In this triumphant biography, Kate Williams tells Josephine's searing story, of sexual obsession, politics and surviving as a woman in a man's world.Abandoned in Paris by her aristocratic husband, Josephine's future did not look promising. But while her friends and contemporaries were sent to the guillotine during the Terror that followed the Revolution, she survived prison and emerged as the doyenne of a wildly debauched party scene, surprising everybody when she encouraged the advances of a short, marginalised Corsican soldier, six years her junior.Josephine, the fabulous hostess and skilled diplomat, was the perfect consort to the ambitious but obnoxious Napoleon. With her by his side, he became the greatest man in Europe, the Supreme Emperor; and she amassed a jewellery box with more diamonds than Marie Antoinette's. But as his fame grew, Napoleon became increasingly obsessed with his need for an heir and irritated with Josephine's extravagant spending. The woman who had enchanted France became desperate and jealous. Until, a divorcee aged forty-seven, she was forced to watch from the sidelines as Napoleon and his young bride produced a child.

    The smallest of the extermination camps operated by Nazi Germany during World War II, Sobibor was where now-retired auto worker John Demjanjuk has been accused of working as a prison guard. Sobibor also was the scene of the war's biggest prisoner escape.   Richard Rashke's interviews with eighteen of  those who survived provide the foundation for this volume. He also draws on books, articles, and diaries to make vivid the camp, the uprising, and the escape. In the afterword, Rashke relates how the Polish government in October 1993, observed the fiftieth anniversary of the escape and how it has beautified the site since a film based on his book appeared on Polish television.

    S. S. R. Also by Andre Gide THE COUNTERFEITERS THE IMMORALIST TRAVELS IN THE CONGO These are Borzoi Books published by ALFRED A. KNOPF I DEDICATE THESE PAGES TO THE MEMORY OF EUGENE DABIT, BESIDE WHOM, WITH WHOM, THEY WERE LIVED AND THOUGHT THE HOMERIC HYMN TO DEMETER relates how the great goddess, in the course of her wanderings in search of her daughter, came to the court of Keleos. No one recognized the goddess under the borrowed form of a humble wet-nurse and Queen Metaneira entrusted to her care her latest-born child, the infant Demophoon, afterwards known as Triptolemus, the founder of agriculture. Every evening, behind closed doors, while the household was asleep, Demeter took little Demo phoon out of his comfortable cradle and with appar ent cruelty., though moved in reality by a great love 1 and desirous of bringing him eventually to the state of godhoodj laid the naked child on a glowing bed of embers. I imagine the mighty Demeter bending ma ternally over the radiant nursling as over the future race of mankind. He endures the fiery charcoal he gathers strength from the ordeal. Something super human is fostered in Mm, something robust, some thing beyond all hope glorious. Ah, had Demeter only been able to carry through her bold attempt, to bring her daring venture to a successful issue But Metaneira becoming anxious, says the legend, burst suddenly into the room where the experiment was be ing carried on and guided by her mistaken fears, thrust aside the goddess at her work of forging the superman j pushed away the embers , and, in order to save the child, lost the god. CONTENTS FOREWORD XI RETURN FROM THE U. S. S. R. 3 APPENDICES r. Speech Delivered on the Occasion of Maxim Gorkis Funeral 65 n. Speech to the Students of Moscow 70 in. Speech to the Men of Letters of Leningrad 74 iv. The Struggle against Religion 78 v. Ostrovski 83 vi. A Kolkhoz 86 vu. Bolshevo 89 vni. The Besprizornis 91 FOREWORD THREE YEARS AGO I declared my admiration, my love, for the U. S. S. R. An unprecedented experi ment was being attempted there which filled our hearts with hope and from which we expected an immense advance, an impetus capable of carrying forward in its stride the whole human race. It is indeed worth while living, I thought, in order to be present at this rebirth, and worth while giving ones life in order to help it on. In our hearts and in our minds we resolutely linked the future of culture itself with the glorious destiny of the U. S. S. R. We have frequently said so. We should have liked to repeat it once again, Already, without as yet having seen things for ourselves, we could not but feel disturbed by cer tain recent decisions which seemed to denote a change of orientation. At that moment October 1935 I wrote as fol lows It is largely moreover the stupidity and unfair xi Xll FOREWORD ness of the attacks on the U. S. S. R. that make us defend it with some obstinacy. Those same yelpers will begin to approve the Soviet Union just as we shall cease to do so for what they will approve are those very compromises and concessions which will make some others say There You see but which will lead away from the goal it had at first set itself. Let us hope that in order to keep our eyes fixed on that goal we may not be obliged to avert them from the Soviet Union Nouvelle Revue Frangaise, March 1936 Resolving, however, to maintain at all costs my confidence until I had more to go upon, and pre ferring to doubt my own judgment, I declared once more, four days after my arrival in Moscow, in my speech in the Red Square on the occasion of Gorkis funeral The fate of culture is bound up in our minds with the destiny of the Soviet Union. We will defend it. 1 have always maintained that the wish to re main true to oneself too often carries with it a risk of insincerity and I consider that if ever sincerity is important, it is surely when the beliefs of great masses of people are involved together with ones own...

