In captivating prose, Dowden spins tales of cults and commerce in Senegal and traditional spirituality in Sierra Leone; analyzes the impact of oil and the internet on Nigeria and aid on Sudan; and examines what has gone so badly wrong in Zimbabwe, Rwanda, Burundi, and the Congo. From the individual stories of failure and success comes a surprising portrait of a new Africa emerging--an Africa that, Dowden argues, can only be developed by its own people. Dowden's master work is an attempt to explain why Africa is the way it is and calls for a re-examination of the perception of Africa as "the dark continent." He reveals it as a place of inspiration and tremendous humanity.

    And yet, despite its epic proportions, it has received little sustained media attention. In this deeply reported book, Jason Stearns vividly tells the story of this misunderstood conflict through the experiences of those who engineered and perpetrated it. He depicts village pastors who survived massacres, the child soldier assassin of President Kabila, a female Hutu activist who relives the hunting and methodical extermination of fellow refugees, and key architects of the war that became as great a disaster as--and was a direct consequence of--the genocide in neighboring Rwanda. Through their stories, he tries to understand why such mass violence made sense, and why stability has been so elusive.Through their voices, and an astonishing wealth of knowledge and research, Stearns chronicles the political, social, and moral decay of the Congolese State.

    However, this powerful biography provides an in-depth look at the man who grew up in a rural village in South Africa under racist apartheid rule--a regime he ultimately helped overthrow.Denenberg explores the history of South Africa and its often violent struggle for civil rights, while tracing Mandela's role in that history. Lawyer, leader of the African National Congress, political prisoner who spent 26 years in jail, president--no one else has had such enormous influence on his fellow South Africans . . . or his fellow human beings.

    He prided himself on furthering relations between communities, speaking several tribal languages fluently and developing a reputation as a man to be trusted and sought after for help and advice. With a thriving young family, a devoted wife and a quick succession of promotions, George is proud of everything he has achieved so far, in particular the understanding he is fostering between whites and blacks. Then, in the wake of the 1948 elections, George feels a shift in the Native Affairs Department's agenda. As he is shunted from one outpost to another, his role becoming ever more hopeless, his place in South Africa's future increasingly hazy, he feels the weight of his powerlessness and finds himself fighting off a crippling depression. "The Native Commissioner" is a heart-wrenching portrayal of a kind and conscientious man who felt himself cast adrift under the weight of South African apartheid.

    It is a story, too, of political intrigue; of a revolutionary movement struggling first to defeat and then to seduce a powerful and callous enemy, of the battle between unity and discord, and the dogged rise to power of a quiet, clever, diligent but unpopular man who seemed to take little joy in power but have much need for it. By the time he retires in 2009, Thabo Mbeki will have ruled South Africa, in effect, for the full fifteen years of its post-apartheid democracy: the first five as Nelson Mandela's 'prime minister' and the next ten as Mandela's successor. No African leader since the uhuru generation of Nkrumah and Nyerere has been as influential. The author's long-awaited biography is a profound psycho-political examination of this brilliant but deeply-flawed leader, who has attempted to forge an identity for himself as the symbol of modern Africa in the long shadow of Mandela. It is also a gripping journey into the turbulent history and troubled contemporary soul of the country; one that tries to make sense of the violence of the past and confusion of the present. As Mbeki battles, in the current day, with demons ranging from AIDS to Zimbabwe's Robert Mugabe and finds his legacy challenged by the ever-growing candidacy of his would-be successor Jacob Zuma, The Dream Deferred tracks us back along the path that brought him here, and helps us understand the meaning of South Africa, post-apartheid and post-Mandela.

