This reprint anthology showcases the best Holmes short fiction from the last 25 years, featuring stories by such visionaries as Stephen King, Neil Gaimen, Laura King, and many others.

    Her crime—the gruesome murders of dozens of female servants, mostly young girls tortured to death for displeasing their ruthless mistress. Her opponents painted her as a bloodthirsty škrata—a witch—a portrayal that would expand to grotesque proportions through the centuries.In this riveting dramatization of Erzsébet Báthory’s life, the countess tells her story in her own words, writing to her only son—a final reckoning from his mother in an attempt to reveal the truth behind her downfall. Countess Báthory describes her upbringing in one of the most powerful noble houses in Hungary, recounting in loving detail her devotion to her parents and siblings as well as the heartbreak of losing her father at a young age. She soon discovers the price of being a woman in sixteenth-century Hungary as her mother arranges her marriage to Ferenc Nádasdy, a union made with the cold calculation of a financial transaction. Young Erzsébet knows she has no choice but to accept this marriage even as she laments its loveless nature and ultimately turns to the illicit affections of another man. Seemingly resigned to a marriage of convenience and a life of surreptitious pleasure, the countess surprises even herself as she ignites a marital spark with Ferenc through the most unromantic of acts: the violent punishment of an insolent female servant. The event shows Ferenc that his wife is no trophy but a strong, determined woman more than capable of managing their vast estates during Ferenc’s extensive military campaigns against the Turks. Her naked assertion of power accomplishes what her famed beauty could not: capturing the love of her husband. The countess embraces this new role of loving wife and mother, doing everything she can to expand her husband’s power and secure her family’s future. But a darker side surfaces as Countess Báthory’s demand for virtue, obedience, and, above all, respect from her servants takes a sinister turn. What emerges is not only a disturbing, unflinching portrait of the deeds that gave Báthory the moniker “Blood Countess,” but an intimate look at the woman who became a monster.

    I want to make that perfectly clear. But after my life turned into a horror movie, I take fear a lot more seriously now. I finally became Dr. Carrie Ames just eight months ago. Then I was attacked in the hospital morgue by a vampire. Just my luck.So now I'm a vampire, and it turns out I have a blood tie to the monster who sired me. The tie works like an invisible leash and I'm bound to him no matter what I do. And of course he's one of the most evil vampires on earth. With my sire hell-bent on turning me into a soulless killer and his sworn enemy set to exterminate me, things couldn't get much worse--except I'm attracted to them both.Drinking blood, living as an immortal demon and being a pawn between two warring vampire factions isn't exactly how I'd imagined my future. But as my father used to say, the only way to conquer fear is to face it. So that's what I'll do. Fangs bared.

    Recently, a similar party had also attempted to explore the town and was never heard from again. Now the area is believed to be haunted. This crew is about to discover, twenty miles from civilization with a blizzard bearing down, that they are not alone, and the past is very much alive.Revised edition: This edition of Abandon includes editorial revisions.

    She is awkward, plain, and most pertinently, believes that her mother, who died in childbirth, lives in the scar on her neck. Iseult’s father parades a host of unsuitable candidates before her, the majority of whom Iseult wastes no time frightening away. When at last her father finds a suitor desperate enough to take Iseult off his hands—a man whose medical treatments have turned his skin silver—a true comedy of errors ensues. As history’s least conventional courtship progresses into talk of marriage, Iseult’s mother becomes increasingly volatile and uncontrollable, and Iseult is forced to resort to extreme, often violent, measures to keep her in check. As the day of the wedding nears, Iseult must decide whether (and how) to set the course of her life, with increasing interference from both her mother and father, tipping her ever closer to madness, and to an inevitable, devastating final act.

