Paper or plastic, cake or pie, tackle my chem homework or give a supervillain a well-deserved smackdown? (The answer’s obvious: cake.) When the leader of the world’s most powerful superhero team asked me to become Raven, his apprentice, that was the easiest choice ever. But I blew it. Now, all the superheroes are dead, killed in an instant by an enemy they never saw coming. And I have another choice: give up and hide inside my normal life or master my powers and assemble a team of fellow trainees to protect the city. If you enjoy action-packed good versus evil battles, snarky banter, and plucky teenage superheroes who refuse to quit, you will love Raven’s adventures in Sidekicks, the first book of Superpower Chronicles. Perfect for fans of Spider-Man and The Teen Titans. Get your copy today! Superpower Chronicles SIDEKICKS (Book 1) HEROES (Book 2) VIGILANTES (Available October 11, 2019) VILLAINS (Available November 8, 2019) ASSASSINS (Available 2020)

    Originally published in 1960, Zolotow's book was the first to take Marilyn seriously as an actress at a time when she was thought to be just an eccentric, gorgeous blonde. 16 pages of photographs.

    But when the trio gets trapped in Gwen's Universe, at the hands of an alternate Cindy Moon and her sinister organization S.I.L.K., there's not time for any more practice. This action-packed story will change the heroic course for all three Spider-Women!COLLECTING: SILK 7-8, SPIDER-GWEN 7-8, SPIDER-WOMAN 6-7, SPIDER-WOMEN ALPHA & OMEGA

    Best-selling Cap writer Ed Brubaker and superstar artist Steve McNiven bring you the next huge chapter in Steve Rogers' life, and it's a perfect jumping-on point for fans of the Cap movie! A funeral for a fallen friend turns into a race against time as the original Captain America makes his explosive return! Find out the secrets of the mission that went wrong in WWII, and why old friends are now old enemies! It's all-out Cap action and history the way you like it,in a cage match for your comic-reading pleasure.Collecting: Captain America 1-5

    Here you'll meet, among many others, the 20s film idols snorting cocaine from an illuminated glass dance floor on the bank of the Thames, the model who escaped Soho's gangsters to become the queen of the nudie flicks and the genteel Scottish comedienne who, at the age of fifty-five, reinvented herself as a star of exploitation cinema, and fondly remembers 'the one where I drilled in people's heads and ate their brains'. Welcome to the lost worlds of British cinema.

    Producer Michael Deeley, an urbane Englishman in Hollywood, had to fight wars to get these movies made, from defending the legendary sex scene of Don't Look Now from a disapproving Warren Beatty to seizing control of Convoy from a cocaine-ridden Sam Peckinpah. This is a no-holds-barred look at the true stories behind some of the greatest cult movies ever made.

    Phrases like "phone home" and the music score from Jaws are now part of our cultural script, appearing in commercials, comedy routines, and common conversation.Yet few scholars have devoted time to studying Spielberg's vast output of popular films despite the director's financial and aesthetic achievements. Spanning twenty-five years of Spielberg's career, Steven Spielberg: Interviews explores the issues, the themes, and the financial considerations surrounding his work. The blockbuster creator of E.T., Jaws, and Schindler's List talks about dreams and the almighty dollar."I'm not really interested in making money," he says. "That's always come as the result of success, but it's not been my goal, and I've had a tough time proving that to people."Ranging from Spielberg's twenties to his mid-fifties, the interviews chart his evolution from a brash young filmmaker trying to make his way in Hollywood, to his spectacular blockbuster triumphs, to his maturation as a director seeking to inspire the imagination with meaningful subjects.The Steven Spielberg who emerges in these talks is a complex mix of businessman and artist, of arrogance and insecurity, of shallowness and substance. Often interviewers will uncover the director's human side, noting how changes in Spielberg's personal life -- marriage, divorce, fatherhood, remarriage -- affect his movies. But always the interviewers find keys to the story-telling and filmmaking talent that have made Spielberg's characters and themes shape our times and inhabit our dreams."Every time I go to a movie, it's magic, no matter what the movie's about," he says. "Whether you watch eight hours of Shoah or whether it's Ghostbusters, when the lights go down in the theater and the movie fades in, it's magic."

