Hughes his reputation as one of the foremost historians of technology of our age and a finalist for the Pulitzer Prize in 1990, American Genesis tells the sweeping story of America's technological revolution. Unlike other histories of technology, which focus on particular inventions like the light bulb or the automobile, American Genesis makes these inventions characters in a broad chronicle, both shaped by and shaping a culture. By weaving scientific and technological advancement into other cultural trends, Hughes demonstrates here the myriad ways in which the two are inexorably linked, and in a new preface, he recounts his earlier missteps in predicting the future of technology and follows its move into the information age.

    This enthralling study of the man behind the mask gives also a unique picture of the 16th-century mind and milieu.

    After hitting rock bottom at his grandfather's house in rural Michigan, a chance experience with psychedelic mushrooms convinces him that he must change his ways to achieve the sense of peace that he has always desired. Several subsequent psychedelic experiences inspire him to embark on a quest to South America and take part in a shamanic ceremony, where he consumes ayahuasca, a jungle vine revered for its spiritual properties. Over the course of nearly forty ayahuasca ceremonies during four years, Elenbaas discovers the truth about his own life and past, and begins to mend himself from the inside out. "Fishers of Men" is the gripping, heartbreaking, and yet ultimately

    S. Naipaul to revisit his native country and record his impressions. In this classic of modern travel writing he has created a deft and remarkably prescient portrait of Trinidad and four adjacent Caribbean societies–countries haunted by the legacies of slavery and colonialism and so thoroughly defined by the norms of Empire that they can scarcely believe that the Empire is ending.In The Middle Passage, Naipaul watches a Trinidadian movie audience greeting Humphrey Bogart’s appearance with cries of “That is man!” He ventures into a Trinidad slum so insalubrious that the locals call it the Gaza Strip. He follows a racially charged election campaign in British Guiana (now Guyana) and marvels at the Gallic pretension of Martinique society, which maintains the fiction that its roads are extensions of France’s routes nationales. And throughout he relates the ghastly episodes of the region’s colonial past and shows how they continue to inform its language, politics, and values. The result is a work of novelistic vividness and dazzling perspicacity that displays Naipaul at the peak of his powers.

    Sor (Sister) Juana Ines de la Cruz was acclaimed in her time as "Phoenix of Mexico, America's Tenth Muse"; a generation later she was forgotten. In our century she was rediscovered, her works were reissued, and she is now considered one of the finest Hispanic poets of the seventeenth century. She deserves to be known to English-speaking readers for another reason as well: she speaks directly to our concern for the freedom of women to realize themselves artistically and intellectually.Her poetry is surprising in its scope and variety. She handled with ease the intricate verse forms of her day and wrote in a wide range of genres. Many of her lyrics reflect the worldliness and wit of the courtly society she moved in before becoming a nun; some, composed to be sung, offer charming glimpses of the native people, their festivities and colorful diversity. Alan Trueblood has chosen, in consultation with Octavio Paz, a generous selection of Sor Juana's writings and has provided an introductory overview of her life and work. The short poems, and excerpts from her play The Divine Narcissus, are accompanied by the Spanish texts on facing pages. Her long philosophical poem, First Dream, is translated in its entirety, as is her famous autobiographical letter to the Bishop of Puebla, which is both a self-defense and a vindication of the right of women to cultivate their minds.The Anthology was conceived as a companion to the English-language edition of Octavio Paz's magisterial study of Sor Juana. On its own, it will be welcomed as the first representative selection in English of her verse and prose.

    "Walcott's virutes as a poet are extraordinary," James Dickey wrote in The New York Times Book Review. "He could turn his attention on anything at all and make it live with a reality beyond its own; through his fearless language it becomes not only its acquired life, but the real one, the one that lasts . . . Walcott is spontaneous, headlong, and inventive beyond the limits of most other poets now writing."

