His only chance for survival is locked within a band of mining robots who are dutifully searching the surface for a mysterious object known as the Key to Perihelion. His name is Derec. His journey will take him to a city different from any he has ever known. A fantastic metropolis beyond his dreams: Robot City.

    Clinging to its skin are the zones, a series of semi-autonomous city-states, each of which enjoys a different—and rigidly enforced—level of technology. Horsetown is pre-industrial; in Neon Heights they have television and electric trains . . .Following an infiltration mission that went tragically wrong, Quillon has been living incognito, working as a pathologist in the district morgue. But when a near-dead angel drops onto his dissecting table, Quillon's world is wrenched apart one more time, for the angel is a winged posthuman from Spearpoint's Celestial Levels—and with the dying body comes bad news.If Quillon is to save his life, he must leave his home and journey into the cold and hostile lands beyond Spearpoint's base, starting an exile that will take him further than he could ever imagine. But there is far more at stake than just Quillon's own survival, for the limiting technologies of the zones are determined not by governments or police, but by the very nature of reality—and reality itself is showing worrying signs of instability . . .Terminal World is a snarling, drooling, crazy-eyed mongrel of a book: equal parts steampunk, western, planetary romance, and far-future SF.

    The sole legacy of that war was the weapon that ended it: the death machines, the BERSERKERS. Guided by self-aware computers more intelligent than any human, these world-sized battlecraft carved a swath of death through the galaxy--until they arrived at the outskirts of the fledgling Empire of Man.These are the stories of the frail creatures who must meet this monstrous and implacable enemy--and who, by fighting it to a standstill, become the saviors of all living things.

    A legend as old as the stars rules this constructed world; When the seventh seventh seventh human Heptarch is crowned, he will be the Kristos and will bring eternal salvation . . . or the destruction of the cosmos.Patience is the only daughter of the rightful Heptarch, but she, like her father before her, serves the usurper who has destroyed her family. For she has learned the true ruler's honor.Duty to one's race is more important than duty to one's self. But the time for prudence has passed, and that which has slept for ages has awakened. And Patience must journey to the heartsoul of this planet to confront her destiny . . . and her world's.

    Donaldson returns with this exciting and long-awaited new series that takes us into a stunningly imagined future to tell a timeless story of adventure and the implacable conflict of good and evil within each of us.Angus Thermopyle was an ore pirate and a murderer; even the most disreputable asteroid pilots of Delta Sector stayed locked out of his way.  Those who didn't ended up in the lockup--or dead.  But when Thermopyle arrived at Mallory's Bar & Sleep with a gorgeous woman by his side the regulars had to take notice.  Her name was Morn Hyland, and she had been a police officer--until she met up with Thermopyle.But one person in Mallory's Bar wasn't intimidated.  Nick Succorso had his own reputation as a bold pirate and he had a sleek frigate fitted for deep space.  Everyone knew that Thermopyle and Succorso were on a collision course.  What nobody expected was how quickly it would be over--or how devastating victory would be.  It was common enough example of rivalry and revenge--or so everyone thought.  The REAL story was something entirely different.In The Real Story, Stephen R. Donaldson takes us to a remarkably detailed world of faster-than-light travel, politics, betrayal, and a shadowy presence just outside our view to tell the fiercest, most profound story he has ever written.

    Sheltered all her life in a corporate satellite in Earth's outer orbit, Jamisia must face the truth about her origins and her role in the power struggle between the Guerans who dominate intergalactic transportation and the rest of Earth's far-flung and genetically mutated colonies who are trying to break the Guera Guild's monopoly.

    Humankind is dying out, but there are those who defy convention and refuse to give in. Feared by ordinary citizens, these Wolves are preparing to fight back against the aliens.