    Celebrating the 50th anniversary of the liberation, this extraordinary diary by the author of The Lover is "a haunting portrait of a time and place" (New York Times).Written in 1944, and first published in 1985, Duras's riveting account of life in Paris during the Nazi occupation and the first few months of liberation depicts the harrowing realities of World War II-era France "with a rich conviction enhanced by [a] spare, almost arid, technique" (Julian Barnes, The Washington Post Book World). Duras, by then married and part of a French resistance network headed by François Mitterand, tells of nursing her starving husband back to health after his return from Bergen-Belsen, interrogating a suspected collaborator, and playing a game of cat and mouse with a Gestapo officer who was attracted to her. The result is "more than one woman's diary...[it is] a haunting portrait of a time and a place and also a state of mind" (The New York Times).

    Brimming with lucid analysis, elegant character sketches, and geopolitical pathos, it is essential reading.'Between January and July 1919, after "the war to end all wars," men and women from around the world converged on Paris to shape the peace. Center stage, for the first time in history, was an American president, Woodrow Wilson, who with his Fourteen Points seemed to promise to so many people the fulfillment of their dreams. Stern, intransigent, impatient when it came to security concerns and wildly idealistic in his dream of a League of Nations that would resolve all future conflict peacefully, Wilson is only one of the larger-than-life characters who fill the pages of this extraordinary book. David Lloyd George, the gregarious and wily British prime minister, brought Winston Churchill and John Maynard Keynes. Lawrence of Arabia joined the Arab delegation. Ho Chi Minh, a kitchen assistant at the Ritz, submitted a petition for an independent Vietnam.For six months, Paris was effectively the center of the world as the peacemakers carved up bankrupt empires and created new countries. This book brings to life the personalities, ideals, and prejudices of the men who shaped the settlement. They pushed Russia to the sidelines, alienated China, and dismissed the Arabs. They struggled with the problems of Kosovo, of the Kurds, and of a homeland for the Jews.The peacemakers, so it has been said, failed dismally; above all they failed to prevent another war. Margaret MacMillan argues that they have unfairly been made the scapegoats for the mistakes of those who came later. She refutes received ideas about the path from Versailles to World War II and debunks the widely accepted notion that reparations imposed on the Germans were in large part responsible for the Second World War.A landmark work of narrative history, Paris 1919 is the first full-scale treatment of the Peace Conference in more than twenty-five years. It offers a scintillating view of those dramatic and fateful days when much of the modern world was sketched out, when countries were created--Iraq, Yugoslavia, Israel--whose troubles haunt us still.Winner of the Samuel Johnson Prize, the PEN Hessell Tiltman Prize and the Duff Cooper Prize

    White Man's Conquest of the Dark Continent from 1876 to 1912

    The bankruptcy of the French state and a bitter civil war within the royal family were followed by the defeat and capture of the King of France by the Black Prince at Poitiers. A peasant revolt and a violent revolution in Paris completed the tragedy. In a humiliating treaty of partition France ceded more than a third of its territory to Edward III of England. Not for sixty years would the English again come so close to total victory. France's great cities, provincial towns and rural communities resisted where its leaders failed. They withstood the sustained savagery of the soldiers and the free companies of brigands to undo most of Edward III's work in the following generation. England's triumphs proved to be brittle and short-lived.

