Martin’s working-class childhood, his education, and his musical influences at London’s Guildhall School of Music and Drama profoundly shaped his early career in the BBC’s Classical Music department and as head of the EMI Group’s Parlophone Records. These musical influences would become the fount out of which flowed the genius behind his seven years producing the Beatles’ incredible body of work, including such albums as Rubber Soul, Revolver, Sgt. Pepper’s Lonely Hearts Club Band, and Abbey Road. The first book of a two-part series, Maximum Volume traces Martin’s early years as a scratch pianist, his life in the Fleet Air Arm during the Second World War, and his groundbreaking work as the head of Parlophone Records during the 1950s, when Martin saved the company from ruin after making his name as a producer of comedy and spoken-word recordings. In its most dramatic moments, Maximum Volume narrates the story of Martin’s unlikely discovery of the Beatles and his painstaking efforts to prepare their newfangled sound for the British music marketplace. As the story unfolds, Martin and the band craft numerous number-one hits along the group’s progress towards The Ed Sullivan Show and such landmark songs as “Yesterday” and “In My Life”—Beatles tunes that bear Martin’s unmistakable musical signature.

    Kathy Peiss follows working women into saloons, dance halls, Coney Island amusement parks, social clubs, and nickelodeons to explore the culture of these young women between 1880 and 1920 as expressed in leisure activities. By examining the rituals and styles they adopted and placing that culture in the larger context of urban working-class life, she offers us a complex picture of the dynamics shaping a working woman's experience and consciousness at the turn-of-the-century. Not only does her analysis lead us to new insights into working-class culture, changing social relations between single men and women, and urban courtship, but it also gives us a fuller understanding of the cultural transformations that gave rise to the commercialization of leisure. The early twentieth century witnessed the emergence of "heterosocial companionship" as a dominant ideology of gender, affirming mixed-sex patterns of social interaction, in contrast to the nineteenth century's segregated spheres. Cheap Amusements argues that a crucial part of the "reorientation of American culture" originated from below, specifically in the subculture of working women to be found in urban dance halls and amusement resorts.

    That is, until tattooed singer Jared Cross catches her playing guitar and invites her to join his band on The Sound, a reality TV show competition.Once on the show, Maddie discovers there's more to Jared than his flirty smile and bad boy reputation. With each performance their attraction becomes impossible to ignore, but when the show pressures them to stay single, they're forced to keep their relationship secret.As the competition heats up, Jared will do whatever it takes for his band to win, and Maddie must decide if following her dream is worth losing her heart.

    Growing up in an abusive home, he is left alone at the age of thirteen to raise his kid brother. Years later Chad still fights the pain he felt as a child, and the anger it causes, despite being a wildly successful rock star. “Chad [tries] to play his heart out on the stage; but he [can] never quite seem to leave it there.” Three years have passed since her husband, Paul’s, death, but Beth’s life is still shadowed by sorrow.The lunch lady/writer is thrilled to be enjoying a Trapped Under Ice concert with her daughter, Cassie. But when the concert is over, they are followed and attacked by two men in one of the stadium’s bathrooms. When Chad and his bodyguard, Pete, come to their aid, an instant attraction sparks between Beth and the tall singer. Will Chad and Beth be able to leave their pasts behind? Or will they remain TRAPPED UNDER ICE?They have to face difficulties from without, (ex-girlfriends who resurface, crazed fans who don’t want to take “no” for an answer…), as well as difficulties from within, (jealousy, anger, fear…). And just as the two seem to be able to work through their problems, someone starts sending Chad death threats. Will their story end before it even begins?More ROCKIN' ROMANCE "Abandon All Hope" "Between Rock and a Hard Place" "Rock Me, Gently" "Pitchfork in the Road"