    Elvis Oke, a teenage Elvis impersonator spurred on by the triumphs of heroes in the American movies and books he devours, pursues his chosen vocation with ardent single-mindedness. He suffers through hours of practice set to the tinny tunes emanating from the radio in the filthy shack he shares with his alcoholic father, his stepmother and his stepsiblings. He applies thick makeup that turns his black skin white, to make his performances more convincing for American tourists and hopefully net him dollars. But still he finds himself constantly broke. Beset by hopelessness and daunted by the squalor and violence of his daily life, he must finally abandon his dream.With job prospects few and far between. Elvis is tempted to a life of crime by the easy money his friend Redemption tells him is to be had in Lago's underworld. But the King of the Beggars, Elvis's enigmatic yet faithful adviser, intercedes. And so, torn by the frustration of unrealizable dreams and accompanied by an eclectic chorus of voices, Elvis must find a way to a Graceland of his own making.Graceland is the story of a son and his father, and an examination of postcolonial Nigeria, where the trappings of American culture reign supreme.

    Odidi Oganda, running for his life, is gunned down in the streets of Nairobi. His grief-stricken sister, Ajany, just returned from Brazil, and their father bring his body back to their crumbling home in the Kenyan drylands, seeking some comfort and peace. But the murder has stirred memories long left untouched and unleashed a series of unexpected events: Odidi and Ajany’s mercurial mother flees in a fit of rage; a young Englishman arrives at the Ogandas’ house, seeking his missing father; a hardened policeman who has borne witness to unspeakable acts reopens a cold case; and an all-seeing Trader with a murky identity plots an overdue revenge. In scenes stretching from the violent upheaval of contemporary Kenya back through a shocking political assassination in 1969 and the Mau Mau uprisings against British colonial rule in the 1950s, we come to learn the secrets held by this parched landscape, buried deep within the shared past of the family and of a conflicted nation. Here is a spellbinding novel about a brother and sister who have lost their way; about how myths come to pass, history is written, and war stains us forever.

    Most people know one another; if not by name, then by face. And yet neighbours do not ask one another what they did in Liberia, for the question is considered an accusation. Many people here fled Liberia's brutal civil war, a conflict that claimed the lives of one in fourteen Liberians. The question of who is responsible is a bitter one. Jacob Massaquoi arrived on Park Hill Avenue in 2002 limping heavily. Before he had been there a week, a hundred stories abounded about his injury. By this time Rufus Arkoi was the acknowledged leader of New York's Liberians, a man who had sat out the war in America, but who harboured hopes of one day returning home to run for president. Within a year the two men were locked in a conflict that threatened to consume the community. The suspicions and accusations the residents had bottled up for years exploded at once. To observers it appeared that this enclave of exiles was frozen at the time of their flight, restarting a war that had ended back home.Jonny Steinberg spent two years in New York shadowing Rufus and Jacob, eventually journeying to Liberia to piece together their biographies from the people who once knew them. What emerges is a story of a horrific and heart-wrenching civil war, of a deeply troubled relationship between America and West Africa, of personal ambition wrestling with moral responsibility, of memory wrestling with forgetfulness and of the quest to be human in a world losing its humanity. Mixing history, reportage and a wealth of extraordinary personal stories Jonny Steinberg takes up the tale of a fractured African nation and its diaspora to remarkable effect. Little Liberia is a unique and important book, told with clarity and compassion, by one of our best and brightest young writers.

    Down Second Avenue is a landmark book that describes Mphahlele’s experience growing up in segregated South Africa. Vivid, graceful, and unapologetic, it details a daily life of severe poverty and brutal police surveillance under the subjugation of an apartheid regime. Banned in South Africa after its original 1959 publication for its protest against apartheid, Down Second Avenue is a foundational work of literature that continues to inspire activists today.

    The austere, incorruptible leader who has shut Eritrea off from the world in a permanent state of war and conscripted every adult into the armed forces. In Equatorial Guinea, the paranoid despot who thought Hitler was the saviour of Africa and waged a relentless campaign of terror against his own people. The Libyan army officer who authored a new work of political philosophy, The Green Book, and lived in a tent with a harem of female soldiers, running his country like a mafia family business.And behind these almost incredible stories of fantastic violence and excess lie the dark secrets of Western greed and complicity, the insatiable taste for chocolate, oil, diamonds and gold that has encouraged dictators to rule with an iron hand, siphoning off their share of the action into mansions in Paris and banks in Zurich and keeping their people in dire poverty.

