Convicted in 1994 of the murder of band-mate Euronymous, Vikernes has since spent 15yrs studying the traditions and beliefs of the Ancient Scandinavians and their influence on modern Europeans. That research has culminated in a book in which the outspoken and often divisive author challenges many of the widely held views of contemporary culture and its history. The passionate and in-depth text provides an absorbing insight into the thoughts of this most notorious of musicians. ‘Sorcery and Religion in Ancient Scandinavia’ makes fascinating reading and will be of interest not only to black metal and Burzum fans, but also to those with an interest in Norse mythology or European history and social commentators.

    This magnificent book is a collection of stories, anecdotes, and legends from all six of the regions where celtic ways have persisted in the modern world.

    Pagan religions have tended to be more concerned with practice than with theory and in a system that has no dogma - no legislated doctrine - that is as it should be. Yet as out movement grows and matures, it is inevitable that we will begin to think in a more abstract way about our models and systems. John Michael Greer has provided a primer on the kinds of ideas and themes that must be included in any discussion of the theology and philosophy of Neo-pagan religions.

    Now, with a new introduction and full-color artwork, this passionate and important text shows even more clearly that the religion of the Goddess—which is tied to the cycles of women’s bodies, the seasons, the phases of the moon, and the fertility of the earth—was the original religion of all humanity.

    Steeped in folklore and fantasy, it is a rich and diverse account of the part that fairies and fairy stories have played in culture and society.The pretty pastel world of gauzy-winged things who grant wishes and make dreams come true--as brought to you by Disney's fairies flitting across a woodland glade, or Tinkerbell's magic wand--is predated by a darker, denser world of gorgons, goblins, and gellos; the ancient antecedents of Shakespeare's mischievous Puck or J.M. Barrie's Peter Pan. For, as Diane Purkiss explains in this engrossing history, ancient fairies were born of fear: fear of the dark, of death, and of other great rites of passage, birth and sex. To understand the importance of these early fairies to pre-industrial peoples, we need to recover that sense of dread.This book begins with the earliest manifestations of fairies in ancient civilizations of the Mediterranean. The child-killing demons and nymphs of these cultures are the joint ancestors of the medieval fairies of northern Europe, when fairy figures provided a bridge between the secular and the sacred. Fairies abducted babies and virgins, spirited away young men who were seduced by fairy queens and remained suspended in liminal states.Tamed by Shakespeare's view of the spirit world, Victorian fairies fluttered across the theater stage and the pages of children's books to reappear a century later as detergent trade marks and alien abductors. In learning about these often strange and mysterious creatures, we learn something about ourselves--our fears and our desires.

    "Brilliant, vivid, entertaining."--R. D. Laing

    In fact, the English word “rune” comes to us from the Norse word runa, which means “a secret,” or “to whisper.” As symbols, the runes mean little to the untrained eye, yet the magical energies they activate can be used for positive, impactful change in your everyday life. But what are runes, exactly? On the surface level, runes are the characters in a writing system used by the ancient Germanic peoples of Europe. But unlike our modern letters, the runic symbols had been used for magical purposes long before they were fashioned into an alphabet. This is known from runic inscriptions found on ancient artifacts as well as Germanic myth and lore handed down over the centuries. Indeed, those who work with the runes today are taking part in an age-old magical tradition established by our Northern European pagan ancestors. In Runes for Beginners, best-selling author Lisa Chamberlain shines the light on these ancient symbols, showing you how to discover and utilize their unique magical energies. With both an eye toward tradition and a multicultural spirit, Lisa combines an appreciation for the Germanic roots of the runes with a more eclectic Neopagan approach. Unlike many other books on the topic, Runes for Beginners is completely accessible to those with no experience in Northern European magical traditions, yet it doesn’t ignore those traditions altogether. You will emerge from this guide with a basic understanding of the runes’ role in ancient Germanic paganism, as well as a solid foundation of knowledge to build your own runic practice, regardless of your religious or spiritual path. Foundations in Runic Magic and Divination The runes represent various aspects of the human experience of the Universe—both tangible and intangible. Each runic symbol embodies a natural force, or type of energy, which the rune worker can attune to and then manipulate in various ways. Runes can be sent out into the Universe to manifest a magical goal, or they can be used to consult with the unseen realms about a situation at hand. In Runes for Beginners, you’ll learn all you need to know to start working with runes, including: The history of the runes and their role within the framework of the Germanic magical worldview The origins of runic wisdom in Norse mythology An overview of the Elder Futhark, the oldest-known runic alphabet and most widely used rune system in contemporary Neopaganism Basic techniques of rune magic, including rune scripts, bind runes, and creating runic talismans How to make your own runes Instructions for traditional rune-casting as well as contemporary rune spreads Tips for successful divination The divinatory meanings and magical uses of each rune in the Elder Futhark A suggested reading list for further exploring the runes and the magical and spiritual traditions of the ancient Germanic peoples Detailed tables of correspondence for a handy condensed magical and divinatory guide By the end of this guide, you will have a working knowledge of the runes that will enable you to use them with confidence in magic and divination.