    There he defends a group of the homeless living in a cavern beneath the city. When Eddie is attacked by the police, then battles mercenaries who are assaulting the homeless, Spider-Man is furious at what appears to be Eddie's return to villainous activities. He decides to go after Venom and bring him in. Once in San Francisco, however, the web-spinner discovers that Eddie is really trying to help the people there. Together they uncover an organization hidden beneath the Mojave Desert seeking to separate Brock from the alien symbiote that gives him his powers. Their goal: to use it to create more vicious versions of Venom. Their experiments prove successful, and Spider-Man and Eddie face five terrifying creatures as deadly as Venom himself.

    Peter Parker? He can't even remember what it was like to don the red and blue and swing through the night sky. Doesn't want to, anyway. After all, there's nothing left to fight for, is there? That is until an old 'friend' appear on Peter's doorstep.

    You won't believe what is on The Tape! What is the Vagabond Code? Matt Fraction pens a Hawkeye thriller that spans the globe...and the darkest parts of Hawkeye's mind. Barton and Bishop mean double the Hawkeye and double the trouble...and stealing from the rich never looked so good.Collecting: Hawkeye 1-5, Young Avengers Presents 6

    At ten she took up marijuana, and by twelve she began snorting cocaine. Here is her gripping, heart-wrenching story--a story of a childhood gone awry and a young woman battling to restore order to her chaotic life.

    "Twilight," "True Blood," "Being Human," "The Vampire Diaries," "Buffy the Vampire Slayer," "Blade," "Underworld," and the novels of Anne Rice and Darren Shan--against this glut of bloodsuckers, it takes an incredible film to make a name for itself. Directed by Tomas Alfredson and adapted for the screen by John Ajvide Lindqvist, The Swedish film "L't den r?tte komma in" (2008), known to American audiences as "Let the Right One In," is the most exciting, subversive, and original horror production since the genre's best-known works of the 1970s. Like "Twilight," "Let the Right One In" is a love story between a human and a vampire--but that is where the resemblance ends. Set in a snowy, surburban housing estate in 1980s Stockholm, the film combines supernatural elements with social realism. It features Oskar, a lonely, bullied child, and Eli, the girl next door. "Oskar, I'm not a girl," she tells him, and she's not kidding--she's a vampire. The two forge an intense relationship that is at once innocent and disturbing. Two outsiders against the world, one of these outsiders is, essentially, a serial killer. What does Eli want from Oskar? Simple companionship, or something else? While startlingly original, "Let the Right One In" could not have existed without the near century of vampire cinema that preceded it. Anne Billson reviews this history and the film's inheritence of (and new twists on) such classics as "Nosferatu" (1979) and "Dracula" (1931). She discusses the genre's early fliration with social realism in films such as "Martin" (1977) and "Near Dark" (1987), along with its adaptation of mythology to the modern world, and she examines the changing relationship between vampires and humans, the role of the vampire's assistant, and the enduring figure of vampires in popular culture.

     Renegade Women in Film and TV blends stunning illustrations, fascinating biographical profiles, and exclusive interviews with icons like Barbra Streisand, Rita Moreno, and Sigourney Weaver to celebrate the accomplishments of 50 extraordinary women throughout the history of entertainment. Each profile highlights the groundbreaking accomplishments and essential work of pioneers from the big and small screens, offering little-known facts about household names (Lucille Ball, Oprah Winfrey, Nora Ephron) and crucial introductions to overlooked pioneers (Alla Nazimova, Anna May Wong, Frances Marion). From 19th century iconoclast Alice Guy Blach� to 21st century trailblazer Ava DuVernay, Renegade Women honors the women who succeeded against all odds, changing their industry in front of the camera and behind the scenes.

    This fan favorite features full-color photos from the set, designers’ sketches, interviews with the cast and crew, and more! From the screenwriting process to the casting decisions to the director’s vision, this definitive book is a must-have for fans of the blockbuster film!

    Howard Shores Academy Award-winning score for The Lord of the Rings has been hailed as some of the greatest film music ever written. Sweeping in scope, it is an interpretation of J.R.R. Tolkien's Middle-earth as music---an operatic tapestry of cultures,