Each of them is handed a tantalizing clue to her true heritage—a clue which takes Maia across the world to a crumbling mansion in Rio de Janeiro, Brazil. Once there, she begins to put together the pieces of her story and its beginnings.Eighty years earlier in Rio’s Belle Epoque of the 1920s, Izabela Bonifacio’s father has aspirations for his daughter to marry into the aristocracy. Meanwhile, architect Heitor da Silva Costa is devising plans for an enormous statue, to be called Christ the Redeemer, and will soon travel to Paris to find the right sculptor to complete his vision. Izabela—passionate and longing to see the world—convinces her father to allow her to accompany him and his family to Europe before she is married. There, at Paul Landowski’s studio and in the heady, vibrant cafes of Montparnasse, she meets ambitious young sculptor Laurent Brouilly, and knows at once that her life will never be the same again.In this sweeping, epic tale of love and loss—the first in a unique, spellbinding series of seven novels—Lucinda Riley showcases her storytelling talent like never before.

    A place of shadow and light where thieves, whores, and dreamers mingle, where children play in the cobbled streets by day and a killer stalks at night, where bright hopes meet the darkest truths. Here, by the whispering waters of the Thames, Fiona Finnegan, a worker in a tea factory, hopes to own a shop one day, together with her lifelong love, Joe Bristow, a costermonger's son. With nothing but their faith in each other to spur them on, Fiona and Joe struggle, save, and sacrifice to achieve their dreams.But Fiona's life is shattered when the actions of a dark and brutal man take from her nearly everything-and everyone-she holds dear. Fearing her own death, she is forced to flee London for New York. There, her indomitable spirit propels her rise from a modest West Side shop-front to the top of Manhattan's tea trade. But Fiona's old ghosts do not rest quietly, and to silence them, she must venture back to the London of her childhood, where a deadly confrontation with her past becomes the key to her future.

    When a childhood friend is murdered, a sense of guilt and a determination to prove his own innocence sends Caleb on a hunt for the killer. But he can’t do it alone. Caleb and his troubled friend Frankie, an ex-cop, start with one clue: Scott, the last word the murder victim texted to Caleb. But Scott is always one step ahead.This gripping, original and fast-paced crime thriller is set between a big city and a small coastal town, Resurrection Bay, where Caleb is forced to confront painful memories. Caleb is a memorable protagonist who refuses to let his deafness limit his opportunities, or his participation in the investigation. But does his persistence border on stubbornness? And at what cost? As he delves deeper into the investigation Caleb uncovers unwelcome truths about his murdered friend – and himself.

    But it’s not actually a joke. Having a spouse who takes care of things at home is a Godsend on the domestic front. It’s a potent economic asset on the work front. And it’s an advantage enjoyed – even in our modern society – by vastly more men than women.Working women are in an advanced, sustained, and chronically under-reported state of wife drought, and there is no sign of rain.But why is the work-and-family debate always about women? Why don’t men get the same flexibility that women do? In our fixation on the barriers that face women on the way into the workplace, do we forget about the barriers that – for men – still block the exits?The Wife Drought is about women, men, family and work. Written in Annabel Crabb’s inimitable style, it’s full of candid and funny stories from the author's work in and around politics and the media, historical nuggets about the role of ‘The Wife’ in Australia, and intriguing research about the attitudes that pulse beneath the surface of egalitarian Australia.Crabb's call is for a ceasefire in the gender wars. Rather than a shout of rage, The Wife Drought is the thoughtful, engaging catalyst for a conversation that's long overdue.

    Through her music and performing, this beloved Australian artist has touched hundreds of thousands of lives. But what of the stories she used to tell herself? That 'real life' only begins once you're thin or beautiful, that good things only happen to other people.YOUR OWN KIND OF GIRL reveals a childhood punctuated by grief, anxiety and compulsion, and tells how these forces shaped Clare's life for better and for worse. This is a heartbreaking, wise and at times playful memoir. Clare's own story told raw and as it happened. A reminder that even on the darkest of nights, victory is closer than it seems.With startling candour, Clare lays bare her truth in the hope that doing so will inspire anyone who's ever done battle with their inner critic. This is the work of a woman who has found her true power - and wants to pass it on. Happiness, we discover, is only possible when we take charge of the stories we tell ourselves.

    When Ellen turns nineteen Holland makes an announcement: she may marry only the man who can correctly name the species of each of the hundreds of gum trees on his property. Ellen is uninterested in the many suitors who arrive from around the world, until one afternoon she chances on a strange, handsome young man resting under a Coolibah tree. In the days that follow, he spins dozens of tales set in cities, deserts, and faraway countries. As the contest draws to a close, Ellen and the stranger's meetings become more erotic, the stories more urgent. Murray Bail's rich narrative is filled with unexpected wisdom about art, feminine beauty, landscape, and language. Eucalyptus is a shimmering love story that affirms the beguiling power of storytelling itself.

    The black sheep of the family, Charlie, feels her life as a barista and exercise instructor doesn’t measure up to that of her gifted and successful sisters.Dealing with their bereft father who is determined to sell the family motel, their loves old and new and a series of troublesome decisions doesn’t make life any easier, but when they go through their mother’s possessions and uncover the shocking secret of an old family curse, they begin to question everything they thought they knew.A warm and wise novel about secrets revealed, finding your soulmate and the unique bond between sisters.

