In Fisk’s Landing, Mississippi, at the dawn of the Korean War, sixteen-year-old Swayze Barksdale is suddenly called to an unexpected duty - playing "Taps" at the gravesides of the town’s young casualties sent home from the front. Gradually, Swayze begins to pace his life around these all too frequent funerals, where his horn sounds the tragic note of the times. At turns funny, at turns poignant, TAPS abounds with colorful characters and yet "sings and sighs . . . with a kind of minor key wistfulness" (Arkansas Democrat-Gazette) as Swayze learns what it means to be a patriot, a son, a lover, a friend, a man.

    Eight-year-old Rocky worships his older brother, Paul. Sixteen and full of rebel cool, Paul spends his days cruising in his Chevy Nova blasting Neil Young, cigarette dangling from his lips, arm slung around his beautiful, troubled girlfriend. Paul is happy to have his younger brother as his sidekick. Then one day, in an act of vengeance against their father, Paul picks up Rocky from school and nearly abandons him in the woods. Afterward, Paul disappears. Seven years later, Rocky is a teenager himself. He hasn’t forgotten being abandoned by his boyhood hero, but he’s getting over it, with the help of the wealthy neighbors’ daughter, ten years his senior, who has taken him as her lover. Unbeknownst to both of them, their affair will set in motion a course of events that rains catastrophe on both their families. After a mysterious double murder brings terror and suspicion to their small town, Rocky and his family must reckon with the past and find out how much forgiveness their hearts can hold.

    Jessica will break their hearts. Leonie will fall in love with the wrong man. Mary Jo will escape to New York. And wild child Mathy's fate will be the family's greatest tragedy. Over the decades they will love, deceive, comfort, forgive—and, ultimately, they will come to cherish all the more fiercely the bonds of love that hold the family together.

    "From birth, Jessica had eschewed the role to which she'd been born. Was it because she sensed that her father's indulgence was compensation for his disappointment in her? Jessica thought too much, questioned, challenged, rebelled. Sometimes Eunice thought her daughter should have been born a male." Born into the wealthiest and most influential family in 1830s South Carolina, Jessica Wyndham was expected to look appealing, act with decorum, and marry a suitably prominent and respectable man. However, her outspoken opinions and unflagging sense of justice make her a difficult-and dangerous-firebrand, especially for slavery-dependent Carson Wyndham. Jessica's testing of her powerful father's love is only the beginning of the pain, passion, and triumph she will experience on a journey with the indomitable, land-obsessed Silas Toliver and headstrong Jeremy Warwick to a wild new land called Texas. PRAISE FOR LEILA MEACHAM "Discovering Leila Meacham and her spectacular talent is akin to discovering gold. With this novel she has become a national treasure." -- Huffington Post "Rich with American history and pitch-perfect storytelling, fans and new readers alike will find themselves absorbed in the family saga that Meacham has proven-once again-talented in telling." -- Publishers Weekly (starred review)

    Paired as roommates, the two become fast friends. Daniella, raised in Georgetown by a Jewish father and a Methodist mother, has always felt caught between two worlds. But at Belmont, her bond with Eve allows her to finally experience a sense of belonging. That is, until the girls’ expanding awareness of the South’s systematic injustice forces them to question everything they thought they knew about the world and their places in it. Eve veers toward radicalism—a choice pragmatic Daniella cannot fathom. After a tragedy, Eve returns to Daniella for help in beginning anew, hoping to shed her past. But the past isn’t so easily buried, as Daniella and Eve discover when their daughters are endangered by secrets meant to stay hidden. Spanning more than thirty years of American history, from the twilight of Kennedy’s Camelot to the beginning of Bill Clinton’s presidency, We Are All Good People Here is “a captivating…meaningful, resonant story” (Emily Giffin, author of All We Ever Wanted) about two flawed but well-meaning women clinging to a lifelong friendship that is tested by the rushing waters of history and their own good intentions.

    But his father is terminally ill, and he must return to his childhood home - a place he vowed he would never go back to.Bienville, Mississippi, is no longer the city Marshall remembers. His family's 150-year-old newspaper is failing, and Jet Talal, the love of his youth, has married into the family of Max Matheson, one of a dozen powerful patriarchs who rule the town through the exclusive Bienville Poker Club. The city's only hope of economic salvation is a new, billion-dollar Chinese paper mill. But on the verge of the deal's consummation, two deaths rock Bienville to its core.Joining forces with his former lover, Marshall begins digging for the truth. But he and Jet soon discover that the soil of Mississippi is a minefield where explosive secrets can be far more destructive than injustice.

    Finally, when she speaks to them, they answer, telling their stories in a remarkable chorus of regrets, explanations, and insights.  A Gracious Plenty is like an extraordinary amalgam of Steinbeck and Faulkner, Spoon River Anthology and Our Town. It is a reading experience that you will not soon forget.

