Warring Indian tribes still populate America's western territories, even as lawless gold-rush towns begin to mark the landscape, and two paleontologists pillage the Wild West, hunting for dinosaur fossils while surveilling, deceiving, and sabotaging each other.Into this treacherous territory plunges William Johnson, a student who has joined world-renowned paleontologist Othniel Charles Marsh on his latest expedition. But when Marsh becomes convinced that William is spying for his nemesis, Edwin Drinker Cope, he abandons him in Cheyenne, Wyoming, a locus of crime and vice.William joins forces with Cope and soon stumbles upon a discovery of historic proportions. With this extraordinary treasure, however, comes exceptional danger, and Johnson's newfound resilience will be sorely tested..

    He did not just kill—he ripped with a butcher’s glee—and then, after the particularly gruesome slaying of Mary Jane Kelly, he disappeared. For 127 years, Jack has haunted the dark corners of our imagination, the paradigm of the psychotic killer. We remember him not only for his crimes, but because, despite one of the biggest dragnets in London history, he was never caught.I, Ripper is a vivid reimagining of Jack’s personal story entwined with that of an Irish journalist who covered the case, knew the principals, charted the investigation, and at last, stymied, went off in a bold new direction. These two men stalk each other through a city twisted in fear of the madman’s blade, a cat-and-mouse game that brings to life the sounds and smells of the fleshpot tenderloin of Whitechapel and all the lurid acts that fueled the Ripper headlines.Dripping with intrigue, atmosphere, and diabolical twists, this is a magnificent psychological thriller from perennial New York Times bestseller Stephen Hunter, who the San Francisco Examiner calls “one of the best storytellers of his generation.”

    She has died many times . . . but her many deaths are not final: They are comas, a waking slumber indistinguishable from death, each lasting days.Only two people know of Carol’s eerie condition. One is her husband, Dwight, who married Carol for her fortune, and—when she lapses into another coma—plots to seize it by proclaiming her dead and quickly burying her . . . alive. The other is her lost love, the infamous outlaw James Moxie. When word of Carol’s dreadful fate reaches him, Moxie rides the Trail again to save his beloved from an early, unnatural grave.And all the while, awake and aware, Carol fights to free herself from the crippling darkness that binds her—summoning her own fierce will to survive. As the players in this drama of life and death fight to decide her fate, Carol must in the end battle to save herself.

    Justice. Only three or four people know who Mr. Justice really is. He hears about some injustice in the West and goes to that area to battle the bad guys to bring justice to the common man who can't fight for it himself. This book finds Mr. Justice defending a north county sheriff who is falsely accused of back shooting and killing a man. Lance goes to the town, finds an eye witness to the actual killing, gets the sheriff released, then goes on a three man hunting trip to bring the real killers to justice. It's a long and dangerous trip and his life and that of the accused killers hang in the balance when he blunders into a war between two feuding families. We don't know if he will survive, let alone get back to the county jail with his prisoner

    Nora is an unflinching frontierswoman awaiting the return of the men in her life--her husband, who has gone in search of water for the parched household, and her elder sons, who have vanished after an explosive argument. Nora is biding her time with her youngest son, who is convinced that a mysterious beast is stalking the land around their home.Meanwhile, Lurie is a former outlaw and a man haunted by ghosts. He sees lost souls who want something from him, and he finds reprieve from their longing in an unexpected relationship that inspires a momentous expedition across the West. The way in which Lurie's death-defying trek at last intersects with Nora's plight is the surprise and suspense of this brilliant novel.Mythical, lyrical, and sweeping in scope, Inland is grounded in true but little-known history. It showcases all of Téa Obreht's talents as a writer, as she subverts and reimagines the myths of the American West, making them entirely--and unforgettably--her own.

    Traveling with her is a boy-child named Homer Good, age 12, he thinks. They travel across Missouri and into Indian Territory, only to find that there are 50,000 people looking to get free land. They encounters robbers and other miscreants on the journey, and one of their encounters later leads to Dora Mae's kidnapping. Homer and Dora Mae's fiance pull out all stops to find her and bring her back home. Another exciting story of the Old West from R. O. Lane.