    Born in a small town in Nova Scotia to a mother who begins yelling at him the moment he is born and a father who keeps his own counsel, Buck imbibes fear and insecurity like other kids guzzle milk. Hobbled by his fears and demons, Buck almost disappears into the “evil in the woods” that lurks just beyond the town's border . . . until he is saved by three gifts: baseball, romantic love and music. His epic journey­­—full of diversions, coincidences, and larger-than-life characters—out of the darkness of his suicide-plagued childhood and into the bright wide world begins with a killer pitching arm (Buck almost makes it to the pros) and continues with his transformation into hip hop artist Buck 65. Along the way, Buck develops into a hopeless romantic and an obsessively creative, shape-shifting man who both fears life and dives into it with abandon. Wicked and Weird is a lively, sometimes shocking portrait of a life lived on the edge, by turns funny and heartbreaking.

    So when Johnny—now a famous rock star—comes home to visit, Katie can’t bring herself to tell him she’s engaged to be married. She should have, though, because she soon discovers that maybe the attraction is mutual…Warning: Not for the faint of heart! This book contains explicit sex, drugs, and rock and roll, not to mention a few eff bombs here and there. Proceed with caution.

    Every kid on the block had to have the latest cool toy, be it an Easy Bake Oven for pretend baking, a rocket ship for pretend space travel, or a Slinky, just because. At Christmastime, postwar America's dreams and desires were on full display, from shopping mall Santas to shiny aluminum Christmas trees, from the Grinch to Charlie Brown's beloved spindly Christmas tree. Now design maven Sarah Archer tells the story of how Christmastime in America rocketed from the Victorian period into Space Age, thanks to the new technologies and unprecedented prosperity that shaped the era. The book will feature iconic favorites of that time, including:• A visual feast of Christmastime eats and recipes, from magazines and food and appliance makers• Christmas cards from artists and designers of the era, featuring Henry Dreyfuss, Charles Ray Eames, and Alexander Girard• Vintage how-to templates and instructions for holiday decor from Good Housekeeping and the 1960's craft craze• Advice from Popular Mechanics on how to glamorize your holiday dining table• Decorating advice for your new Aluminum Christmas Tree from ALCOA (the Aluminum Company of America)• The first American-made glass ornaments from Corning Glassworks Midcentury Christmas is sure to be on everyone’s most-wanted lists.

    Though there was never any doubt that my seed had come from another man, Moses Froben, Lo Svizzero, called me “son.” And I called him “father.” On the rare occasions when someone dared to ask for clarification, he simply laughed as though the questioner were obtuse. “Of course he’s not my son!” he would say. “Don’t be ridiculous.” But whenever I myself gained the courage to ask him further of our past, he just looked sadly at me. “Please, Nicolai,” he would say after a moment, as though we had made a pact I had forgotten. With time, I came to understand I would never know the secrets of my birth, for my father was the only one who knew these secrets, and he would take them to his grave. The celebrated opera singer Lo Svizzero was born in a belfry high in the Swiss Alps where his mother served as the keeper of the loudest and most beautiful bells in the land. Shaped by the bells’ glorious music, as a boy he possessed an extraordinary gift for sound. But when his preternatural hearing was discovered—along with its power to expose the sins of the church—young Moses Froben was cast out of his village with only his ears to guide him in a world fraught with danger.  Rescued from certain death by two traveling monks, he finds refuge at the vast and powerful Abbey of St. Gall. There, his ears lead him through the ancient stone hallways and past the monks’ cells into the choir, where he aches to join the singers in their strange and enchanting song. Suddenly Moses knows his true gift, his purpose. Like his mother’s bells, he rings with sound and soon, he becomes the protégé of the Abbey’s brilliant yet repulsive choirmaster, Ulrich.  But it is this gift that will cause Moses’ greatest misfortune: determined to preserve his brilliant pupil’s voice, Ulrich has Moses castrated. Now a young man, he will forever sing with the exquisite voice of an angel—a musico—yet castration is an abomination in the Swiss Confederation, and so he must hide his shameful condition from his friends and even from the girl he has come to love. When his saviors are exiled and his beloved leaves St. Gall for an arranged marriage in Vienna, he decides he can deny the truth no longer and he follows her—to sumptuous Vienna, to the former monks who saved his life, to an apprenticeship at one of Europe’s greatest theaters, and to the premiere of one of history’s most beloved operas.  In this confessional letter to his son, Moses recounts how his gift for sound led him on an astonishing journey to Europe’s celebrated opera houses and reveals the secret that has long shadowed his fame: How did Moses Froben, world renowned musico, come to raise a son who by all rights he never could have sired?  Like the voice of Lo Svizzero, The Bells is a sublime debut novel that rings with passion, courage, and beauty.

