New South Wales has Eddie Obeid.Meet Australia's most corrupt politician whose brazen misdeeds were on a scale said to be "unexceeded since the days of the Rum Corps".From the shadows Obeid ran the state as his fiefdom, making and unmaking premiers. Along the way he pocketed tens of millions of dollars following corrupt deals. This explosive book chronicles the grubby deals the powerbroker had been making for decades before he was exposed. His tentacles stretched through all levels of government, encircling almost every precious resource - coal leases, Circular Quay cafes, marinas, even the state's water. All of them were secret money-spinners for Obeid and his family.Above ground, below ground, in the air, on the water, there was no domain beyond Obeid's grasp. Now, many of the key politicians of his era have given a candid account of Obeid's pernicious backroom influence.Following their groundbreaking investigations, the award-winning journalists Kate McClymont and Linton Besser have unearthed the vast but secret empire Obeid built over the decades, producing an authoritative account of how he got away with so much for so long.

    Spanning several generations, this epic tells the story of the Baker, Smith and Wiltshire families forging their paths in a land both beautiful and unforgiving.Lives are intertwined by love and community then ripped apart by hate and greed but remain always bound to the land they love…1846. Newly arrived from England, Thomas Baker is young, penniless and alone. Eager to make his mark on this strange new place called South Australia, he accepts work as an overseer on a distant sheep property, believing this will be the opportunity he seeks. But when Thomas’s path crosses that of ex-convict, Septimus Wiltshire — a grasping con man hell bent on making a new life for himself and his family at any price — trouble is on the horizon.But Thomas is made of stern stuff and his fortunes take a turn for the better when he meets spirited farmer’s daughter Lizzie Smith, and soon he envisages their future together.But this land is like no other he has encountered: both harsh and lovely, it breaks all but the strongest. When his nemesis intervenes once more and drought comes, Thomas finds himself tested almost beyond endurance with the risk of losing everything he and Lizzie have worked for… even their lives.

    With all of them.Maybe we can make this work.

    Both funny and insightful That'd Be Right is part memoir, part personal history of Australia over the last thirty years. It's a biographical trip told through sport, and families and William's own experiences. He writes: 'As with A Man's Got to Have a Hobby I weave in and around the events that have held such fascination for this country over the last thirty years or so, connecting them all with the progression of a life.' Some of these events would be considered momentous, some small and personal. And all are seen through William's eyes. They range from a day at the Melbourne Cup with his mother where too many champagnes and too few winners were picked; a swimming carnival early in the morning after a gloomy and long federal election the night before; watching truly surreal Grand Final moments in a pub with a group of odd and unknown bar companions. William also writes about a night at the cricket with his son, which shows how things can change and oddly come full circle.

    Edna’s work spans decades. Her soaring images of red dirt, close interiors and distant jungles have the potential to change the way the nation views itself.Edna could have been an official war artist. Did she choose to hide herself away? Or were there people who didn’t want her to become famous? As the biographer is pulled into Edna’s life, she is confronted with the fact that how she tells Edna’s past will affect her own future.This elegant and engrossing novel explores how we value and celebrate art and artists’ lives. The Biographer’s Lover reminds us that all memory is an act of curation.‘A delight to read. Ruby J. Murray enters the mind of an ambitious young biographer to assemble a moving portrait of a mysterious Australian painter.’ Carrie Tiffany‘An accomplished and memorable novel about the gaps left in our inherited history, and the imperfect storytellers we entrust to fill them. Beautifully constructed.’ Abigail Ulman

    In The House on the Hill, Susan Duncan reaches an age where there's no point in sweating long-term ramifications. There aren't any. This new understanding delivers an unexpected bonus - the emotional freedom and moral clarity to admit to hidden and often fiendish facts of ageing and, ultimately, the find ways to embrace them. This, in turn, unleashes an overwhelming desire to confront her intractable 95-year-old mother with the dreadful secrets of the past before it is too late, no matter the consequences. It is the not-knowing, she says, that does untold damage. Interwoven with stories from the land - building a sustainable eco-house on the mid-coast of New South Wales with her engineer husband, Bob, and grappling with white-eyed roans, dogs, bawling cattle markets, droughts and flooding rains, not to mention blunt-speaking locals - this is a book about a mother and daughter coming to terms, however uneasy, with the awful forces that shaped their relationship.As the inconstancies of age slow her down, Susan Duncan writes with honesty about discovery and forgiveness, and what it takes to rework shrinking boundaries into a new and rich life.

    One by the smallest bruise. The other by a devastating bushfire. And both by a shocking secret . . .Miami art curator Courtney Hamilton and her husband David live the perfect life until their ten-year-old son Matthew is diagnosed with leukaemia. He needs a bone-marrow transplant but, with Courtney being adopted, the chances of finding a match within his family are slim. Desperate to find a donor, Courtney tracks the scattered details of her birth 15,000 kilometres away, to the remote town of Somerset in the Victorian bush. Meanwhile Jade Taylor wakes up in hospital in Somerset having survived the deadly bushfire that destroyed the family home and their beloved olive groves. Gone too are the landmarks that remind her of her mother, Asha, a woman whose repeated absences scarred her childhood.As Jade rallies her fractured family to rebuild their lives, Courtney arrives in the burnt countryside to search for her lost parents - but discovers far more . . .

