs, prostitution, sexual violence and justice -albeit in a cosy domestic environment. Production of telefilms continues to this day, but their significance within the history of mass media remains under-discussed. Are You in the House Alone? seeks to address this imbalance in a series of reviews and essays by fans and critics. It looks at many of the films, the networks and names behind them, and also specific genres - everything from Stephen King adaptations to superheroes to true-life dramas. So, kickback and crack open the TV guide once more for the event that is the Movie of the Week!

    It is aimed at the novice, concentrating purely on the principles of shooting - still the best way to tell a visual story.Written in simple, easy-to-follow language and illustrated with clear uncomplicated line drawings, the book sets down the fundamental knowledge needed to achieve acceptable results.The book: - is a sister volume to Grammar of the Edit- has been extensively tested in Europe, Asia and Africa- lists, examines and explains the conventions and working practices of taking pictures.

    Ever since Godzilla (or, Gojira, as he is known in Japan) crawled out of his radioactive birthplace to cut a swath of destruction through Tokyo, he has claimed a place alongside King Kong and others in the movie monster pantheon. He is the third most recognizable Japanese celebrity in the United States, and his fan base continues to grow as children today prove his enduring appeal. Now, Bill Tsutsui, a life-long fan and historian, takes a light-hearted look at the big, green, radioactive lizard, revealing how he was born and how he became a megastar. With humorous anecdotes, Godzilla on My Mind explores his lasting cultural impact on the world. This book is sure to be welcomed by pop culture enthusiasts, fans, and historians alike.

    Her first book, Notes on the Making of Apocalypse Now, was hailed as “one of the most revealing of all first hand looks at the movies” (Los Angeles Herald Examiner). And now the author brings the same honesty, insight, and wit to this absorbing account of the next chapters in her life. In this new work we travel back and forth with her from the swirling center of the film world to the intimate heart of her family. She offers a fascinating look at the vision that drives her husband, Francis Ford Coppola, and describes her daughter Sofia’s rise to fame with the film Lost in Translation. Even as she visits faraway movie sets and attends parties, she is pulled back to pursue her own art, but is always focused on keeping her family safe. The death of their son Gio in a boating accident in 1986 and her struggle to cope with her grief and anger leads to a moving exploration of her deepest feelings as a woman and a mother. Written with a quiet strength, Eleanor Coppola’s powerful portrait of the conflicting demands of family, love and art is at once very personal and universally resonant.

    Ranging from D. W. Griffith's The Birth of a Nation to Spike Lee's Do the Right Thing, and ending with an epilogue on digital media, Closely Watched Films focuses on exemplary works of fourteen film directors whose careers together span the history of the narrative film. Lively and down-to-earth, this concise introduction provides a broad, complete, and yet specific picture of visual narrative techniques that will increase readers' excitement about and knowledge of the possibilities of the film medium.Shot-by-shot analyses of short passages from each film ground theory in concrete examples. Fabe includes original and well-informed discussions of Soviet montage, realism and expressionism in film form, classical and modern sound theory, the classic Hollywood film, Italian neorealism, the French New Wave, auteur theory, modernism and postmodernism in film, political cinema, feminist film theory and practice, and narrative experiments in new digital media. Encompassing the earliest silent films as well as those that exploit the most recent technological innovations, this book gives us the particulars of how film—arguably the most influential of contemporary forms of representation—constitutes our pleasure, influences our thoughts, and informs our daily reality.

    Night Shyamalan, starring Matt Dillon and premiering May 14th on FOX. Secret service agent Ethan Burke arrives in Wayward Pines, Idaho, with a clear mission: locate and recover two federal agents who went missing in the bucolic town one month earlier. But within minutes of his arrival, Ethan is involved in a violent accident. He comes to in a hospital, with no ID, no cell phone, and no briefcase. The medical staff seems friendly enough, but something feels…off. As the days pass, Ethan’s investigation into the disappearance of his colleagues turns up more questions than answers. Why can’t he get any phone calls through to his wife and son in the outside world? Why doesn’t anyone believe he is who he says he is? And what is the purpose of the electrified fences surrounding the town? Are they meant to keep the residents in? Or something else out? Each step closer to the truth takes Ethan further from the world he thought he knew, from the man he thought he was, until he must face a horrifying fact—he may never get out of Wayward Pines alive. 2013 International Thriller Award Nominee

    Even events off-set can conspire to stop the mightiest movies in their tracks. Witness the collapse of Francis Ford Coppola's "Megalopolis" in the aftermath of 9/11, or the demise of "Something's Got to Give" following the mysterious death of Marilyn Monroe (leaving the most famous sequence in the history of unmade movies). In exhaustive detail, this book untangles the misfortune, quarrels, and twists of fate that doomed some of the greatest movies you'll never see. With doyens of directing from Kubrick to the Coen Brothers and stars from Salvador Dali to the Sex Pistols, the eye-opening entries in "The Greatest Movies You'll Never See" unravel just why unmade masterpieces are stuck in "development hell" and assess the chances of them ever being completed and released. Each ill-fated work--from Charlie Chaplin's pet project on Napoleon to David Fincher's foray into sex and mutation--is examined in an in-depth essay. Selected entries boast script extracts, test footage frames, and concept art. Sidebars shine a spotlight on related movies, stars, and sources. Acclaimed designers and illustrators have executed spectacular original poster artwork--loyal to the vision of each original director--to accompany each of the unmade films.