    Now it might tear them apart… Guitarist Nick Crandall has one focus in his life—Oblivion, the band he started with his closest friends, lead singer Simon Kagan and bassist Deacon McCoy. After losing their drummer to rehab, they’re struggling. Until Deacon poses a surprising suggestion. Bring in someone new. Two new someones, and one of them happens to be a chick. One YouTube video gone viral later, the band is heading to the top faster than they ever dreamed. If the band doesn’t break up—and hearts don’t get broken—before they manage to sign their first recording contract. **The guys are in the driver's seat in Seduced…and the ride's gonna rock. This prequel is the novel-length introduction to the band Oblivion and occurs before the books about each of the band members.**

    Rock stars from Elvis to Bruce Springsteen have been profoundly affected by his work. This insightful book examines the power of Orbison's music--from his pioneer days to his fantastic comeback--and the events that lead to his untimely death.

    Thousands of fans flocked to multi‑day events, and cities vied with one another to host them. The pilots themselves were hailed as dashing heroes who cheerfully stared death in the face. Well, the men were hailed. Female pilots were more often ridiculed than praised for what the press portrayed as silly efforts to horn in on a manly, and deadly, pursuit. Fly Girls recounts how a cadre of women banded together to break the original glass ceiling: the entrenched prejudice that conspired to keep them out of the sky. O’Brien weaves together the stories of five remarkable women: Florence Klingensmith, a high‑school dropout who worked for a dry cleaner in Fargo, North Dakota; Ruth Elder, an Alabama divorcee; Amelia Earhart, the most famous, but not necessarily the most skilled; Ruth Nichols, who chafed at the constraints of her blue‑blood family’s expectations; and Louise Thaden, the mother of two young kids who got her start selling coal in Wichita. Together, they fought for the chance to race against the men — and in 1936 one of them would triumph in the toughest race of all.   Like Hidden Figures and Girls of Atomic City, Fly Girls celebrates a little-known slice of history in which tenacious, trail-blazing women braved all obstacles to achieve greatness.

     Shortlisted for the ABIA Biography Book of the Year 2021 A deeply beautiful, profound and poetic biography of the formative years of the dark prince of Australian rock 'n' roll, Boy on Fire is Nick Cave's creation story. This is a portrait of the artist as, first, a boy, and then a young man. It charts his family, friends, influences, milieu and, most of all, his music, revealing how Nick Cave shaped himself into the extraordinary artist he has become.As well as a powerfully compelling biography of a singular, uncompromising artist, Boy on Fire is a fascinating social and cultural biography, a vivid and evocative rendering of the people, time and places that went into the making of Nick Cave - from the fast-running dark river and ghost gums of Wangaratta and the punk scene that hit staid 1970s Melbourne like an atom bomb, right through to the torn wallpaper, sticky carpet and manic energy of nights at St Kilda's Crystal Ballroom.Boy on Fire is a stunning biographical achievement.PRAISE FOR BOY ON FIRE:'Mordue's exploration of Cave's protean and dynamic artistic universe, and the boy at its heart - malanderer, badlander and fabulator - is rich, sensitive, rollicking and, yes, tender' The Australian'Boy On Fire is a beautiful book, evocative and sensual, yet with an even-handed and at times critical treatment of its subject' Sydney Review of Books'All the relevant voices have their say, creating a wonderfully alive picture of this tumultuous time in modern Australian music ... on the page they glint with vitality and humour ... written with mercurial flair.' Books+Publishing