    . . but immortality comes at a price. . . . On the midnight shift at a hospital in rural St. Andrew, Maine, Dr. Luke Findley is expecting a quiet evening--until a mysterious woman, Lanore McIlvrae, arrives in his ER, escorted by police. Lanore is a murder suspect, and Luke is inexplicably drawn to her. As Lanny tells him her story, an impassioned account of love and betrayal that transcends time and mortality, she changes his life forever. At the turn of the nineteenth century, Lanny was consumed as a child by her love for the son of St. Andrew’s founder, and she will do anything to be with him forever, but the price she pays is steep--an immortal bond that chains her to a terrible fate.

    A young English gentleman of means, Aubrey is immediately intrigued by Lord Ruthven, the mysterious newcomer among society’s elite. His unknown origin and curious behavior tantalizes Aubrey’s imagination. But the young man soon discovers a sinister character hidden behind his new friend’s glamorous facade.   When the two are set upon by bandits while traveling together in Europe, Ruthven is fatally injured. Before drawing his last breath, he makes the odd request that Aubrey keep his death and crimes secret for a year and a day. But when Ruthven resurfaces in London—making overtures toward Aubrey’s sister—Aubrey realizes this immortal fiend is a vampyre.   John William Polidori’s The Vampyre is both a classic tale of gothic horror and the progenitor of the modern romantic vampire myth that has been fodder for artists ranging from Anne Rice to Alan Ball to Francis Ford Coppola. Originally published in 1819, many decades before Bram Stoker’s Dracula, and misattributed to Polidori’s friend Lord Byron, The Vampyre has kept readers up at night for nearly two hundred years.

    All over the rural town of Grandville, tacked to power poles and trees, taped to store windows, blowing along the sidewalks, fliers have appeared announcing the mysterious one-night-only performance of The Traveling Vampire Show.The show will feature Valeria, the only known vampire in captivity. According to the fliers, she is a gorgeous, stunning beauty. In the course of the performance, she will stalk volunteers from the audience, sink her teeth into their necks and drink their blood!For three local teenagers who see the fliers, this is a show they don't want to miss. But they may have to.Though they can probably scrape up the price of admission, other obstacles stand in the way. One problem, nobody under 18 years of age is allowed into the show. Dwight, Rusty, and Slim are only 16. Another problem, the show begins at midnight and the three teens always have to be home by then. If that weren't bad enough, the show is to take place at Janks Field -- a desolate patch of ground with a nasty history -- that has been declared off limits by their parentsThe situation appears hopeless.Though Dwight and his friends fear they won't be able to attend the actual performance of the Traveling Vampire Show, they do have the entire day to themselves. Why not hike out to Janks Field and take a look around? With any luck, they might be able to watch the crew make preparations for tonight's performance. If they're really lucky, maybe they'll get a peek at Valeria, the gorgeous vampire.And so the three friends set off on foot for Janks Field...Dwight is a solid, honest kid, long on common sense and loyalty to his friends. He always tries to do what's right.Rusty is a husky guy who relishes trouble.Slim, their long-time pal, is the brains of the outfit, a voracious reader of novels, an aspiring writer, and a girl. Also, she is sometimes too brave for her own good.The Traveling Vampire Show is the tale, told in Dwight's own words, of what happened to him, Rusty and Slim on that hot summer day they hiked to Janks Field. It's the story of their friendship and love, their temptations, their betrayals, and their courage as they went where they shouldn't go, did what they shouldn't do...and ran into big trouble.

    And die. Joey Peacock knows this as well as anybody—he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city’s sidewalks.The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It’s almost too easy.Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him…or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were.And neither are the rest of us.

    It's an object desired by collectors and by those with wickedness in their hearts. One day, its current owner shows up at Danni Cafferty's antiques shop on Royal Street, the shop she inherited from her father. But before Danni can buy the statue, it disappears and the owner is found dead…. Michael Quinn, former cop and now private investigator, is determined to find and destroy this object with its long history of evil and even longer trail of death. He and Danni are drawn together in their search for the missing statue, following it through sultry New Orleans nights to hidden places in the French Quarter and secret ceremonies on abandoned plantations. But Cafferty and Quinn know that their story won't end when this case is closed and the dead rest in peace once again.