    But one particular string of bad news stories – and a terrifying brush with her own mortality – sent her looking for answers about how vulnerable each of us is to a life-changing event. What are our chances of actually experiencing one? What do we fear most and why? And when the worst does happen, what comes next?In this wise and layered book, Leigh talks intimately with people who’ve faced the unimaginable, from terrorism to natural disaster to simply being in the wrong place at the wrong time. Expecting broken lives, she instead finds strength, hope, even humour. Leigh brilliantly condenses the cutting-edge research on the way the human brain processes fear and grief, and poses the questions we too often ignore out of awkwardness. Along the way, she offers an unguarded account of her own challenges and what she’s learned about coping with life’s unexpected blows.Warm, candid and empathetic, this book is about what happens when ordinary people, on ordinary days, are forced to suddenly find the resilience most of us don’t know we have.

    The infant didn't wake when the woman placed her gently in the shopping bag she had brought with her. There is CCTV footage of what happened next, and most Australians would have seen it, either on the internet or the news.The woman walked out to the car park, towards an old Corolla. For a moment, she held the child gently against her breast and, with her eyes closed, she smelled her.She then clipped the infant into the car, got in and drove off.That is where the footage ends.It isn't where the story ends, however.It's not even where the story starts.

    That same year, she began receiving scattered chapters in the mail of a self-help manual, the Guidebook, whose anonymous author promised to make her life soar to heights beyond her wildest dreams.The Guidebook’s missives have remained a constant in Abi’s life—a befuddling yet oddly comforting voice through her family’s grief over her brother’s disappearance, a move across continents, the devastating dissolution of her marriage, and the new beginning as a single mother and café owner in Sydney.Now, two decades after receiving those first pages, Abi is invited to an all-expenses paid weekend retreat to learn “the truth” about the Guidebook. It’s an opportunity too intriguing to refuse. If Everything is Connected, then surely the twin mysteries of the Guidebook and a missing brother must be linked?What follows is completely the opposite of what Abi expected––but it will lead her on a journey of discovery that will change her life––and enchant readers. Gravity Is the Thing is a smart, unusual, wickedly funny novel about the search for happiness that will break your heart into a million pieces and put it back together, bigger and better than before.

    Elizabeth Macquarie, widow of the disgraced former Governor of New South Wales, Lachlan Macquarie, is in mourning - not only for her husband, but the loss of their shared dream to transform the penal colony into a bright new world. Over the course of one long sleepless night on the windswept isle of Mull, she remembers her life in that wild and strange country; a revolution of ideas as dramatic as any in history; and her dangerous alliance with the brilliant, mercurial Francis Greenway, the colony's maverick architect. A stirring, provocative and thrilling novel of passion, ideas, reforming zeal and desire.

    With courage and compassion she addresses her own frailties and fears, and asks the big questions about life, about the shadows we inherit and the gifts we pass on.Honest, poignant, utterly captivating, Reckoning announces the arrival of a fearless writer and natural storyteller. It will touch the lives of its readers.Magda Szubanski is one of Australia’s best known and most loved performers. She began her career in university revues, then appeared in a number of sketch comedy shows before creating the iconic character of Sharon Strzelecki in ABC-TV’s Kath and Kim. She has also acted in films (Babe, Babe: Pig in the City, Happy Feet, The Golden Compass) and stage shows. Reckoning is her first book.

    Black rocks roll beneath the surface, drowning ghosts. And out of the swell like a finger of light, the salt-scratched tower stands lonely and magnificent.It's New Year's Eve, 1972, when a boat pulls up to the Maiden Rock lighthouse with relief for the keepers. But no one greets them. When the entrance door, locked from the inside, is battered down, rescuers find an empty tower. A table is laid for a meal not eaten. The Principal Keeper's weather log describes a storm raging round the tower, but the skies have been clear all week. And the clocks have all stopped at 8:45. Two decades later, the wives who were left behind are visited by a writer who is determined to find the truth about the men's disappearance. Moving between the women's stories and the men's last weeks together in the lighthouse, long-held secrets surface and truths twist into lies as we piece together what happened, why, and who to believe.In her riveting and suspenseful novel, Emma Stonex writes a story of isolation and obsession, of reality and illusion, and of what it takes to keep the light burning when all else is swallowed by dark.

    Abandoned at birth, she serves the Tribequeen of her township. Ailia is not permitted to marry, excluded from tribal ceremonies and, most devastatingly, forbidden to learn. But the Mothers, the tribal ancestors, have chosen her for another path.Lured by the beautiful and enigmatic Taliesin, Ailia embarks on an unsanctioned journey to attain the knowledge that will protect her people from the most terrifying invaders they have ever faced.Set in Iron-Age Britain on the cusp of Roman invasion, Skin is a thrilling, full-blooded, mesmerising novel about the collision of two worlds, and a young woman torn between two men.

    The world is struggling to regain a sense of balance after the devastation of World War II, and the sugar cane-growing community of Piri River in northern Queensland is no exception. As returned servicemen endeavour to adjust to their pre-war lives, women who had worked for the war effort are expected to embrace traditional roles once more. Rosie Stanton finds it difficult to return to the family farm after years working for the Australian Women’s Army Service. Reminders are everywhere of the brothers she lost in the war and she is unable to understand her father’s contempt for Italians, especially the Conti family next door. When her father takes ill, Rosie challenges tradition by managing the farm, but outside influences are determined to see her fail. Desperate to leave his turbulent history behind, Tomas Conti has left Italy to join his family in Piri River. Tomas struggles to adapt in Australia—until he meets Rosie. Her easy-going nature and positive outlook help him forget the life he’s escaped. But as their relationship grows, so do tensions between the two families until the situation becomes explosive. When a long-hidden family secret is discovered and Tomas’s mysterious past is revealed, everything Rosie believes is shattered. Will she risk all to rebuild her family or will she lose the only man she’s ever loved?