    Walt doesn’t recognize the mystery woman, but she seems to know him and claims to have something she must return to Connally. With his daughter, Cady, and his undersheriff Vic Moretti in Philadelphia for the holidays, Walt is at loose ends, and despite the woman’s reticence to reveal her identity, he agrees to help her.At the Durant Home for Assisted Living Lucian Connally is several tumblers into his Pappy Van Winkle’s and swears he’s never clapped eyes on the woman before. Disappointed, she whispers “Steamboat” and begins a story that takes them all back to Christmas Eve 1988, when three people died in a terrible crash and a young girl had the slimmest chance of survival . . . back to a record– breaking blizzard, to Walt’s first year as sheriff, with a young daughter at home and a wife praying for his safety . . . back to a whiskey-soaked World War II vet ready to fly a decommissioned plane and risk it all to save a life.Back to the Spirit of Steamboat.

    Cole and Hitch are used to cleaning up after scavengers, but this one raises the stakes by playing not with the rules—but with emotion.

    In the fierce and lawless Western frontier of 1874 these traits were what was needed to stay alive. Haunted by the ghosts of the men he's killed, there is one man he has set out to destroy... Louis Gasceaux, the man who murdered his parents while a younger Theo watched. But the trail Theo's following is long and bloody... and Louis always seems to stay a few steps ahead.This is how it was—from gritty buffalo and gold camps to brawling, building towns like Denver, Cheyenne, and Dodge City, populated with ambitious dreamers, deluded fools, and pragmatic women.W. Michael Gear brings the past alive in Long Ride Home—a gripping western tale.

    Her mother has disappeared, and is presumed dead. The next thing she knows, her father has dragged Maggie away from their elegant Newport home, off on some mad excursion to Yellowstone in Montana. Torn from the only life she's ever known, away from her friends, from society, and verging on no prospects, Maggie is furious and devastated by her father's betrayal. But when she arrives, she finds herself drawn to the frustratingly stubborn, handsome Tom Rowland, the son of a park geologist, and to the wild romantic beauty of Yellowstone itself. And as Tom and the promise of freedom capture Maggie's heart, Maggie is forced to choose between who she is and who she wants to be.

    Attracted to Megan on many levels, old wounds and new hopes rise for Alex, but Megan has a hidden past.Stalked by a hired killer, Alex discovers a treacherous secret that will turn everything upside down.Desperate to save the victims, he may have more trouble saving himself…

    After escaping the Texas brothel where she'd been a virtual prisoner, Lucinda Carter heads for Middle Bayou to meet her lover, who has a plan to make them both rich, chasing rumors of a pirate's buried treasure. Meanwhile Nate Cannon, a young Texas policeman with a pure heart and a strong sense of justice, is on the hunt for a ruthless killer named McGill who has claimed the lives of men, women, and even children across the frontier. Who--if anyone--will survive when their paths finally cross? As Lucinda and Nate's stories converge, guns are drawn, debts are paid, and Kathleen Kent delivers an unforgettable portrait of a woman who will stop at nothing to make a new life for herself.

    And Max, Nora's sweet, smart, soft-spoken Prince Charming, was gone. He was also—according to the police, according to her parents, according to everyone—a murderer.Desperate to prove his innocence, Nora follows the trail of blood, no matter where it leads. It ultimately brings her to the ancient streets of Prague, where she is drawn into a dark web of secret societies and shadowy conspirators, all driven by a mad desire to possess something that might not even exist. For buried in a centuries-old manuscript is the secret to ultimate knowledge and communion with the divine; it is said that he who controls the Lumen Dei controls the world. Unbeknownst to her, Nora now holds the crucial key to unlocking its secrets. Her night of blood is just one piece in a puzzle that spans continents and centuries. Solving it may be the only way she can save her own life.

    It is a tale of love and courage, of power abused, and of the terrible choice between family loyalty and justice.

    Three astronauts in a tiny spaceship, a quarter million miles from home. A quarter million miles from help.NASA is about to launch Apollo 18. While the mission has been billed as a scientific one, flight controller Kazimieras "Kaz" Zemeckis knows there is a darker objective. Intelligence has discovered a secret Soviet space station spying on America, and Apollo 18 may be the only chance to stop it.But even as Kaz races to keep the NASA crew one step ahead of their Russian rivals, a deadly accident reveals that not everyone involved is quite who they were thought to be. With political stakes stretched to the breaking point, the White House and the Kremlin can only watch as their astronauts collide on the lunar surface, far beyond the reach of law or rescue. Full of the fascinating technical detail that fans of The Martian loved, and reminiscent of the thrilling claustrophobia, twists, and tension of The Hunt for Red October, The Apollo Murders is a high-stakes thriller unlike any other. Chris Hadfield captures the fierce G-forces of launch, the frozen loneliness of space, and the fear of holding on to the outside of a spacecraft orbiting the Earth at 17,000 miles per hour as only someone who has experienced all of these things in real life can. Strap in and count down for the ride of a lifetime.