    Frank Bill delivers what is both a wake-up call and a gut punch. Welcome to heartland America circa right about now, when the union jobs and family farms that kept the white on the picket fences have given way to meth labs, backwoods gunrunners, and bare-knuckle brawling.Bill's people are pressed to the brink--and beyond. There is Scoot McCutchen, whose beloved wife falls terminally ill, leaving him with nothing to live for--which doesn't quite explain why he brutally murders her and her doctor and flees, or why, after years of running, he decides to turn himself in. In the title story, a man who has devolved from breeding hounds for hunting to training them for dog-fighting crosses paths with a Salvadoran gangbanger tasked with taking over the rural drug trade, but who mostly wants to grow old in peace. As Crimes in Sourthern Indiana unfolds, we witness the unspeakable, yet are compelled to find sympathy for the depraved.Bill's southern Indiana is haunted with the deep, authentic sense of place that recalls the best of Southern fiction, but the interconnected stories bristle with the urban energy of a Chuck Palahniuk or a latter-day Nelson Algren and rush with the slam-bang plotting of pulp-noir crime writing a la Jim Thompson. Bill's prose is gritty yet literary, shocking, and impossible to put down. A dark evocation of the survivalist spirit of the working class, this is a brilliant debut by an important new voice.

    In 1983 Little, Brown and Company's posthumous publication of this book electrified the literary world with a force that still resounds across two decades. A collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace, The Stories of Breece D'J Pancake has remained continuously in print and is a perennial favorite among aspiring writers, participants in creative writing programs, and students of contemporary American fiction. "Trilobites", the first of Pancake's stories to be published in The Atlantic, elicited an extraordinary immediate response from readers and continues to be widely anthologized.

    David's voice is perfectly calibrated, disarmingly funny, sad, shrewd, gathering force from page to page with an emotional directness that never lapses into sentimentality. Through it we share his awkward, painful, universally recognizable encounter with first love, we participate in boy evangelist Bobbie Lee Taylor's revival, we meet the pious, bigoted townspeople. From the opening lines of The Neon Bible, David is fully alive, naive yet sharply observant, drawing us into his world through the sure artistry of John Kennedy Toole.John Kennedy Toole, who won a posthumous Pulitzer Prize for his best-selling comic masterpiece A Confederacy of Dunces, wrote The Neon Bible for a literary contest at the age of sixteen. The manuscript languished in a drawer and became the subject of a legal battle among Toole's heirs. It was only in 1989, thirty-five years after it was written and twenty years after Toole's suicide at thirty-one, that this amazingly accomplished and evocative novel was freed for publication.

    He silently shares the family home with his sister Daze, who is nearly blinded by bitterness, obsessed with her mother's reputation as a loose, lustful woman. Since his angry teenage years as a scholarship student at a posh, segregated school, Ned's life has been marred by a violence that erupts loudly and quickly disappears, leaving him filled with secrets and regret. When one last hope for deliverance emerges, however, both brother and sister are forced to come to terms with their heritage.

    Like the old master Henry James, Sheila Bosworth uses the chilling device of using the mirror of innocence to reflect evil. It is a lovely achievement, a superior one."-Walker Percy Clay-Lee Calvert is the love child of two people who are as beautiful as models in a magazine but whose similarity ends there. Her father, Rand, is an artist-easygoing, dreamy, principled, and chronically jobless. Her mother, Constance, is the blue-blooded, pampered, delicate but determined daughter of a state supreme court justice. How their intense passion for each other plays out against the sumptuousness and decay of 1950s New Orleans is something to which no innocent should be privy. In Sheila Bosworth's mesmerizing first novel, the era, the place, the people, of Clay-Lee's childhood all form an air as real as our own pasts, alternately dim and indelible, where everyone bears some guilt, and all are almost innocent.

    Her charming hosts offer Ava a chance to relax at their idyllic ancestral estate, Woodburn Hall, while working on her first novel. But Woodburn is anything but quiet: Ancient feuds lurk just beneath its placid surface, and modern-day rivalries emerge as Ava finds herself caught between the competing attentions of Will and his black-sheep cousin Jake. Fascinated by the family’s impressive history—their imposing house filled with treasures, and their mingling with literary lions Fitzgerald, Hemingway, and Faulkner—Ava stumbles onto rumors about the darker side of the Woodburns’ legacy. Putting aside her planned novel, she turns her creative attentions to the eccentric and tragic clan, a family with more skeletons (and ghosts) in their closets than anyone could possibly imagine. As Ava struggles to write the true story of the Woodburns, she finds herself tangled in the tragic history of a mysterious Southern family whose secrets mirror her own.

    Ranging from hilarity to despair—innocent children bewildered by their elders’ behavior, a writer living on Xanax, and a socialite seeking a health cure only to find romance instead of rest—Gilchrist’s high-spirited characters always tend to find themselves in outrageous situations. The beloved and feisty Rhoda Manning returns, fighting the lure of the bottle while relentlessly going after her dream of becoming a famous writer. And while the restraint of family and society continues to haunt Gilchrist’s characters, they prove fearless and deliciously carve their own chaotic paths toward survival. Set in Fayetteville, Arkansas and New Orleans, Louisiana, the tales are artfully fashioned, providing tastes of marvelously trouble-prone people at every stage of life. Packed with humor, sexuality, and ever true to human weakness, this collection is romantic and full of passion—a treat in which readers will happily indulge.

    Five years of struggle to create a community ensue, in which part of the struggle is just to survive. This is the story of late 18th century life in an untamed country.