A terrible mistake at St. Prisca’s Hospital in London has led to her dismissal as a nurse trainee, and her only chance for redemption is a position in the countryside caring for children evacuated to safety from the Blitz.Greenway is a beautiful home full of riddles: wondrous curios not to be touched, restrictions on rooms not to be entered, and a generous library, filled with books about murder. The biggest mystery might be the other nurse, Gigi, who is like no one Bridey has ever met. Chasing ten young children through the winding paths of the estate grounds might have soothed Bridey’s anxieties and grief—if Greenway were not situated so near the English Channel and the rising aggressions of the war.When a body washes ashore near the estate, Bridey is horrified to realize this is not a victim of war, but of a brutal killing. As the local villagers look among themselves, Bridey and Gigi discover they each harbor dangerous secrets about what has led them to Greenway. With a mystery writer’s home as their unsettling backdrop, the young women must unravel the truth before their safe haven becomes a place of death . . .

    Five years old, they are already primed for the work of their lifetime - to serve another little girl called Mary. Mary, Queen of Scots. Thirteen years later, the five return to an unwelcoming Scotland, and as Queen Mary struggles to take control of her turbulent country, her famous ‘Four Marys’ are at her side. The queen finds herself set on the path of violence and disaster which will lead eventually to her tragic end. But what of the other four Marys, bound inexorably to their mistress’ fate? Of the four, it is Mary Seton who serves the queen longest, and whose loyalty is most severely tested. Through a maze of shadows - of treachery and even witchcraft - how can she find her own way ahead? Praise for The Queen’s Mary “Sarah Gristwood breathes new life into the deeply tragic story of Mary Queen of Scots by telling it through the perspective of the invisible woman who sacrificed her life to serve her.” Elizabeth Freemantle, bestselling author of The Girl in the Glass Tower After leaving Oxford, Sarah Gristwood began work as a journalist, appearing in most of the UK’s leading newspapers. Turning to history, she wrote bestselling biographies and works of fiction and nonfiction, predominantly focused on the sixteenth, seventeenth and eighteenth centuries. A regular media commentator on royal and historical affairs, Sarah was one of the team providing Radio 4’s live coverage of the royal wedding; and has since spoken on royal and historical stories from the royal babies to the reburial of Richard III for national television and radio. Shortlisted for both the Marsh Biography Award and the Ben Pimlott Prize for Political Writing, she is a Fellow of the RSA, and an Honorary Patron of Historic Royal Palaces.

    Their small rebellions are witnessed and provoked by an omniscient, time-traveling Satan who, though incorporeal, nonetheless suffers from a heart in search of repair.As their dramas unfold amid the brick, marble, and ghosts of Rome, they each must decide what it means to be good. Twelve-year old Prisca defiles the scrolls of her father’s library. Felix, a holy man, watches his friend’s body decay and is reminded of the first boy he loved passionately. Giulia de’ Medici, a beauty with dark skin and limitless wealth, wants to deliver herself from her unborn child. Tom, an American biologist studying the lives of the smallest creatures, cannot pinpoint when his own marriage began to die. As each of these conflicted people struggles with forces they cannot control, their circumstances raise a profound and timeless question at the heart of faith: What is our duty to each other, and what will God forgive?

    Scott Fitzgerald was a troubled, uncertain man whose literary success was long over. In poor health, with his wife consigned to a mental asylum and his finances in ruins, he struggled to make a new start as a screenwriter in Hollywood. By December 1940, he would be dead of a heart attack. Those last three years of Fitzgerald’s life, often obscured by the legend of his earlier Jazz Age glamour, are the focus of Stewart O’Nan’s gorgeously and gracefully written novel. With flashbacks to key moments from Fitzgerald’s past, the story follows him as he arrives on the MGM lot, falls in love with brassy gossip columnist Sheilah Graham, begins work on The Last Tycoon, and tries to maintain a semblance of family life with the absent Zelda and daughter, Scottie. Fitzgerald’s orbit of literary fame and the Golden Age of Hollywood is brought vividly to life through the novel’s romantic cast of characters, from Dorothy Parker and Ernest Hemingway to Humphrey Bogart. A sympathetic and deeply personal portrait of a flawed man who never gave up in the end, even as his every wish and hope seemed thwarted,

    Jewish shops have been ransacked and looted, synagogues destroyed. As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train.And then another. And another . . . until his flight becomes a frantic odyssey across Germany, as he searches first for information, then for help, and finally for escape. His travels bring him face-to-face with waiters and conductors, officials and fellow outcasts, seductive women and vicious thieves, a few of whom disapprove of the regime while the rest embrace it wholeheartedly.Clinging to his existence as it was just days before, Silbermann refuses to believe what is happening even as he is beset by opportunists, betrayed by associates, and bereft of family, friends, and fortune. As his world collapses around him, he is forced to concede that his nightmare is all too real.Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Taut, immediate, infused with acerbic Kafkaesque humor, The Passenger is an indelible portrait of a man and a society careening out of control.