    Weaving early accounts of witchcraft—trial records, ecclesiastical tracts, folklore, and popular iconography—into new and startling patterns, Carlo Ginzburg presents in Ecstasies compelling evidence of a hidden shamanistic culture that flourished across Europe and in England for thousands of years.

    In Grimoires: A History of Magic Books, Owen Davies illuminates the many fascinating forms these recondite books have taken and exactly what these books held. At their most benign, these repositories of forbidden knowledge revealed how to make powerful talismans and protective amulets, and provided charms and conjurations for healing illness, finding love, and warding off evil. But other books promised the power to control innocent victims, even to call up the devil. Davies traces the history of this remarkably resilient and adaptable genre, from the ancient Middle East to modern America, offering a new perspective on the fundamental developments of western civilization over the past two thousand years. Grimoires shows the influence magic and magical writing has had on the cultures of the world, richly demonstrating the role they have played in the spread of Christianity, the growth of literacy, and the influence of western traditions from colonial times to the present.

    This text manages a pleasing balance, succeeds in whetting the appetite and supplying excellent online resources for the reader who wishes to find out more. Inside you will read about... ✓ The Creation in Norse Mythology ✓ The Nine Worlds ✓ Major Gods and Goddesses ✓ Valhalla ✓ Ragnarok ✓ The Sagas ✓ The Influence of Norse Mythology on Our Lives Today The author quotes generously from the most important relevant source which is freely available via the Project Gutenberg, and you are left with the sounds and taste of the times... ringing in your ears and tingling on your tongue.

    But at the centre of their cosmos stands a gnarled old ash tree from which all distances and times are measured. When the old tree creaks, Ragnarok - the end of the world and of the gods themselves - is at hand. It is from this tree that Odin, father of the gods, hanged himself in search of the wisdom of the dead: a disturbing image of divine sacrifice far removed from the feasting and fighting of his otherworld home, Valhalla. This is the first book to show how the Norse myths have resonated from era to era: from Viking-age stories of ice and fire to the epic poetry of Beowulf; and from Wagner's Ring to Marvel Comics' Mighty Thor. Heather O'Donoghue considers the wider contexts of Norse mythology, including its origins, medieval expression and reception in post-medieval societies right up to the present. From Asgard to Valhalla is a book that will intrigue and delight anyone with an interest in how the Norse myths have so profoundly shaped the western cultural heritage.

    Martin West investigates their traditional mythologies, religions, and poetries, and points to elements of common heritage. In The East Face of Helicon (1997), West showed the extent to which Homeric and other early Greek poetry was influenced by Near Eastern traditions, mainly non-Indo-European. His new book presents a foil to that work by identifying elements of more ancient, Indo-European heritage in the Greek material. Topics covered include the status of poets and poetry in Indo-European societies; metre, style, and diction; gods and other supernatural beings, from Father Sky and Mother Earth to the Sun-god and his beautiful daughter, the Thunder-god and other elemental deities, and earthly orders such as Nymphs and Elves; the forms of hymns, prayers, and incantations; conceptions about the world, its origin, mankind, death, and fate; the ideology of fame and of immortalization through poetry; the typology of the king and the hero; the hero as warrior, and the conventions of battle narrative.

    Each spell comes with a diagram and specific instructions for their use and purpose.

    It dramatizes a 13th century view of the past, from the pagan anarchy of the Viking age to the settlement of Iceland, the coming of Christianity and the beginnings of organized society.

    The lively and highly readable narrative is complemented by an appendix of detailed references to all the original texts and a fine selection of illustrations taken from vase paintings.