streaming to follow soon thereafter). Originally released to critical and public acclaim in 2013, Charles Forsman’s graphic novel debut follows James and Alyssa, two teenagers living a seemingly typical teen experience as they face the fear of coming adulthood. Forsman tells their story through each character’s perspective, jumping between points of view with each chapter. But quickly, this somewhat familiar teenage experience takes a more nihilistic turn as James’s character exhibits a rapidly forming sociopathy that threatens both of their futures. He harbors violent fantasies and begins to act on them, while Alyssa remains as willfully ignorant for as long as she can, blinded by young love.

    Yet more than merely the story of "The Man Who Made The Beatles," The Fifth Beatle is an uplifting, tragic, and ultimately inspirational human story about the struggle to overcome seemingly insurmountable odds. Brian himself died painfully lonely at the young age of thirty-two, having helped The Beatles prove through Sergeant Pepper's Lonely Hearts Club Band that pop music could be an inspirational art form. He was homosexual when it was a felony to be so in the United Kingdom, Jewish at a time of anti-Semitism, and from Liverpool when it was considered just a dingy port town.

    We're in the most extreme and utter region of the human mind. A dim, subconscious underworld. A radiant abyss where men meet themselves. Hell, Netley. We're in Hell." Having proved himself peerless in the arena of reinterpreting superheroes, Alan Moore turned his ever-incisive eye to the squalid, enigmatic world of Jack the Ripper and the Whitechapel murders of 1888. Weighing in at 576 pages, From Hell is certainly the most epic of Moore's works and remarkably and is possibly his finest effort yet in a career punctuated by such glorious highlights as Watchmen and V for Vendetta. Going beyond the myriad existing theories, which range from the sublime to the ridiculous, Moore presents an ingenious take on the slaughter. His Ripper's brutal activities are the epicentre of a conspiracy involving the very heart of the British Establishment, including the Freemasons and The Royal Family. A popular claim, which is transformed through Moore's exquisite and thoroughly gripping vision, of the Ripper crimes being the womb from which the 20th century, so enmeshed in the celebrity culture of violence, received its shocking, visceral birth. Bolstered by meticulous research that encompasses a wide spectrum of Ripper studies and myths and coupled with his ability to evoke sympathies in such monstrous characters, Moore has created perhaps the finest examination of the Ripper legacy, observing far beyond society's obsessive need to expose Evil's visage. Ultimately, as Moore observes, Jack's identity and his actions are inconsequential to the manner in which society embraced the Fear: "It's about us. It's about our minds and how they dance. Jack mirrors our hysterias. Faceless, he is the receptacle for each new social panic." Eddie Campbell's stunning black and white artwork, replete with a scratchy, dirty sheen, is perfectly matched to the often-unshakeable intensity of Moore's writing. Between them, each murder is rendered in horrifying detail, providing the book's most unnerving scenes, made more so in uncomfortable, yet lyrical moments as when the villain embraces an eviscerated corpse, craving understanding; pleading that they "are wed in legend, inextricable within eternity". Though technically a comic, the term hardly begins to describe From Hell's inimitable grandeur and finesse, as it takes the medium to fresh heights of ingenuity and craftsmanship. Moore and Campbell's autopsy on the emaciated corpse of the Ripper myth has divulged a deeply disturbing yet undeniably captivating masterpiece. —Danny Graydon

    He attempts to maintain a balancing act between his seizure triggers and his day-to-day schedule, but he finds that nothing—not even his medication—seems to work. The doctors won’t listen, the schoolwork keeps piling up, his family is in denial about his condition, and his social life falls apart as he feels more and more isolated by his illness. Even with an unexpected new friend by his side, so much is up against him that Isaac is starting to think his epilepsy might be unbeatable. Based on the author’s own experiences as an epileptic, Mis(h)adra is a boldly visual depiction of the daily struggles of living with a misunderstood condition in today’s hectic and uninformed world.

    THIS IS THE TRUE STORY FROM THE MAN AT THE CENTER OF IT ALL. In the summer of 1971, the New York’s Attica State Prison is a symbol of everything broken in America – abused prisoners, rampant racism and a blind eye turned towards the injustices perpetrated on the powerless. But when the guards at Attica overreact to a minor incident, the prisoners decide they’ve had enough – and revolt against their jailers, taking them hostage and making demands for humane conditions. Frank “Big Black” Smith finds himself at the center of this uprising, struggling to protect hostages, prisoners and negotiators alike. But when the only avenue for justice seems to be negotiating with ambitious Governor Nelson Rockefeller, Big Black soon discovers there may be no hope in finding a peaceful resolution for the prisoners in Attica. Written by Jared Reinmuth and Frank “Big Black” Smith himself, adapted and illustrated by Ameziane, Big Black: Stand At Attica is an unflinching look at the price of standing up to injustice in what remains one of the bloodiest civil rights confrontations in American history.

    Three acts of defiance. One mass injustice.The story of camp as you’ve never seen it before. Japanese Americans complied when evicted from their homes in World War II -- but many refused to submit to imprisonment in American concentration camps without a fight.In this groundbreaking graphic novel, meet:-- JIM AKUTSU, the inspiration for John Okada’s No-No Boy, who refuses to be drafted from the camp at Minidoka when classified as a non-citizen, an enemy alien;-- HIROSHI KASHIWAGI, who resists government pressure to sign a loyalty oath at Tule Lake, but yields to family pressure to renounce his U.S. citizenship; and-- MITSUYE ENDO, a reluctant recruit to a lawsuit contesting her imprisonment, who refuses a chance to leave the camp at Topaz so that her case could reach the U.S. Supreme Court.Based upon painstaking research, We Hereby Refuse presents an original vision of America’s past with disturbing links to the American present.

