Pastor Helfgott has begun to feel the subtle fraying of the community’s faith. Then Matthias Orion shoots his wife and himself, on the very day their son Benedict returns home from boarding school. Benedict is unmoored by shock, severed from his past and his future. Unable to be inside the house, unable to speak, he moves into the barn with the horses and chooks, relying on the animals’ strength and the rhythm of the working day to hold his shattered self together. The pastor watches over Benedict through the year of his crazy grief: man and boy growing, each according to his own capacity, as they come to terms with the unknowable past and the frailties of being human.

    . . veteran of the Iraq conflict who has suffered such extensive bodily trauma that he can only really survive by means of a mechanical skeleton.Marianna's has been ruined by men . . . A woman who has had to flee the country after her husband lied to the wrong people.John Philip's by too much money . . . Until he receives a surprise inheritance in the evening of his own life.Rodney Hall, two-times winner of the Miles Franklin Literary Award, presents the story of three people experiencing a period of life they never thought possible, and, perhaps, should never have been granted at all...PRAISE FOR RODNEY HALL"Reminiscent of both Joyce and Garcia Marquez" Washington Post"Magnificent. So good that you wish you had written it yourself" Salman Rushdie"A wondrous blend of the fabulous and the surreal" The Australian"Brilliant" David Mitchell

    One time near Yellingbo they found a church no one prayed in and they lived there and for three weeks had stained glass for windows…They got chased out and went to Shepparton but Shane had a run-in and police said move.Shane, Moira and Midge, along with young Zara and Rory, are ‘trants’—itinerants roaming the plains north-west of Melbourne in search of disused houses to sleep in, or to strip of heritage fittings when funds are low. When they find their Tree Palace outside Barleyville, things are looking up. At last, a place in which to settle down.But Zara, fifteen, is pregnant and doesn’t want a child. She’d rather a normal life with town boys, not trant life with a baby. Moira decides to step in: she’ll look after her grandchild. Then Shane finds himself in trouble with the local cops…Warmly told and witty, Craig Sherborne’s second novel is a revelation—an affecting story of family and rural life.

    Despite his upbringing in working-class Melbourne, he knows that his astonishing ability in the swimming pool has the potential to transform his life. Everything Danny has ever done, every sacrifice his family has ever made, has been in pursuit of this dream--but what happens when the talent that makes you special fails you? When the goal that you’ve been pursuing for as long as you can remember ends in humiliation and loss? Twenty years later, Dan is in Scotland, terrified to tell his partner about his past, afraid that revealing what he has done will make him unlovable. Haunted by shame, Dan relives the intervening years he spent in prison, where the optimism of his childhood was completely foreign.

    Everyday their dad battles the unpredictable ocean to make a living. He is a hard man, a bitter drinker who harbours a devastating secret that is destroying him. Unlike Joe, Harry and Miles are too young to leave home and so are forced to live under the dark cloud of their father's mood, trying to stay as invisible as possible whenever he is home. Harry, the youngest, is the most vulnerable and it seems he bears the brunt of his father's anger...

    Tabitha Bird has gifted us this wonder’ Cass MoriartyMeet Willa Waters, aged 8 . . . 33 . . . and 93.On one impossible day in 1965, eight-year-old Willa receives a mysterious box containing a jar of water and the instruction: ‘One ocean: plant in the backyard.’ So she does - and somehow creates an extraordinary time slip that allows her to visit her future selves.On one impossible day in 1990, Willa is 33 and a mother-of-two when her childhood self magically appears in her backyard. But she’s also a woman haunted by memories of her dark past – and is on the brink of a decision that will have tragic repercussions . . .On one impossible day in 2050, Willa is a silver-haired, gumboot-loving 93-year-old whose memory is fading fast. Yet she knows there’s something she has to remember, a warning she must give her past selves about a terrible event in 1990. If only she could recall what it was.Can the three Willas come together, to heal their past and save their future, before it’s too late?'A courageous and magical debut novel that reminds us that while we can’t change events from our past, we do have the power to change the story we tell ourselves about them.' Sally Piper