    Yet Hitler and Stalin signed a treaty of nonaggression that lasted for nearly a third of the war, and that is key to understanding why the war evolved—and ended—the way it did.In The Devils’ Alliance, Roger Moorhouse explains how the two powers—though ideologically opposed—forged a brutally efficient partnership, exchanging raw materials and machinery and orchestrating the division of Poland and the Baltic States. Hundreds of thousands caught between Hitler and Stalin were killed or deported. But ironically, by sharing materiel and technological expertise during the Pact, the Nazis and Soviets made possible a far more bloody and protracted war than would have been otherwise conceivable.Combining comprehensive research with a gripping narrative, The Devils’ Alliance is the authoritative history of the Nazi-Soviet Pact—and a portrait of the people whose lives were irrevocably altered by the alliance.

    He shaped Rome for generations, and his name became a synonym for "emperor" -- not only in Rome but as far away as Germany and Russia. He is best known as the general who defeated the Gauls and doubled the size of Rome's territories. But, as Philip Freeman describes in this fascinating new biography, Caesar was also a brilliant orator, an accomplished writer, a skilled politician, and much more.Julius Caesar was a complex man, both hero and villain. He possessed great courage, ambition, honor, and vanity. Born into a noble family that had long been in decline, he advanced his career cunningly, beginning as a priest and eventually becoming Rome's leading general. He made alliances with his rivals and then discarded them when it suited him. He was a spokesman for the ordinary people of Rome, who rallied around him time and again, but he profited enormously from his conquests and lived opulently. Eventually he was murdered in one of the most famous assassinations in history.Caesar's contemporaries included some of Rome's most famous figures, from the generals Marius, Sulla, and Pompey to the orator and legislator Cicero as well as the young politicians Mark Antony and Octavius (later Caesar Augustus). Caesar's legendary romance with the Egyptian queen Cleopatra still fascinates us today.In this splendid biography, Freeman presents Caesar in all his dimensions and contradictions. With remarkable clarity and brevity, Freeman shows how Caesar dominated a newly powerful Rome and shaped its destiny. This book will captivate readers discovering Caesar and ancient Rome for the first time as well as those who have a deep interest in the classical world.

    infantry experience in northern Europe, A Foot Soldier for Patton takes the reader from the beaches of Normandy through the giddy drive across France, to the brutal battles on the Westwall, in the Ardennes, and finally to the conquest of Germany itself. Patton’s army is best known for dashing armored attacks, its commander combining the firepower of tanks with their historic lineage as cavalry. But when the Germans stood firm the greatest fighting was done by Patton’s long undersung infantry–the foot sloggers who were called upon to reduce enemy strong points, and who took the brunt of German counterattacks. Michael Bilder, a member of the 5th Infantry (“Red Diamond” division), played a unique role in the Third Army’s onslaught. A rifleman foremost, he was also a German-speaker, called upon for interrogations and special duties. Also a combat lifeguard,

    An excerpt of the book was hailed by Tibor Fisher in the Guardian as “right up there with Catch-22 and Michael Herr’s Dispatches,” and the book won Russia’s inaugural Debut Prize, which recognizes authors who write “despite, not because of, their life circumstances.” In 1995, Arkady Babchenko was an eighteen-year-old law student in Moscow when he was drafted into the Russian army and sent to Chechnya. It was the beginning of a torturous journey from naïve conscript to hardened soldier that took Babchenko from the front lines of the first Chechen War in 1995 to the second in 1999. He fought in major cities and tiny hamlets, from the bombed-out streets of Grozny to anonymous mountain villages. Babchenko takes the raw and mundane realities of war—the constant cold, hunger, exhaustion, filth, and terror—and twists it into compelling, haunting, and eerily elegant prose. Acclaimed by reviewers around the world, this is a devastating first-person account of war by an extraordinary storyteller.