    Here are some of the remarkable features of Barnes & Noble Classics:All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Generations of readers have been enchanted by Dickens’s A Christmas Carol—the most cheerful ghost story ever written, and the unforgettable tale of Ebenezer Scrooge’s moral regeneration. Written in just a few weeks, A Christmas Carol famously recounts the plight of Bob Cratchit, whose family finds joy even in poverty, and the transformation of his miserly boss Scrooge as he is visited by the ghosts of Christmas past, present, and future.From Scrooge’s “Bah!” and “Humbug!” to Tiny Tim’s “God bless us every one!” A Christmas Carol shines with warmth, decency, kindness, humility, and the value of the holidays. But beneath its sentimental surface, A Christmas Carol offers another of Dickens’s sharply critical portraits of a brutal society, and an inspiring celebration of the possibility of spiritual, psychological, and social change.This new volume collects Dickens’s three most renowned “Christmas Books,” including The Chimes, a New Year’s tale, and The Cricket on the Hearth, whose eponymous creature remains silent during sorrow and chirps amid happiness.Katharine Kroeber Wiley, the daughter of a scholar and a sculptor, has a degree in English Literature from Occidental College. Her work has appeared in Boundary Two and the recent book, Lore of the Dolphin. She is currently working on a book on Victorian Christmas writings.

    Missions are pillaged, native peasants are abused, and innocent men and women are persecuted by the corrupt governor and his army.But a champion of freedom rides the highways. His identity hidden behind a mask, the laughing outlaw Zorro defies the tyrant's might. A deadly marksman and a demon swordsman, his flashing blade leaves behind . . .First published in 1919, The Mark of Zorro has inspired countless films and television adventures. Now read how the legend began.

    An old diary reveals glimpses of the mansion's past — and of a terrible tragedy. A mysterious woman talks to the dead. And evil lurks in the East Wing — a hideous labyrinth of passageways devised by a truly twisted mind.Can Elliott and his family escape the clutches of Glebe House? Or will they be trapped in the maze of corridors, forever hunted by the dead?Winner of the Calderdale AwardReviews'Beautifully written and truly chilling ghost story set in a creepy mansion and featuring lost children, fearsome hunters and echoing nursery rhymes ... I liked the creepiness and the tension, which ratchets up and up until its almost unbearable.' The Bookbag 'McNish is one of our most talented thriller writers, with an ability to make your spine crawl and your heart pound with his stylish pared down prose.' Amanda Craig, The Times 'The Hunting Ground follows all the directions laid down by writers like Edgar Allan Poe and Ambrose Bierce, but McNish makes them all his own. This is a beautifully written and truly disturbing ghost story. Enjoy and shiver.' South China Morning Post'A masterly sense of revelation make this a seriously chilling read.' Jake Hope, The Bookseller'A gripping and inventive ghost story for older readers in which the tension builds through apprehension, to dread and finally outright terror. This book will have readers looking over their shoulders for a long time after the last page is finished.' Booktrust

    K. Chesterton (1874–1936) is best known as the creator of detective-priest Father Brown (even though Chesterton's mystery stories constitute only a small fraction of his writings). The eight adventures in this classic British mystery trace the activities of Horne Fisher, the man who knew too much, and his trusted friend Harold March. Although Horne's keen mind and powerful deductive gifts make him a natural sleuth, his inquiries have a way of developing moral complications. Notable for their wit and sense of wonder, these tales offer an evocative portrait of upper-crust society in pre–World War I England.

    Damien Cole. Ignoring the whispered warnings and rumours that he's a man to fear, she takes her position at his eerie estate, where she quickly discovers that nothing is at it seems, least of all her handsome and brooding employer. As Darcie struggles with her fierce attraction to Damien, she must also deal with the blood, the disappearances ... and the murders.With her options dwindling and time running out, Darcie must rely on her instincts as she confronts the man she falling in love with. Is he an innocent and misunderstood man ... or a remorseless killer who prowls the East End streets?Note: All books in the Dark Gothic series can be read as stand-alone novels.