    But one day, Millie’s mum leaves her alone beneath the Ginormous Women’s underwear rack in a department store, and doesn’t come back.Agatha Pantha is an eighty-two-year-old woman who hasn’t left her home since her husband died. Instead, she fills the silence by yelling at passers-by, watching loud static on TV, and maintaining a strict daily schedule. Until the day Agatha spies a little girl across the street.Karl the Touch Typist is eighty-seven years old and once typed love letters with his fingers on to his wife’s skin. He sits in a nursing home, knowing that somehow he must find a way for life to begin again. In a moment of clarity and joy, he escapes.Together, Millie, Agatha and Karl set out to find Millie’s mum. Along the way, they will discover that the young can be wise, that old age is not the same as death, and that breaking the rules once in a while might just be the key to a happy life.

    Silly Billy Gould, invader of Australia, liar, murderer, forger, fantasist, condemned to live in the most brutal penal colony in the British Empire, and there ordered to paint a book of fish. Once upon a time, miraculous things happened...

    Before everyone in his family was killed in a freak rollover, he grew melons and played guitar in the family band. Robbed of all that, he has turned his back on music. There's too much emotion in it, too much memory and pain. One morning Fox is observed poaching by Georgie Jutland. Chance, or a kind of willed recklessness, has brought Georgie into the life and home of Jim Buckridge, the most prosperous fisherman in the area and a man who loathes poachers, Fox above all. But she's never fully settled into Jim's grand house on the water or into the inbred community with its history of violent secrets. After Georgie encounters Fox, her tentative hold on conventional life is severed. Neither of them would call it love, but they can't stay away from each other no matter how dangerous it is, and out on White Point it is very dangerous. Set in the dramatic landscape of Western Australia, Dirt Music is a love story about people stifled by grief and regret; a novel about the odds of breaking with the past and about the lure of music. Dirt music, Fox tells Georgie, is "anything you can play on a verandah or porch, without electricity." Even in the wild, Luther cannot escape it. There is, he discovers, no silence in nature. Ambitious, perfectly calibrated, Dirt Music resonates with suspense and supercharged emotion, and it confirms Tim Winton's status as the preeminent Australian novelist of his generation.

    A Few Days in the Country brings together for the first time her stories published in Australian journals in the 1960s and 1970s, along with those from her archives—including ‘Alice’, published for the first time earlier this year in the New Yorker.Essential reading for Harrower fans, these finely turned pieces show a broader range than the novels, ranging from caustic satires to gentler explorations of friendship.Elizabeth Harrower is the author of the novels Down in the City, The Long Prospect, The Catherine Wheel and The Watch Tower—all of which have been republished as Text Classics—and In Certain Circles, which was published in 2014 and in early 2015 was a BBC Radio 4 Book at Bedtime. Elizabeth lives in Sydney.‘Harrower has the disconcerting knack of looking at life and seeing it unadorned.’ Australian Financial Review, Best Books of 2015‘Vital, vivid stories by a master storyteller.’ Joan London, Age/Sydney Morning Herald, Best Books of 2015‘One has to think hard of a book in which so much pleasure has been wrenched from so much pain. While the skies are overcast here, what happens on the ground is brightly lit, hilariously cast by lashings of irony and overstatement...This is the work of an activist in disguise as an entertainer.’ John Freeman, Australian‘Enchanting...That Harrower has, up until recently, been denied a place in the Australian literary canon, is a tragedy—one that can only be remedied by reading her. A Few Days in the Country: And Other Stories is a fantastic place to start.’ Lip Mag‘Lyrical, insightful and finely tuned.’ Otago Daily Times‘The range of stories and styles demonstrates Harrower’s extraordinary literary skill…A Few Days in the Country and Other Stories offers no sure-fire formulas, but through its interrogation of characters’ psychological motivations it affords a deeper understanding of human behaviour.’ Australian Book Review‘[Harrower] reveals an astonishing facility to reveal a world in a few brush strokes.’ West Australian‘A Few Days in the Country continues [Harrower’s] remarkable literary rejuvenation.’ Australian, Best Books of 2015