    Dickson, author of the best-selling DORSAI books and many other praiseworthy novels and scince fiction stories, has selected nine of his finest tales in this book.Here are stories of interstellar exploration, of adventure at the dawn of star flight and at the ultimate end of star flight, of man versus machine, of man versus nature, and of man versus the cosmos.If you like science fiction, it will be impossible not to find among these tales several that will prove to be as memorable in fantasy experience as any you will ever read again. Such is the skill and imagination of Gordon R. Dickson, one of the real giants of the science fiction world.Contents:Ancient, My EnemyThe Odd OnesThe Monkey WrenchTiger GreenThe Friendly ManLove Me TrueOur First DeathIn the BoneThe Bleak and Barren Land

    Anti-Gerasone halts the aging process and prevents people from dying of old age as long as they keep taking it; as a result, America now suffers from severe overpopulation and shortages of food and resources. With the exception of the very wealthy, most of the population appears to survive on a diet of foods made from processed seaweed and sawdust. Gramps Ford, his chin resting on his hands, his hands on the crook of his cane, was staring irascibly at the five-foot television screen that dominated the room. On the screen, a news commentator was summarizing the day's happenings. Every thirty seconds or so, Gramps would jab the floor with his cane-tip and shout, "Hell, we did that a hundred years ago!" Emerald and Lou, coming in from the balcony, where they had been seeking that 2185 A.D. rarity--privacy--were obliged to take seats in the back row, behind about a dozen relatives with whom they shared the house. All save Gramps, who was somewhat withered and bent, seemed, by pre-anti-gerasone standards, to be about the same age--somewhere in their late twenties or early thirties. Gramps looked older because he had already reached 70 when anti-gerasone was invented. He had not aged in the 102 years since. "Next one shoots off his big bazoo while the TV's on is gonna find hisself cut off without a dollar--" his voice suddenly softened and sweetened--"when they wave that checkered flag at the Indianapolis Speedway, and old Gramps gets ready for the Big Trip Up Yonder." He sniffed sentimentally, while his heirs concentrated desperately on not making the slightest sound. For them, the poignancy of the prospective Big Trip had been dulled somewhat, through having been mentioned by Gramps about once a day for fifty years.

    HeinleinForgetfulness (1937) by John W. Campbell, Jr.Nerves (1942) by Lester del ReyThe Sands of Time (1937) by P. Schuyler MillerThe Proud Robot (1943) by Henry KuttnerSeeds of the Dusk (1938) by Raymond Z. GallunBlack Destroyer (1939) by A. E. van VogtSymbiotica (1943) by Eric Frank RussellHeavy Planet (1939) by Milton A. RothmanTime Locker (1943) by Henry KuttnerThe Link (1942) by Cleve CartmillMechanical Mice (1941) by Eric Frank RussellV-2: Rocket Cargo Ship (1945) essay by Willy LeyAdam & No Eve (1941) by Alfred BesterNightfall (1941) by Isaac AsimovA Matter of Size (1934) by Harry BatesAs Never Was (1944) by P. Schuyler MillerQ.U.R. (1943) by Anthony BoucherWho Goes There? (1938) by John W. Campbell, Jr.The Roads Must Roll (1940) by Robert A. HeinleinAsylum (1942) A. E. van VogtQuietus (1940) by Ross RocklynneThe Twonky (1942) by Henry Kuttner & C. L. MooreTime-Travel Happens! (1939) essay by A. M. PhillipsRobot's Return (1938) by Robert Moore WilliamsThe Blue Giraffe (1939) by L. Sprague de CampFlight into Darkness (1943) by J. Francis McComasThe Weapons Shop (1942) by A. E. van VogtFarewell to the Master (1940) by Harry BatesWithin the Pyramid (1937) by R. DeWitt MillerHe Who Shrank (1936) by Henry HasseBy His Bootstraps (1941) by Robert A. HeinleinThe Star Mouse (1942) by Fredric BrownCorrespondence Course (1945) by Raymond F. JonesBrain (1932) by S. Fowler Wright

    The book describes a history of life in the universe, dwarfing in scale Stapledon's previous book, Last and First Men (1930), a history of the human species over two billion years. Star Maker tackles philosophical themes such as the essence of life, of birth, decay and death, and the relationship between creation and creator. A pervading theme is that of progressive unity within and between different civilizations. Some of the elements and themes briefly discussed prefigure later fiction concerning genetic engineering and alien life forms. Arthur C. Clarke considered Star Maker to be one of the finest works of science fiction ever written.

    Johnny Mnemonic (1981)The Gernsback Continuum (1981)Fragments of a Hologram Rose (1977)The Belonging Kind (1981) with John ShirleyHinterlands (1981)Red Star, Winter Orbit (1983) with Bruce SterlingNew Rose Hotel (1984)The Winter Market (1985)Dogfight (1985) with Michael SwanwickBurning Chrome (1982)