    His father, John Dudley, saw his own father executed by Henry VIII when he ascended the throne, and suffered ignominy and obscurity as a result. But John is determined to rise high and see his family restored to its former glorious position. He places his sons in the Royal Household, and Robert spends his childhood years at the Royal Court, as playmate to King Henry's children, Prince Edward and the Lady Elizabeth. Robert sees his father gain power and influence, becoming the young King Edward VI's most important courtier. But when John tries to make his daughter-in-law, Lady Jane Grey, queen,the Catholic Mary Tudor proves she has the support of the people, and John is forced to renounce Jane and proclaim Mary queen. For their part in the Nine Days Queen affair, John and his sons are imprisoned in the Tower of London, to await trial and probable execution. Forced to admit that he erred in his belief in the New Religion, Protestantism, John, along with his son, Guildford who married Jane Grey, are executed, having their heads cut off on Tower Hill. One more brother dies of illness, and Queen Mary shows mercy and releases the remaining three brothers. Robert becomes desperate to restore the family's name and fortune, and persuades his brothers to join Queen Mary's husband, King Philip of Spain, in a war against the French. In France, the youngest Dudley brother, Henry, is killed, but Robert is mentioned in despatches as having fought valiantly, and the taint of attainder is removed from the Dudley family name. The Dudleys are not considered traitors any longer. But Robert is still not wanted at court, and he is forced to leave London and settle down with his wife, Amy Robsart, in Norfolk. But he soon grows tired of both the country and his wife, and hopes one day to be able to return to the court. His chance comes when Queen Mary dies and Elizabeth Tudor becomes queen. Abandoning his wife, Robert rushes to her side. Elizabeth soon falls in love with Robert, and sordid rumours spread throughout Europe about their relationship, made worse when Robert's wife dies in mysterious circumstances, and he is suspected of having her murdered. Exiled from the court, Robert has to wait in the country for the coroner's court to return a verdict of Accidental Death before Elizabeth allows him to return to her. Robert is now a free man, but Elizabeth, ever fearful of relinquishing her power, and haunted by the beheadings of her mother, Anne Boleyn, and her stepmother, Katherine Howard, will not agree to marry him, while jealously keeping him by her side. But Robert keeps hoping, and with his heart set on becoming king, he is forced to live a double life, keeping his mistress and illegitimate son secret to avoid Elizabeth's wrath. Until he falls in love with Elizabeth's cousin, the pretty and seductive, Lettice. Lettice demands marriage when she becomes pregnant, and Robert, tired of waiting for Elizabeth and wanting an heir to carry on the Dudley name, agrees. Meanwhile, his growing reputation as politician and staunch Protestant, means that Europe looks to him to solve their religious and territorial problems. Ever eager to improve his reputation and to prove that he is more than Elizabeth's favourite, he launches himself into war in the Netherlands, and is finally offered the governorship of the Dutch, making him a king in all but name. He accepts the Dutch offer but when Elizabeth hears of it, she is furious and insists that he renounce the title. Robert is forced to make a humiliating exit. He returns to England, disappointed and broken in body. Forced to become a soldier again when the Spanish launch their Armada, Robert is too ill to celebrate the English victory and dies en route to taking the spa waters at Buxton. When Elizabeth hears the news, she looks herself away in her room to grieve alone.

    As World War I rages in Europe, twenty-four-year-old Ruby Wagner, the jewel in a prominent Philadelphia family, prepares for her upcoming wedding to a society scion. Like her life so far, it’s all been carefully arranged. But when her beloved older brother is killed in combat, Ruby follows her heart and answers the Army Signal Corps’ call for women operators to help overseas.As one of the trailblazing “Hello Girls” deployed to war-torn France, Ruby must find her place in the military strata, fight for authority and respect among the Allied soldiers, and forge a victory for the cause. But balancing service to country becomes even more complicated by a burgeoning relationship with army medic Andrew Carrigan.What begins as a friendship forged on the front lines soon blossoms into something more, forcing Ruby to choose between the conventions of a well-ordered life back home, and the risk of an unknown future.