    In less than one year, she transformed herself from pop singer to pop icon, thanks to her talent, drive, and oh yes--her fashion. She's reached a new level of "living the fame" with her collection of extreme, often controversial couture. Lady Gaga: Critical Mass Fashion takes an in-depth look at Gaga's litany of eye-popping leotard, asymmetrical dresses, and fashionably impractical heels.Top designers love the Lady--everyone from Armani to Hussein Chalayan to the late lamented Alexander McQueen has taken her under their wings. On message twenty-four hours a day, Lady Gaga never stops. From the fake eyelashes to the faux nails down to her toes, she's living out her ideas of celebrity to the last detail.Visual explosion on screen, on stage, and on the page: that's Gaga's goal. All the of the 120+ images in this book showcase the gorgeous insanity of her vision.

    Liberated from home and hearth by World War I, politically enfranchised and ready to work, women arrived to take their place in the dazzling new skyscrapers of Manhattan. But they did not want to stay in uncomfortable boarding houses. They wanted what men already had—exclusive residential hotels with maid service, workout rooms, and private dining. Built in 1927, at the height of the Roaring Twenties, the Barbizon Hotel was designed as a luxurious safe haven for the “Modern Woman” hoping for a career in the arts. Over time, it became the place to stay for any ambitious young woman hoping for fame and fortune. Sylvia Plath fictionalized her time there in The Bell Jar, and, over the years, it’s almost 700 tiny rooms with matching floral curtains and bedspreads housed, among many others, Titanic survivor Molly Brown; actresses Grace Kelly, Liza Minnelli, Ali MacGraw, Jaclyn Smith; and writers Joan Didion, Gael Greene, Diane Johnson, Meg Wolitzer. Mademoiselle magazine boarded its summer interns there, as did Katharine Gibbs Secretarial School its students and the Ford Modeling Agency its young models. Before the hotel’s residents were household names, they were young women arriving at the Barbizon with a suitcase and a dream. Not everyone who passed through the Barbizon’s doors was destined for success—for some, it was a story of dashed hopes—but until 1981, when men were finally let in, the Barbizon offered its residents a room of their own and a life without family obligations. It gave women a chance to remake themselves however they pleased; it was the hotel that set them free. No place had existed like it before or has since. “Poignant and intriguing” (The New Republic), The Barbizon weaves together a tale that has, until now, never been told. It is both a vivid portrait of the lives of these young women looking for something more and a “brilliant many-layered social history of women’s ambition and a rapidly changing New York through the 20th century” (The Guardian).

    Sherill Tippins, author of the acclaimed February House, delivers a masterful and endlessly entertaining history of the Chelsea and of the successive generations of artists who have cohabited and created there, among them John Sloan, Edgar Lee Masters, Thomas Wolfe, Dylan Thomas, Arthur Miller, Allen Ginsberg, Bob Dylan, Janis Joplin, Leonard Cohen, Patti Smith, Robert Mapplethorpe, Andy Warhol, Sam Shepard, Sid Vicious, and Dee Dee Ramone. Now as legendary as the artists it has housed and the countless creative collaborations it has sparked, the Chelsea has always stood as a mystery as well: Why and how did this hotel become the largest and longest-lived artists’ community in the known world? Inside the Dream Palace is the intimate and definitive story.Today the Chelsea stands poised in limbo between two futures: Will this symbol of New York's artistic invention be converted to a profit-driven business catering to the top one percent? Or will the Chelsea be given a rebirth through painstaking effort by the community that loves it? Set against these two competing possibilities, Inside the Dream Palace could not be more fascinating or timely.