Now, almost three decades after their relationship first blossomed in London, they live more or less happily in the suburbs with their moody seventeen-year-old son, Albie; then Connie tells him she thinks she wants a divorce.The timing couldn’t be worse. Hoping to encourage her son’s artistic interests, Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead with the original plan is for the best anyway. Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage and might even help him bond with Albie.Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves and learning how to get closer to a son who’s always felt like a stranger.

    She is fiercely intelligent, well respected, and deeply immersed in the nuances of her particular field of law. Often the outcome of a case seems simple from the outside, the course of action to ensure a child's welfare obvious. But the law requires more rigor than mere pragmatism, and Fiona is an expert in considering the sensitivities of culture and religion when handing down her verdicts. But Fiona's professional success belies domestic strife. Her husband, Jack, asks her to consider an open marriage and, after an argument, moves out of their house. His departure leaves her adrift, wondering whether it was not love she had lost so much as a modern form of respectability; whether it was not contempt and ostracism she really fears. She decides to throw herself into her work, especially a complex case involving a seventeen-year-old boy whose parents will not permit a lifesaving blood transfusion because it conflicts with their beliefs as Jehovah's Witnesses. But Jack doesn't leave her thoughts, and the pressure to resolve the case - as well as her crumbling marriage - tests Fiona in ways that will keep readers thoroughly enthralled until the last stunning page.

    But her husband Max disagrees - more than that, he wants a divorce. When they separate, there is no mention of the unborn children they created together, still waiting at the clinic.The Zoe falls in love again, out of the blue, and finds herself with an unexpected second chance to have a family.But Max has found a new life too - one with no place in it for people like Zoe. And he will stand up in court to say that her new choice of partner makes her an unfit mother.Jodi Picoult's most powerful novel yet asks who has the right to decide what makes the ideal family?

    For different reasons, the Brinkleys’ two previous daughters-in-law hadn’t been able to resist Rachel’s maternal control and Anthony’s gentle charm and had settled into their husbands’ family without rocking the boat. But Charlotte—very young, very beautiful, and spoiled—has no intention of falling into step with the Brinkleys and wants to establish her own household. Soon Rachel’s sons begin to think of their own houses as home and of their mother’s house as simply the place where their parents live—a necessary and inevitable shift of loyalties that threatens Rachel’s sense of herself, breaks Anthony’s heart, and causes unexpected consequences in all the marriages. Then a crisis brings these changes to the surface, and everyone has to learn what family love means all over again.

    Her routine and colourless existence is disrupted one winter evening when she happens upon the aftermath of a car crash and hears the last words of the driver, Alys Kyte. When Alys's family makes contact in an attempt to find closure, Frances is given a tantalising glimpse of a very different world: one of privilege and possibility. The relationships she builds with the Kytes will have an impact on her own life, both professionally and personally, as Frances dares to wonder whether she might now become a player in her own right.

    The photograph is in an envelope marked "DON'T OPEN - DESTROY." But Kath's husband does not heed the warning, embarking on a journey of discovery that reveals a tight web of secrets: within marriages, between sisters, and at the heart of an affair. Kath, with her mesmerizing looks and casual ways, moves like a ghost through the memories of everyone who knew her - and a portrait emerges of a woman whose life cannot be understood without plumbing the emotional depths of the people she touched.Propelled by the author's signature mastery of narrative and psychology, The Photograph is Lively at her very best, the dazzling climax to all she has written before.

    It’s your last chance, and most people miss it.’South London, 2008. Two couples find themselves at a moment of reckoning, on the brink of acceptance or revolution. Melissa has a new baby and doesn’t want to let it change her but, in the crooked walls of a narrow Victorian terrace, she begins to disappear. Michael, growing daily more accustomed to his commute, still loves Melissa but can’t quite get close enough to her to stay faithful. Meanwhile out in the suburbs, Stephanie is happy with Damian and their three children, but the death of Damian’s father has thrown him into crisis – or is it something, or someone, else? Are they all just in the wrong place? Are any of them prepared to take the leap?Set against the backdrop of Barack Obama’s historic election victory, Ordinary People is an intimate, immersive study of identity and parenthood, sex and grief, friendship and aging, and the fragile architecture of love. With its distinctive prose and irresistible soundtrack, it is the story of our lives, and those moments that threaten to unravel us.