    Her dreams of a fulfilling life after art college didn't include cleaning up after bored school children and being a doormat for her yuppie boyfriend. What she really wants is to be more like her friend Meg - at least she has turned her art training into a lucrative job in computer design, not to mention having a doting husband and a gorgeous baby son to complete the package.But when Ally's grandfather and sole relative dies, she returns to the Southern Highland home of her childhood where she must confront painful issues from her past that her safe life in the city has allowed her to ignore. Meanwhile, Meg is not as happy as Ally imagines. Dissatisfied with her picture-perfect life, a restless Meg longs to inject more passion and spontaneity into her days - but at what cost to her family's happiness?

    His life is shattered but Morgan refuses to surrender, overcoming all obstacles to find unexpected contentment and happiness in the harsh early days of Australia's settlement.From England's shores to Botany Bay and the rugged frontier of a hostile new world, Morgan's Run is the epic tale of love lost and found, and the man whose strength and character helped settle a country and define its future.Cover Artist: Tom Hallman

    So when she hears about a job teaching four children on a massive cattle property in North Queensland, she decides to throw caution - and her teaching job - to the winds.When Lucy arrives at Charlotte's Creek Station she finds a family in crisis. To make matters worse, the four children she's been charged with educating are very spirited, not always cooperative, and dismally behind in their schooling.To Lucy, the only person who seems to be keeping Charlotte's Creek afloat is the family's gruff stockman, Ted. With his support and encouragement Lucy throws herself into the day-to-day activities of the station and makes excellent progress with the children.Though Lucy and Ted's feelings for each other grow, Ted can't see any future for them because of his lack of prospects. As the family divisions at Charlotte's Creek prove insurmountable and the property looks set to be put on the market, Lucy faces returning to the city and leaving Ted behind. . .By the betselling author of Redstone Station, this is the story of a strong young woman stepping into the unknown, trying to make things work, and finding love.

    The day before he fished a giant haul of heroin out of his favourite abalone poaching spot near Newcastle.There’s a better than even chance that the two are connected and he should leave well enough alone.But the opportunity to clear his gambling debt and get ahead of the game is too good to pass up.But how do you sell several kilos of heroin? It’s not like drug dealers are listed in the Yellow Pages. And what happens when the owners come looking for their missing package? Is the torso a warning to anyone thinking of crossing them?Now a person of interest to the police, Lachie needs to stay one step ahead of them, a local bikie he’s managed to insult, play off a big time dealer from Sydney, placate the neighbour’s labrador, Horace, and win the heart of the gorgeous new Fisheries Officer he’s fallen for. Or will he discover that getting into the gun sights of the crooked, the dodgy and the downright shady characters of Newcastle and beyond is more than a man can handle.But, if Lachie can pull it all off, he might just get Something for Nothing.

    Two months later, distraught and unable to cope, she drowns her sorrows in a lethal cocktail of alcohol and prescription drugs.On the other side of Australia, a grieving Jemma Dalton struggles to come to terms with the suicide of her only sibling. Despite there being no evidence to the contrary, Jemma refuses to accept Tanya had intended to kill herself. Not her sister. Then the coroner's report reveals that at the time of her death she had been six weeks pregnant. The will, too, raises more questions than it answers. How did a young woman on a personal assistant's wage amass shares worth in excess of $1,000,000?In a desperate bid to uncover the truth, Jemma puts her own life at risk and starts to probe the shadows of her sister's life. But shadows, like bones, grow brittle with age. The consequences can be deadly.

    Jack McPhail is a man on the run from his past, a drifter who lands by accident in a sleepy outback Australian town called Banjo Crossing. Jack - almost despite himself - becomes slowly drawn into the town, its community, its characters and its concerns.He's on the brink of falling in love with Mardi, a young widow and owner of the local coffee shop, when the community is confronted and divided by an unexpected development. A coal mining company has come to town, intent on buying up the local properties to build an open cut mine. The town of Banjo Crossing rallies together to fight off the threat. Jack wants to help out his new friends, but if he does, he's at risk of his past being exposed. Having his secret out there could change everything for him. Will he help them out, even if it costs him his second chance at happiness?'Highly topical and engaging ... incubating a mystery which must not be revealed until the exact psychological moment ... entertaining and charismatic' Adelaide Advertiser

    “Nothing,” he says. I look him in the eye. Nothing? He nods. I ask him about his chronic skin infections, his diabetes. He tears up: “I eat hot chips and fried dim sims and drink three bottles of Coke every afternoon. The truth is I’m addicted to eating. I’m addicted.” He punches his thigh.In Fat City, Karen Hitchcock unpicks the idea of obesity as a disease. In a riveting blend of story and analysis, she explores chemistry, psychology and the impulse to excess to explain the West’s growing obesity epidemic.

    A love that should never have been hidden.In the small town of Gawler, South Australia, the tang of cut grass and eucalyptus mingles on the warm air. The neat houses perched under the big gum trees on Church Street have been home to many over the years. Years of sprinklers stuttering over clipped lawns, children playing behind low brick walls. Family barbecues. Gossipy neighbours. Arguments. Accidents. Births, deaths, marriages. This ordinary street has seen it all.Until the arrival of newlyweds Thomas and Elsie Mullet. And when one day Elsie spies a face in the window of the silent house next door, nothing will ever be ordinary again...In Kim Lock's third novel of what really goes on behind closed doors, she weaves the tale of three people with one big secret; a story of fifty years of friendship, betrayal, loss and laughter in a heartwarming depiction of love against the odds."With great care and compassion for the lives and losses of human beings, Kim Lock artfully weaves a moving and surprising story of the simple compexity of relationships and how they shape us" Sophie Green, author of The Inaugural Meeting of the Fairvale Ladies Book Club