    The day he has decided to dump his girlfriend.On a stiflingly hot December day, Stephen has decided it’s time to break up with his girlfriend Fiona. He’s 39, aimless and unfulfilled, he’s without a clue working out how to make his life better. All he has are his instincts – and unfortunately they might just be his downfall . . .As he makes his way through the pitiless city and the hours of a single day, Stephen must fend off his demanding family, endure another shift of his dead-end job at the zoo (including an excruciating teambuilding event), face up to Fiona’s aggressive ex-husband and the hysteria of a children’s birthday party that goes terribly wrong. As an ordinary day develops into an existential crisis, Stephen begins to understand – perhaps too late – that love is not a trap, and only he can free himself.Hilarious, tender and heartbreaking, Animal People is a portrait of urban life, a meditation on the conflicted nature of human-animal relationships, and a masterpiece of storytelling.Animal People invites readers to question the way we think about animals – what makes an ‘animal person’? What value do we, as a society, place on the lives of creatures? Do we brutalise our pets even as we love them? What’s wrong with anthropomorphism anyway? Filled with challenging ideas and shocks of recognition and revelation, Animal People shows a writer of great depth and compassion at work.

    He was the go-between, going between the animal kingdom and this one. I watched the waves as they rolled and crashed towards us, one after another, never stopping, always changing. I knew what was making them come, I had been there and I would always know."Meet Jimmy Flick. He's not like other kids. He finds a lot of the adult world impossible to understand - especially why his Dad gets so angry with him. Jimmy's mother Paula is the only one who can manage him. She teaches him how to count sheep so that he can fall sleep. She holds him tight enough to stop his cells spinning. It is only Paula who can keep Jimmy out of his father's way. But when Jimmy's world falls apart, he has no one else to turn to. He alone has to navigate the unfathomable world and make things right.Sofie Laguna's first novel, One Foot Wrong received rave reviews, sold all over the world and was longlisted for both the Miles Franklin and Prime Minister's Awards. In The Eye of the Sheep, her great originality and talent will again amaze and move readers. In the tradition of Room and The Lovely Bones, here is a surprising and brilliant novel from one of our finest writers.

    Her routines are few and small. One day a stranger arrives at her door, looking as if she has been blown in from the sea. This woman—Frida—claims to be a care worker sent by the government. Ruth lets her in.Now that Frida is in her house, is Ruth right to fear the tiger she hears on the prowl at night, far from its jungle habitat? Why do memories of childhood in Fiji press upon her with increasing urgency? How far can she trust this mysterious woman, Frida, who seems to carry with her, her own troubled past? And how far can Ruth trust herself?

    'That,' she announced, 'is a seriously glamorgeous name.'From the day Annabelle Andrews sashays into her classroom, Tallulah 'Lulu' de Longland is bewitched by Annabelle, by her family, and their sprawling, crumbling house tumbling down to the river.Their unlikely friendship intensifies through a secret language where they share confidences about their unusual mothers, first loves, and growing up in the small, coastal town of Juniper Bay. Their lives become as entwined as Annabelle's initials engraved beneath the de Longland kitchen table.But the euphoria of youth rarely lasts, and the implosion that destroys their friendship leaves lasting scars and a legacy of self-doubt that haunts Lulu into adulthood.Years later, Lulu is presented with a choice: remain the perpetual good girl who misses out, or finally step out from the shadows and do something extraordinary. And possibly unforgiveable.It's not how far you fall, but how high you bounce.

    But as the days tick by with no arrest, Chris's suspicion of those around her grows.