Toad of Toad Hall A Play from Kenneth Grahame's Book "The Wind in the Willows"

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    *** Volume 1 plays a key role in the plot of the US movie Sex and the City. *** This Volume 2 includes love poems written by Matthew Arnold, Alfred Austin, Samuel Alfred Beadle, William Blake, Christopher Brennan, Lord Byron, Robert Burns, John Clare, Samuel Taylor Coleridge, Henry Constable, William Cowper, Michael Drayton, George Eliot, Thomas Ford, Stephen Foster, Robert Frost, Thomas Frost, Norman Rowland Gale, Johann Wolfgang von Goethe, Alfred P. Graves, Robert Herrick, Leigh Hunt, Benjamin Jonson, John Keats, Richard Lovelace, Pablo Neruda, Edgar Allen Poe, and William Shakespeare.

    These works, which grew from Hemingway's adventures as a newspaper correspondent in and around besieged Madrid, movingly portray the effects of war on soldiers, civilians, and the correspondents sent to cover it.

    What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being.Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.

    This book is lyrical, witty, ironical, and touched by nostalgia for childhood. It's a pure delight.

    Contents:- The Romantic Ladies- The Misanthrope- Don Juan or The Feast of the Statue- Tartuffe- George Dandin- The Would-be Gentleman- The School for Wifes- The School for Wifes Critisized- The Miser

    -- Presents the most important 20th-century criticism on major works from The Odyssey through modern literature-- The critical essays reflect a variety of schools of criticism-- Contains critical biographies, notes on the contributing critics, a chronology of the author's life, and an index

    Nine parallel lives, interlocked by four infidelities, one missing person and a mysterious stiletto, are woven through a fragmented series of confessionals and interrogations that gradually reveal a darker side of human nature.

    In his newest play, Celebration, he continues to examine the darker places of relationships. Celebration is an acerbic portrait of a sated culture choking on its own material success. Startling, full of black humor and wicked satire, Celebration displays a vivid zest for life. Also included in this volume is Pinter's classic play The Room. Both plays are invested with the elements that make Pinter's work unique: the disturbingly familiar dialogue, subtle characterization, and abrupt mood and power shifts among characters, which can be by turns terrifying, moving, and wildly funny.

    Table of Contents:- The Metamorphosis- A Country Doctor- A Hunger Artist- A Report for an Academy- An Imperial Message- Before the Law- In the Penal Colony- Jackals and Arabs- The Great Wall of China- The Hunter Gracchus- The Trial- Up in the Gallery

    Book by McLure, James

    Due to her rejection of the play, it was not performed until 1891 by the American tragedian Lawrence Barrett. He changed the name to "Guido Ferranti", the name of the male lead, and while embraced by critics and praised for its lyrical beauty, it failed with the New York public after three weeks to half-empty houses.It later appeared in its first publication in German in 1904. Fans of Wilde will delight in this fine play of his.

    Each casebook reprints documents relating to a work's historical context and reception, presents the best critical studies, and, when possible, features an interview with the author. Accessible and informative to scholars, students, and nonspecialist readers alike, the books in this series provide a wide range of critical and informative commentaries on major texts. Gabriel Garcia Marquez's One Hundred Years of Solitude is arguably the most important novel in twentieth-century Latin American literature. This Casebook features ten critical articles on Garcia Marquez's great work. Carefully selected from the most important work on the novel over the past three decades, they include pieces by Carlos Fuentes, Iris Zavala, James Higgins, Jean Franco, Michael Wood, and Gene H. Bell-Villada. Among the intriguing aspects of the work discussed are its mythic dimension, its "magical" side, its representations of women, its relationship with past chronicles of exploration and discovery, its portrayals of Western power and imperialism, its astounding diffusion throughout the globe and the media, and its simple truth-telling, its fidelity to the tangled history of Latin America. The book incorporates several theoretical approaches--historical, feminist, postcolonial; the first English translation of Fuentes's renowned, oft-cited, eight page meditation on the work; a general introduction; and a 1982 interview with Garcia Marquez.

    His novels, among them Rudin (1856), Fathers and Sons (1862), and Virgin Soil (1877), and his many stories and plays pointedly reveal his opposition to the serf system and his profound insights into the lives, interests, and attitudes of the nobility and intelligentsia of mid-19th-century Russia.Two of Turgenev's best works of short fiction are the touching First Love (1860), a novella known to be partly autobiographical, and The Diary of a Superfluous Man (1850), a fascinating tale of an ineffectual Russian Hamlet. Both provide a superb introduction to the keen social perception, rich characterization, and narrative command of this Russian master. Both stories are presented here in acclaimed translations by Constance Garnett.