    (His very first—rejected—comics story dealt with the subject, as does his most recent work, the two-volume Putain de Guerre.) But It Was the War of the Trenches is Tardi’s defining, masterful statement on the subject, a graphic novel that can stand shoulder to shoulder with Erich Maria Remarque’s All Quiet on the Western Front and Ernest Hemingway’s A Farewell to Arms.Tardi is not interested in the national politics, the strategies, or the battles. Like Remarque, he focuses on the day to day of the grunts in the trenches, and, with icy, controlled fury and disgust, with sardonic yet deeply sympathetic narration, he brings that existence alive as no one has before or since. Yet he also delves deeply into the underlying causes of the war, the madness, the cynical political exploitation of patriotism. And in a final, heartbreaking coda, Tardi grimly itemizes the ghastly human cost of the war, and lays out the future 20th century conflicts, all of which seem to spring from this global burst of insanity.Trenches features some of Tardi’s most stunning artwork. Rendered in an inhabitually lush illustrative style, inspired both by abundant photographic documentation and classic American war comics, augmented by a sophisticated, gorgeous use of Craftint tones, trenches is somehow simultaneously atypical and a perfect encapsulation of Tardi’s mature style. It is the indisputable centerpiece of Tardi’s oeuvre.It Was the War of the Trenches has been an object of fascination for North American publishers: RAW published a chapter in the early 1980s, and Drawn and Quarterly magazine serialized a few more in the 1990s. But only a small fraction of Trenches has ever been made available to the English speaking public (in now out of print publications); the Fantagraphics edition, the third in an ongoing collection of the works of this great master, finally remedies this situation.

    Despite doubts concerning some of the details of the fighting, and its initial appearance under communist auspices, as a literary work, Notes of a Sniper is comparable to E.B. Sledge's With the Old Breed, and as a memoir of courage reminiscent of Xenophon's Anabasis. Zaitsev's account of the carnage in the hellish war between Hitler's shock troops and Stalin's desterate defenders is right out of Dante's Inferno, and should be read by every student of World War II- and anyone else interested in the human condition.

    Henry James described him as “the happiest novelist” and “the most charming story-teller” of his day. Yet if Daudet dined in the highest company, he was also “a member of a less enviable nineteenth-century French club: that of literary syphilitics.” In the Land of Pain—notes toward a book never written—is his timelessly resonant response to the disease. In quick, sharp, unflinching strokes of his pen, Daudet wrote about his symptoms (“This is me: the one-man-band of pain”) and his treatments (“Mor-phine nights . . . thick black waves, sleepless on the surface of life, the void beneath”); about his fears and reflections (“Pain, you must be everything for me. Let me find in you all those foreign lands you will not let me visit. Be my philosophy, be my science”); his impressions of the patients, himself included, and their strange life at curative baths and spas (“Russians, both men and women, go into the baths naked . . . Alarm among the Southerners”); and about the “clever way in which death cuts us down, but makes it look like just a thinning-out.”Given Barnes’s crystalline translation, these notes comprise a record—at once shattering and lighthearted, haunting and beguiling—of both the banal and the transformative experience of physical suffering, and a testament to the complex resiliency of the human spirit.

    For three months, André was kept handcuffed in solitary confinement, with little to survive on and almost no contact with the outside world. Close to twenty years later, award-winning cartoonist Guy Delisle (Pyongyang, Jerusalem, Shenzhen, Burma Chronicles) recounts André's harrowing experience in Hostage, a book that attests to the power of one man's determination in the face of a hopeless situation.Marking a departure from the author's celebrated first-person travelogues, Delisle tells the story through the perspective of the titular captive, who strives to keep his mind alert as desperation starts to set in. Working in a pared down style with muted colour washes, Delisle conveys the psychological effects of solitary confinement, compelling us to ask ourselves some difficult questions regarding the repercussions of negotiating with kidnappers and what it really means to be free. Thoughtful, intense, and moving, Hostage takes a profound look at what drives our will to survive in the darkest of moments.