    Rodriguez argues that America has been brown since its inception-since the moment the African and the European met within the Indian eye. But more than simply a book about race, Brown is about America in the broadest sense-a look at what our country is, full of surprising observations by a writer who is a marvelous stylist as well as a trenchant observer and thinker.

    Morell transports us into the world of these compelling personalities, demonstrating how a small clan of highly talented and fiercely competitive people came to dominate an entire field of science and to contribute immeasurably to our understanding of the origins of humanity.

    Poets in a Landscape is his delightful exploration of Latin literature and the Italian landscape. As Highet writes in his introduction, “I have endeavored to recall some of the greatest Roman poets by describing the places were they lived, recreating their characters and evoking the essence of their work.” The poets are Catullus, Vergil, Propertius, Horace, Tibullus, Ovid, and Juvenal. Highet brings them life, setting them in their historical context and locating them in the physical world, while also offering crisp modern translations of the poets’ finest work. The result is an entirely sui generis amalgam of travel writing, biography, criticism, and pure poetry—altogether an unexcelled introduction to the world of the classics.

    Not just "Mother Goose."

    “Darkness is not empty,” writes Teju Cole in Black Paper, a book that meditates on what it means to sustain our humanity—and witness the humanity of others—in a time of darkness. One of the most celebrated essayists of his generation, Cole here plays variations on the essay form, modeling ways to attend to experience—not just to take in but to think critically about what we sense and what we don’t.   Wide-ranging but thematically unified, the essays address ethical questions about what it means to be human and what it means to bear witness, recognizing how our individual present is informed by a collective past. Cole’s writings in Black Paper approach the fractured moment of our history through a constellation of interrelated concerns: confrontation with unsettling art, elegies both public and private, the defense of writing in a time of political upheaval, the role of the color black in the visual arts, the use of shadow in photography, and the links between literature and activism. Throughout, Cole gives us intriguing new ways of thinking about blackness and its numerous connotations. As he describes the carbon-copy process in his epilogue: “Writing on the top white sheet would transfer the carbon from the black paper onto the bottom white sheet. Black transported the meaning.”

    Must possess strong vocals, outgoing personality and great gazongas. Well, two out of three ain't bad.A showbiz veteran, Evie Parish knows she has the chops to sing and dance with the best. A Wonderbra should take care of the rest. YOUR SCENE PARTNER: Arch, aka Charles Dupont, a doting older husband. THE GIG: Eight days of smooching, fawning and otherwise making a PDA spectacle of yourselves on a Caribbean cruise. AND…THE CATCH: Arch is one of a team of former con men staging a sting to catch a grifter—and, under his stage makeup, he's the sexiest hunk ever to don a fake mustache....

    Womack focuses attention on Zapata's activities and his home state of Morelos during the Revolution. Zapata quickly rose from his position as a peasant leader in a village seeking agrarian reform. Zapata's dedication to the cause of land rights made him a hero to the people. Womack describes the contributing factors and conditions preceding the Mexican Revolution, creating a narrative that examines political and agrarian transformations on local and national levels.

    No teachers, no school, no homework, no parents breathing down their necks! The boys are elated until they accidentally start a fire that quickly gets out of control in the dry underbrush. No one is prepared; no one can quite believe what is happening. As the adults in a nearby town bumble their way into helping to fight the fire, a group of children is inadvertently trapped by flames and separated from outside help. Pippa and Peter and Gramps and others must make their own way through the conflagration. Separately and together, they all find out what inner resources they have. There are no heroes or villains, just people caught and humbled by an awesome and catastrophic force.

    Arlen goes beyond the portrait of his father, the famous Anglo-Armenian novelist of the 1920s, that he created in Exiles to try to discover what his father had tried to forget: Armenia and what it meant to be an Armenian, a descendant of a proud people whom conquerors had for centuries tried to exterminate. But perhaps most affectingly, Arlen tells a story as large as a whole people yet as personal as the uneasy bond between a father and a son, offering a masterful account of the affirmation and pain of kinship.