    During the years when Brazil, India, China and the other “emerging markets” have transformed their economies, Africa's resource states remained tethered to the bottom of the industrial supply chain. While Africa accounts for about 30 per cent of the world's reserves of hydrocarbons and minerals and 14 per cent of the world's population, its share of global manufacturing stood in 2011 exactly where it stood in 2000: at 1 percent.In his first book, The Looting Machine, Tom Burgis exposes the truth about the African development miracle: for the resource states, it's a mirage. The oil, copper, diamonds, gold and coltan deposits attract a global network of traders, bankers, corporate extractors and investors who combine with venal political cabals to loot the states' value. And the vagaries of resource-dependent economies could pitch Africa's new middle class back into destitution just as quickly as they climbed out of it. The ground beneath their feet is as precarious as a Congolese mine shaft; their prosperity could spill away like crude from a busted pipeline.This catastrophic social disintegration is not merely a continuation of Africa's past as a colonial victim. The looting now is accelerating as never before. As global demand for Africa's resources rises, a handful of Africans are becoming legitimately rich but the vast majority, like the continent as a whole, is being fleeced. Outsiders tend to think of Africa as a great drain of philanthropy. But look more closely at the resource industry and the relationship between Africa and the rest of the world looks rather different. In 2010, fuel and mineral exports from Africa were worth 333 billion, more than seven times the value of the aid that went in the opposite direction. But who received the money? For every Frenchwoman who dies in childbirth, 100 die in Niger alone, the former French colony whose uranium fuels France's nuclear reactors. In petro-states like Angola three-quarters of government revenue comes from oil. The government is not funded by the people, and as result it is not beholden to them. A score of African countries whose economies depend on resources are rentier states; their people are largely serfs. The resource curse is not merely some unfortunate economic phenomenon, the product of an intangible force. What is happening in Africa's resource states is systematic looting. Like its victims, its beneficiaries have names.

    From impassioned descriptions of animal-creators to dramatic stories of communities forced to flee monstrous crocodiles, all the narratives found here concern origins - whether of the universe, peoples or families. Together, they create a kaleidoscopic picture of the rich and varied oral traditions that have shaped the culture and society of successive generations of Africans for thousands of years, throughout the long struggle to survive and explore this massive and environmentally diverse continent.

    Following the Rwandan genocide, an idealistic group of young rebels overthrew the brutal regime in Kigali, ushering in an era of peace and stability that made Rwanda the donor darling of the West, winning comparisons with Switzerland and Singapore. But the truth was considerably more sinister.  Vividly sourcing her story with direct testimony from key participants, Wrong uses the story of the murder of Patrick Karegeya, once Rwanda’s head of external intelligence and a quicksilver operator of supple charm, to paint the portrait of a modern African dictatorship created in the chilling likeness of Paul Kagame, the president who sanctioned his former friend’s assassination.

    Ross�s heirs contested the will for more than a decade in the state courts and legislature, prompting a deadly revolt in which a group of slaves burned Ross' mansion to the ground, but the will was ultimately upheld. The slaves then emigrated to their new home, where they battled the local tribes and built vast plantations with Greek Revival style mansions in a region the Americo- Africans renamed Mississippi in Africa. The seeds of resentment sown over a century of cultural conflict between the colonists and tribal peoples exploded in the late twentieth century, begetting a civil war that rages in Liberia to this day. Tracking down Prospect Hill's living descendants, deciphering a history ruled by rumor, and delivering the complete chronicle in riveting prose, journalist Alan Huffman has rescued a lost chapter of American history whose aftermath is far from over.

    quite hilariously funny!'" - Melbourne Herald"Anyone with experience of Kenya, past or present, resident or tourist, will enjoy reading Happy Valley" - Country Life