    His hockey career ended a decade earlier in a violent incident on ice, and since then he’s been living off his reputation in the remote northern community where he grew up, drinking too much and fighting anyone who crosses him. When his long-lost sister Beth shows up, on the run from an abusive boyfriend, the two escape to a secluded hunting camp in the woods. There, living off the land, they reconnect with each other, the painful secrets of their past, and their Cree heritage...and start to heal. But Beth’s ex-boyfriend is hunting them. As he circles closer, he threatens to shatter this newfound peace and pull both Derek and Beth back into the world of self-destruction they’ve fought so hard to leave behind.

    These aliens are bent on harvesting the planet's resources to fuel their warships, no matter the cost to its human natives. Any defiance of the Derichets' rule—the smallest step out of line—can get you beaten, sent to a work camp, or even executed.Colleen's family is gone, killed in the war. She lives alone, far from the chaos of the city, far from the alien overseers and the dangerous gangs. Her only friends are the other humans who toil in the Derichet factory and, against all likelihood, a Derichet overseer. Colleen knows the safest thing to do is comply with the Derichet regime...until the day when the recklessly brave Jann and a violent gang of rebels called the Chromatti invade her quiet rural home. Now Colleen must decide if it's worth risking the survival of her newfound family to join the growing underground revolution against the Derichets and help free her world.Bestselling fantasy author Sharon Shinn (Troubled Waters) and artist Molly Knox Ostertag (Strong Female Protagonists) deliver a gripping science-fiction adventure of courage and revenge on a fallen world, with a sweeping romance at its heart.

    The first looked a lot like Hollywood, full of beautiful people and sunlight and freeways. The second looked more like The Grapes of Wrath―a nightmare landscape filled with impoverished people, broken-down cars, barren landscapes, and broken dreams. This book chronicles Shing's solo journey (small adventure-dog included) along the iconic Route 66, beginning in Santa Monica and ending up Chicago. What begins as a road trip ends up as something more like a pilgrimage in search of an American landscape that seems forever shifting and forever out of place.

    As tens of thousands of students and concerned Chinese citizens took to the streets demanding political reforms, the fate of China's communist system was unknown. When reports of soldiers marching into Beijing to suppress the protests reverberated across Western airwaves, the world didn't know what to expect.Lun Zhang was just a young sociology teacher then, in charge of management and safety service for the protests. Now, in this powerful graphic novel, Zhang pairs with French journalist and Asia specialist Adrien Gombeaud, and artist Ameziane, to share his unvarnished memory of this crucial moment in world history for the first time.Providing comprehensive coverage of the 1989 protests that ended in bloodshed and drew global scrutiny, Zhang includes context for these explosive events, sympathetically depicting a world of discontented, idealistic, activist Chinese youth rarely portrayed in Western media. Many voices and viewpoints are on display, from Western journalists to Chinese administrators.Describing how the hope of a generation was shattered when authorities opened fire on protestors and bystanders, Tiananmen 1989 shows the way in which contemporary China shaped itself.

    It's an astonishing feat - and was unprecedented at the time - that all the men in the expedition survived. Shackleton's expedition marked the end of a period of romantic exploration of the Arctic and the Antarctic, and this is as much a book about the encroaching modern world as it is about travel. But Nick Bertozzi has documented this remarkable journey with such wit and fiendish attention to detail that it's impossible not to get caught up in the drama of the voyage. Shackleton is a phenomenal accompaniment to Bertozzi's earlier graphic novel about great explorers, Lewis & Clark.

    1 collects the first four issues of the acclaimed fantasy series from creator Natasha AltericiAydis is a young Viking woman, who after being banished from her home, sets out on a mission to right the wrongs of a corrupt god. Her first move is to find and free the cursed Valkyrie Brynhild.Gods, demons, and creatures of lore, Heathen is packed with fun intriguing characters and lavish artwork. The trade features an oil painting cover, cover gallery, and a forward by award winning lesbian fiction author Geonn Cannon.

    By turns puzzling and harrowing, it raises troubling questions about conformity, tradition, and the specter of ritualized violence that haunts even the most bucolic, peaceful village.This graphic adaptation, published in time for Jackson's centennial, allows readers to experience "The Lottery" as never before, or discover it anew. The visual artist—and Jackson's grandson—Miles Hyman has crafted an eerie vision of the hamlet where the tale unfolds, its inhabitants, and the unforgettable ritual they set into motion. His four-color, meticulously detailed panels create a noirish atmosphere that adds a new dimension of dread to the original tale.Perfectly timed to the current resurgence of interest in Jackson and her work, Shirley Jackson's "The Lottery": The Authorized Graphic Adaptation masterfully reimagines her iconic story with a striking visual narrative.

    The army conducts shock-and-awe raids designed to terrify the populace. This army is soon driven to ground and vastly outnumbered. The English army has to stand and fight in Crecy, France. On August 26, 1346, modern warfare changed forever. This is the story of England's greatest battle, as told by award-winning graphic novelist Warren Ellis.

    The unlikely trio lie, flirt, fight, and manipulate each other as they make their way across Britain, disrupting society balls, slaying vampires, and making every effort not to betray their feelings to each other as their personal and romantic lives become increasingly entangled. Both witty and slapstick, elegant and gory, Emily McGovern’s debut graphic novel pays tribute to and pokes fun at beloved romance tropes, delivering a joyous, action-packed world of friendship and adventure.