    Tom and Louise meet in a pub before their couple's therapy appointment. Married for years, they thought they had a stable home life--until a recent incident pushed them to the brink.Going to therapy seemed like the perfect solution. But over drinks before their appointment, they begin to wonder: what if marriage is like a computer? What if you take it apart to see what's in there, but then you're left with a million pieces?Unfolding in the minutes before their weekly therapy sessions, the ten-chapter conversation that ensues is witty and moving, forcing them to look at their marriage--and, for the first time in a long time, at each other.

    The acclaimed author of Ceremony has undertaken a weaving of ideas and lives, fate and history, passion and conquest in an attempt to re-create the moral history of the Americas, told from the point of view of the conquered, not the conquerors.

    Intent on solving the mystery and coming to terms with her father’s past, Julia decides to travel to the village where the woman lived. There she uncovers a tale of unimaginable hardship, resilience, and passion that will reaffirm the reader’s belief in the power of love to move mountains.

    Her memory loss is caused by an emotional trauma she knows nothing about, and only when handsome, quiet Grady Goodall arrives at the hospital does she learn she has a home, a career, and a wedding just two months away. What went wrong? Grady seems to care for her, but Lucie is no more sure of him than she is of anything. As she collects the clues of her past self, she unlocks the mystery of what happened to her. The painful secrets she uncovers could hold the key to her future—if she trusts her heart enough to guide her.

    Resonating with emotional intensity and narrative innovation reminiscent of Ann Patchett’s Bel Canto, Barbara Kingsolver’s The Poisonwood Bible, and Zora Neale Hurston’s Their Eyes Were Watching God, Haigh’s Mrs. Kimble is a timeless story of grief, passion, heartache, deception, and the complex riddle of love.

    Now her unique flair for evocative settings and richly drawn Southern personalities shines in her compelling new novel, Looking for Me. Teddi Overman found her life’s passion for furniture in a broken-down chair left on the side of the road in rural Kentucky. She learns to turn other people’s castoffs into beautifully restored antiques, and eventually finds a way to open her own shop in Charleston. There, Teddi builds a life for herself as unexpected and quirky as the customers who visit her shop.  Though Teddi is surrounded by remarkable friends and finds love in the most surprising way, nothing can alleviate the haunting uncertainty she’s felt in the years since her brother Josh’s mysterious disappearance. When signs emerge that Josh might still be alive, Teddi is drawn home to Kentucky.  It’s a journey that could help her come to terms with her shattered family—and to find herself at last.  But first she must decide what to let go of and what to keep.Looking for Me brilliantly melds together themes of family, hope, loss, and a mature once-in-a-lifetime kind of love. The result is a tremendously moving story that is destined to make bestselling author Beth Hoffman a novelist to whom readers will return again and again as they have with Adriana Trigiani, Fannie Flagg, and Joshilyn Jackson.

    The normally lush, green countryside is in the grip of the worst drought in years: stunted cornstalks rasp in the hot July breeze, parched vegetable gardens wither and die, the Chittenden River shrinks to a trickle, and the drilling trucks are booked solid as one by one the wells give out. Patience Avery, known nationwide as a gifted "water witch", is having a busy summer, too. Using the tools of the dowser's trade —divining sticks, metal rods, bobbers, and pendulums—she can locate, among other things, aquifers deep within the earth. In the midst of this crisis, Scottie Winston lobbies for permits to expand Powder Peak, a local ski area that's his law firm's principal client. As part of the expansion, the resort seeks to draw water for snowmaking from the beleaguered Chittenden, despite opposition from environmentalists who fear that the already weakened river will be damaged beyond repair.

    Colleen and Rich Gundersen are raising their young son, Chub, on the rugged California coast. It’s 1977, and life in this Pacific Northwest logging town isn’t what it used to be. For generations, the community has lived and breathed timber; now that way of life is threatened. Colleen is an amateur midwife. Rich is a tree-topper. It’s a dangerous job that requires him to scale trees hundreds of feet tall—a job that both his father and grandfather died doing. Colleen and Rich want a better life for their son—and they take steps to assure their future. Rich secretly spends their savings on a swath of ancient Redwoods. Colleen, desperate to have a second baby, challenges the logging company’s use of herbicides that she believes are responsible for the many miscarriages in the community—including her own. Colleen and Rich find themselves on opposite sides of a budding conflict that threatens the very thing they are trying to protect: their family. Told in prose as clear as a spring-fed creek, Damnation Spring is an intimate, compassionate portrait of a family whose bonds are tested and a community clinging to a vanishing way of life. An extraordinary story of the transcendent, enduring power of love—between husband and wife, mother and child, and longtime neighbors. An essential novel for our times.